TOMB OF NOSTALGIA: AMITYVILLE DOLLHOUSE (1996)

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AMITYVILLE DOLLHOUSE (1996)

Bill (Robin Thomas) has just gotten re-married and has built a new house, over the site of another that burned down, for his new family. In the leftover shed is a dollhouse that unbeknownst to Bill is built as an exact replica of the infamous Amityville house. He gives it to his daughter Jessica (Rachel Duncan) for her birthday and let’s just say the miniature version is no less haunted than the original. Supernatural hi-jinx ensue.

While the premise is quite goofy, as are the proceedings, film is taken quite seriously by director Steve White from a silly script by Joshua Michael Stern. Aside from the ridiculous premise—and that the Amityville House was in Long Island, New York and this takes place in California, so where did the dollhouse come from?—we get giant mice, homicidal hornets, dads (Clayton Murray) returned from the dead, demons and overheated step-moms (Starr Andreeff). We are also treated to overactive fireplaces, the dollhouse being a portal to a demon dimension and for exposition purposes, Bill’s sister (Lenore Kasdorf) Maria and her biker boyfriend (Franc Ross) just happen to be mediums that dabble in the occult—not that they are much help. Taken seriously by it’s director and cast makes it all the more fun as we watch this family tormented and terrorized by the demonic dollhouse and are treated to some decent make-up FX to represent walking corpse dads, burn victims and a pair of actual demons during it’s amusingly overbaked climax. Do we ever find out where the dollhouse came from and why it’s a demon doorway? No!—and who cares?! There is a lot of unintentional entertainment here as White and company seemed to set out to make a serious horror and failed miserably. Entertainment is entertainment, intentional or not. The cast try hard to play the material straight and if some of the performances are a little over the top, who can blame them considering what they have to work with. The production looks solid, though it has a direct to VOD feel, and the budget benefits from being set mostly in and around the house.

Overall this is a an unintentionally silly but fun horror that seems to have had every intention of taking it’s ridiculous story seriously. Win win for us, as it is entertaining in it’s preposterousness and with a few of the right beverages can be a hoot to watch. Streaming free on Tubi and Amazon Prime.

-MonsterZero NJ

Rated 3 (out of 4) familiar haunted houses!

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TOMB OF NOSTALGIA: GRAVE ROBBERS (1989)

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GRAVE ROBBERS aka LADRONES DE TUMBAS (1989)

Another Mexican horror from Rubén Galindo Jr. This one opens in Mexico at the time of the inquisition. The church’s executioner (Agustín Bernal) has turned against God to worship Satan and himself is killed by his own axe before he enacts a sinister ritual. With his last breath, he proclaims that some day he will return and finish what he started. In modern (well…1989 Mexico) times, a group of youths are robbing graves and stumble upon the treasure filled crypt of the monks and the executioner. They remove the axe from his chest and soon he is walking the earth once again, slaughtering anyone in his path, while searching for a virgin to complete his ritual. The only one standing in his way is local police captain Lopez (Fernando Almada), a descendant of the archbishop who originally slew the executioner, whose virginal daughter Olivia (Edna Bolkan) is exactly the maiden the fiend is looking for.

Fun and gory horror is directed by Rubén Galindo Jr. from a script with Carlos Valdemar. Much like their Cemetery of Terror collaboration, this flick is atmospheric, very bloody and very 80s. Galindo knows his tropes well and we get creepy old graveyards, cobweb filled crypts, fog shrouded churches and an abundance of well rendered gore. The plot is a bit loopy, with an axe wielding walking corpse looking for a maiden to knock up in Old Scratch’s name, but Galindo directs it seriously…but not too serious…and simply knows how to present the horror traditions well. The 80s fashions and electronic score give the film some fun 80s nostalgia, and even if it gets a bit silly, it is visually atmospheric and does have some very spooky moments, along with some gruesome kills. The undead executioner makes for a solid fiend/villain complete with supernatural powers and the cast are all fine for this type of horror hi-jinx.

Grave Robbers might a bit goofy at times and it’s story might be more silly than scary, but it’s the skilled direction of Ruben Galindo Jr that keeps it spooky and bloody fun. He is very aware of the classic horror film traditions and knows how to use those elements very well. The film takes itself seriously, but not too serious to not have a good time. The film is visually impressive and atmospheric, the cast just fine for what they have to do and the gore effects are abundant and well done. Another solid Mexican horror from Ruben Galindo Jr and another obscure title available on Blu-ray from the awesome folks at Vinegar Syndrome.

