TI WEST’S HORROR FLICK “X” IS COMING TO BLU-RAY and DVD!

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TI WEST’S HORROR FLICK “X” IS COMING TO BLU-RAY and DVD!

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Indie director Ti West’s (House of the Devil, Innkeepers) new film horror film X has already set a release date for Blu-ray and DVD! The film will arrive on home media on 5/24/22 and is already available for pre-order on Amazon! The flick stars Mia Goth, Jenna Ortega, Martin Henderson, Brittany Snow, and Scott Mescudi!
“In 1979, a group of young filmmakers set out to make an adult film in rural Texas, but when their reclusive, elderly hosts catch them in the act, the cast find themselves fighting for their lives.”

 

Here’s the link to the Amazon pre-order page: https://www.amazon.com/gp/product/B09VJDBF1V/ref=ox_sc_saved_image_1?smid=ATVPDKIKX0DER&psc=1

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-MonsterZero NJ

Source: Joblo.com; Amazon

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REVIEW: X (2022)

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X (2022)

Latest indie horror from A24 takes place in 1979 and finds sleazy Texas producer Wayne (Martin Henderson) setting out to make a porn film with stars Bobby-Lynne (Brittany Snow), Maxine (Mia Goth), and Jackson (Scott “Kid Cudi” Mescudi) along with their two-person film crew RJ (Owen Campbell) and his girlfriend Lorraine (Jenna Ortega). They travel to the remote farm of strange, elderly couple Howard (Stephen Ure) and Pearl (also Mia Goth), who turn out not to be the harmless old folks they seem, and the porn film soon turns into a horror movie…for real.

X is written and directed by Ti West (The House of the Devil, The Innkeepers) and is basically The Texas Chainsaw Massacre meets Debbie Does Dallas. It is a good, old-fashioned, grindhouse style flick with lots of sex, gore and flesh crawling moments. X starts out like most of West’s flicks with a slow burn, but one where we start to feel from the very start that something is not right. This prevailing sense of dread builds as things get weirder and weirder and West makes us constantly feel that a threat is soon to emerge, no better symbolized then by the gators lurking about the couple’s property. When the blood finally starts to flow, it’s prosthetic gore and there are some nasty kills to characters we’ve gotten to know and like. Even sleazy Wayne has a good-ole-boy charm that’s hard not to endear to. This makes it all the more impactful when the film crew starts to fall to various sharp objects, shotguns and the before mentioned gators. It’s scary, nasty and in between the violent moments, there are some that will certainly make your skin crawl. The sexual, undercurrent the film has also gets very disturbing…and that’s by design. This is simply West’s best horror since The House of The Devil, and one of the best horrors so far this year. It’s sexy. sleazy, scary and gory…what more do you want from a horror flick!?

Director West has a good cast in support. Henderson gives Wayne a charming appeal that despite his sleazy nature and willingness to exploit his girlfriend, Maxine, makes him a likable rogue. As Maxine, Mia Goth deftly balances a young woman with both a strong sexuality and a gentle sweetness that really makes her character work. Snow is delightfully sassy as Southern belle and porn star Bobby-Lynne, who is no dumb blonde. She’s using her natural talents to make a better life for herself. Scott “Kid Cudi” Mescudi is also solid as ex-Marine and war veteran turned porn star Jackson. He’s fun and has a nice heroic side. Jenna Ortega is once again impressive as “church mouse” Lorraine who seems sweet and virginal but may not be as innocent as she appears. Owen is likable as filmmaker wannabe RJ, and Stephen Ure and Mia Goth are very creepy—especially Mia Goth—as the elderly Howard and Pearl. A good cast.

Overall, this is one of West’s best films and a refreshingly, old-fashioned horror that leaves all the overdone meta/retconning crap behind. It’s scary, gory and has some moments and kills that will legitimately make your flesh crawl. It has a sexual undercurrent that goes from sexy to disturbing and pays homage to the classic grindhouse era horrors of the 70s, while yet being its own thing. Definitely one of the best horror flicks to come out so far in 2022 and one of West’s most effective horror flicks yet. Stay through the credits!

-MonsterZero NJ

Rated 3 and 1/2 (out of 4) knives!

