“THE HERETICS” GETS A POSTER and TRAILER!

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The Heretics is an interesting looking upcoming occult horror directed by Chad Archibald (Bite) from a script by Bite scribe Jayme LaForest. The spooky looking flick now has a trailer and poster to intrigue us, though no U.S. release date as of yet. It does look like it has some creepy potential. Right now it’s making the rounds at festivals and hopefully this Canadian chiller finds a distributor soon!

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source: Youtube/ Arrow in the head.com

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TV REVIEW: GLOW (2017)

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GLOW (2017)

Glow is a fun and nostalgic 2017 Netflix original show based on the Gorgeous Ladies of Wrestling tv program that ran from 1986-1990. The original show featured a bevy of female wrestlers performing cartoon-ish stereotype characters and soap opera-esque story-lines along with in-ring matches…which isn’t too much removed from professional wrestling in general. This ten episode Netflix series fictionalizes the creation of the show when struggling exploitation director Sam Sylvia (Marc Maron) agrees to put an all girl wrestling show together for wannabe producer Sebastian (Chris Lowell) who has a rich mother. Sam’s actual goal is to get “Bash” to fund his next flick. Answering the audition call for the Gorgeous Ladies of Wrestling are down-on-her-luck actress Ruth Wilder (Alison Brie), her former best friend and ex-soap opera actress Debbie (Betty Gilpin), along with ten other women. The show mixes comedy and drama as it chronicles Sam and the ladies’ struggle to train, come up with their characters and get along, without killing the show, or each other, before they even step into the ring.

Glow starts off a bit shaky, but after a few episodes hits it’s stride quite nicely. The shaky start is due to the need to get the story moving quickly as there are only ten, half-hour episodes to tell it. The show needs to establish Ruth and Debbie as friends, turn them into enemies…when Ruth sleeps with Debbie’s husband (Rich Sommer)…and then thrust them back together as they become the show’s intended star rivals. This is hastily done in the first two episodes and doesn’t quite gel as we never get a feel for them as friends before they are at each others throats, literally. Ruth’s motivations for sleeping with her friend’s husband are never really convincing either. Just not enough time to really make it work. Once this occurs, the show kicks into gear as the production seems doomed from the start, yet the group start to come together like a dysfunctional family to try to make it happen. Not everything works, like an abortion sub-plot that literally lasts for one episode and seems to add nothing, and occasionally some of the humor falls flat, though mostly it works. Otherwise, this is a lot of nostalgic fun, especially if you remember the actual show that inspired it, or are a fan of everything 80s. The finishing touch is that it’s all wrapped in some awesome 80s tunes across it’s ten episodes and the whole thing leaves us wanting more.

The cast work really well and as a character driven show that is important. Alison Brie has shown a flair for comedy in the TV sitcom Community and some of her recent film roles and she shines here as Ruth. Ruth sees herself as an actress and it takes a while for her to get used to this brand of acting, but once she does she dives in with both feet. Brie works very well in the part of a woman desperate to find her place and is adept as the physical comedy, too. Gilpin is solid as Debbie. A respected TV actress who left her soap opera role to be a wife and mother and now finds that home broken by Ruth and that she has a need to be more than a babysitter. Gilpin portrays well a woman with an axe to grind who wants to be star of the show and does so without making her unlikable. Marc Maron is perfectly cast as the somewhat sleazy filmmaker, who does have a heart underneath all that cynicism and sarcasm. He really does good work here at making the guy very likable, even when he’s being a bit of an ass. The supporting cast all are strong, including Sydelle Noel as “Cherry” who becomes the groups trainer, as well as, one of the wrestlers know as “Junkchain” and Britney Young as a gentle giant of a women who only wants to prove she can be a wrestler like her famous father and brothers. A well rounded and well cast group of eccentric and eclectic characters.

So, the show does have a few flaws…and most shows take at least one season to hit their stride…but it overcomes them to become quite engaging. It’s a fun, nostalgic and clever look back not only an era, but one example of that era’s outrageousness. It’s well cast, has some fun moments and mixes the drama and comedy very well nicely. Another fun, entertaining and original show from Netflix!