-MonsterZero NJ

Rated 3 (out of 4) axes!

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TOMB OF NOSTALGIA: CEMETERY OF TERROR (1985)

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CEMETERY OF TERROR aka CEMENTERIO DEL TERROR (1985)

Mexican horror takes place on Halloween night with a group of youths going to an abandoned house to party. In the house they find a book of occult rituals and spells and as a prank, decide to steal a body from the morgue and try to raise it from the dead at a local cemetery. What could go wrong? Of course, the teens pick the body of Satan worshipping serial killer, Devlon (José Gómez Parcero) and soon Devlon is back from the dead and slaughtering the partiers back at the abandoned house. The only person who stands in the way, as a group of young trick or treaters finds themselves in the undead killer’s path, too, is Dr. Cardan (Hugo Stieglitz), a professor who knows all about Devlon’s powers and might be able to stop him.

Flick is directed by Rubén Galindo Jr. from his script with Carlos Valdemar and while it is a hodge-podge of films we’ve seen before, it is spooky fun. Galindo knows the trappings of a horror flick, especially one set on Halloween, and fills the flick with creepy trees, fog, spooky old houses, tombstone filled graveyards and plenty of gore. There is a lot of blood and the FX are well rendered and Devlon is a scary enough villain along with his horde of zombies, which burst out of their graves in the last act. It’s nothing new, but is a lot of fun and is also very 80s. Part Spookies and part Halloween, this is an entertaining horror for All Hallows Eve, as long as you don’t mind subtitles and that the switch of focus from teens to kids, in the last act, makes the film more kid-centric for it’s finale.

Cemetery of Terror might evoke some flicks you’ve seen before, but is made by a filmmaker who knows how to have a good time with the familiar tropes and use the familiar story elements well. Dumb, sex crazed teenagers, reanimated killers, zombies, gore and graveyards are all put to good use in this tale of horrors on Halloween night. We have both kids and teens in peril and the Mexican version of Dr. Loomis racing to the rescue. It’s a good time Halloween horror from South of the Border that fits in nicely with any All Hallows Eve flick. Available on Blu-ray from the awesome folks at Vinegar Syndrome.

-MonsterZero NJ

Rated 3 (out of 4) jack o lanterns!

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TOMB OF NOSTALGIA: NIGHT TRAIN TO TERROR (1985)

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NIGHT TRAIN TO TERROR (1985)

Actually saw this awful anthology in a theater back in 1985 when it was first released. It finds God (Ferdy Mayne) and The Devil (Tony Giorgio) on a train fated to crash at dawn, competing for the souls of three individuals. This sets up three stories that determines who gets their souls. The first is The Case of Harry Billings which finds Harry (John Phillip Law) taken to a sinister insane asylum where he is made to lure beautiful women there for nefarious purposes. The second is The Case of Greta Connors which tells the tale of a wannabe actress, Greta (Meredith Haze), who is rescued from life as a porn star by a young man (J. Martin Sellers), only to find herself and her lover in a death cult. Final tale is The Case of  Claire Hansen, which finds devout Catholic Claire (Faith Clift) getting mixed up in apocalyptic evil doings along with her atheist, author husband (Richard Moll). Framing segments also feature a band performing the same song over and over on the ill-fated train, for whatever reason.

Flick is culled together from three separate full length movies, and with the framing segments, has five directors credited to it…,Jay Schlossberg-Cohen, John Carr, Phillip Marshak, Tom McGowan and Gregg C. Tallas. Ironically, all three films were written by Philip Yordan and he receives sole writing credit for this one, too. While it might not be fair to speak for the films this is edited down from, unless you’ve seen them, but what we do see of them isn’t good. As for Night Train, it is a terrible movie from the acting to the FX and sometimes hilariously so, though not enough to make it fun. It can also be tedious at only 98 minutes, the stories barely follow a narrative structure and even some veteran actors, like Cameron Mitchell and John Philip Law deliver terrible performances. When surrounded by friends, it was a hoot to watch it in it’s awfulness back in the day, but revisiting it from the couch streaming on Tubi, not so much. It’s simply a bad movie in every way and most likely someone’s attempt to get back money spent on the three turkeys it’s edited down from. It has gained some cult status, over the years, but not sure it deserves it. It’s really just that bad.

