MONSTERZERO NJ’S 25 ZOMBIE FLICKS TO WATCH DURING THE HALLOWEEN SEASON!

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Can’t have Halloween without zombies, so, whether they are fast or slow moving, eat brains or …well, all of you…here are 25 zombie flicks that you might want to sink your teeth into…or will sink their teeth into you…during the Halloween season! (Also, remember some of these are part of a series and a few have decent remakes which can be part of a theme film-fest along with your favorite beverages!)

(Click on the titles below the movie poster gallery to get to our reviews of the titles covered here at the Movie Madhouse!)

 

Click on the highlighted titles here to go to the review page for the corresponding movie!

1. Night Of The Living Dead (The 1990 remake directed by Tom Savini isn’t bad either!)

2. Dawn Of The Dead (Zack Snyder’s 2004 remake is pretty good, too!)

3. Day Of The Dead

4. Zombie

5. The Gates Of Hell

6. The Beyond

7. The Return Of The Living Dead

8. Return Of The Living Dead 3

9. [REC] (Also parts 2, 3 and 4 are good in varying degrees!)

10. The Dead

11. White Zombie

12. Shock Waves

13. Dead Alive

14. 28 Days Later (Sequel, 28 Months Later is actually very good!)

15. Let Sleeping Corpses Lie (aka The Living Dead At The Manchester Morgue)

16. Children Shouldn’t Play With Dead Things

17. Tombs Of The Blind Dead (also part of a creepy four film series)

18. The Horde

19. Wyrmwood

20. Dead Snow

21. The Outpost

22. Junk

23. Open Grave

24. Pontypool

25. Maggie

-MonsterZero NJ

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MONSTERZERO NJ’S SATURDAY NIGHT DOUBLE FEATURE: EVIL DEAD and THE LORDS OF SALEM

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I’ve covered these two movies before but, as I recently named them as my top 2 favorite horrors of 2013, I decided to watch them together and found they made quite a chilling double feature so, if you are looking for an evening of frights and chills on the couch, why not give these two a try together…

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EVILD DEAD (2013)

The original Evil Dead is one of my all time favorite fright flicks so, I was very apprehensive about a remake. With Sam Raimi, Robert G. Tapert and even Bruce Campbell on board as producers, I hoped the material would at least be treated with respect. Now having seen this new vision of one of the all time horror classics, I can say not only was the material treated with respect but, it is one of the best horror remakes and one hell of a nasty, scary, bloody blast. The best thing is that co-writer and first time director Fede Alvarez smartly takes the basic premise and does his own thing with it. This version has heroine addict, Mia (Suburgatory’s Jane Levy) being taken by big brother, David (Skateland’s Shiloh Fernandez) and 3 friends to an old family cabin to try to get Mia to quit her habit cold turkey. But, someone has been in the cabin since they were last there and something gruesome has definitely gone on inside with blood stains and dozens of dead animals hanging in the cellar. Of course there is also a mysterious book and within it ominous warnings that certain words not be read aloud… so, of course, someone does… and at the same time Mia is alone in the woods… uh, oh… I don’t need to tell you that soon Mia is possessed by some horrible demonic entity and the gruesome blood soaked nightmare begins as the ancient evil wants to claim them all. Alvarez really crafts a strong, gruesome and scary horror of the likes we haven’t seen in a while. It’s vicious and nasty with top notch gore and make-up that is done the old fashioned way without any CGI. When limbs fly… and they do, it is good old fashioned prosthetics and I loved the lack of CGI when it came to the ghouls and gore. Alvarez and co-writer Rodo Sayagues (Diablo Cody was supposedly hired to work on the script but, if she was credited, I missed it.) basically give us enough elements of the original to make it recognizable as an Evil Dead flick and thus fits in with the series but, makes the flick it’s own animal. And that’s the way to do a remake like this. And Alvarez is the real deal who knows how to make a good old fashioned horror movie complete with suspense, tension and intensity, not to mention, plentiful scares. He also gives the film a strong atmosphere and I really liked his visual style. He gets good work from his cast too, especially leading lady Levy whose character has a few stages to go through from heroine addict to a demon possessed creature to… well, you’ll have to see the flick to find out. Shiloh Fernandez is also very good, after a lifeless performance in Red Riding Hood, he shows us the actor we saw in Skateland was no fluke. The rest, Lou Taylor Pucci as Eric, Jessica Lucas as Olivia and Elizabeth Blackmore as Natalie, do fine making their characters more then demon fodder and they are all likable enough to make us afraid for them when all hell breaks loose.  The flick is not perfect but, any flaws are minor and can be overlooked due to all that is done right. Evil Dead 2013 may not be as groundbreaking as the original and only time will tell if it will be highly regard like it’s predecessor but, it is a strong, visceral horror that gives equal parts suspense and scares with all the goo and gore. Maybe not quite a classic but, a film worthy of the title Evil Dead. Well done!… and stay to watch after the credits!