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REVIEW: SCREAM (2022)

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SCREAM (2022)

Latest sequel finds Woodsboro once again the target of someone wearing the Ghostface mask. This time it’s Tara Carpenter (Jenna Ortega), who is allowed to live only to lure estranged sister Sam (Melissa Barrera) back to Woodsboro. Why is Ghostface so interested in Sam? Could a dark secret trailing back to the original Woodsboro murders have something to do with it? Sam and her friends have an edge though, as Dewey (David Arquette), Gail (Courteney Cox) and Sydney (Neve Campbell) have vowed to stop Ghostface once and for all!

Self-labeled “requel” is directed by the team of Matt Bettinelli-Olpin and Tyler Gillett (Ready or Not) from a script by James Vanderbilt and Guy Busick. It’s more “meh” than meta as this fifth installment is showing that the Scream formula is running out of gas and this one in particular adds little new to revitalize the franchise. Even Sydney herself claims this Ghostface is the most derivative yet and she’s ironically not wrong. Our three veteran characters all seem visibly tired of this schtick, though the new cast members do try hard, especially Barrera and Ortega. The attempts to give fan service to the original film works only about half the time, though there are some impactful deaths of series characters. There are also some solid kills, a few suspenseful sequences, and some clever dialogue, but even Ghostface lacks a strong threat and the whole film simply felt like it was going through the motions. Even the film’s reveal lacked a strong impact and the reasons for this happening a fifth time seemed very convoluted. Worst of all, It’s actually a bit dull in spots. Something a slasher should never be.

The veterans are fine, but you get the feeling they are also going through the motions and are not really invested in having to do this yet again. Campbell, Cox and Arquette just don’t breathe the life into the characters that they did in the past installments and are actually overshadowed by some of the newcomers. Speaking of which, Melissa Barrera makes for a very strong lead as Sam, the focus of the newest Ghostface’s attention. She’s strong-willed and makes a solid final girl. Also solid is Jenna Ortega (The Babysitter: Killer Queen), who has been a familiar face in horror lately, and she does good work as Sam’s younger sister Tara. Ortega is sympathetic, but also shows some toughness in her encounters with Ghostface. Dylan Minnette (GooseBumps) is likable as the son of now Sheriff Judy Hicks (Marley Shelton) and Jack Quaid does a fine job as Sam’s boyfriend Richie. Rounding out the attractive young cast are Mikey Madison as Amber, Jasmin Savoy Brown and Mason Gooding (Booksmart) as siblings Mindy and Chad and Sonia Ammar as Chad’s girlfriend Liv. A likable cast who deserved a stronger script and better movie.

Overall, this new Scream neither refreshes the franchise for a new generation nor gives it a strong finish— though if it ended here—which it probably won’t—it would be a fitting enough, though weak, send-off. It has some good kills, a few clever touches, and a solid young cast, but otherwise only seems to illustrate that this franchise is running out of gas. The veteran actors seem tired of it all and the script could have done more than put this installment through familiar paces. Entertaining to a degree, but also too slow and routine in spots to let it slide on some of it faults.

-MonsterZero NJ

Rated 2 and 1/2 (out of 4) Ghostfaces!

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BARE BONES: GETAWAY (2020)

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GETAWAY (2020)

Film student Tabitha (Abigail Haggerty) is making a slasher movie for her thesis project. Fellow student Maddie (Emma Norville) gets a part in it. They even plan to shoot their movie at a summer camp. Unknown to the cast and crew of this amateur production, however, there is a real killer stalking them and filming his kills for his own fiendish film project.

Low budget horror is written and directed by Blayne Weaver, who also has a long resume as an actor. It has it’s heart in the right place, though not an overly successful effort. GetAWAY respectfully follows the classic slasher film tropes, like the crazy person (Kristen Trump) warning our filmmakers about impending doom and the cantankerous caretaker (Hank Stone) as an all too obvious suspect. The acting is amateurish, but somehow works in the context of making this bunch of wannabes seem more like real students trying to make a movie. Norville does make a decent enough final girl, too, as Maddie and she’s likable. There is little suspense or scares, the kills are simple but bloody and unfortunately, our killer lacks a really strong personality to give him more impact. Just a mask doesn’t an effective killer make. His identity reveal is also kinda ho-hum, though a much bigger reveal a bit later works very well, as does the flick’s finale. In conclusion, it’s not a terrible movie, certainly not unwatchable, just kind of routine and forgettable, even if well intended. Also stars Danielle Carrozza as cast member Kayla.