The cast of Glow

EPISODE LIST

  1. Pilot – directed by Jesse Peretz and written by Liz Flahive & Carly Mensch
  2. Slouch. Submit – directed by Wendey Stanzier and written by Liz Flahive & Carly Mensch
  3. The Wrath of Kuntar – directed by Claire Scanlon and written by Nick Jones
  4. The Dusty Spur – directed by Melanie Mayron and written Sascha Rothchild
  5. Debbie Does Something – directed by Phil Abraham and written by Rachel Shukert
  6. This Is One Of Those Moments – directed by Kate Dennis and written by Jenji Kohan
  7. Live Studio Audience – directed by Jesse Peretz and written by Rachel Shukert
  8. Maybe It’s All The Disco – directed by Sian Heder and written by Nick Jones
  9. The Liberal Chokehold – directed by Lynn Shelton and written by Liz Flahive & Carly Mensch
  10. Money’s In The Chase – directed by Tristram Shapeero and written by Liz Flahive & Carly Mensch

-MonsterZero NJ

3 wrestling rings!
glow rating

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WEEKEND BOX OFFICE ESTIMATES JUNE 23-25

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Complete estimates are in for the weekend box office

(Remember, clicking the highlighted links brings you to the reviews here at The Movie Madhouse!)

1. “Transformers: The Last Knight” $45.3 Million

2. “Cars 3” $25.2 Million

3. “Wonder Woman” $25.2 Million

4. “47 Meters Down” $7.4 Million

5. “All Eyez on Me” $5.85 Million

6. “The Mummy” $5.8 Million

7. “Pirates of the Caribbean: Dead Men Tell No Tales” $5.2 Million

8. “Rough Night” $4.7 Million

9. “Captain Underpants: The First Epic Movie” $4.3 Million

10. “Guardians of the Galaxy Vol. 2” $3 Million

 

source: Box Office Mojo

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REVIEW: THE YOUNG KIESLOWSKI (2014)

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THE YOUNG KIESLOWSKI (2014)

Indie comedy/drama finds nerdy college virgin Brian Kieslowski (Ryan Malgarini) going to a party one night and meeting adorable and opinionated also virgin Leslie Mallard (Haley Lu Richardson). After some awkward drunken moments, Brian and the young woman hook up. Weeks later Leslie finds out she is pregnant and with twins and wants to keep them, as she is Christian. When confronted with this news Brian, who is currently dealing with his mother’s (Melora Walters) terminal cancer, tries to appear supportive, but is actually quite terrified and the turmoil begins as they travel to tell both sets of parents.

Film is well directed by Kerem Sanga from his own script and is probably more realistic about how things would go in this scenario, especially with today’s self-absorbed generation of youth. It’s aggravating to watch Brian constantly lie about his support of Leslie’s decision to keep her babies and even more infuriating to watch him let his selfishness and fear govern how he treats her and the situation. You sit there waiting for him to man-up and take responsibility for his part in her pregnancy, but all he does is lie to her face and run from his responsibilities. In the meantime we feel terrible for poor Leslie whose own rich, self-absorbed author father (James LeGros) wants her to have an abortion, or he will cut off her college funding and money to live. Brian outwardly pretends to side with Leslie, but secretly hopes her father convinces her otherwise. It’s actually heartbreaking to watch so many other people trying to decide what’s right for the young woman without taking her feelings or opinion into consideration. The only ally she really has is Brian’s terminally ill mother. It’s a lot of drama for a film that sometimes quite awkwardly, tries to interject humor into it’s scenario, which doesn’t always work and occasionally makes one uncomfortable as this would be a serious situation in real-life. If the film has any major flaw, it’s the humor doesn’t always mix well with the subject and one would like to think writer/director Sanga isn’t trying to make light of a young woman in such a predicament and wanting to make her own choice. Perhaps there is a thinly veiled statement here as the male characters favor abortion, while the women favor keeping the babies. Echos of our own country where male politicians seem to feel they can speak for women’s right’s…without the woman’s point of view being considered. Hard to believe that this was unintentional as we watch Brian secretly hope Leslie doesn’t go through with having what are his children, too…another point he seems to miss. One other gripe is that at no point do any of the characters mention the option of adoption. It’s either abortion or nothing on the side of those opposed to her keeping her babies and it was infuriating that at no point does anyone suggest a possible compromise of giving the children up for adoption. You’d think at least Brian’s mom would have suggested it, being one of the only people who cared about how Leslie felt. Was this not touched upon for dramatic purposes? Only writer Sanga knows for sure.