In conclusion, Night Train To Terror might have some 80s nostalgia and some personal nostalgia, too, but it is simply an awful anthology cut together from what appears to be three equally terrible movies. The FX, dialogue, sets and acting are almost all bargain basement and only Ferdy Mayne and Tony Giorgio as God and The Devil, respectively, offer anything noteworthy to the audience, as the two actors do play their parts effectively well. At least the dialogue between them was interesting and fairly well written. A simply dreadful anthology and not in a good way.

-MonsterZero NJ

Rated 1 and 1/2 (out of 4) train signals!

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TOMB OF NOSTALGIA: CHILD’S PLAY 3 (1991)

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CHILD’S PLAY 3 (1991)

Child’s Play threequel opened a mere nine months after the second installment and is the last Child’s Play movie involving Chucky’s pursuit of Andy Barclay. Flick takes place eight years after part 2, with Andy (Justin Whalin) now being sixteen and sent to military school. The Play Pals Company has decided to restart production of the Good Guys doll line and uses the plastic from the unfinished models still left in the warehouse where the Child’s Play 2 had it’s finale. Of course the bloody melted hunk of plastic that was Chucky is included and soon Chucky is back once again in action. He tracks Andy to the military academy, but soon sets his sights on shy eight year-old Ronald Tyler (Jeremy Sylvers) as his new host. It’s up to Andy and his new romantic interest Cadet Kristin De Silva (Perrey Reeves) to stop him.

Third flick is directed by Jack Bender from a script by Don Mancini and wisely is the last film in the Andy Barclay story arc, as this installment shows it was running out of gas. It’s the same old shenanigans with a wisecracking Chucky killing anyone who gets in his way or pisses him off. The kills are getting routine and only the carnival funhouse set climax shows a little life. It’s not very scary or suspenseful, but is competently made and Dourif is as fun as ever as the serial killer in a doll’s body. It’s bloody and the military academy setting adds a few wrinkles, but otherwise the series was showing signs of needing some sort of rebooting if it was to continue. One does miss little Alex Vincent, but at least they tried to keep it from getting too stale by upgrading Andy to a teenager and even giving him a love interest with the pretty and spunky Kristin. When he is not trying to save Ronald and convince everyone Chucky is back, he is getting bullied by academy a-hole, Cadet Lt. Col. Brett C. Shelton (Travis Fine). The Chucky and gore FX are still very well done and still help maintain the illusion that the doll is possessed and and alive. It’s a functional enough sequel and has it’s moments, but one understands why the series was given a break and and a new direction after this flick performed only moderately at the box office.

The cast is again fine. Justin Whalin is good as Andy. He evokes the character, but appropriately eight years older. He is a solid hero as being a teen helps him go on the offensive for the first time. Brad Dourif is still excellent in his vocal performance as Chucky. He is still as twisted and malevolent as ever, and getting the best dialogue in the movie…as he should. Jeremy Sylvers is likable and sympathetic as the shy, young Ronald and he makes a good target for Chucky’s plans to resurrect himself out of his plastic shell. Perrey Reeves is energetic and resilient as the tough, but cute Cadet Kristin De Silva. She makes a nice love interest for the now grown Andy Barclay. Travis Fine is a dislikable villain as the academy douche Lt. Col. Shelton and movie vet Andrew Robinson shows up as the twisted academy barber Sgt. Botnick.

In conclusion, Child’s Play 3 is an OK third installment, but shows a series in need of a fresh coat of paint. Andy is now a teen and that and the military academy location add a little something new, but not enough to really makes this an equal to either of it’s predecessors. Chucky creator Don Mancini realized it was time for a change and after a seven year hiatus, Chucky would return with a new story direction, new tone and a love interest of his own in 1998.

-MonsterZero NJ

Rated 2 and 1/2 (out of 4) killer dolls!

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TOMB OF NOSTALGIA: CHILD’S PLAY 2 (1990)

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CHILD’S PLAY 2 (1990)

Child’s Play sequel takes place two years after the first installment with poor Andy (Alex Vincent) now living with foster parents (Jenny Agutter and Gerrit Graham), as his mother is institutionalized for corroborating her son’s story about a killer doll. As for Chucky, the Play Pals Corporation has regained possession of the remains of the Chucky possessed Good Guys doll and uses the inner mechanisms to build a new doll, in order to prove to investors, product malfunction was not a factor in the incident. Once reconstructed, Chucky resumes his hunt for Andy, to once again try to take possession of him. Obviously, the killer doll leaves a trail of bodies in his wake.