Check out our look back at the original classic that started it all!… HERE!

A very solid 3 and 1/2 demon possessed sitcom stars

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THE LORDS OF SALEM (2013)

If Stanley Kubrick, Dario Argento and Lucio Fulci got drunk and decided to make a horror movie together, Lords Of Salem would probably be close to what you’d get. Even back in the White Zombie days, rocker/director Rob Zombie has always shown a heavy influence from movies, especially horror so, it’s no surprise to see such influences in his films. And this time, Zombie sheds the 70s grind-house style that his earlier films have had and goes for something that evokes the work of the previously mentioned filmmakers and also some of the 70s occult themed flicks like the infamous Mark Of The Devil. To a degree, it is Zombie’s most solid effort as director but, also his most experimental as Lords gets downright head trippy and surreal at times, especially in it’s last act. If you liked his dream sequences in Halloween 2, there’s lots more where that came from. Today’s impatient audiences weaned on cookie cutter horrors and endless sequels may not appreciate what Zombie has done here but, to me it was a disturbing breath of fresh air. In a time of CGI phantoms and overused jump scares, I really like that Zombie had the courage to make something that aims to simply unsettle and disturb you with it’s atmosphere and imagery and doesn’t rely on cheap scares and elaborate post production hocus-pocus. Lords tells the creepy story of late night Salem DJ Heidi (Sheri Moon Zombie) who receives a wooden box with a record in it from someone referring to themselves simply as “The Lords”. When she plays the vinyl album she suddenly starts to have increasingly disturbing hallucinations and her life starts to spiral out of control. When author Francis Matthias (Bruce Davison) begins to investigate, he finds that an ancient evil in the form of a devil worshiping witch coven, once burned at the stake, may be returning to Salem and Heidi might be key to their vengeance. Director/writer Zombie tells his disturbing tale with a deliberately slow burn yet, never at any moment does he ease up on the atmosphere that something sinister and very wrong is going on here. Whether it’s the haunting visuals that he fills the film with or the excellent use of Griffin Boice and John 5’s score… which evoked Fabio Frizzi and Goblin at times… the film oozes atmosphere and keeps us involved even if the film’s narrative flow doesn’t always follow a tradition path. And as for the visuals, they range from haunting to shocking and as disturbing as they can be, they are also beautiful. This is certainly, at the very least, a visually striking film. And despite all the shocking imagery, I actually feel Zombie showed some restraint at times which made the horror elements all the more horrifying when they arrive. And Rob is not the only Zombie to watch here, Sheri, who proved she had some acting chops as Deborah Myers, is again very effective here as Heidi, a woman with emotional troubles and past bad habits who is being drawn into a living nightmare that she is not equipped to fight. Jeff Daniel Phillips is also good playing one of the two Hermans who DJ with her, a man with feelings for Heidi who tries to help her without knowing the true cause of her emotional down-turn. And Zombie also peppers his film with genre vets like Ken Foree (the other Herman), Meg Foster, Sid Haig and the effectively spooky trio of Dee Wallace, Patricia Quinn and Judy Geeson as Heidi’s neighbors, who are more then they appear. Overall Zombie has created his most interesting work yet and one that won’t appeal to everyone. It evokes a type of horror in the vein of Argento’s early films or Fulci’s The Beyond, that they don’t make anymore. But, that’s why I liked it so much. Zombie remembers a time before the MTV generation when horror films took their time to draw you in and had loads of atmosphere. He also knows, like those films, that there is a time to shock you too, and he does that well. And finally, he knows that sometimes the best way to make sure you leave the theater spooked is to not wrap everything up in a neat little bow and thus leave you looking over your shoulder when you are home at night. I would recommend this film highly for those who don’t mind a slow burn and a splash of avant garde with their horror. Not perfect but, a really spooky flick for those that can appreciate it.

