REVIEW: ABIGAIL (2024)

ABIGAIL (2024)

New horror from the directors that brought us Scream V and Scream VI has a team of unscrupulous individuals, Frank (Dan Stevens), Joey (Melissa Barerra), Sammy (Kathryn Newton), Peter (Kevin Durand), Rickles (Will Catlett) and Dean (the late Angus Cloud) gathered by a man named Lambert (Giancarlo Esposito) to kidnap 12-year-old Abigail (Alisha Weir). The girl’s father is apparently wealthy and powerful, and the plan is to extort $50 million from him for her return. They soon discover the situation however is not what they think and find themselves locked inside an old mansion. Now trapped they also find to their horror that Abigail isn’t what she seems either.

Horror with a dark sense of humor is directed by Matt Bettinelli-Olpin and Tyler Gillet from a script by Stephen Shields and Guy Busick and is a fun and delightfully gory flick as our six kidnappers find out that the hunters are now the hunted. It’s no secret that Abigail is a monster and not just in levels of being a brat. The flick gets deliriously gruesome at times as the little fiend hunts and attacks for her amusement when she’s not manipulating her captors to turn against each other. It’s a fun time and there are some really enjoyable action sequences when the adorable little creature turns badasses into bloody messes. It’s not perfect. Not all the characters click, nor do some of the dialogue exchanges and sometimes the momentum stops when things really start to get going. And after a bit of a slow burn first act to get to know our six kidnappers, things do get going. It is a bloody good time despite its flaws and one with some legit scary scenes and a very solid cast.

A kidnapping is about to go awry in Abigail.

Melissa Barerra is our lead and makes a formidable heroine as Joey. Joey is a former Army medic and ex-addict who yearns to get the big payday so she can reunite with and take care of her son. She’s tough and smart and resilient and making her sympathetic at first to Abagail and a mom, helps keep one from seeing her as a bad guy. Dan Stevens is fun as the ex-cop turned hoodlum and seems to be having a good time, especially in the last act when he gets to go over the top. Kathryn Newton is also fun as Sammy, a computer hacker who seems to be onboard more for kicks. She’s cute and sarcastic and also gets to have some over the top fun. Kevin Durand is the likeable musclehead Peter and makes his character more of a likable lug than a thug. Will Catlett is solid as ex-soldier and sniper Rickles, while the late Angus Cloud is also amusing as punk getaway driver Dean. As our creature of the night, Alisha Weir steals the show as the vicious Abigail. A true monster that is centuries old yet still stalks and kills her prey with the amusement of a child. Weir is simply a blast to watch as she goes from the frightened kidnap victim to a savage monster that “likes to play with her food”. Rounding out is Giancarlo Esposito who gives his Lambert a sense of both nobility and lethality in his brief appearances. A great cast even if the dialogue doesn’t always completely support them.

In conclusion Abigail is a bit flawed but still a bloody fun flick. There characters are basically likable though not all of them click as well as our leads. Melissa Barerra proves again a solid heroine while young Alisha Weir steals the show as the fiend in a child’s body Abigail. There are some fun twists, some gruesome action and a dark sense of humor throughout. Some of the dialogue sequences are a little flat and sometimes the film stops its momentum when things were starting to really move. Go in with expectations turned down a notch or two and the flick can be a lot of fun, just not the total blast one went in hoping for.

-MonsterZero NJ

Rated 3 (out of 4) fangs.

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NEW HORROR “ABIGAIL” FROM SCREAM V and VI DUO GETS A POSTER AND TRAILER

NEW HORROR “ABIGAIL” FROM SCREAM V and VI DUO GETS A POSTER AND TRAILER

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From the official press release…

“Children can be such monsters.

After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl. From Radio Silence—the directing team of Matt Bettinelli-Olpin and Tyler Gillett behind the terrifying modern horror hits Ready or Not, 2022’s Scream and last year’s Scream VI—comes a brash, blood-thirsty new vision of the vampire flick, written by Stephen Shields (The Hole in the Ground, Zombie Bashers) and Guy Busick (Scream franchise, Ready or Not). Abigail stars Melissa Barrera (Scream franchise, In the Heights), Dan Stevens (Gaslit, Legion), Kathryn Newton (Ant-Man and the Wasp: Quantumania, Freaky), William Catlett (Black Lightning, True Story), Kevin Durand (Resident Evil: Retribution, X-Men Origins: Wolverine) and Angus Cloud (Euphoria, North Hollywood) as the kidnappers and Alisha Weir (Roald Dahl’s Matilda the Musical, Darklands) as Abigail. The film produced by William Sherak (Scream franchise, Ready or Not), Paul Neinstein (Scream franchise; executive producer, The Night Agent) and James Vanderbilt (Zodiac, Scream franchise) for Project X Entertainment, by Tripp Vinson (Ready or Not, Journey 2: The Mysterious Island) and by Radio Silence’s Chad Vilella (executive producer Ready or Not and Scream franchise). The executive producers are Ron Lynch and Macdara Kelleher.”

Only In Theaters April 19

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-MonsterZero NJ

Source: Universal Pictures

REVIEW: SCREAM VI (2023)

SCREAM VI (2023)

Neve Campbell-less sequel has previous installment survivors Tara Carpenter (Jenna Ortega) and her sister Sam (Melissa Barrera) leaving Woodsboro and heading to the Big Apple with fellow survivors Chad (Mason Gooding) and Mindy (Jasmin Savoy Brown). A year after the last installment’s events and right in time for Halloween, bodies start falling again and a familiar voice begins making those fateful phone calls. Along with Gail Weathers (Courteney Cox) and Kirby Reed (Hayden Panettiere), who is now an FBI agent, they try to stop Ghostface one and for all.

