REVIEW: GODZILLA x KONG: THE NEW EMPIRE (2024)

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GODZILLA x KONG: THE NEW EMPIRE (2024)

Sequel to Godzilla vs Kong opens a few years after Godzilla and Kong’s battle where the two earned each other’s respect and parted ways peacefully…for the time being. Kong now lives in the Hollow Earth and constantly searches for others like him, while being watched by Monarch and Dr. Ilene Andrews (Rebecca Hall). Kong unwittingly opens a chasm leading into a sealed-off section of the underground world, freeing the sinister Skar King and his simian slaves and soldiers. At the same time Godzilla begins to attack nuclear facilities and other titans, absorbing massive amounts of energy. It’s discovered that Jia’s (Kaylee Hottle) people the Iwi also live in that hidden part of the Hollow Earth and have sent a signal out alerting Godzilla to the coming threat. Now the only hope to defeat Skar King and his massive ice titan Shimo is if Kong and Godzilla can somehow coexist and fight together…unless they destroy each other first.

Sequel to Godzilla vs. Kong is again directed by Adam Wingard (The Guest, You’re Next) from a script by Terry Rossio, Simon Barrett and Jeremy Slater. It is a blast of colossal monster fun, that puts the monsters first and the people in supporting roles. It’s more on the level of some of the lighter Japanese flicks from the 60s and 70s like Godzilla vs. the Sea Monster and King Kong Escapes so anyone expecting the emotional resonance of the recent Godzilla Minus One will be sadly disappointed. If you are fine with some lighthearted comic book style adventure then this is a really fun time at the movies with some dazzling visual sequences and some rip-roaring monster battles, including the climactic showdown that rages from Hollow Earth to Rio de Janeiro, to Godzilla and Kong going at it once again among the pyramids of Egypt. The FX are top notch, the flick is loaded with critters familiar and new, and the human character sequences may be weak but do their job. The monsters are the stars, and the humans really only exist to give the exposition we can’t get from our titanic main characters. It’s a true popcorn movie and longtime Godzilla fans in particular should love the references and tone that harkens back to classic Toho. Wingard moves things along quickly, makes it colorful and action-packed and gives the film a sense of fun without making fun of his colossal subjects. 

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           “Did we just become best friends?”

The director once again has assembled a good cast that may not have a lot to do but make their parts fun. Rebecca Hall is front and center returning as strong-willed Dr. Ilene Andrews. She’s a little tougher yet still capable of being a wide-eyed kid when seeing the new sights in Hollow Earth. She is also trying hard to be mom towards Jia who shares Kong’s loneliness of being the last of her kind…or so she thinks. As Jia, Kaylee Hottle has a larger and more important role here and handles it very well. She finds not only her people but a heritage linking her to another classic Toho creature that works really well and establishes a bond that could be important moving forward. Brian Tyree Henry is again fun as podcaster Bernie. Now he gets to travel to uncharted territory in the Hollow Earth. New to the team is Dan Stevens as eccentric titan dentist Trapper. He is charming and a lot of fun as he accompanies Andrews and Jia in following Kong into this new realm. Kong is once again presented as a noble hero now finally finding his own kind who are enslaved by the tyrannical Skar King. Kong bravely goes topside to try to convince Godzilla to fight along with him despite knowing he’s still not the King of the Monsters’ favorite kaiju. Godzilla is not a bad guy at all here but is portrayed as ruthless when motivated and not exactly concerned with mankind when he is maintaining monster order. Skar King and Shimo are quite formidable but one wishes they were introduced a little sooner to help solidify their menace. Finally, there is simian child Suko who is a fun and brave little guy that bonds with Kong. There is also a wonderful appearance by another familiar face from Toho, but you’ll have to see the film to find out!

Overall, those expecting a monster flick with the story depth of the recent Godzilla Minus One will be disappointed. Those going in expecting a monster throwdown of epic portions, will be very entertained. Once again, Wingard and company deliver big time. The action is fast and furious with human characters definitely taking a back seat to the monsters and the massive brawls when titans meet. The visuals, especially in Hollow Earth, are stunning and the critter battles are as brutal and intense as last time. Adam Wingard delivers another wonderfully entertaining, popcorn flick that might be the most fun entry in the Legendary Monsterverse so far and simply a blast of a good time at the movies.

-MonsterZero NJ

Rated 3 and 1/2 (out of 4) Godzillas
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GODZILLA WINS HIS FIRST OSCAR as “GODZILLA MINUS ONE” NABS BEST VISUAL EFFECTS!

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GODZILLA WINS HIS FIRST OSCAR as “GODZILLA MINUS ONE” NABS BEST VISUAL EFFECTS!

