SEASON’S CREEPINGS: TALES OF HOLIDAY HORROR by RONALD KELLY
A fun and spooky collection of ten Christmas themed horror tales by author Ronald Kelly. Stories like the opening Jingle Bones and fairy tale-like Then Came a Woodsman are, for the most part, consistent in chills and fun. The two stories that stand out as the best, however, come towards the end of the book, with the chilling Christmas tree horror Beneath the Branches and the holiday fireside folktale The Peddler’s Journey. For those that like a little creepy in their Christmas, this is a fun and spooky anthology of holiday horror stories from Nashville native Ronald Kelly!
HAPPY 63rd BIRTHDAY to HORROR ICON BARBARA CRAMPTON!
Today is not only my own birthday, but that of horror film legend Barbara Crampton! Not bad sharing a birthday with a horror icon! MonsterZero NJ’s Movie Madhouse wishes Barbara a very happy and healthy 63rd birthday!
Sequel takes place many years later With Neo (Keanu Reeves) being a video game creator most famous for his Matrix game trilogy. When his company demands a Matrix 4, Neo starts to have memory flashes of his time in The Matrix and soon he finds himself back inside and meeting some old friends…and enemies.
Sequel is directed by Lana Wachowski from her script with David Mitchell and Aleksandar Harmon and is simply a terrible movie. It’s a mess of flashbacks and new scenes that is trying to not only recreate past magic—at least where the first film is concerned—but at the same time also wants to be so meta and clever and failing at both. It comes across as a bad fan film and one that looks cheap and rushed at that. Add to all that, that Keanu Reeves and Carrie Moss seem to be sleepwalking through this nonsense and that they recast the classic roles of Agent Smith and Morpheus with boring actors, and you have a flick that is far worse than the last two sequels…and they were pretty bad. A simply awful return to a once classic franchise.
Jim (Gerald Chew) is in his fifties and suddenly finds himself broke and out of a job. Worse still, while his life is in a downward spiral, a literal demon from his past comes back to haunt him.
Tedious and dull flick is written and directed by Ming Siu Goh and Scott C. Hillyard. Neither director seems to have actually been on set, as the actors recite their lines all in the same monotone delivery as if this was some sort of script reading and not an actual film shoot. The flick does try to make commentary about age discrimination and people’s desire for status, but those messages are lost in the lifeless melodrama that unfolds. The movie has zero energy or intensity. The unscary demonic scenes are few and far between and don’t seem to serve much purpose other than to just give Jim an even harder time than he is already having. Poor guy can’t get a break, even from the supernatural. It’s all so boring and a bit depressing and there isn’t even any kind of payoff at the climax for sitting through all this. it’s 96 minutes of wasted time.
Ordered this awesome Godzilla vs Hedorah (The Smog Monster) 50th Anniversary tee shirt from the equally awesome folks at Cavity Colors! It arrived today! I remember back in 71 when this flick came out and played at the State Theater in Jersey City, NJ. My folks didn’t want to drive down there to take me to see it and I was one bummed kid. LOL!
Here’s a better look from the Cavity Colors web store!
The holiday season is here and sometimes it seems there are more Christmas themed horrors than ones set on Halloween. But if there is a gift these holiday horrors bring, it’s a bevy of cuties and foxy final girls to warm our hearts like chestnuts roasting over an open fire. So without further ado, here are some of holiday horror’s hottest heroines!…
(Click on the highlighted titles and movie posters to get to our reviews and on the gallery photos to get a better look at the slay belles!)
Black Christmas (1974)
Black Christmas is one of the original modern slasher films and graced us with the beautiful Olivia Hussey as final girl Jess and a pre-Superman Margot Kidder as sexy, saucy Barb!
Olivia Hussey as Jess
Margot Kidder as Barb
Silent Night, Deadly Night (1984)
Silent Night, Deadly Night is another Christmas horror classic and this film has it’s shares of beauties as well. Sexy blonde Tara Buckman plays killer Billy’s mom Ellie, Toni Nero plays his work crush, Pamela and legendary scream queen Linnea Quigley plays the hot ill-fated babysitter Denise!
Tara Buckman as Ellie
Linnea Quigley as Denise
Toni Nero as Pamela
Black Christmas (2006)
Black Christmas 2006 wins the award for most holiday honies in one movie. Remake of the 1974 classic has a bevy of beautiful sorority sisters to melt any snowman…
Katie Cassiday as Kelli
Lacey Chabert as Dana
Mary Elizabeth Winstead as Heather
Michelle Trachtenberg as Melissa
Crystal Lowe as Lauren
Leela Savasta as Clair
SILENT NIGHT (2012)
This quasi-remake has a few cuties of its own. It has My Bloody Valentine 2009’s Jaime King as pretty deputy Aubrey Bradimore, Scott Pilgram’s Ellen Wong as adorable police station receptionist Brenda and Zombeaver’s Cortney Palm as ill-fated adult movie actress Maria.
