The latest X-MEN film, Dark Phoenix gets a new and intense trailer. The film follows psychic mutant Jean Grey’s (Sophie Turner) evolving into the powerful Dark Phoenix character from the comics. The film opens 6/7/19 and is directed this time by Simon Kinberg.
Fun animated film not only spotlights new Spider-Man, Miles Morales, who took over from Peter Parker in the comics in 2011, but it’s alternate universe plot cleverly gives us five other versions of the classic character, too.
The story finds the villainous Kingpin (voiced by Liev Schreiber) building a particle accelerator with Dr. Olivia Octavius, a female Doctor Octopus (Kathryn Hahn), to go to a parallel universe to retrieve his dead wife and son…deaths he blames Spider-Man for. This not only brings a radioactive spider into this universe to bite Brooklyn teen Miles Morales (Shameik Moore), but Spider-Woman (Hailee Steinfeld), an older Peter Parker (Jake Johnson), Spider-Ham (John Mulaney), Peni Parker (Kimiko Glenn) with her robot “SP//dr” and Spider-Man Noir (a perfectly cast Nicolas Cage), who only appears in black and white. The newly empowered Miles must now, somehow, learn to be a hero, stop the Kingpin before he destroys NYC and return the five spider-variations to their appropriate dimensions.
The plot synopsis above sounds complicated but flows very easily thanks to a clever script by Phil Lord and Rodney Rothman. The film is also very well directed by the trio of Rothman, Peter Ramsey and Bob Persichetti, who bring an energetic and colorful style to the proceedings. They capture the old-fashioned heroics, but with a very contemporary and eye-catching visual presentation. It uses both traditional and innovative animation, mixing styles and techniques while providing an involving story. With Marvel now making Spider-Man movies with Tom Holland as Parker, it would be interesting to see a Sony led series with Miles as Spidey, animated or not. There is also a nice mix of music to go along with the almost non-stop action and the film doesn’t forget to slow down, here and there, to gives us some emotional resonance between characters. The stuff be tween Miles and his dad (Brian Tyree Henry) really works and we can see how Miles gets his sense of right and wrong from his policeman father. It gives the film a nice emotional core, which adds weight to the drama and action. With six films…and a seventh on the way…and two roles in other movies, that’s eight appearances of the Spider-Man character in the new millennium alone. Spider-Verse finds a way to make the character fresh, again…and that’s quite an accomplishment.
The vocal cast are all superb with Moore doing a wonderful job as Miles and Jake Johnson ditto as the older, grumpier Peter Parker. Hailee Steinfeld again proves a star in the making as the spunky Gwen Stacy/Spider-Woman, while Cage is perfectly fitting here as the gloomy Spider-Man Noir, a cross between Philip Marlowe and Spidey. We also get an array of Spider-Man villains along with Kingpin and Doc Ock, such as Green Goblin (Jorma Taccone), Tombstone (Marvin Jones III), The Scorpion (Joaquín Cosio) and The Prowler (a surprise reveal). An eclectic, but very solid voice cast. Interesting how they made such a large cast of characters work when the big budget live-action films just seemed bloated and overcrowded.
Overall, this flick was a lot of fun and didn’t skimp on substance and emotional depth for its story. That story flows very well, thanks to skilled direction and a sharp script and the mix of animation styles is exceptionally well done. A solid effort all around that’s a real treat for Spider-Man fans and better than some of the recent live-action flicks. Watch till the end of the credits for a hilarious extra scene.
Flick may be the first zombie Christmas musical ever, but, aside from that honor, it’s also quite fun. Story takes place at Christmas time and finds Anna (a delightful Ella Hunt), soon to graduate high school and dealing with things most girls her age deal with. Anna’s life, in the small town of Little Haven, is turned upside-down, however, as a zombie apocalypse breaks out. Now Anna and her dwindling number of friends must fight for survival with guts, determination…and song.
Film is directed by John McPhail from a script by Alan McDonald and Ryan McHenry, based on Henry’s Zombie Musical short film. It is surprisingly bloody and takes it’s zombie subject seriously, while also providing some laughs and quite a few catchy musical numbers. Star Ella Hunt is quite charming in the role of Anna and even when the tone darkens, as the zombie outbreak intensifies, Hunt’s Anna remains buoyant and hopeful…and so do we. A cute, fun movie that is both musical and comedy, yet remains a horror flick, too. Mixing genres isn’t easy and this flick does it right. Very entertaining.