Second installment in the popular franchise is this time directed by John Lafia from a script by Don Mancini. It’s not quite an equal, but is an efficient enough sequel. Chucky is up to his old tricks and the kills are played a little bit more for laughs this time, though some are still potent and bloody. Chucky isn’t quite as scary as he was the first time around, as the novelty has worn off, but still can be threatening and his pursuit of Andy, who is again not believed, still is effective. The FX portraying the killer doll are very convincing prosthetics and the slightly larger budget gives the flick a chance to open up a bit with an impressive and fun last act chase and showdown at the Play Pals factory, echoing the climax of The Terminator. There is some suspense and a few chills, though one can see the franchise is trying to have a bit more fun here with a more wisecracking villain.

The cast is fine. Alex Vincent is still very likable and sympathetic as the little boy being pursued by a serial killer in a doll’s body. Brad Dourif is once again excellent in his vocal performance as Chucky. He is twisted, intimidating and gives so much life to a plastic prosthetic, while milking his dialogue for all it’s worth. Agutter and Graham are serviceable as Andy’s foster parents Joanne and Phil Simpson. They are not as endearing as Catherine Hicks’ spunky single mom Karen, but they are likable enough, especially Agutter, who is far more sympathetic to Andy’s traumatic past. Rounding out is Christine Elise as Andy’s tough, street-smart foster sister Kyle, who joins him in the fight against Chucky, and Grace (Galaxy of Terror) Zabriske as the kindly head of the boarding house Andy has been staying at before being adopted by the Simpsons.

Overall, Child’s Play 2 is a fun second installment. Chucky is still a fairly effective villain and there are some suspenseful sequences, some effective kills and a few chills. It’s not quite an equal to the classic original, but at least still played the franchise somewhat seriously before future installments got a lot goofier.

-MonsterZero NJ

Rated 3 (out of 4) killer dolls!

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TOMB OF NOSTALGIA: MIMIC (1997)

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MIMIC (1997)

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The story tells of a deadly disease devastating New York City’s children and carried by it’s cockroaches. Entomologist Susan Tyler (Mira Sorvino) creates The Judas Breed, a new insect, genetically bred to destroy the infected cockroaches, then die-off themselves. The Judas Breed have other ideas and are not only thriving, but are soon growing, evolving and nesting in the city sewers. They are also now preying on humans. Susan, along with her husband, Dr. Peter Mann (Jeremy Northam), who is Deputy Director of the CDC, and reluctant subway cop, Officer Leonard Norton (Charles S. Dutton), find themselves in the fight of their lives, and the lives of everyone in the city, as they enter the catacombs of NYC’s massive subway system to find and destroy the The Judas Breed.

Film is directed by Guillermo del Toro from his script with Matthew Robbins, from the book of the same name by Donald A. Wollheim. It’s a solid, modern day sci-fi/horror, that is not without a nod to the giant bug movies of the 50s. It’s got a good story, a top notch cast, some good gore, excellent creature FX and there is enough carnage and action to satisfy the average monster/giant bug movie fan. The attack scenes are intense and suspenseful and Del Toro gives his creatures a nice air of mystery, till he’s ready to reveal them. When he does, they are menacing, vicious and have a character about them. He creates a lot of mystery and atmosphere and his visual style is gorgeous as usual. His visual eye makes good use of the underground subway system setting. The cinematography by Dan Laustsen is both colorful and filled with atmospheric shadows and the score by Marco Beltrami is very effective.

As said, there is a good cast here. Sorvino is a strong heroine as Susan. She has a hard time convincing the authorities of what she’s discovered and goes to investigate herself with only Peter on her side. Jeremy Northam is solid as Peter. He’s more concerned with having a baby than investigating Susan’s claims, at first, but comes to believe Susan is on to something. Charles S. Dutton is also really good as Officer Norton, a tough guy who is reluctantly dragged along on the giant bug hunt. The film also has a good supporting cast with Giancarlo Giannini as a shoe shiner whose autistic son (Alexander Goodwin) has an interest in the creatures, Josh Brolin, F. Murray Abraham, and, in a small role, Walking Dead’s Norman Reedus, as a department of sanitation employee who finds something very interesting in the garbage.