Latest installment in this enduring slasher franchise is again directed by Matt Bettinelli-Olpin and Tyler Gillett from a script by James Vanderbilt and Guy Busick. This is a brutal and vicious installment and actually works very well without Sydney Prescott’s involvement. The torch seems to rest fine in the hands of Tara and Sam, as does the refreshing change to the streets and subways of New York City. Setting it on Halloween is also a plus as now there are masked figures, especially Ghostface masks, everywhere. The kills are intense and nasty and this, along with a more 80s portrayal of NYC, with grimy streets, crowded subways and dark alleys, gives the film an even gritter edge. It’s an improvement over the so-so 2022 requel and does freshen up the franchise a bit even if the final act reveals aren’t quite as jaw dropping as we’d hoped. The violence is well rendered as always and is very intense although one feels that the trope of our heroes getting the upper hand on Ghostface then running away before finishing him off is getting really tiresome…understandably the movie would only be about a half hour long then if they did. At least Olpin and Gillett do have some fun with series expectations and relax the tiresome meta nonsense for a more straightforward slasher.

The cast is good here. Cox and Panettiere work well with the newer cast members, Panettiere especially with slipping back into the role of Kirby after 12 years. Her character’s explanation of why she became an FBI agent makes sense. Melissa Barrera again makes for a very strong lead as Sam, now dealing with the effects of the previous year’s attack and the savage internet fallout which paints Sam as the real villain. Rising star Jenna Ortega (X, Wednesday) gets far more to do here and is already a veteran in parts like this. Jasmin Savoy Brown is again fun as horror movie fan Mindy and Mason Gooding (Booksmart) is solid as Chad. Newcomers include Dermot Mulroney as Det. Bailey, Liana Liberato as his daughter and Tara and Sam’s roommate Quinn and Jack Champion as Chad’s roommate Ethan.

Overall, Scream VI doesn’t reinvent the franchise wheel but does freshen it up a bit with a new location, focusing more on the newer cast members and having a little fun with the franchise template. It’s also gritter and nastier than the last flick and delivers some brutal and intense scenes. The reveal could have had a bit more impact, but all in all Scream VI rates as one of the better sequels and shows the franchise still has some life in it yet.

-MonsterZero NJ

Rated 3 (out of 4) Ghostfaces!

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REVIEW: READY OR NOT (2019)

READY OR NOT (2019)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

Whether it be 1932’s The Most Dangerous Game or John Woo’s 1993 Hard Target, the concept of rich people hunting common folks for sport, or otherwise, is nothing new. Ready or Not finds pretty Grace (Samara Weaving) about to marry into the wealthy but eccentric Le Domas family, who have grown rich on games and pro sports. After taking her vows with their son Alex (Mark O’Brien), it’s revealed she must follow tradition and play a game with the family at midnight. The game, chosen from a mysterious box, is hide and seek. What Grace also soon finds out is that she must hide as the family hunts her and that she must be captured and sacrificed before dawn to appease the mysterious Mr. Le Bail, who is responsible for the family’s success. If they don’t, they will all die. Now Grace is in a fight for her very life as she is alone and pursued through the labyrinth-like mansion.

The film is directed by Matt Bettinelli-Olpin and Tyler Gillett, who helmed the fun found footage flick Devil’s Due. Ready or Not tries to have a good time with it’s premise, but also seems a bit moderately paced for a chase/hunt flick. The action stops frequently for a movie that needs a sense of urgency and what action there is could have been punchier, as could a few of it’s big moments. It felt like they were holding back from really cutting loose with the mayhem. The script is from Guy Busick and R. Christopher Murphy who take a familiar story and add some social commentary and a twisted sense of humor, but not really much new. A good deal of that twisted humor falls flat and while the directors try to give it a little spark, the familiarity of the story handcuffs it from being really suspenseful. We know what’s coming and where it’s going. That and the trailers basically featured all the best bits, so it left very little to surprise or amuse…which is not the filmmakers fault, but the marketing. There is some entertaining action and a few tense bits and the film can be amusingly gruesome at times. A few of the jokes do wear out their welcome, such as the constant killing of the help by incompetent family members. A way too convenient character turn gets Grace out of her biggest trouble only to have another character turn put her back in it a few scenes later. Both seems like plot contrivances aside from simply being repetitive. The first is an obvious plot device to get Grace out of a fix when the writers wrote themselves into a corner and the second character turn simply doesn’t make sense happening at such a late point. Occurring at such a late juncture also doesn’t give it any time to resonate and thus it appears to be just there to give the flick one more “WTF?” moment before the climactic ending.

Weaving gives it her all and makes for a solid heroine for us to root for. Grace’s got fire and resilience and becomes a survivor pretty quick. She makes this a lot more worth watching. O’Brien is fairly generic as her conflicted new husband, Alex, while Adam Brody is amusing as his bitter and also conflicted, alcoholic brother, Daniel. Andie MacDowell gives her performance some malice as the one who really wears the pants in the family, Becky with Henry Czerny being fun as her husband, the easily panicked family patriarch Tony. The cast, main and supporting, get the satirical nature of the script and that helps give this some fun.

In conclusion, Ready or Not has it’s moments, but overall is nothing new and could have used a bit more spark and energy. There are some fun bits and it is quite giddy with the bloodshed, but also wasn’t as quite action packed as one expects and some of the big moments lacked the impact they needed. The social satire and twisted humor fall flat more often than they should have and only a plucky Samara Weaving makes it as watchable as it is. Amusing, but not the real blast one hoped for.

-MonsterZero NJ

Rated 2 and 1/2 (out of 4) arrow heads.

 

 

 

 

 

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Be warned! Trailer gives away some of the best moments…