A very spooky and disturbing  3 and 1/2 haunted heroines

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ALBUM REVIEW: ROB ZOMBIE’S VENOMOUS RAT REGENERATION VENDOR

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Rob Zombie’s latest album, released less then a week after the multi-tasking Zombie’s latest directorial effort The Lords Of Salem, is probably one of the best of his discs since going solo and it does evoke the White Zombie days somewhat too, while giving us that spooky, decadent Rock N Roll we have come to expect from the musician/filmmaker. Venomous Rat Regeneration Vendor probably won’t win over any new converts but, Rob Zombie and White Zombie fans should enjoy the 12 track album that once again has Zombie taking us on a hard rocking road trip through all the evils that men do. From the first single “Dead City Radio And The New Gods Of Supertown” to a cool cover of Grand Funk Railroad’s “We’re An American Band”, Venomous is a hard-driving rock album well produced to maximum effect by Zombie himself. With band mates John 5 on guitar, Piggy D. on bass and Ginger Fish on drums and percussion, along with Zombie’s appropriate samples of movie dialog to punctuate his twisted lyrics, Rob and Co. deliver an entertaining and  pulse pounding album of twisted Rock N Roll with a sinister edge and a crooked smile. Songs like Revelation Revolution and Rock And Roll (In A Black Hole) will have you banging your head and stomping your foot as Zombie takes us through his white trash carnival ride of bad behavior and sinful indulgences with his trademarked theatricality. And that’s kinda what Rock N Roll is all about when you think about it. A deviously enjoyable new album from Rob Zombie.

REVIEW: THE LORDS OF SALEM (2013)

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Salem_poster

THE LORDS OF SALEM (2013)

If Stanley Kubrick, Dario Argento and Lucio Fulci got drunk and decided to make a horror movie together, Lords Of Salem would probably be close to what you’d get. Even back in the White Zombie days, rocker/director Rob Zombie has always shown a heavy influence from movies, especially horror, so it’s no surprise to see such influences in his films. And this time, Zombie sheds the 70s grind-house style that his earlier films have had and goes for something that evokes the work of the previously mentioned filmmakers and also some of the 70s occult themed flicks like the infamous Mark Of The Devil. To a degree, it is Zombie’s most solid effort as director, but also his most experimental as Lords gets downright head trippy and surreal at times, especially in it’s last act. If you liked his dream sequences in Halloween 2, there’s lots more where that came from. Today’s impatient audiences weaned on cookie cutter horrors and endless sequels may not appreciate what Zombie has done here, but to me it was a disturbing breath of fresh air. In a time of CGI phantoms and overused jump scares, I really like that Zombie had the courage to make something that aims to simply unsettle and disturb you with it’s atmosphere and imagery and doesn’t rely on cheap scares and elaborate post production hocus-pocus.

Lords tells the creepy story of late night Salem DJ Heidi (Sheri Moon Zombie) who receives a wooden box with a record in it from someone referring to themselves simply as “The Lords”. When she plays the vinyl album she suddenly starts to have increasingly disturbing hallucinations and her life starts to spiral out of control. When author Francis Matthias (Bruce Davison) begins to investigate, he finds that an ancient evil in the form of a devil worshiping witch coven, once burned at the stake, may be returning to Salem and Heidi might be key to their vengeance.

Director/writer Zombie tells his disturbing tale with a deliberately slow burn, yet never at any moment does he ease up on the atmosphere that something sinister and very wrong is going on here. Whether it’s the haunting visuals that he fills the film with or the excellent use of Griffin Boice and John 5’s score…which evoked Fabio Frizzi and Goblin at times…the film oozes atmosphere and keeps us involved even if the film’s narrative flow doesn’t always follow a tradition path. And as for the visuals, they range from haunting to shocking and as disturbing as they can be, they are also beautiful. This is certainly, at the very least, a visually striking film. Despite all the shocking imagery, I actually feel Zombie showed some restraint at times which made the horror elements all the more horrifying when they arrive.

Rob is not the only Zombie to watch here. Sheri Moon Zombie, who proved she had some acting chops as Deborah Myers, is again very effective here as Heidi, a woman with emotional troubles and past bad habits who is being drawn into a living nightmare that she is not equipped to fight. Jeff Daniel Phillips is also good playing one of the two Hermans who DJ with her, a man with feelings for Heidi who tries to help her without knowing the true cause of her emotional down-turn. Zombie also peppers his film with genre vets like Ken Foree (the other Herman), Meg Foster, Sid Haig and the effectively spooky trio of Dee Wallace, Patricia Quinn and Judy Geeson as Heidi’s neighbors, who are more then they appear.

Overall, Rob Zombie has created his most interesting work yet and one that won’t appeal to everyone. It evokes a type of horror in the vein of Argento’s early films or Fulci’s The Beyond, that they don’t make anymore. That’s why I liked it so much. Zombie remembers a time before the MTV generation when horror films took their time to draw you in and had loads of atmosphere. He also knows, like those films, that there is a time to shock you, too and he does that well. Finally, he knows that sometimes the best way to make sure you leave the theater spooked is to not wrap everything up in a neat little bow and thus leave you looking over your shoulder when you are home at night. I would recommend this film highly for those who don’t mind a slow burn and a splash of avant-garde with their horror. Not perfect, but a really spooky flick for those that can appreciate it.

A very spooky and disturbing  3 and 1/2 haunted heroines

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