I’ve always liked monster movies and am a huge fan of Guillermo Del Toro, so it’s no surprise I champion his giant bug movie set in the sewers of NYC. I really do believe this is a good and very underrated monster movie that doesn’t get enough love. A director’s cut is now available on blu-ray, as Del Toro was unhappy with studio tinkering on the original release. It expands the story of Sorvino’s Entomologist and her husband, Peter as they try to have a baby, basically adding a bit more of a human element to already likable characters. Those looking for more creature stuff in the director’s cut will be sadly disappointed. A really good monster flick that doesn’t get the respect it deserves and was sadly a box office disappointment upon release in 1997.

-MonsterZero NJ

 Rated 3 and 1/2 (out of 4) Judas Breed Bugs!
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TOMB OF NOSTALGIA: UNDER SIEGE 2: DARK TERRITORY (1995)

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UNDER SIEGE 2: DARK TERRITORY (1995)

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Sequel finds a retired Casey Ryback (Steven Seagal) now owning a restaurant and taking a train to Los Angeles for his brother’s funeral, along with his rebellious niece Sarah (Katherine Heigl). As Ryback has the same luck as John McClane, terrorist and computer hacker Travis Dane (Eric Bogosian) hijacks the train to take over the ATAC’s Grazer One weapons satellite. Using information from CIA agent Tom Breaker (Nick Mancuso) and ATAC Captain Linda Gilder (Brenda Bakke) who are romancing onboard, the train becomes Dane’s mobile base and the passengers his hostages…all save one…Ryback. Now Ryback must defeat the terrorists’ plan, rescue his hostage niece and save the day with only a young porter (Morris Chestnut) to help him.

With On Deadly Ground being a box office disappointment, Steven Seagal wisely returned to his Casey Ryback character from one of his most successful films. This time he is directed by Geoff Murphy from a script by Richard Hatem and Matt Reeves. It’s not quite up to the first flick’s standards, but is still a fun action movie with a lot of the bone crunching martial arts we expect from Seagal. Dane is more of a cyber villain and Everett McGill’s mercenary Marcus Penn becomes the physical threat Ryback must eventually overcome. The relationship between Ryback and niece Sarah works well, as it gives us a chance to see Casey a bit befuddled dealing with a teenager. Once she becomes a hostage, his camaraderie with Chestnut’s porter Bobby, works well, too. There is a lot of action and suspense as Dane uses the Grazer One for hire and for revenge and Ryback must somehow stop him before the military takes out the train and it’s passengers to eliminate Dane. The cat and mouse game between terrorist and exNavy SEAL works well, as it did before. The script writers even work out a way to get action on and off the train, here and there, and it’s only a couple of really badly executed SPFX during the overblown conclusion that bring the flick down a few notches. Otherwise, it’s not quite Under Siege, but entertaining enough in it’s own right and a welcome return to one of Seagal’s best characters.

Sequel has a good cast. Seagal’s is very likable as Ryback. He’s a noble character, but a little bit less intense than some of the other stone-faced tough guys he’s portrayed. He has some fun scenes with Katherine Heigl as his niece, as even Ryback admits he’s not trained for dealing with a rebellious teenager. Heigl is good as the feisty Sarah, though is more of a damsel in distress in the second half. Morris Chestnut is fun as the reluctant hero Bobby, whose porter is dragged into being Ryback’s sidekick. Eric Bogosian is a solid enough villain as cyber terrorist Dane. He doesn’t quite have the personality of Tommy Lee Jones’ Stranix from part one, but he works well enough, as does Everett McGill as his muscle. There are some returning supporting characters from the first installment, such as the before mentioned Nick Mancuso as Agent Tom Breaker, Dale Dye as Captain Garza and Andy Romano as Admiral Bates. Another good cast to support the action star.

A solid action flick that may not be quite as good as the first Under Siege, but is still action packed and fun. One of Seagal’s last big hits and one of his last major theatrical releases before his flicks started hitting direct to video status. He had a brief theatrical comeback with the flick Exit Wounds in 2001, but that fizzled out quickly. Too bad the often rumored Under Siege 3 never got made, Ryback is by far his most likable and memorable character.

-MonsterZero NJ

Rated 3 (out of 4) cooks who moonlight as SEALs.

