MONSTERZERO NJ’S HORROR FLICKS FOR BLACK HISTORY MONTH!

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MONSTERZERO NJ’S HORROR FLICKS FOR BLACK HISTORY MONTH!

February is the month where we mark the achievements of the black community and there have been some wonderful contributions to the world of horror films by some amazing talents. Whether it be black filmmakers like William Crain and Jordan Peele, or actors such as William Marshall, Pam Grier, Lupita Nyong’o, Kiana Madeira and Duane Jones, there is much to celebrate! Here are fifteen films that illustrate the sometimes groundbreaking and always entertaining achievements in the horror genre that this month so proudly commemorates!

To all these talented men and women in front of and behind the camera…CHEERS!

-MonsterZero NJ

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CULT CLASSIC CUTIES: LYNNE MOODY!

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Cult Classic Cuties are characters from some of our favorite cult classics and midnight movies who captured our hearts and/or actresses who got our attention, but sadly never returned to these types of flicks. They’re femme fatales and final girls whose sexy stars shined only briefly, not quite achieving scream queen status. And this installment’s cutie is…

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LYNNE MOODY!

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With this being Black History Month, this installment of Cult Classic Cuties is going to feature a beautiful actress who despite a long and prolific career, that appears to be still going, has only performed in two horror films in the five decades that she has been working. Lynne Moody’s first feature film was the horror classic sequel, Scream Blacula Scream in 1973 and she has been acting in movies and television ever since! Her only return to the horror genre was another cult classic chiller, The Evil with Richard Crenna in 1978!

(You can read my full review for the movies she’s appeared in by clicking the highlighted titles!)

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Lynne Moody as Denny, the girlfriend of wannabe voodoo lord turned vampire, Willis (Richard Lawson).

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Denny unknowingly chatting with a monster in Scream Blacula Scream!

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Moody as Felecia, a young woman tasked with renovating an apparently haunted house in The Evil.

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Felecia and friend scream at one of the many horrors of The Vargas Mansion in The Evil!

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So, we have another beautiful and talented actress who only made two stops in the horror genre despite a decades-spanning career. Both films are cult classics in their own right and thus Lynne Moody definitely qualifies as a Cult Classic Cutie!

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Be sure to check out our Cult Classic Cuties (click right here for the link) section to see more crush worthy ladies from cult films and midnight movies!

-MonsterZero NJ

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MONSTERZERO NJ’S 15 HORROR FLICKS FOR BLACK HISTORY MONTH!

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MONSTERZERO NJ’S 15 HORROR FLICKS FOR BLACK HISTORY MONTH!

February is the month where we mark the achievements of the black community and there have been some wonderful contributions to the world of horror films by some amazing talents. Whether it be black filmmakers like William Crain and Jordan Peele, or actors such as William Marshall, Pam Grier, Lupita Nyong’o, Kiana Madeira and Duane Jones, there is much to celebrate! Here are fifteen films that illustrate the sometimes groundbreaking and always entertaining achievements in the horror genre that this month so proudly commemorates!

REVIEW LINKS: click to read the corresponding review!

  1. Blacula
  2. Scream Blacula Scream
  3. Abby
  4. Dr. Black and Mr. Hyde
  5. Sugar Hill
  6. The House On Skull Mountain
  7. Candyman
  8. Tales from the Hood
  9. Night of the Living Dead
  10. Get Out
  11. Us
  12. His House
  13.  Fear Street Part 1: 1994
  14. Spiral
  15. JD’s. Revenge

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To all these talented men and women in front of and behind the camera…CHEERS!

-MonsterZero NJ

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MONSTERZERO NJ’S 12 HORROR FLICKS FOR BLACK HISTORY MONTH!

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MONSTERZERO NJ’S 12 HORROR FLICKS FOR BLACK HISTORY MONTH!

February is the month where we mark the achievements of the black community and there have been some wonderful contributions to the world of horror films by some amazing talents. Whether it be black filmmakers like William Crain and Jordan Peele, or actors such as William Marshall, Pam Grier, Lupita Nyong’o and Duane Jones, there is much to celebrate! Here are twelve films that illustrate the sometimes groundbreaking and always entertaining achievements in the horror genre that this month so proudly commemorates!