-MonsterZero NJ

2 and 1-2 star rating

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HORROR YOU MIGHT HAVE MISSED: RANDOM ACTS OF VIOLENCE (2019)

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RANDOM ACTS OF VIOLENCE (2019)

Todd Walkley (Jesse Williams from Cabin in the Woods) is the creator of the popular Slasherman comic book that is based on a real-life serial killer. To get inspiration for the final issue, he goes on a road trip to the area of the original murders with girlfriend, Kathy (Jordana Brewster), assistant Aurora (Niamh Wilson) and friend/publisher Ezra (Jay Baruchel). There is already some tension, as Todd comes under fire for sensationalizing a real life killing spree and Kathy is writing a true crime book about the actual murders. Those are the least of his worries, however, as someone is making cryptic phone calls to him and people start dying around him in recreations of his gruesome comic book pages.

This is a brutal and vicious slasher flick as directed by co-star Jay Baruchel from his script with Jesse Chabot, based on the comic of the same name by Justin Gray and Jimmy Palmiotti. There are some very effective and impactful kills and despite being renown for his comic roles, Baruchel creates a very intense and chilling tale of life imitating art and vice-versa. The Canadian actor/director gives the film some depth by having Todd finding himself right in the middle of the age-old arguments about the media sensationalizing violence, violence as entertainment and killers that get more attention than their innocent victims. As it causes friction between Todd and Kathy, it gives some emotional depth to the characters as the two lovers have different points of view on these issues. So, or course, there is conflict between them. Some surprise reveals in the last act also makes things a lot more personal, as we discover the details on who this fiend is, why they are doing what they are doing and why Todd has been targeted. It makes for a gruesome last act that really cranks up the intensity. Baruchel’s directing here evoked the 2014 The Town That Dreaded Sundown remake and his visual style is impressive with the use of comic book style coloring and animated comic book frames being used to tell the disturbing story. A bit of a familiar story, but one done very well here. The violence is very effective and nasty when it comes, though it’s just enough to not desensitize or numb you to the gruesome goings on. It remains quite unsettling. A very intense and effective movie about horror as entertainment, that is both an effective slasher and yet commentary on the line between inspiration and exploitation. Baruchel doesn’t preach and let’s you drawn you own conclusions.

The cast is small but really good. Jesse Williams makes an interesting character as Todd. We like Todd and his is never vilified, but we do question whether his use of a real-life serial killer as a basis for a comic book character was the right thing to do. WIlliams gives Todd a heart and he is not without inner turmoil as bodies start to fall and he feels scared and, more so, responsible. When the big reveals come, we understand him all the more. Brewster is good as Kathy. A strong independent woman who loves Jesse, but has her own feelings about his comic and it’s use of the death of real innocents for entertainment purposes. Her real crime book causes issues between them and the two actors portray that very well. The scenes of their confrontations on the subject are also well written. Baruchel is good in the supporting role of Todd’s friend and publisher Ezra. Ezra is one of the first to start freaking out over what’s going on, as is Aurora. As Aurora, Niamh Wilson creates an endearing character and while she is the least focused on, she makes her on-screen time count and we like this emotional and slightly eccentric girl. A good cast.

Despite making a name for himself with comic roles and stand-up, Jay Baruchel directs a very strong, atmospheric and unapologetically violent slasher film that is in itself a commentary on violence as entertainment and the possible responsibilities of those who make it. We get a likable character who is himself conflicted over the effects of what he has created, especially when it inspires someone to act out the horrors from it’s very pages. There are some intense and brutal kills and some unsettling last act reveals that really work well in keeping this film tense and disturbing. A very impressive horror from Jay Baruchel and a recommended watch that can be found on Shudder.

-MonsterZero NJ

 

Rated 3 and 1/2 (out of 4) welding masks!