The director does have a very good cast even if we want to punch his lead character sometimes. Ryan Malgarini does convey well the terror and selfishness of an already somewhat immature young man who now has to grow up and do the right thing. It makes one angry to see how little consideration Brian gives to Leslie’s feelings and how selfishly he runs from being there to support her and being a man and taking responsibility. It’s a good stretch of the film where Brian becomes unlikable for his lack of maturity and how he hurts Leslie and in that, the actor plays the part very well. We are actually proud of Brian when he finally grows up and steps up and Malgarini makes that work even though we wanted to throttle Brian for the last hour. As Leslie, Hayley Lu Richardson (The Last Survivors, Split, Edge of Seventeen) once again proves she is a star in the making. Her Leslie is a fiery, opinionated young woman and seems to have a good heart and a pretty good head on her shoulders, even if she can be impulsive. Despite her strength and resolve, she still generates a lot of sympathy when the person she should most trust in, Brian, doesn’t support her and outwardly betrays her. That and having her own father try to force her to make a decision she feels isn’t right, is heartbreaking and Richardson has us by the heartstrings without taking her character into over-the-top melodrama. She has a strong screen presence and once again shows her versatility in yet another type of film. The girl has talent. James LeGros is an underrated actor and once again gives a strong performance as the self-absorbed Walter Mallard. He wants his daughter to do what HE thinks is right, ignoring her opinion and the fact that he was a young dad and his life and daughter turned out alright. He doesn’t even consider letting her make her own decision and being supportive and respectful of that. Legros, as with Malgarini, is a good enough actor to make us smile when Walter changes his mind. There is also good work from Joshua Malina as Brian’s father Robert, who is not ready to become a grandfather yet, and a wonderful supporting performance by Melora Walters as Brian’s terminally ill mother who becomes Leslie’s only true supporter and whose only concern is to see her grandchildren before she leaves this world.

I liked this movie. It stirred up some emotions and dealt with the difficult situation of pregnancy at a young age and the resulting turmoil, probably more honestly than one wants to admit. It boldly allowed it’s lead character to behave in a irresponsible and sometimes borderline cold manner and really makes us wait for him to do the right thing. Director/writer Kerem Sanga gets some really strong work from his cast and quite possibly was making a statement about men arrogantly making decisions about a woman’s right to choose. If the film has any flaws, it’s that sometimes the attempts at humor don’t fit the situation and we would like to think Sanga wasn’t making light of a serious subject, just choosing awkward moments to lighten the tone. If you like indie flicks, this is worth checking out.

-MonsterZero NJ

3 pregnancy tests!

 

 

 

 

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BARE BONES: HOUSE ON WILLOW STREET (2017)

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HOUSE ON WILLOW STREET (2017)

Flick has four kidnappers snatching a girl (Carlyn Burchell) whom they plan to ransom, only to find she is possessed by a demon and now they can’t get rid of her as she takes them down one by one. Silly flick is flatly directed by Alastair Orr from a script by he, Jonathan Jordaan and Catherine Blackman. Despite that it gets goofier and goofier as it moves along, this flick takes itself way too seriously, so we can’t even have fun with the ridiculousness of it all. It’s an endless parade of horror clichés and movie scene rip-offs that doesn’t even have the decency to allow us to laugh at it, as it’s just so dull. There is some nice make-up FX and gore, but the CGI is laughably bad and the performances and dialog are wooden and weak. Overall it’s a tedious mess of things we’ve seen so many times before and not reused with any cleverness or ingenuity. Yawn.

There was some good advanced word on this, though not sure where it came from. Stars Sharni Vinson (You’re Next, Patrick: Evil Awakens), who looks uncomfortable and like she’d rather be elsewhere, during the entire movie.