REVIEW LINKS: click to read the corresponding review!

  1. Blacula
  2. Scream Blacula Scream
  3. Abby
  4. Dr. Black and Mr. Hyde
  5. Sugar Hill
  6. The House On Skull Mountain
  7. Candyman
  8. Tales from the Hood
  9. Night of the Living Dead
  10. Get Out
  11. Us
  12. His House

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To all these talented men and women in front of and behind the camera…CHEERS!

-MonsterZero NJ

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A TALENT GONE TOO SOON: THE FILMS OF WILLIAM GIRDLER!

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A TALENT GONE TOO SOON: THE FILMS

 OF WILLIAM GIRDLER!

WIlliam Girdler 1947 – 1978

photo: williamgirdler.com

William Girdler was a low budget filmmaker who made nine movies between 1972 and 1978. They were B-movies, rip-offs and exploitation flicks, but they were entertaining and displayed a man with a love for what he was doing. Name actors of the era, like Austin Stoker, Leslie Nielsen, Christopher George and Michael Ansara, worked with him on more than one film. A few of his titles are now considered cult classics. He not only directed, but wrote six of the films he made, produced two and wrote the score for three films, two of those, his own. His directing career started out with two low budget horrors, Asylum of Satan (1972) and 3 on a Meathook (1972), which were both filmed in his hometown of Louisville, Kentucky.

What will this pretty girl (Sherry Steiner) find behind that door? 3 on a Meathook, perhaps?

His next three films were for prolific exploitation studio American International Pictures. They were Blaxploitation titles, The Zebra Killer (1974), the Exorcist rip-off Abby (1974), with William Marshall, and the Pam Grier detective flick Sheba, Baby (1975). Abby was on the way to big box office profits, on a mere $100,000 investment, when Warner Brothers sued to have it pulled from release, due to it’s similarities to William Friedkin’s classic. Girdler’s first five films were lensed in his native Kentucky.

The great William (Blacula) Marshall as Bishop Garnet Williams in Girdler’s Abby!

Girdler left Kentucky for the Philippines for his next film, the Leslie Nielsen action flick, Project Kill (1976). It’s the oft-told story of a lethally skilled soldier battling his protégée (Gary Lockwood). The film was an early Troma release. Girdler’s next two films were for Film Ventures International. They included the Jaws rip-off Grizzy (1976), his most financially successful picture, with a $39 million box office gross and the eco-horror Day of the Animals (1977).

The fifteen foot tall Grizzly from Girdler’s largest grossing film of the same name.

His final feature was for the legendary Avco Embassy Pictures and was The Manitou (1978) with Tony Curtis, Susan Strasberg, Michael Ansara and Burgess Meredith. The Manitou was his most expensive film, budgeted at an estimated $3 million and was released a few months after his untimely death. It also was a box office success.

Michael Ansara and Tony Curtis set out to battle The Manitou!

Sadly, Girdler’s career was tragically cut short, when he was killed on January 21st, 1978 in a helicopter crash in the Philippines, while location scouting for his next project. His films were getting better from a production standpoint and even he once commented on his hands-on learning experiences making these movies…

“Other people learned how to make movies in film schools. I learned by doing it. Nobody saw Billy Friedkin’s or Steven Spielberg’s mistakes, but all my mistakes were right up there on the screen for everybody to see.” (Louisville Times, 1977)*

It’s a shame that an up and coming filmmaker like Girdler had his life and career cut short. Many highly regarded film talents, like James Cameron for one, got their start on movies like these. We may never know what he would have accomplished, if not for that tragic accident, but he has left behind a film legacy that B-movie fans will always cherish.

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THE FILMS OF WILLIAM GIRDLER

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-MonsterZero NJ

 

Sources: Wikipedia, IMDB and WIlliamgirdler.com

*quote from WIlliamgirdler.com

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MONSTERZERO NJ’S 10 HORROR FLICKS FOR BLACK HISTORY MONTH!

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MONSTERZERO NJ’S 10 HORROR FLICKS FOR BLACK HISTORY MONTH!