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Written and directed by Takashi Yamazaki Godzilla Minus One was released in Japanese theaters on November 3, 2023, in US theaters nationwide December 1, 2023, and in other territories across the globe. Yesterday, 3/10/24, the franchise achieved a monumental first-time accomplishment by winning the Best Visual Effects Oscar at the 96th Academy Awards ceremony coinciding with this year’s 70th anniversary of the franchise!

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Takashi Yamazaki and the Godzilla Minus One visual FX team attending the Oscars with Godzilla figures!

From the film’s official press release…

“Set in a post-war Japan, Godzilla Minus One will once again show us a Godzilla that is a terrifying and overwhelming force, which you already get a sense of from the teaser trailer and poster,” said Koji Ueda, President of Toho International. “The concept is that Japan, which had already been devastated by the war, faces a new threat with Godzilla, bringing the country into the ‘minus.'”

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Godzilla! The king of the monsters and Oscar winner!

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-MonsterZero NJ

Photos: Toho Studios

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TOHO’S “GODZILLA MINUS ONE” CONTINUES TO CONQUER THE BOX OFFICE!

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TOHO’S “GODZILLA MINUS ONE” CONTINUES TO CONQUER THE BOX OFFICE!

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Written and directed by Takashi Yamazaki Godzilla Minus One was released in Japanese theaters on November 3, 2023, in US theaters nationwide December 1, 2023, and in other territories since. As of January 26th, it has amassed $100,766,881 worldwide and is still yet to release in other parts of the globe! Domestically it has become the highest grossing Toho Godzilla film, and the highest grossing Japanese live action release in the United States with a current total of $53,161,463 as of yesterday, with another few days to go before it ends it’s run on 2/1/24! Go go Godzilla!

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Box office numbers as of January 26th, 2024!

From the official press release…

“Set in a post-war Japan, Godzilla Minus One will once again show us a Godzilla that is a terrifying and overwhelming force, which you already get a sense of from the teaser trailer and poster,” said Koji Ueda, President of Toho International. “The concept is that Japan, which had already been devastated by the war, faces a new threat with Godzilla, bringing the country into the ‘minus.'”

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Godzilla! The king of the monsters and the box office!

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-MonsterZero NJ

Source: Box office mojo

Photos: Toho Studios

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TOHO’S “GODZILLA MINUS ONE” CONQUERS THE BOX OFFICE!

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TOHO’S “GODZILLA MINUS ONE” CONQUERS THE BOX OFFICE!

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Written and directed by Takashi Yamazaki Godzilla Minus One was released in Japanese theaters on November 3, 2023, in US theaters nationwide December 1, 2023, and in other territories since. As of January 1st, it has amassed almost $82 million and is still yet to release in other parts of the world! In just two months it has become the highest grossing Toho Godzilla film and one of the highest grossing Japanese releases in the United States! Go go Godzilla!

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Box office numbers as of January 1st, 2024!

From the official press release…

“Set in a post-war Japan, Godzilla Minus One will once again show us a Godzilla that is a terrifying and overwhelming force, which you already get a sense of from the teaser trailer and poster,” said Koji Ueda, President of Toho International. “The concept is that Japan, which had already been devastated by the war, faces a new threat with Godzilla, bringing the country into the ‘minus.'”

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Godzilla! The king of the monsters and the box office!

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-MonsterZero NJ

Source: Box office mojo

Photos: Toho Studios

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MONSTERZERO NJ’S MOVIE MEMORIES: GODZILLA vs MEGALON TURNS 50!

Original Japanese poster and U.S. release poster for Godzilla vs Megalon!

GODZILLA vs MEGALON TURNS 50!

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The gang’s all here in Godzilla vs Megalon!

Godzilla vs Megalon was released in Japan on March 17th, 1973, making it fifty years old this past spring. The film is considered a lesser entry in the series utilizing a lot of stock footage from previous movies and being one of the more kid centric and silly Godzilla films with a King of the Monsters that looked like he belonged more in a Sid and Marty Kroft kiddie show than in a monster movie. The film still manages to be entertaining though, even if most fans don’t hold it in high regard. It was a box office success despite being a glaring indication that this franchise was running out of gas. But despite all that, the film is still nostalgically important to me…

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Godzilla about to apply some whoop-ass with a tree…or maybe it’s a musical number!