 

 

 

 

 

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BARE BONES: OPEN 24 HOURS (2018)

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OPEN 24 HOURS (2018)

Mary (Leatherface’s Vanessa Grasse) is on probation and suffering from paranoid delusions after setting her serial killer boyfriend James (Cole Vigue) on fire. Trying to get her life back together, Mary lands a job on the night shift of a 24 hour gas station convenience store in the middle of nowhere. Strange things starts to occur and Mary starts to think someone is stalking her on her first night. Is it her hallucinations acting up? Has a scarred and vengeful James somehow gotten out of prison?…or has someone else indeed targeted the young woman?

Flick is written and directed by Padraig Reynolds (Rites of Spring, Dark Light) and if you can overlook a few plot-holes, like a police officer’s death, and thus disappearance, not alerting anyone at the PD to send more cops, this is an intense, suspenseful and sometimes bloody violent flick. Reynolds establishes Mary’s tendency to hallucinate very well and then plays with the concept, so even we aren’t sure what Mary is really seeing, even though we know someone dangerous is indeed out there. There are some red herrings as to who that someone may be and once things really get going, there is a nasty and intense last act, as Mary confronts the individual who has targeted her and has been killing anyone near the gas station. There is some nice atmosphere and intensity and when the gore comes, it’s very effective. Vanessa Grasse makes a very likable heroine as the troubled Mary and the remote gas station location works to establish isolation…even if it all does evoke John Carpenter’s The Gas Station episode from the anthology flick Body Bags. A solid and entertaining slasher/horror from Padraig Reynolds. Now streaming on Amazon Prime.

-MonsterZero NJ

3 star rating

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MONSTERZERO NJ’S SATURDAY NIGHT DOUBLE FEATURE: HAPPY DEATH DAY and HAPPY DEATH DAY 2U

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While talk of a third installment goes back and forth, the two current installments of Blumhouse’s comedy/horror franchise are a lot of fun when paired together. So, if you’re looking for something light and more fun, but don’t want to completely leave the horror genre, this is an entertining Saturday Night Double Feature…

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HAPPY DEATH DAY (2017)

(Clicking the highlighted links brings you to corresponding reviews and articles here at The Movie Madhouse!)

College student Theresa (Jessica Rothe) is having a really bad day…over and over again. She wakes up in the dorm of a strange guy, she’s mean to those around her, she’s sleeping with one of her professors, it’s a birthday she doesn’t want to face and someone is trying to kill her…and does. But Theresa keeps waking up at the moment of her death, starting the day all over again. She soon realizes that if she is to break the loop, she has to find out who this masked killer is and stop them. Easier said than done if there weren’t so many people who might want her dead.

Obviously, the Groundhog Day routine with reliving the same day over and over has been done to death, but here it’s literally. Director Christopher B. Landon knows we’ve seen it all before and takes the derivative ball and runs with it. Landon is helped by a fun script he co-wrote with Scott Lobdell and a sassy stick of dynamite leading lady in Rothe’s Theresa. As it starts out, Theresa is an unlikable mean girl…though her mean quips are very funny…but as she embarks on her journey of identifying her masked killer and ending this loop, it takes her from snotty sorority girl to sarcastic and feisty heroine. It’s a blast to watch Theresa as she meets each day head on and each time finds a new piece of the puzzle, all the while discovering things about herself. If it sounds corny, it is and Landon knows it and revels in it. He also delivers some solid suspense, some intense action and a few surprises on the road to Theresa’s final confrontation with the killer in her midst. It’s also kind of fun to watch the spunky girl die over and over again in different ways, only to have to do it all again with increasing frustration. The humor and suspense are perfectly mixed here, making it all the more enjoyable. This is a prime example of a filmmaker taking familiar elements and having a good time with them and not just re-using them in a by-the-numbers manner. The result is a fun slasher/thriller with a very hip sense of humor and a heroine to really endear to and root for.

As for our leading lady, Jessica Rothe is having an outright blast with the plot contrivances and owns this flick from start to finish. She introduces us to a mean, snarky, sorority princess and slowly transforms her into a smart, sarcastic and resilient final girl, who grows with each repeat of the ill-fated Monday the 18th. She is firecracker of a leading lady and really makes even the corniest elements of her transformation believable, such as her having the courage and tenacity to face a killer head on. It’s her show and she handles it like a boss. In support is a charming turn by Israel Broussard, as Carter, the boy she wakes up with and bonds with over her dilemma. The two have a nice chemistry on screen and their forming relationship works very well. The rest of the cast is also solid with Rachel Matthews as Theresa’s even meaner sorority sister Danielle, Ruby Modine as her sweet and verbally abused roommate Lori, Charles Aitken as her professor/lover and Rob Mello as a captured serial killer who may, or may not, be her masked murderer.