February is the month where we mark the achievements of the black community and there have been some wonderful contributions to the world of horror films by some amazing talents. Whether it be black filmmakers like William Crain and Jordan Peele, or actors such as William Marshall, Pam Grier and Duane Jones, there is much to celebrate! Here are ten films that illustrate the sometimes groundbreaking and always entertaining achievements in the horror genre that this month so proudly commemorates!

REVIEW LINKS: click to read the corresponding review!

  1. Blacula
  2. Scream Blacula Scream
  3. Abby
  4. Dr. Black and Mr. Hyde
  5. Sugar Hill
  6. The House On Skull Mountain
  7. Candyman
  8. Tales from the Hood
  9. Night of the Living Dead
  10. Get Out

 

To all these talented men and women in front of and behind the camera…CHEERS!

-MonsterZero NJ

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RANDOM NONSENSE: MONSTERZERO NJ FAUX POSTER ART- DRACULA vs. BLACULA!

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When I was a kid in the 70s, this clash of horror movie icons was a film that I wanted to see happen very badly. Obviously as a ten-year-old, I didn’t understand the concept of different studios and all that would need to occur to make such a film a reality, but would loved to have seen such a film actually happen. With revisiting the films of both characters recently, I decided to use my Photoshop skills to do a faux poster rendition, in the 70s style, of what such a film might have been like if Hammer and AIP had collaborated. Enjoy!

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poster art: MonsterZero NJ

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MONSTERZERO NJ’S SATURDAY NIGHT DOUBLE FEATURE: BLACULA and DR. BLACK AND MR. HYDE

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Black History Month MonsterZero NJ style! I thought I’d revisit the blaxploitation era for this week’s double feature paying tribute to not only pioneer African-American director William Crain, with two of his most famous films but, African-American acting icons William Marshall and Bernie Casey who headline these two cult classic horror flicks!

 

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BLACULA (1972)

Blacula is one of the best examples of the 70’s blaxploitation films refered to in today’s politically correct times as Soul Cinema. Not only does it properly represent the era but, it is also simply a good horror flick, providing some legitimate chills and thrills, as well as, a bit of bittersweet romance too. As written by Raymond Koenig and Joan Torres and directed by William Crain, the tale of an African prince cursed to become the undead by Dracula himself and released from his ages old prison in modern day (at the time) Los Angeles, is a very entertaining movie even without the added 70s nostagia factor. There is lots to enjoy as Blacula builds his undead army and romances a woman who is the striking image of his long dead wife. A big part of the film’s success is the casting of Shakespearean actor William Marshall (know to many of today’s movie fans as The King Of Cartoons from Pee Wee’s Playhouse) in the lead role. Marshall brings a sense of power and nobility to the cursed African prince, Mamuwalde and knows exactly how and when to bring the monster to life when called upon. He even succeeds in making him sexy and sympathetic at the appropriate moments. He is supported by a good cast that brings life to what could have been two dimensional roles including Vonette McGee as Tina, a beautiful woman who resembles Blacula’s lost wife, Luva (also McGee) and veteran actor Thalmus Rasulala as a Dr. Gordon Thomas, a forensics investigator who serves as the film’s Van Helsing character and is helping the police investigate a rash of mysterious deaths. Three guesses who’s responsible for those. Sure it’s campy fun at this point and the FX are cheesy by today’s high standards but, that doesn’t negate the work of those in front of and behind the camera as Blacula delivers lots of spooky entertainment with class, style and not without a touch of humor. A classic of more than one genre.

EXTRA TRIVIA: It is said that  William Marshall himself worked with the filmmakers to give the character nobility and is responsible for his origin as an African Prince which was not part of the original script.

A solid 3 and 1/2 fangs

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DR. BLACK AND MR. HYDE (1976)