Jaime King as Aubrey
Ellen Wong as Brenda
Cortney Palm as Maria
BETTER WATCH OUT (2016)
Next up, Olivia DeJonge as embattled, yuletide babysitter, Ashley from the twisted Christmas thriller, Better Watch Out!
Olivia DeJonge as Ashley
BLACK CHRISTMAS (2019)
We finish up this look at festive final girls, Christmas cuties and sexy slay belles with a look at one of the latest to join the holiday fun, Imogen Poots as Riley Stone in yet another Black Christmas remake!
Riley
HAPPY HOLIDAYSfrom MONSTERZERO NJ’S MOVIE MADHOUSE
Spider-Man: No Way Home opens immediately after the shocking mid-credits scene of the previous film with Peter being outed to the world as Spidey and accused of killing Mysterio. When Peter approaches Dr, Strange (Benedict Cumberbatch) to create a spell to make everyone forget he is Spider-Man, some last-minute indecision causes the spell to go awry. Instead, it starts bringing villains from other universes into Peter’s world to wreak havoc. Worse still, many of those bad guys died battling Spider-Man and returning them to their universes would sentence them to death. This puts a morally torn Peter in conflict with both friend and foe.
Sequel is again directed by Jon Watts from a script by Chris McKenna and Erik Sommers. On the negative side, the film teeters on the edge of becoming a mess with so much going on and so many characters. Thankfully, it doesn’t, though the middle section drags, as Peter tries to find a way to cure the villains so they may have a second chance when they return home. It’s a bit convoluted. Finally, the whole murdering Mysterio sub-plot is brushed aside with a simple line from a surprise cameo and that is the end of it. What could have been the most interesting aspect of No Way Home—a fugitive Peter Parker trying to clear his name while battling multiple villains—is quickly discarded ten minutes into the movie. It’s simply lazy writing. On to the good stuff…
There is far more positive than negative, which makes up for a lot of the film’s flaws. The banter between Peter and his friends with Dr. Strange is a lot of fun, as are the conversations between the villains from both of the previous Spider-Man series. It’s entertaining to watch a Raimi era villain trading barbs with a Webb era villain and the dialogue is well written here. The battle scenes are also very good, such as Peter’s first introduction to Doctor Octopus (Alfred Molina) who is expecting another face under the mask. The last act is a real blast, though discussing most of the reasons why would spoil some great moments. Let’s just say the battle royal at the Statue of Liberty is worth the price of admission alone. The film has a couple of scenes that have some very strong emotional resonance, too, and there is some nice closure given to a few characters’ storylines from previous films. The FX are fantastic, and the cast all perform their parts well.
Tom Holland continues to be a great Peter Parker and he handles a complex story with varying emotional requirements skillfully. He’s charming and sympathetic as a superhero still trying to find himself while in over his head with bad guys and multiverses. Zendaya is still the smart, sarcastically funny and sweet girl next door beauty that is MJ, and she gets to be involved in a little more of the action. Cumberbatch is still solid as Dr. Strange, as is Benedict Wong as the briefly seen but lovable Wong. As for the villains, Willem Dafoe returns as Norman Osborn/Green Goblin and it’s as if he never left the role. Same can be said of Alfred Molina as Otto Octavius/Doctor Octopus, who has some of the better lines. Jamie Foxx gets a second go as Max Dillon/Electro. There is a brief reappearance by his blue form from TASM2 till the energy in this world alters him to a more traditional character look. He’s a badass in this new incarnation. Sandman and The Lizard are mostly CGI with ever so brief appearances by actors Thomas Hayden Church and Rhys Ifans. The supporting cast, such as Jacob Batalon as Ned, Tony Revolori as Flash, Jon Favreau as Happy, J.K. Simmons as J. Jonah Jameson and Marisa Tomei as Aunt May, all recreate their endearing and entertaining supporting characters, and all have their moments.
No Way Home isn’t perfect, but still delivers a lot of what we expected from this venture into the multi-verse. It dispenses with some of the last film’s set-up too quickly, has some convoluted plot points and drags in the middle after an action-packed start. The film makes up for a lot of it with a great last act, some strong character interaction, some spectacular battles and some wonderful returns and cameos, not to mention a young actor really growing into the role now after multiple appearances. Stay through all the credits.