So, maybe this is not the most original film in terms of story, but it knows it and just runs with it. Christopher B. Landon…who wrote four successive Paranormal Activity sequels and also directed the Marked Ones spin-off…has really sharpened his craft by having a blast with he and Scott Lobdell’s clever slasher variation on the Bill Murray classic…which is playfully acknowledged in the film. It’s a fun movie that succeeds beyond it’s means thanks to a filmmaker who gets how to handle the material and a star-making performances by leading lady Jessica Rothe.

-MonsterZero NJ

Rated 3 and 1/2 (out of 4) baby-faced killers.

 

 

 

 

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HAPPY DEATH DAY 2U (2019)

(Clicking the highlighted links brings you to corresponding reviews and articles here at The Movie Madhouse!)

Sequel pics up right after the first flick with Tree (Jessica Rothe) cozying up with Carter (Israel Broussard) and all being well until roommate Ryan (Phi Vu) starts to relive his own murder over and over. Tree finds out her previous predicament and Ryan’s current one are as a result of Ryan and friends science experiment that effects time…just not in the way they planned. An effort to kill the loop sends Tree back to Monday the 18th again, only this time in an alternate universe.  She’s reliving her death all over again, only in this dimension Lori (Ruby Modine) is no longer the killer, Carter is dating Danielle (Rachel Matthews) and her mother is still alive. Can Tree get back to her normal dimension…and does she want to?

As you can guess by the plot description, Happy Death Day 2U sends the slasher elements to the background and focuses more on a Star Trek-ian/Back to the Future-esque tale of alternate timelines and other dimensions. It’s still fun, though shifting the focus also mutes some of the chills and thrills that made the first film such a treat. There is a lot of entertainment to be had and they have fun with the expanded concept, but this seems more like a cinematic episode of The Big Bang Theory with a slasher sub-plot. Christopher Landon again directs well, though this time from his own script and seems to want to play more with the whole alternate timeline thing and guide the story away from the slasher elements. A mid-credits scene hints that a part 3 will veer away even further. There was also a brief flirting with dopplegangers, but that disappears quickly, which is a shame as Tree being stalked by other alternate reality selves sounds like it would have been a hoot. If the film is missing anything, it’s the intensity the slasher elements brought to the table in the first film. The mix was more even in Happy Death Day and this sequel could have used a bit more.

Jessica Rothe is again a blast to watch though she shares the film’s focus with other characters and isn’t always the center of attention. The actress also proves again she is a leading lady with talent and can do drama, comedy and kick some ass, too. Israel Broussard is still charming and likable as Carter. The alternate reality version is pretty much the same guy, except for dating Rachel Matthews’ Danielle, who is a lot nicer in this other dimension. Matthews gets more screen time and gets to perform some slapstick comedy in one of the sillier sequences. Phi Vu gets a far more expanded role and is fun as Ryan and Suraj Sharma and Sara Yarkin play two of his nerdy lab partners/friends.

In conclusion, the sequel is not an equal, but not a disappointment either, unless you were expecting more of a horror film. There are some amusing sequences, some fun character interaction and even a little heart-tugging drama to go with the occasional dips back into slasher territory. On the downside it is slower paced, the killer was easy to guess and horror fans might not be happy with all the science geek quantum this and quantum that mumbo jumbo. Leading lady Jessica Rothe is still at least every bit the firecracker and if there is a three-quel, hopefully she is not pushed to the sidelines or lost in an ensemble piece. A fun movie thought maybe not what you might go in expecting. Stay through the credits for that mid-credits scene.

-MonsterZero NJ

Rated 3 (out of 4) baby-faced killers.

 

 

 

 

 

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5 DIRECTORS BRINGING NEW BLOOD TO HORROR!

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5 DIRECTORS BRINGING NEW BLOOD TO HORROR!

At Halloween 🎃 time it is when we most think about scary movies, even those of us who watch them all year round. So why not take a look at five individuals who are bringing their own distinct vision to the genre and whom horror fans should be talking more about!…and no, I didn’t forget the ladies, they deserve their own installment, forthcoming!