SONG LIST *
1.”Christmas Means Nothing Without You”-Shonagh Murray
2.”Break Away”-Ella Hunt, Sarah Swire and Malcolm Cumming
3.”Hollywood Ending”-Cast from Anna and the Apocalypse
4.”The Fish Wrap”-Roddy Hart, Tommy Reilly and John McPhail
5.”It’s That Time of Year”-Marli Siu
6.”Turning My Life Around”-Ella Hunt and Malcolm Cumming
7.”Human Voice”-Cast from Anna and the Apocalypse
8.”Soldier at War”-Ben Wiggins
9.”Nothing’s Gonna Stop Me Now”-Paul Kaye
10.”Give Them a Show”-Ella Hunt and Paul Kaye
11.”I Will Believe”-Ella Hunt and Mark Benton
12.”What a Time to Be Alive”-Ryan Joseph Burns
13.”What a Time to Be Alive (Orchestral Version)”-Cast from Anna and the Apocalypse
Megan Reed (Shay Mitchell) is an ex-cop still traumatized over freezing up and allowing a perpetrator to kill her partner. It’s turned her into a recovering addict who gets a graveyard shift job at the morgue. Makes sense! Along comes the body of Hannah Grace (Kirby Johnson), a young girl killed during a botched exorcism. The demonic entity that inhabits Hannah’s body hasn’t left yet and supernatural hi-jinx ensue.
Film is directed by someone named Diederik Van Rooijen from an uninspired script from Brian Sieve. It offers almost nothing new to the possession sub-genre and pulls out every lame cliché demonic themed flicks have to offer. Any new wrinkles are few, far between and silly…like Hannah’s demon infested corpse being able to regenerate itself with each person it kills. What? It’s also hard to believe a former cop who is suffering from depression over the death of her partner would choose a morgue as a new place of work. Mitchell makes a solid enough heroine, but is let down by the movie surrounding her. Hannah Grace made almost four times it’s budget back at the box office, so someone thought this drivel was cool.
(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)
One Dark Night is a rare PG rated 80s horror featuring 80s movie icon E. G. Daily (billed as Elizabeth Dailey) and legendary “Batman” Adam West. The story finds pretty high school student Julie (Meg Tilly) wanting to join an elite club and having to spend the night in a mausoleum to do it. “The Sisters” (Daily, Leslie Speights and Robin Evans) plan to scare her, but that is the least of her troubles. The corpse of Raymar, who studied the occult, has recently been laid to rest there, but the man suspected of “psychic vampirism” may not be quite at rest at all.
Flick is directed by Tom (Friday the 13th part VI: Jason Lives) McLoughlin from a script by he and Michael Hawes. With it’s kid friendly rating this is obviously a fairly tame flick, though PG films did get away with a lot more back in the day. No better example of this than a face melting that comes later in the film. It can be atmospheric and has some spooky moments and the material is played straight, even by West. Legendary FX man Tom Burman made the legion of corpses levitated by our undead villain and filming is said to have taken place in an actual mausoleum which terrified a then 19 year-old Meg Tilly*. On the downside, it is a bit slow moving and takes till it’s last twenty minutes or so for burial chambers to start popping open and Raymar and his army of corpses to make their appearance. The 80s nostalgia helps and watching Adam West pretentiously roll his eyes to the term “psychic vampirism” is worth watching for alone.
Not a great movie, but it is fun at times, especially in a nostalgic sense. It’s very tame, considering most flicks were gore heavy at the time, and there is none of the sex that was also a staple of 80s horror. Meg Tilly makes a fine enough heroine, before The Big Chill and Psycho II got her more mainstream attention later that year, and Raymar is effective even if entirely made of rubber and plastic. It is refreshing that someone made something other than a slasher at this point in the 80s and being suffocated under a pile of corpses is a creepy way to go.
The summer movie season has started early and it has started with a bang! Alita: Battle Angel is a film adaptation of the Gunnm Manga series created by Yukito Kishiro. It’s produced by James Cameron and directed by Sin City’s Robert Rodriguez. The story has cyborg physician Dr. Dyson Ido (Christoph Waltz) finding the remains of a still active cyborg in a junk heap. Made to resemble a teenage girl, the doctor restores his discovery using a cybernetic body meant for his invalid daughter, who is now dead. He names her Alita after his little girl and soon the two bond as Alita (Rosa Salazar) tries to figure out who she is. Along the way Alita falls for street hustler Hugo (Keean Johnson) and becomes interested in the violent game of Motorball. Alita also finds she is no normal machine and there are sinister forces who want her technology for their own nefarious purposes…and they will hurt anyone to get it. A girl becomes a warrior, as Alita must now protect those she loves from harm.
The plot synopsis above is a simplification as Alita has a bit of a complex story, as many Manga do. It’s adapted to script by James Cameron and Laeta Kalogridis and exceptionally well directed by Rodriguez, in what may be his best film so far. Despite being plot heavy, Rodriguez takes his time with the story, first introducing us to Alita and letting us learn about who she is as she does. It allows us to become endeared to her, so when treachery sets in and the action really gets going, we are emotionally invested in the characters. And that’s one of the pleasant surprises about Alita: Battle Angel, it has a strong emotional center thanks especially to a very strong performance by lead Rosa Salazar as Alita. The actress really gets the emotions of the character through in the motion capture and vocal performance, so we really see the CGI character as a three dimensional one. We feel for her all the way and the film has a “human” center despite being filled with CGI characters and epic battles. On the popcorn level the film also delivers. The SPFX are spectacular, as is the design of the world of the 26th century, Alita herself and her cyborg costars. The action is fast and furious and while having a lot of elements, the plot is far from hard to follow. The flick is surprisingly violent for a movie that could be marketed strictly to teens, but it makes it adult enough for the older crowd to enjoy and adds intensity to the proceedings. Sure there is some corny dialogue and some cliché moments, but Rodriguez uses those elements to the film’s advantage, as it is an old-fashioned superhero story at heart…and heart is something this flick has a lot of.
