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Grim western tells the story of Liz (Dakota Fanning), a midwife married to a widower and with a child of her own. One day a mysterious, scarred preacher (Guy Pearce) comes to town, a man of the cloth that Liz knows from her past and greatly fears. This preacher knows her as well and proclaims that he has come to make the young woman suffer and bring her to retribution. Who is this man and what has Liz done to incur his wrath?
Over the next two and one half hours of writer/director Martin Koolhoven’s harrowing film, we go into Liz’s past to find out the answers to those very questions…and a harsh journey it is. The film is told in four parts with the middle two parts going back further and further into the story to tell us how this quest for revenge began and how and if “Liz” earned it. It is not a pleasant journey and we bare witness to some cruel and hard events, as well as, some shockingly graphic violence along the way. To go in depth too much would be to spoil the mystery and even if he crafts an unpleasant film, Koolhoven does make an intriguing one, whose mysteries we want answers to. It’s suspenseful and many of the images and events we witness have impact and weight that stays with us. The film takes us through a series of sometimes unpleasant events that bring us to where our story opens…and then comes to an equally harsh and unsettling finish. It’s not perfect. At 148 minutes, it is a bit long, especially as it is not a happy tale and there are a few glaring mysteries left unanswered, such as how one character escaped what seems like a certain death. Add to that, the overall unpleasantness of the story and some of it’s subject matter and you have a well crafted film that is not always easy to watch. On a technical level it is a solid production with Koolhoven showing he knows how to frame a shot. There is nice cinematography by Rogier Stoffers and an effective soundtrack by Junkie XL along with some effective sets and settings for within which the story takes place.
The cast are all quite good, which helps keep us with this grim tale. Dakota Fanning proves quite the strong actress in her portrayal of Liz. We have a woman with a past who will fight to save the family she now has, but as strong as she is, this “Preacher” fills her with dread and fear and she conveys that to the audience, so we share her feelings. It is a solid performance with many facets for the young actress to portray…and she portrays them well. Guy Pearce is imposing as the mysterious and vicious “Preacher”. Whether his quest for retribution is just or not, he is a vicious and cruel man. He commits horrible acts and even as we go back into the past to see how this story began to unfold, we are treated to a hard and sometimes brutal man, who seems to be using his religion to excuse his actions. Pearce really gives this man a black heart that makes the character truly frightening. Emilia Jones is also very good as the younger “Liz” who goes by another name. Jones has to act out some very harsh and uncomfortable scenarios and the young actress does very strong work and it makes for a seamless portrayal of the younger version of Fanning’s frontier midwife in peril. The cast also features good work from supporting actors such as Carice van Houten as “Liz’s” mother and Game Of Thrones’ Kit Harington as an outlaw who crosses paths with our main characters at one point.
This was a very well made film, but not one you could say you enjoyed. It deals with some harsh subject matter and is sometimes cruel and unpleasant. One can definitely appreciate the talent of the director/writer and the craft of his cast, but it still is a tough watch at times. It is a bit long, even though it has a lot of story to tell and even at it’s length, there are some questions that remain. Recommended, but only with the understanding that this is not a pleasant film by any stretch.
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Western homage is written and directed by Ti West who is known for horror films like The House Of The Devil and the recent The Sacrament. This is a departure for West and shows he can do more than just horror with this tale of revenge. Flick has ex-soldier Paul (Ethan Hawke) wandering into the small town of Denton, New Mexico. He is just passing through, but in true western fashion, has an altercation with the town bully/deputy, Gilly (James Ransone). Paul is commanded to leave town by Gilly’s sheriff father (John Travolta), but is pursued into the desert by Gilly and his thugs. Upon being ambushed, his beloved dog, Abbie is murdered and Paul himself left for dead. Surviving Gilly’s attempt at payback, the lone drifter heads back to Denton with death and revenge on his mind.
In A Valley Of Violence may not be perfect, but it is a fun homage to both spaghetti and American westerns. Ti West creates a classic drifter in Paul, a man who grew tired of killing Native Americans senselessly and left the army behind, too ashamed to return home to his own family. He wants no more to do with death, but is forced by the slimy Gilly and his father into picking up gun and knife once more. We also get the classic love interest in young Mary-Anne (Taissa Farmiga) who happens to be the sister of Gilly’s fiancé, Ellen (Karen Gillan) and takes a shine to the handsome drifter. In telling this classic story, West’s horror background does come through. Paul uses an assortment of weapons to gain revenge, including gun, straight razor and bludgeoning a man with his own boot heel. The flashback to the Native American massacre the broke him down is also very reminiscent of his set up for the sacrifice scene in The House Of The Devil. This western is also a bloody one, thought he does not go overboard with it. If West stumbles a bit, it’s with the film’s odd sense of humor. It is a bit intrusive in a few spots such as during the climactic scenes with Paul stalking Sheriff Martin and his posse throughout the town. There are a couple of moments where some humorous dialogue interrupts the tension that West has built, such as after witnessing a cohort gunned down, one of Martin’s thugs (Tommy Nohilly) declares, in a rant, that he no longer wants to be called “Tubby”. The humor is blended fine most of the time, but here it seems to slow the momentum a bit and break the suspense. It doesn’t damage the film, but the climactic showdown could have been tighter and more tense. On a technical level the film looks good. Cinematographer Eric Robbins makes good use of the New Mexico locations and Jeff Grace gives it a homage filled western score that evokes Morricone at times.