-MonsterZero NJ

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IT CAME FROM ASIAN CINEMA: THE COLLABORATIONS OF KEITA AMEMIYA AND YÛKO MORIYAMA

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THE COLLABORATIONS OF KEITA AMEMIYA AND YÛKO MORIYAMA

Keita Amemiya is an artist and designer who got a start writing and directing for TV before breaking into feature filmmaking in 1988 with Murai Ninja, a film that was a mash-up of ancient Japan sword epic and Star Wars-esque sci-fi flick. The film showed evidence of a director still in need of some experience at the helm, but it also had a unique look and design that displayed some interesting potential. Amemiya lived up to that potential in 1991 with the now cult classic Alien, The ThingTerminator, hybrid Zeiram and hasn’t stopped working since.

Yûko Moriyama was a Japanese TV and movie actress who had a brief acting career from 1991 to 2000. She was very pretty and only five foot four, but could convey a toughness and strength that made her believable as an action star. She worked for Keita Amemiya in three films ranging from 1991 to 1997, including his breakaway hit, Zeiram. In all three she played women warriors and that seemed to get her typecast as such for the rest of her short career. She made an impression, however, that has earned her cult status despite acting for less than a decade.

Zeiram had a beautiful bounty hunter from space coming to earth to hunt a biological weapon which could absorb the genetic material of victims and use it to it’s advantage. That beautiful bounty hunter was named Iria and played by the adorable yet tough Yûko Moriyama, who was twenty-three at the time and it was her first feature film. The flick became an instant fan favorite with it’s live action anime style and the incredible creatures, costumes and gadgets from the mind of Amemiya. It also made an instant cult star out of Moriyama, whose Iria had the beauty of a Japanese anime girl and the kick-ass combat skills of Natasha Romanov. The FX were quite good for a low budget flick, ranging from animation to prosthetics to old fashioned stop-motion. There was plenty of action and the film is now considered a cult classic of Japanese fantasy/sci-fi cinema.

Three years later Amemiya brought his genetic horror back and his leading lady with him, as Iria returned to Earth to battle another Zeiram creature, this time infused into a combat robot. Her A.I. partner Bob was back, too, as well as, her bungling earth sidekicks Teppei (Kunihiro Ida) and Kamiya (Yukijiro Hotaru). Zeiram 2 wisely kept it fresh by having a different look and abilities for it’s title creature and for Iria as well. The sequel once again featured the stunning and unique design work of it’s visionary director and the traditional genre mixing action. Moriyama was sexy and cool as Iria and while the film didn’t quite live up to it’s predecessor, it is still an action-packed, fun flick with the trademark look of an Amemiya film and with bounty hunter Iria being kick-ass as ever. Unfortunatley for fans, it would be another three years before director and actress would team again…

The artistic director and his leading lady worked together one last time, but sadly not a third go around for his heroine from space, Iria and her arch enemy. Moon Over Tao took place in feudal Japan with an object falling to earth that contains a hideous and almost indestructible creature that would kill anything it crosses paths with if unleashed. The ever-pretty Moriyama plays not one, but three alien women, Abira, Marien and Kuzto, who all have come to Earth to reclaim the object for their own personal reasons. The actress doesn’t disappoint, being beautiful and badass as usual. Amemiya would provide yet another entertaining genre mash-up with three times the Moriyama. The flick is a gory good time and once agin has some very unique design work, but still doesn’t quite equal the fun and action of his 1991 cult classic. 

Keita Amemiya continues to write, direct and design for films, TV and video games to this day. Moriyama apparently retired from acting after 2000 with her final film being a Hong Kong flick set partially in Japan called Tokyo Raiders. The actress is still a cult favorite among fans for her portrayal of Iria and it’s disappointing that she left acting so soon and never reunited with Amemiya at least one more time to make the Zeiram flicks a trilogy. Their collaborations are available on DVD and for those looking for more, there was a Zeiram animated prequel series that brought the titular creature and a younger Iria back, though Amemiya and Moriyama were not involved.

(You can read my full reviews for their three collaborations by clicking the highlighted titles, or on the movie posters above -MZNJ)

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 -MonsterZero NJ

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SUSPENSE THRILLER “MIDNIGHTERS” GETS A TRAILER!