The cast really play the material well. As said, Rosa Salazar is very good at embodying Alita with a strong character through body language and voice performance. She gives the cyborg teen a lot of charm, intensity, as well as, a sense of wonder and a touch of naivety. Salazar is a star in the making. Waltz is very endearing as the kindly Dr. Ido, who has some secrets of his own. He plays the father figure well, but with a quiet strength. Keean Johnson is also endearing as the rogue-ish Hugo, the boy Alita falls for. He also has some secrets, too, but he remains likable despite Hugo’s sometimes shady activities. The film also features Jennifer Connelly as Ido’s ex-wife, who works for the film’s primary villain, Motorball tycoon Vector (Mahershala Ali) and there is a surprise cameo, that won’t be spoiled here, as the man pulling Vector’s strings, Nova. There are also appearances by Ed Skrein, Jeff Fahey, Michelle Rodriguez and Jackie Earl Haley as various CGI cyborg characters. A very effective cast.
Overall, this flick was a blast and a really good time that gives a very early start to the summer movie season. It’s a fun popcorn flick, yet one with a more layered story to get us involved in and adds some dramatic weight and intensity to the FX and action. It has a star making performance from it’s leading lady, Rosa Salazar and has more heart than you’d expect from a cyborg. Highly recommended.
(Clicking the highlighted links brings you to corresponding reviews and articles here at The Movie Madhouse!)
Sequel pics up right after the first flick with Tree (Jessica Rothe) cozying up with Carter (Israel Broussard) and all being well until roommate Ryan (Phi Vu) starts to relive his own murder over and over. Tree finds out her previous predicament and Ryan’s current one are as a result of Ryan and friends science experiment that effects time…just not in the way they planned. An effort to kill the loop sends Tree back to Monday the 18th again, only this time in an alternate universe. She’s reliving her death all over again, only in this dimension Lori (Ruby Modine) is no longer the killer, Carter is dating Danielle (Rachel Matthews) and her mother is still alive. Can Tree get back to her normal dimension…and does she want to?
As you can guess by the plot description, Happy Death Day 2U sends the slasher elements to the background and focuses more on a Star Trek-ian/Back to the Future-esque tale of alternate timelines and other dimensions. It’s still fun, though shifting the focus also mutes some of the chills and thrills that made the first film such a treat. There is a lot of entertainment to be had and they have fun with the expanded concept, but this seems more like a cinematic episode of The Big Bang Theory with a slasher sub-plot. Christopher Landon again directs well, though this time from his own script and seems to want to play more with the whole alternate timeline thing and guide the story away from the slasher elements. A mid-credits scene hints that a part 3 will veer away even further. There was also a brief flirting with dopplegangers, but that disappears quickly, which is a shame as Tree being stalked by other alternate reality selves sounds like it would have been a hoot. If the film is missing anything, it’s the intensity the slasher elements brought to the table in the first film. The mix was more even in Happy Death Day and this sequel could have used a bit more.
Jessica Rothe is again a blast to watch though she shares the film’s focus with other characters and isn’t always the center of attention. The actress also proves again she is a leading lady with talent and can do drama, comedy and kick some ass, too. Israel Broussard is still charming and likable as Carter. The alternate reality version is pretty much the same guy, except for dating Rachel Matthews’ Danielle, who is a lot nicer in this other dimension. Matthews gets more screen time and gets to perform some slapstick comedy in one of the sillier sequences. Phi Vu gets a far more expanded role and is fun as Ryan and Suraj Sharma and Sara Yarkin play two of his nerdy lab partners/friends.
In conclusion, the sequel is not an equal, but not a disappointment either, unless you were expecting more of a horror film. There are some amusing sequences, some fun character interaction and even a little heart-tugging drama to go with the occasional dips back into slasher territory. On the downside it is slower paced, the killer was easy to guess and horror fans might not be happy with all the science geek quantum this and quantum that mumbo jumbo. Leading lady Jessica Rothe is still at least every bit the firecracker and if there is a three-quel, hopefully she is not pushed to the sidelines or lost in an ensemble piece. A fun movie thought maybe not what you might go in expecting. Stay through the credits for that mid-credits scene.
MONSTERZERO NJ’S 10 HORROR FLICKS FOR BLACK HISTORY MONTH!
February is the month where we mark the achievements of the black community and there have been some wonderful contributions to the world of horror films by some amazing talents. Whether it be black filmmakers like William Crain and Jordan Peele, or actors such as William Marshall, Pam Grier and Duane Jones, there is much to celebrate! Here are ten films that illustrate the sometimes groundbreaking and always entertaining achievements in the horror genre that this month so proudly commemorates!
REVIEW LINKS: click to read the corresponding review!