FROM THE DARK (2014)
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Irish horror film begins in the rural countryside where a farmer (Gerry O’Brien) is doing an excavation and unearths what appears to to be the corpse of something humanoid buried beneath the ground. It proves to be not quite dead and attacks him. At the same time young couple Sarah (Niamh Algar) and Mark (Stephen Cromwell) are traveling through the area and run into car trouble. As fate would have it, they arrive at the farmer’s home to seek help and encounter the man with a severe neck wound and acting strangely. The farmer isn’t their only problem, though, as something else is out there in the dark night…something with a thirst for human blood.
Conor McMahon’s last film was the 2012 clown horror/comedy Stitches but, here he goes for a completely serious approach as he tells his Irish vampire story. He generates some nice tension and suspense, especially when using a plot device dealing with the creatures aversion to light…of which there is a lack of. There is some nice atmosphere and McMahon gives it a deliberately smoldering pace which works very well in maintaining the mood. There is plenty of action and more than adequate blood spilling and we also get a fiery and resourceful heroine from Algar’s Sarah, who has to battle the creature once Mark is badly wounded early on. It’s a small film and true, some scenes could have used more impact but, otherwise this is a fresh twist on the time-worn vampire story and a case where the ambiguity of our blood sucking fiend works very well for it. The Nosferatu-like creature (Ged Murray) is effective and kept in shadow and there is a tense cat and mouse game between it and Sarah for the last act. McMahon also establishes Sarah and Mark’s relationship and character very quickly which helps us sympathize and empathize with them throughout the story. There is some crisp cinematography and good use of the remote Irish locations by Michael Lavelle and a spooky score by Ray Harman to add to the film overall. A solid little horror.
I liked this little movie. It could have used a bit more intensity at times but, the minimalist approach worked very well in maintaining a subtle creepiness and the scenes of full-on horror are very effective. It’s atmospheric and manages to add a few small fresh twists to vampire lore while delivering the bloodshed and suspenseful action expected. Niamh Algar makes for a very endearing and feisty heroine and our creature is effectively vicious and mysterious. A good little horror that goes for a smaller, more intimate story in an age of bombastic FX overkill. Recommended.