Blacksploitation classic tells the story of African-American Dr. Henry Pryde (Bernie Casey) who is working tirelessly to find a cure for liver disease. He develops a serum that shows potential but, he can’t perfect it without human experimentation. After a failed test on a dying woman, Henry decides to test the serum on himself. The result transforms the valiant doctor into a super strong, violent tempered… white man. Directed by Blacula’s William Crain, this 70s horror treats it’s story with respect despite how silly it is and Crain, as with Blacula, gets good performances out of his cast that also includes Rosalind Cash (The Omega Man) and Marie O’Henry as Pryde’s love interest, a local hooker named Linda. Sadly, Larry LeBron’s script from an idea by Lawrence Woolner doesn’t nearly make as much use of the classic story it’s based on as did Blacula, nor is Crain able to give this film the same gothic flavor and style he did with that film. It’s pretty much a generic monster movie with Mr. Hyde stalking and killing Linda’s fellow hookers and their pimps while the police trying to find and stop the rampaging killer. The obvious blaxploitation elements are present but, seem a bit forced here as opposed to Blacula where they were just part of the characters and their life at that point in time. Still, the film does have that 70s nostalgia and is worth a look for those interested in the blaxploitation era of filmmaking. Not to mention the movie certainly is not without it’s entertainment value and is never dull. Also noteworthy are the Mr. Hyde make-up effects on Bernie Casey which were created by the legendary Stan Winston.

2 and 1/2 stars!

2 and 1-2 star rating

WARNING: trailer features some nudity and violence.

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MONSTERZERO NJ’S SATURDAY NIGHT DOUBLE FEATURE: ABBY and JD’S REVENGE

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It’s been a long time since I took a look at any films from the Blaxploitation era of the 70s, so I decided to put these two stories of supernatural possession together for today’s Saturday Night Double Feature!…
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ABBY (1974)

Released Christmas day 1974, Abby was A.I.P.’s blaxploitation answer to The Exorcist, so much so, that Warner Brothers sued and got the film pulled from release. But not before it made a ton of cash on it’s low budget investment. Abby tells the story of a holy man (the great William ‘Blacula’ Marshall) who, while investigating an archeological dig in Nigeria, pertaining to their ancient Yoruba religion, accidentally releases the evil entity Eshu. The vile spirit shows it’s gratitude by possessing his daughter-in-law Abby (Carol Speed). As the spirit takes hold and Abby becomes more and more vile in her behavior, Dr.Williams (Marshall) returns home to do battle with the demonic entity.

Abby is played very straight despite delivering some unintentional laughs. It’s very low budget, so it’s FX are limited to blowing wind, bizarre sounds and throwing furniture around while Abby speaks in an almost comically dubbed man voice, that was provided by Bob Holt, a prolific voice actor, complete with echo. Exploitation filmmaker William Girdler writes and directs and while despite trying to play it straight, most of possessed Abby’s vulgar talk and behavior just elicits laughs not chills. I do give credit to Carol Speed for just going with it and giving it her all despite how silly some of this comes off. Not to forget William Marshall, who once again brings a power and nobility to his role and maintains it despite how ridiculous things get. Still, you gotta like a movie that stages an African themed exorcism in a bar.

In Abby’s defense, there is some nice 70s nostalgia and unintentional laughs are a form of entertainment, so Abby is by no means a boring movie, it’s just not very scary or chilling. With a few beers it can be a hoot to watch and that’s just fine. Also stars Austin Stoker (Assault On Precinct 13) as Abby’s police officer brother.

EXTRA TRIVIA: Again actor William Marshall was involved in adding African culture to a film as he did with Blacula. It was he who added the use of the Yoruba religion in the film, though he apparently was still unhappy about the film’s final script. I don’t blame him.

-MonsterZero NJ

3 possessed Abbys!

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JD’S REVENGE (1976)

J.D.’s Revenge starts out in 1942 New Orleans as gangster J.D. Walker (David McKnight) is gunned down for a murder he didn’t commit, that of his own sister. Flash forward to 1976 New Orleans where Ike (Glynn E. Turman), a student working through law school, starts to have bloody hallucinations of a mysterious and violent man and soon starts to take on his characteristics against his will. A confused Ike seeks help, not realizing J.D. is back for revenge and using Ike’s body to do it.

As blaxploitation films go, this A.I.P. made flick looks good on a low budget and the acting (including future Oscar winner Lou Gossett Jr. as a former mobster turned preacher, who figures in J.D.’s past) is actually pretty good, especially from Turman. What hurts J.D.’s Revenge is director Arthur Marks’ slow pace and that the film could have used some more intensity. That’s not to say there aren’t intense scenes, there are, especially during the last act, but the film does drag a bit early on. You would expect a bit more scares in a story of possession and revenge from beyond the grave. Marks seems to treat the material like a routine drama despite the violent and supernatural story and that takes away from the fun and makes it a bit too serious for this type of movie. It’s as if he wasn’t comfortable with the horror elements, despite the fact that this is indeed a horror film. If it wasn’t for Turman’s effective portrayal of Ike’s torment, J.D.’s Revenge would be far less watchable. And without giving anything away, the end was far too neat and clean.