(To get to the full reviews of the films mentioned, just hit the highlighted titles that link to the corresponding page!)

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Adam MacDonald

 

Adam MacDonald is a Canadian actor and filmmaker who has written and directed two features, thus far, that have made quite an impression. His first film Backcountry is a survival thriller that followed a couple (Jeff Roop and Missy Peregrym) who go camping in the woods. Jealous of his girlfriend’s success, her beau chooses a lesser traveled route to prove himself to her. This puts them within the feeding ground of a massive and very hungry grizzly bear and thus sets up an intense and sometimes brutal last act. His second film Pyewacket is a supernatural thriller which finds a mother and daughter (Laurie Holden and Nicole Muñoz) in conflict over their methods of mourning the death of their husband/father. This propels the occult fascinated teen Leah (Muñoz) to evoke the dark entity Pyewacket to kill her mother. Leah soon learns to be careful what you wish for. Both films use troubled relationships as a catalyst for their stories and Pyewacket especially has some good old fashion scares and chills supported by a strong emotional center. MacDonald is showing a versatility and a depth to his filmmaking. Adam currently wrapped filming on Slasher season 3, so look out for more from this talented new voice in horror!

Nicole Muñoz conjures the wrong spirit in Adam MacDonald’s Pyewacket

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Stevan Mena

 

Stevan Mena is a New York born filmmaker who is a one man production company, writing ,editing, directing, producing and even scoring his own films. He made a splash in 2003 with his low budget slasher Malevolence, which was an old-fashioned horror throwback that echoed both Halloween and The Texas Chainsaw Massacre. Set in and around an abandoned slaughterhouse, it told the chilling story of some bank robbers and their hostages meeting up with serial killer Martin Bristol (Jay Cohen). He followed that up with a horror icon filled horror/comedy called Brutal Massacre, before returning to the saga of Bristol in 2010 with the brutal and intense Bereavement. The second Malevolence film was a prequel telling the story of how serial killer Graham Sutter (Brett Rickaby) kidnapped Martin (Spencer List ) as a child and trained him to be his successor. It’s one of the best horrors of the decade IMO. Recently Mena overcame some tragic events to complete his Malevolence trilogy with the independently financed Malevolence 3: Killer. Sequel has an adult Martin (a returning Jay Cohen) leaving a blood soaked trail on the way back to his home town. Mena’s work evokes that of John Carpenter himself and one hopes he returns to the director’s chair sooner than later.

A killer (Jay Cohen) returns home in Stevan Mena’s Malevolence 3: Killer

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Colin Minihan

 

Colin Minihan started out as part of the writing/directing duo known as The Vicious Brothers along with collaborator Stuart Ortiz. Their first film was the fun and spooky found footage paranormal show send up Grave Encounters in 2011. They followed that up with the entertaining and chilling cabin in the woods/alien invasion hybrid Extraterrestrial in 2014. Though co-written with Ortiz, Minihan took the director’s chair solo for the next film It Stains The Sands Red. This was an amusing, bloody and offbeat tale of a lone woman (Brittany Allen) being followed across the desert by a lone zombie. An interesting relationship forms as she fights brutal heat, dehydration and her relentless undead pursuer. Minihan wrote and directed his fourth film on his own with the brutal and intense What Keeps You Alive. One of the years best, it finds a married lesbian couple (Brittany Allen and Hanna Emily Anderson) celebrating their anniversary in a remote cabin in the woods. Soon romantic bliss becomes a battle for survival as one of the women is not who she seems. This flick proves Minihan is a force to be reckoned with, armed with a great script, taunt direction and brilliant work by his lead actresses. Minihan is a filmmaker fans need to be talking more about.