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As a big fan of actress Alex Essoe (Starry Eyes, Tales Of Halloween, The Neighbor) we’re always happy around here to see she’s got another flick coming out. This looks like it could be another impressive role for the actress, as well as, a solid feature debut for director Julius Ramsay from Alston Ramsey’s script. Flick premiers at The Los Angeles Film Festival on 6/19/17 and hopefully a more mainstream release of some kind soon after!

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source: internet

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WEEKEND BOX OFFICE ESTIMATES JUNE 16-18

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Complete estimates are in for the weekend box office

(Remember, clicking the highlighted links brings you to the reviews here at The Movie Madhouse!)

1. “Cars 3” $53.5 Million

2. “Wonder Woman” $40.7 Million

3. “All Eyez on Me” $27 Million

4. “The Mummy” $13.9 Million

5. “47 Meters Down” $11.5 Million

6. “Pirates of the Caribbean: Dead Men Tell No Tales” $8.5 Million

7. “Rough Night” $8 Million

8. “Captain Underpants: The First Epic Movie” $7.3 Million

9. “Guardians of the Galaxy Vol. 2” $4.9 Million

10. “It Comes At Night” $2.6 Million

 

source: Box Office Mojo

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HORROR YOU MIGHT HAVE MISSED: 47 METERS DOWN (2016)

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47 METERS DOWN (2016)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

Sisters Lisa (singer Mandy Moore) and Kate (Claire Holt) are on vacation in Mexico and decide to go on a boating excursion where they will spend time suspended underwater in a shark cage observing the local great white population. An equipment malfunction occurs during their dive and now the sisters are stranded 47 meters down and running out of oxygen. Worse still, the massive sharks they came to swim amongst surround them, making rescue or escape almost impossible. Will help arrive in time?…or will the sisters become the next meal for the hungry predators.

Originally due to hit theaters back in 2016, 47 Meters Down is a fun and tense action/thriller from director Johannes Roberts (The Other Side Of The Door) which he co-wrote with Ernest Riera. Sure, there is suspension of disbelief and we could have used a bit more shark action, but Roberts keeps the flick moving fast at 80+ minutes and the action of one kind or another is almost constant. There is some nice tension in the atmosphere and we get some engaging and suspenseful set-pieces throughout. It’s all very well staged and the underwater photography avoids being murky, so we never loose track of what is going on. Roberts’ sharks obviously pop up at the most inconvenient times and that adds to the fun and the filmmaker even has the audacity to play with our emotions a bit in the tense last act. And as there are sharks, there is some blood, but the bloodletting is sparse, so when it does come, it has impact and is surprisingly gruesome. The film can be predictable at times, though even when it does, it’s still works to an entertaining degree, as some of the familiar elements are what we came expecting to see from a shark movie anyway.

The cast is small with the focus mostly on Moore and Holt while they spend their terrifying ordeal in the shark cage. Both ladies do well in creating likable and sympathetic characters for us to become endeared to. One of the reasons the film works as well as it does is we like these two girls and want to see them rescued. Matthew Modine plays the tour ship’s captain, but is mostly heard on the radio communicating with his trapped customers and is fine in a role which didn’t really need a name actor.

Simply, this was a fun little movie featuring babes vs sharks. There is some nice suspense and tension, likable characters and when we do get some bloodletting, it is effective and surprisingly gruesome. It can be predictable and we are asked to suspend belief more than once, but the film still entertains and doesn’t try to be any more than it is. A fun underwater thriller with enough bite to keep our interest. More of a straight up action flick than the recent shark drama The Shallows which will obviously draw comparisons.

-MonsterZero NJ

3 great whites who want Moore (sorry, had to!).

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“JUNGLE” FROM “WOLF CREEK” DIRECTOR GREG McLEAN GETS A TRAILER!

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Wolf Creek director Greg McLean is back with a new film and has Harry Potter star Daniel Radcliffe with him. The trailer below reveals what looks like quite an intense wilderness survival flick from a man whose made some harrowing flicks about being in the middle of nowhere. The movie is based on a book by Yossi Ghinsberg and is making festival rounds right now as we await a release date!

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source: Youtube

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