West also gets good work out of an impressive cast. Hawke may be no Clint Eastwood, but he plays the tortured drifter very well. Paul is a man who has come to abhor violence, but is forced back into it, reluctantly, by the bully Gilly. His dog Abbie is the rock that what humanity he has left clings to and when she is taken, the killer is unleashed again. Hawke makes Paul likable, yet a bit distant and we do believe he is lethal when the time comes. Travolta is very good as Sheriff Martin. He plays him as not quite a bad guy, but obviously someone who lets his son and thugs have their way around town. He knows enough to not mess with the ex-soldier Paul, but sadly is not convincing enough to his son. As Gilly, James Ransone is appropriately slimy and full of himself. Gilly is a bit too much of a jerk to really be completely menacing and Ransone plays him as someone a bit too over confident to know when to quit. Taissa Farmiga is sweet and spirited as Mary-Anne, the lonely impressionable young girl who falls for Paul and Karen Gillan is also entertaining as her snooty sister Ellen, who is engaged to the bully Gilly. Indie flick icon Larry Fesenden also appears as one of Gilly’s three thugs along with Toby Huss and Tommy Nohilly.
Overall, I liked this odd little western homage and was entertained. The story is common to the genre as are the stereotypical characters, but that is completely on purpose. This is some nice tension and suspense to go with the bloody action and the cast all perform their parts well. If the film falters somewhat, it is in that sometimes it’s quirky humor comes at the wrong moments when things should stay tense. Otherwise this is a fun western from a man who has already impressed with his horror flicks and Blumhouse who continues to support indie filmmakers. Also stars Burn Gorman as a less than typical priest.
Latest flick from Quentin Tarantino finds bounty hunter John “The Hangman” Ruth (Kurt Russell) heading to the town of Red Rock with his latest acquisition, murderess Daisy Domergue (Jennifer Jason Leigh). They are reluctantly in the company of another bounty hunter, Major Marquis Warren (Samuel L. Jackson) and there is a massive blizzard on it’s way. Ruth, Warren and a group of others find themselves taking shelter at a remote haberdashery to wait out the storm. The owners are suspiciously absent and now Ruth begins to suspect he’s walked into a trap with possible associates of Miss Domergue. As they are all snowbound together, paranoia begins to take over as no one knows who they can trust. Accusations begin to fly, can bullets be far behind?
If I am to sum up Quentin Tarantino’s latest in one word it would be underwhelmed. The film is well directed and certainly looks great, as Tarantino knows how to frame a shot. It’s just that it is a very long winded mystery/thriller at almost three hours and there are tedious stretches of dialog that seem to drag on. Tarantino is known for his snappy dialog, but here it just seems to meander, taking a long time to accomplish something. Once the bullets and blood start to fly in the last act, it just comes off as gratuitous after such a long time of slowly unraveling what is going on. That and when it is all laid out before us, it’s not all that impressive or a big deal. You kind of feel like “I sat through almost three hours for this?”. There are some really good characters and performances in the flick and it has a great cast, but just takes a long time to not go anywhere all that interesting or far. Not an outright bad movie, just one that is only moderately engaging. Also stars Bruce Dern, Michael Madsen and Channing Tatum.
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Written and directed by S. Craig Zahler, this is a brooding and methodically paced western that switches gears into a full blown horror for it’s last act. The story has Sheriff Franklin Hunt (Kurt Russell), who presides over the small western town of Bright Hope, heading into hostile territory to rescue a young wife (Lili Simmons) and his own deputy (Evan Jonigkeit) from a tribe of cave dwelling cannibals, that even the local Native Americans are afraid of. Along with him are his friend and back-up Chicory (Richard Jenkins), an aristocratic gunslinger (Matthew Fox) and the woman’s crippled husband, Arthur (Patrick Wilson).
Zahler takes a good 90 minutes letting us get to know his slightly eccentric characters before throwing them into a meat grinder…almost literally…when they finally encounter the vicious tribe. A good portion of the film is the journey where the moderate pace let’s us really become familiar with Hunt and his party and it lulls us into a sort of sense of security, which we are then shocked out of when the would-be rescuers reach their grim destination. It works very well as when we finally get into the mountain lair of these brutal ‘troglodytes’, we are shocked at the gruesome brutality we are forced to witness after the more laid back 90 minutes. The last act is a bloodbath and as we know these characters so well by now, it makes us feel for them. It’s a cruel and intense and makes the long wait definitely worth the while.
There are some really intriguing characters here and the entire cast does really solid work bringing them to life. To single anyone out would be unfair, though obviously Russell is great as always.
Sure it’s a very slow burn and maybe we would have liked to know more about this ‘tribe’, but it is still a very satisfying and unique movie that is a refreshing change from a lot of the cookie cutter horror that we have seen over the last few years. It can be quite brutal at times, but Zahler gives us a well scripted thriller especially when it comes to his eclectic cast of characters and a real nail-biting finale. Recommended.