Lover vs lover in Colin Minihan’s brutal and intense What Keeps You Alive

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Anthony Diblasi

 

Boston born Anthony Diblasi is another filmmaker showing great versatility and a mastery of horror while also providing some emotional depth to his films. His first film Dread was a chilling tale of a college documentary project about fear, spinning horribly out of control. His next film Cassadaga, found deaf art teacher Lily (Kelen Coleman) being haunted by the spirit of a murdered young woman whose killer may have his sights set next on the pretty teacher. Diblasi worked on some non-genre projects and the horror anthology The Profane Exhibit before co-writing and directing The Last Shift in 2014. One of his scariest flicks, the story found a young policewoman being given the final shift in a haunted police precinct closing it’s doors in the morning…but can she survive the night? Diblasi returned to horror again in 2015 with Most Likely To Die, an old fashioned slasher about a high school reunion turned deadly, and again in 2018 with Extremity. His latest finds an emotionally troubled woman turning to an extreme haunt to make her face her fears…bad idea. The film was not only disturbing and scary, but had a strong emotional lining with multi-dimensional characters and commentary about abuse and the lives it effects. Another filmmaker that is bringing a distinct voice to the horror genre.

Emotionally troubled Allison (Dana Christina) turns to an extreme haunt to face her fears in Anthony Diblasi’s Extremity

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Oz Perkins

 

Just because he is the son of legendary actor Anthony (Psycho) Perkins, one should not assume actor/director Oz Perkins knows horror…but he does! One of the most interesting filmmakers out there, Perkins has a unique vision and a strong ability to chill to the bone. His first film The Blackcoat’s Daughter finds Rose (Lucy Boynton), a student at a Catholic girls school, given charge of new student Kat (Kiernan Shipka) at break. With almost everyone else gone, Rose starts to realize there is something very wrong with Kat and that she may be in danger. Perkins followed that up with a very atmospheric ghost story I Am The Pretty Thing That Lives In The House. Perkins writes and directs a subtle, yet chilling tale of care nurse Lily (Ruth Wilson) coming to live with ailing horror novelist Iris Blum (Paula Prentiss). Soon timid Lily starts to find out that Iris Blum’s inspirations may be far more real than she’d like. It’s a creepy and very effective film. Word has it his next film may be entitled A Head Full Of Ghosts and as he is bringing a very unique style to the genre, he sounds like the right man for the job!

Care nurse Lily (Ruth Wilson) finds her charge may have had all too real inspiration for her horror novels in Oz Perkins’ I Am The Pretty Thing That Lives In The House

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So these are five creative forces bringing new blood to horror. Each one is worth screaming about and their films are certainly worth checking out!

…and stay tuned for our second installment taking a look at the creative ladies bringing their unique voices to the genre!

-MonsterZero NJ

 

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HORROR YOU MIGHT HAVE MISSED: SORORITY ROW (2009)

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SORORITY ROW (2009)

(Clicking the highlighted links brings you to corresponding reviews and articles here at The Movie Madhouse!)

Flick is a remake of sorts of the 1983 House on Sorority Row. It finds the girls of the Theta Pi sorority in quite the moral conundrum as a prank goes awry and leaves one of their sisters, Megan (Audrina Patridge) dead. Good girl Cassidy (Briana Evigan) is overruled and the rest of the girls (Margo Harshman, Jamie Chung, Leah Pipes and Rumor Willis) decide to hide the body and forget it ever happened. But eight months later, on graduation day, the girls start getting cryptic messages and bodies start to pile up. Someone knows what happened that fateful night and has a homicidal grudge against the sorority sisters of Theta Pi.

Slasher is well directed by Stewart Hendler from a script by Josh Stolberg and Peter Goldfinger. It follows the slasher formula very well, setting up a group of people being stalked by an unknown assailant for reasons of retribution based on an earlier incident. There are some good kills with some decent gore and even if it’s never really scary, there are some suspenseful chases and there is a bit of a sly sense of humor to the proceedings. There is nothing new or innovative here, but it is a well executed use of the traditional slasher scenario and the classic reveal is a bit of a surprise. The use of a group of bitchy sorority girls with a secret narrows the likable characters down to only a few, so in some cases we’re actually rooting for the mean girls to get theirs, but Cassidy is a likable heroine and so is conflicted Ellie and Megan’s smart-ass younger sister Maggie (Caroline D’Amore). So at least we have some characters to get behind as our hooded killer lurks about with their tire iron turned murder weapon.