 

 

 

 

 

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IT CAME FROM ASIAN CINEMA: HOLY FLAME OF THE MARTIAL WORLD (1983)

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HOLY FLAME OF THE MARTIAL WORLD (1983)

Chinese period fantasy has brother Yin Tien Chu (Max Mok Siu-Chung) and sister Tan Fung (Yeung Ching-Ching) separated as babies, when their parents are murdered by a pair of evil wizards (Leanne Lau Suet-Wa and Philip Kwok Chun-Fung). Tan Fung is raised by the two villains, while Yin Tien Chu is rescued and raised by good sorcerer Monster Yu (Jason Piao Pai). Eighteen years later, while initially on opposite sides, both siblings are destined to be reunited for revenge. Mix in some mystically powered swords and you have yourself a Shaw Brothers sword and sorcery epic!

Fun martial arts fantasy is energetically directed by Chun-Ku Lu from his script with Kwok-Yuen Cheung, based on a story by Sang Siu. It heavily evokes Tsui Hark’s Zu: Warriors from the Magic Mountain, which came out the same year. It doesn’t quite seem to have that film’s budget, or level of SPFX, but does make up for it by being delightfully bonkers, fast paced and action packed. The film is also incredibly colorful with enough lavish costumes and sets to satisfy most fans of these movies. The fights are well orchestrated and the fantasy elements can be quite imaginative and creative, especially on what appears to be a modest budget. The visual and make-up FX can be cheesy, but are always charming. The mix of martial arts and sorcery is typical of these Shaw Brothers flicks and all the magic, king fu, treachery and romance, leads up to a climactic stunt and SPFX filled battle between siblings and sorcerers. Fun stuff!

The cast are all good here with Max Mok Siu-Chung and Yeung Ching-Ching doing a solid job as the separated twin siblings. There is also an array of colorful supporting characters, both good and bad, played just over-the-top enough to be entertaining. Leanne Lau Suet-Wa and Philip Kwok Chun-Fung are delightfully villainous as the evil sorcerers Chief Tsing Yin and You-ming Elder, while Jason Piao Pai is bombastic fun as good sorcerer Monster Yu. There is also actress Candy Wen Xue-Er as “Snake Boy” and Yung Jing-Jing as Yin Tien Chu’s beautiful love interest Chuan Erh.

Overall, this is a silly but very fun martial arts fantasy. It’s production is not quite up to the level of the similar Zu: Warriors from the Magic Mountain, but it makes up for it with being delightfully goofy and full of heart. There is almost a constant flow of martial arts and magic, and it moves very quickly as brother and sister fulfill their destiny and avenge their parents, in true Shaw Brothers style. It is currently available to rent on Amazon Prime and the print is in absolutely gorgeous HD!

-MonsterZero NJ

Rated 3 (out of 4) martial arts swords.
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BARE BONES: THE QUEEN OF BLACK MAGIC (1981)

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THE QUEEN OF BLACK MAGIC (1981)

1981 Indonesian horror is the basis for the recent quasi remake of the same name that has gotten some online attention. It has a very simple plot. The story finds pretty Murni (Suzzanna) betrayed by her lover (Alan Nuary) over another woman and accused of practicing black magic. She is thrown off a cliff by the terrified villagers, but survives. She is rescued by shaman Gendon (W.D. Muchtar) and given the powers of black magic to exact revenge on those who betrayed and tried to murder her.

Original version is directed by Lilik Sudjio from a script by Subagio Samtono, and aside from a revenge seeking woman named Murni and some gory black magic practicing, there is little carried over to the 2019 Joko Anwar written flick. This film is a fun and very gory supernatural revenge flick with plenty of maggots, flying heads and levitations. There is even a dash of martial arts. The FX utilized range from simple but effective to delightfully cheesy. After what Murni was put through, we don’t exactly root against her, when she gruesomely kills those who tossed her off a cliff. Actress Suzzanna is very pretty and charming one minute and fierce the next. Her Murni is reluctant at first, but soon finds the anger to exact her vengeance. There is even an interesting twist during the climactic confrontation that will pit student against teacher. While it lacks the remake’s depth of background story, this version knows to give us a break now and then and doesn’t overstay it’s welcome at only 89 minutes in length. Overall, this is an amusing and fun supernatural horror with both versions now available to stream on Shudder. Either version is worth a look.

-MonsterZero NJ

3 star rating

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