As it is, it is a well made film but not as intense or fun as we’d like. It is a curiosity for those who enjoy films from this era and not without some nostalgic fun, but doesn’t quite live up to it’s cult reputation.

-MonsterZero NJ

3 gangster possessed Ikes!

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TOMB OF NOSTALGIA: BLACULA (1972) AND SCREAM BLACULA SCREAM (1973)

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BLACULA (1972)

Blacula is one of the best examples of the 70’s blaxploitation films refered to in today’s politically correct times as Soul Cinema. Not only does it properly represent the era, but it is also simply a good horror flick, providing some legitimate chills and thrills, as well as, a bit of bittersweet romance, too. As directed by William Crain, the tale of an African prince cursed to become the undead by Dracula himself and released from his ages old prison in modern day (at the time) Los Angeles, is a very entertaining movie even without the added 70s nostagia factor. There is lots to enjoy as Blacula builds his undead army and romances a woman who is the striking image of his long dead wife. A big part of the film’s success is the casting of Shakespearean actor William Marshall (known to many of today’s movie fans as The King Of Cartoons from Pee Wee’s Playhouse) in the lead role. Marshall brings a sense of power and nobility to the cursed African prince, Mamuwalde and knows exactly how and when to bring the monster to life when called upon. He even succeeds in making him sexy and sympathetic at the appropriate moments. He is supported by a good cast that brings life to what could have been two dimensional roles including Vonette McGee as Tina, a beautiful woman who resembles Blacula’s lost wife Luva (also McGee) and veteran actor Thalmus Rasulala as a Dr. Gordon Thomas, a forensics investigator who serves as the film’s Van Helsing character and is helping the police investigate a rash of mysterious deaths. Three guesses who’s responsible for those. Sure it’s campy fun at this point and the FX are cheesy by today’s high standards, but that doesn’t negate the work of those in front of and behind the camera as Blacula delivers lots of spooky entertainment. A classic of more than one genre.

EXTRA TRIVIA: It is said that  William Marshall himself worked with the filmmakers to give the character nobility and is responsible for his origin as an African Prince which was not part of the original script.

A solid 3 and 1/2 fangs

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SCREAM BLACULA SCREAM (1973)

Blacula was a big success and so it was a no brainer that A.I.P. rushed into production with a follow up that was released less than a year later. Sequel tries to up the ante by adding the legendary Pam Grier to the cast, but is a weaker effort do to a somewhat lighter touch by director Bob Kelijan and a weaker script by writers Maurice Jules, Raymond Koenig and Joan Torres (Torres and Koenig wrote the original). Grier plays Lisa, a voodoo priestess on whom a rival (Richard Lawson) seeks vengeance by resurrecting the vampire Mamuwalde. But Mamuwalde has his own ideas as he sees Grier’s Lisa as a way to finally lift his curse and end his eternal torment. But will his quest to be free cause him to finally embrace the monster within? There is still plenty to enjoy in this lesser sequel and William Marshall is once again strong in the role that sadly didn’t continue after this entry. His commanding presence and intense stare dominate every scene he’s in and who wouldn’t want to stare at Pam Grier who holds her own with Marshall quite well. There are still some very creepy moments, too, especially when a squad of unprepared cops enter a vampire infested mansion at the spooky climax. And the 70s nostalgia helps make up for some of the shortcomings by adding some charm to the proceedings. Plenty of entertainment to be had if you liked the first entry, or just enjoy a good dose of 70s B-movie horror. Sadly, Scream’s box office performance scrapped plans for a third entry. Had they only taken time to craft a worthy sequel, this series might have gone on and made a star out of Marshall as Hammer’s Dracula series did for Brit legend Christopher Lee.

EXTRA TRIVIA: Yes, that is Starsky and Hutch’s boss Bernie Hamilton playing Ragman.

3 fangs

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My video review segment for Blacula

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