The film didn’t make it to U.S. shores until three years later in summer of 1976 and an eleven-year-old me was excited when he saw the poster advertising the film’s opening at the long-gone Park Lane Theater in Palisades Park, New Jersey. At that time the Park Lane or Fairview Cinema were the two theaters my parents or grandfather took us to the most. I was a huge Godzilla fan ever since four-year-old me saw Ghidorah the Three Headed Monster on TV which featured Godzilla, Mothra and Rodan against the title foe. Now came an exciting opportunity…my first Godzilla movie seen in a theater, on the big screen. My mom took my sister and myself and it was a packed house of mostly screaming kids. While even at a young age I was disappointed by all the reused footage from previous films, but still had a rip-roaring good time watching Godzilla and his robot ally Jet Jaguar kick butt on Megalon and his tag team partner Gigan. I thoroughly enjoyed it even though the noisy climactic battle gave my mother a headache… or so she claims. I had finally seen a Godzilla flick in a theater, and it was an experience I’ll never forget!

A little added trivia… months later, Godzilla vs Megalon premiered on NBC and the network premier was hosted by late, legendary SNL star John Belushi in a Godzilla suit. You can bet I was glued to the TV for that!

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Ad for the NBC premiere of Godzilla vs Megalon hosted by the late John Belushi in a Godzilla suit!

HAPPY 50th ANNIVERSARY GODZILLA vs MEGALON!

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Jet Jaguar appreciating Godzilla making the save!

-MonsterZero NJ

Photos: Toho Studios

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REVIEW: GODZILLA MINUS ONE (2023)

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GODZILLA MINUS ONE (2023)

Godzilla Minus One is the 33rd Toho Godzilla film in this 70-year-old franchise and like 2016’s Shin Godzilla is a standalone feature that reboots Godzilla yet again, this time taking his origin back to his original post WWII roots.

The film opens in 1945 as the war in the Pacific is coming to an end. Kamikaze pilot Kōichi Shikishima (Ryunosuke Kamiki) does not want to die and lands on a remote repair base on Odo Island claiming his plane is suffering a malfunction. That night, amid accusations of cowardice, a dinosaur-like creature that local legends refer to as Godzilla, attacks the base. Shikishima freezes behind his plane’s guns and all but one of the technicians there are killed. Kōichi returns home to a war desolated Tokyo with shame, dishonor and guilt for his failure to complete his mission and letting men die. The film then picks up two years later where Kōichi has befriended a young woman Noriko (Minami Hamabe) and an orphaned child Akiko (Sae Nagatani) and formed a family. There is little time to recover from the war, however, as the creature Godzilla, now enlarged and enraged by American atomic bomb tests, lays siege to a defenseless Japan. Kōichi now sees a way to regain his honor and end his inner torment as he vows to somehow destroy this unstoppable monster.

Godzilla’s latest romp through Tokyo is written and directed by Takashi Yamazaki who also produced the very impressive visual effects. Yamazaki returns Godzilla to his nuclear roots as a product of the Pacific bomb tests from the 40s and 50s. His initial origin is never explained beyond a creature of local folklore that has now become irradiated, mutated and enraged by the nuclear weapons testing. He turns his nuclear fueled anger on an already desolate post war Japan. The scenes of Godzilla laying siege to Tokyo are given a power and sense of awe that we haven’t seen in this series since 1954. This is a truly frightening and rage-filled beast that can heal any damage that what little weaponry the Japanese have left can cause. For the first time advanced SPFX show Godzilla healing his battle damage like Wolverine in an X-Men movie. His atomic breath is also given renewed power as he now causes mini atomic explosions with every blast. It’s used minimally but to very impressive effect. Godzilla hasn’t been a powerhouse threat like this in a long time and the scenes he appears in are awe-inspiring. The human drama gives the film some strong emotional resonance and the fact that the U.S. refuses to help, fearing any military intervention will trigger a Soviet response, adds a helplessness to the situation. Not to be ignored is some impressive cinematography by Kōzō Shibasaki and a pulse-pounding score by Naoki Satō that uses some of Akira Ifukube’s original Godzilla theme.

It’s not perfect. The human story elements can get melodramatic, especially Shikishima’s inner war with his cowardice and his failure to save the men on Odo Island. This added to him trying to support and fight for his new adopted family amidst Godzilla’s attack can get a little heavy-handed. The film lays this on a little thick but thankfully not enough to spill into camp. Also, as governments abandon them, a group of citizens and former military men band together to formulate a plan to destroy Godzilla and it is a bit far-fetched but, these folks are desperate, so we go along with it. Besides, it is a film about a giant mutant dinosaur after all. Regardless, any flaws melt away once Godzilla is on screen and said farfetched plan is fun to watch in spite of itself in the action-packed climax. 