As for the cast playing these characters, Evigan really shines as the morally sound Cassidy, who is blackmailed basically into keeping the big secret. She has screen presence aside from girl-next-door good looks and makes a solid final girl. Leah Pipes is fun as the sorority queen bitch, Jessica and while she is an unlikable character, the actress does give her some charm and swagger. Margot Harshman and Jamie Chung are also good as sorority snobs Chugs and Claire with Harshman giving her Chugs a strong devil-may-care attitude that makes her amusing. Rounding out is Rumor Willis as the sweet, but conflicted Ellie who is not dealing well with her guilt and Caroline D’Amore is fun as Maggie, especially when she gives major attitude to Jessica. There is also a small role by the late Carrie Fisher as the sorority house mother, Mrs. Crenshaw, which the veteran actress gives lots of character in her few scenes.

Overall, this is a solid enough slasher, though far from anything trend setting. It’s competently made and has enough sly humor and gory kills to entertain. It follows the traditional formula well and the cast go with the material, especially Briana Evigan as heroine Cassidy. A fun slasher and not bad as remakes go.

-MonsterZero NJ

3 tire irons turned nifty weapons.

 

 

 

 

 

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HORROR YOU MIGHT HAVE MISSED: HAPPY DEATH DAY (2017)

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HAPPY DEATH DAY (2017)

(Clicking the highlighted links brings you to corresponding reviews and articles here at The Movie Madhouse!)

College student Theresa (Jessica Rothe) is having a really bad day…over and over again. She wakes up in the dorm of a strange guy, she’s mean to those around her, she’s sleeping with one of her professors, it’s a birthday she doesn’t want to face and someone is trying to kill her…and does. But Theresa keeps waking up at the moment of her death, starting the day all over again. She soon realizes that if she is to break the loop, she has to find out who this masked killer is and stop them. Easier said than done if there weren’t so many people who might want her dead.

Obviously, the Groundhog Day routine with reliving the same day over and over has been done to death, but here it’s literally. Director Christopher B. Landon knows we’ve seen it all before and takes the derivative ball and runs with it. Landon is helped by a fun script he co-wrote with Scott Lobdell and a sassy stick of dynamite leading lady in Rothe’s Theresa. As it starts out, Theresa is an unlikable mean girl…though her mean quips are very funny…but as she embarks on her journey of identifying her masked killer and ending this loop, it takes her from snotty sorority girl to sarcastic and feisty heroine. It’s a blast to watch Theresa as she meets each day head on and each time finds a new piece of the puzzle, all the while discovering things about herself. If it sounds corny, it is and Landon knows it and revels in it. He also delivers some solid suspense, some intense action and a few surprises on the road to Theresa’s final confrontation with the killer in her midst. It’s also kind of fun to watch the spunky girl die over and over again in different ways, only to have to do it all again with increasing frustration. The humor and suspense are perfectly mixed here, making it all the more enjoyable. This is a prime example of a filmmaker taking familiar elements and having a good time with them and not just re-using them in a by-the-numbers manner. The result is a fun slasher/thriller with a very hip sense of humor and a heroine to really endear to and root for.

As for our leading lady, Jessica Rothe is having an outright blast with the plot contrivances and owns this flick from start to finish. She introduces us to a mean, snarky, sorority princess and slowly transforms her into a smart, sarcastic and resilient final girl, who grows with each repeat of the ill-fated Monday the 18th. She is firecracker of a leading lady and really makes even the corniest elements of her transformation believable, such as her having the courage and tenacity to face a killer head on. It’s her show and she handles it like a boss. In support is a charming turn by Israel Broussard, as Carter, the boy she wakes up with and bonds with over her dilemma. The two have a nice chemistry on screen and their forming relationship works very well. The rest of the cast is also solid with Rachel Matthews as Theresa’s even meaner sorority sister Danielle, Ruby Modine as her sweet and verbally abused roommate Lori, Charles Aitken as her professor/lover and Rob Mello as a captured serial killer who may, or may not, be her masked murderer.

So, maybe this is not the most original film in terms of story, but it knows it and just runs with it. Christopher B. Landon…who wrote four successive Paranormal Activity sequels and also directed the Marked Ones spin-off…has really sharpened his craft by having a blast with he and Scott Lobdell’s clever slasher variation on the Bill Murray classic…which is playfully acknowledged in the film. It’s a fun movie that succeeds beyond it’s means thanks to a filmmaker who gets how to handle the material and a star-making performances by leading lady Jessica Rothe.

-MonsterZero NJ

3 and 1/2 baby-faced killers.

 

 

 

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