The cast is good. Ryunosuke Kamiki is impressive as failed Kamikaze pilot Kōichi Shikishima. He is at war with himself over his perceived failures and cowardice and the actor really sells this inner turmoil. He also portrays well his overcoming of his fears and finding his inner hero as he cares for his foster family and joins the fight against Godzilla. A solid lead. Minami Hamabe is good as Noriko a woman who will do what it takes to survive yet one who has a heart and cares about Shikishima and little Akiko. She’s a strong woman and it’s a shame she’s not more involved in the exciting last act. Munetaka Aoki is also solid as the other survivor of Odo Island, Sōsaku Tachibana, who overcomes his hatred of Shikishima to join forces, and Hidetaka Yoshioka is good as weapons engineer Kenji Noda, who devises the plan that is their only hope against Godzilla. As for Godzilla, his portrayal is one of pure rage and powerful, destructive anger. One of his best performances.

Overall, this may be one of the most intense and powerful portrayals of Godzilla since the 1954 original. He’s a beast of incredible rage and destruction and one can feel the hopelessness that the human characters feel as he destroys everything and everyone in sight. As for the human drama, it can cross over into melodrama at times but is still successful at giving the film a strong emotional core and depth. The SPFX portraying Godzilla and his destructive activities are breathtaking and are a sight that should be seen on the biggest screen possible. The Legendary Monsterverse films have been fun to various degrees, but Toho’s Godzilla is back and badder than ever.

-MonsterZero NJ

Rated 3 and 1/2 (out of 4) Godzillas
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TOHO’S “GODZILLA MINUS ONE” GETS A FULL TRAILER

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TOHO’S “GODZILLA MINUS ONE” GETS A FULL TRAILER

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From the official press release…

“Set in a post-war Japan, Godzilla Minus One will once again show us a Godzilla that is a terrifying and overwhelming force, which you already get a sense of from the teaser trailer and poster,” said Koji Ueda, President of Toho International. “The concept is that Japan, which had already been devastated by the war, faces a new threat with Godzilla, bringing the country into the ‘minus.'”

GODZILLA MINUS ONE

Written and Directed by: Takashi Yamazaki

In Japanese theaters November 3, 2023, and US theaters nationwide December 1, 2023.

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-MonsterZero NJ

Source: Toho, Youtube, Gormaru Island Facebook Page

Photos: Toho Studios

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TOHO PRODUCED “GODZILLA MINUS ONE” GETS A POSTER AND TEASER

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TOHO PRODUCED “GODZILLA MINUS ONE” GETS A POSTER AND TEASER

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A new Toho produced Godzilla film is on the way!

From the official press release…

“Set in a post-war Japan, Godzilla Minus One will once again show us a Godzilla that is a terrifying and overwhelming force, which you already get a sense of from the teaser trailer and poster,” said Koji Ueda, President of Toho International. “The concept is that Japan, which had already been devastated by the war, faces a new threat with Godzilla, bringing the country into the ‘minus.'”

GODZILLA MINUS ONE

Written and Directed by: Takashi Yamazaki

In Japanese theaters November 3, 2023, and US theaters nationwide December 1, 2023.

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-MonsterZero NJ

Source: Toho, Youtube, Gormaru Island Facebook Page

Photos: Toho Studios

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HAPPY 50th ANNIVERSARY GODZILLA vs GIGAN!

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HAPPY 50th ANNIVERSARY GODZILLA vs GIGAN!

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Godzilla and his horny pal Anguirus battle King Ghidorah and his cyborg bud Gigan!

50 years ago, today Toho Studios released Godzilla vs Gigan, the twelfth flick in the series at the time. It had alien cockroaches attacking earth using the space monsters King Ghidorah and Gigan to lead the charge. Godzilla and former foe Anguirus take on the invaders to save the world! It’s not the best of the series but is a lot of fun and Gigan has become a cult favorite character. I actually saw it in a theater as a kid when Cinema Shares released it five years later as Godzilla on Monster Island.

HAPPY 50th ANNIVERSARY GODZILLA vs GIGAN!

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The original Japanese release poster!

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The US release poster for Godzilla on Monster Island!

-MonsterZero NJ

Photos: IMDB

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RANDOM NONSENSE: GODZILLA vs HEDORAH 50th ANNIVERSARY TEE SHIRT!

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GODZILLA vs HEDORAH 50th ANNIVERSARY TEE SHIRT!

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Ordered this awesome Godzilla vs Hedorah (The Smog Monster) 50th Anniversary tee shirt from the equally awesome folks at Cavity Colors! It arrived today! I remember back in 71 when this flick came out and played at the State Theater in Jersey City, NJ. My folks didn’t want to drive down there to take me to see it and I was one bummed kid. LOL!

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Here’s a better look from the Cavity Colors web store!

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Check out all of their awesome tee shirts at https://cavitycolors.com

…or you can skip straight to the Godzilla vs Hedorah collection through this link here…

https://cavitycolors.com/collections/godzilla-vs-hedorah 

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MonsterZero NJ

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