Second direct Predator sequel finds an assorted group of mercenaries, gangsters and killers (Adrian Brody, Danny Trejo and Alice Braga to name a few) kidnapped from Earth and dropped on a remote planet. There the group are hunted for sport by a group of familiar looking alien creatures.
Directed by Nimród Antal from a script by Alex Litvak and Michael Finch, flick gets a lot right, far more than those AVP movies, but also falters in a few places that keep it from being the great movie Predator fans were hoping for. Returning to the jungle is fine, as is sending in another collection of badasses to challenge the hunting skills of the title creatures. The first half of the film is good, as is the cast and characters. It’s the middle of the film where the trouble begins, when the film slows down for the scenes with Laurence Fishburn. These sequences serve only for exposition and really aren’t needed. It stops the film dead. The flick starts to pick up speed again, but only to deliver a climax far too derivative of the original and far too open ended to really satisfy. It works fine enough to an extent, but we’ve seen it all before. So far, Predators is the best of the sequels, up to this point and a step in the right direction for those who haven’t tired of this series. There is a lot of action and an interesting plot element that there is more than one type of Predator and they don’t all get along. Entertaining if you don’t expect something that measures up too close to the Arnie original.
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Lackluster sequel took five writers…including star Rudd…to write the script and still produces a somewhat disappointing flick. Follow-up finds Scott Lang/Ant-Man (Paul Rudd) under house arrest after his stint in Germany with the civil warring Avengers. Hope van Dyne (Evangeline Lilly) and Dr. Hank Pym (Michael Douglas), who are pissed at him for the blow-back from Germany, sneak him out to help them in an effort to rescue Pym’s wife Janet (Michelle Pfeiffer) from the quantum realm. In their way is a quantum phasing villain named Ghost (Hannah John-Kamen) who wants Pym’s equipment for her own purposes. If that’s not enough, slimy black market technology dealer Sonny Burch (Walton Goggins) wants Pym’s equipment for HIS own greedy ventures.
Peyton Reed returns to direct and can’t get a whole lot out of this writer heavy, but content weak screenplay. Biggest problem is that aside from Pym’s noble goal of rescuing his long lost wife, one never gets the feeling that there is all that much at stake here. There’s never a sense of urgency to the proceedings and it just seems like a game of who’s got the miniaturized lab as it goes from one set of hands to another. Ghost is a decent villain, but all she wants is to stop phasing in and out of dimensions and so she’s more of a nuisance than an actually threat. When the only other villain is the comical Burch, we have a film without a real menace to liven up the convoluted proceedings. Films like this need a strong villain to click. Sure after the intensity of Avengers: Infinity War we needed something lighter and more fun, but thin and light are two different things and this film simply could have used more weight and been a bit livelier in the fun department. This seems very by-the-numbers and could have gotten a lot more out of the dynamic between Rudd’s Ant-Man and Lilly’s Wasp. The actors work well together, but the material here is weak. On the bright side there are some fun action sequences, like a romp through the streets of San Francisco and Luis (Michael Peña), Kurt (David Dastmalchian) and Dave (Tip Harris) are back to provide laughs as Scott’s former gang turned legit security advisors. This superhero sandwich may be light on meat, but is still edible and at least never boring.
Except for Goggins, Hannah John Kamen, Pfeiffer and Larry Fishburn, as a former friend of Hank Pym, the cast are all returning from the first Ant-Man flick. Rudd is charming and fun as Lang/Ant-Man though we wish he and the other four writers gave him some far more clever punchlines. Evangeline Lilly fairs a bit better showing some real superhero potential as the smart-ass, kick-ass Hope/Wasp. She and Rudd have a nice chemistry, even if they play out the cliché “they broke up between films and now are rediscovering their attraction” scenario. Douglas is a veteran and again is charming as the grumpy Pym. Pfeiffer doesn’t have a lot of screen time, but makes an impression and is a welcome addition to the gang. Hannah John-Kamen is solid as Ghost and a bit sympathetic, though she isn’t portrayed as a real threat. Fishburn is fine as a former friend and associate of Pym who may…or may not…want to help Hank retrieve Janet. Goggins is OK as the more comical than diabolical Burch. Like his Tomb Raider villain, he could have been more intimidating, but isn’t. As our bumbling trio, Peña, Dastmalchian and Harris are fun, though their presence in this story seems a little forced. Judy Greer, Bobby Cannavale and Abby Ryder Fortson also return as Lang’s “family”. A solid cast, but let down a bit by a sub-par script.
In conclusion, there was a lot of potential here with a good cast, but a weak screenplay keeps this more in the realm of mediocre than Marvel-ous. The story doesn’t present a scenario that evokes urgency or suspense and the one-liners are less imaginative and fun this time. The direction seems by-the-numbers and the creative spark of the first flick isn’t quite there. The actors help elevate this a bit with an energetic and fun Wasp from Evangeline Lilly and some amusing moments from Rudd and his trio of side-kicks. There is more than one villain, though none of them are truly villainous, so, at least there are some fun action/fight scenes to keep us somewhat entertained. Never boring, but never especially exciting either. Stay through the credits for two additional scenes that answer questions as to when this entry takes place in the scheme of Avengers: Infinity War.
Reboot finds a young, down and out Lara Croft (Alicia Vikander from Ex Machina) refusing to accept her inheritance by declaring her missing father (Dominic West) dead in absentia. When finally forced to do so, she gets a key and clue that sets her on a quest to find out what happen to him. It leads her to the uncharted island of Yamatai where the mysterious Order of Trinity has Archeologist Mathias Vogel (Walton Goggins) searching for the tomb of Japanese sorceress Himiko. The woman was said to be of incredible power and Trinity wants use of it. As Lara seeks to find her father’s fate, she must now also find a way to stop Trinity from accomplishing their goal.
Do-over is directed by Norwegian filmmaker Roar Uthaug (Cold Prey, The Wave) from a script by Geneva Robertson-Dworet and Alastair Siddons and is wisely an origin story that starts fresh after the previous films. It’s also refreshingly down to earth in terms of it’s story telling with Uthaug going back to basics with the action and avoiding the bombastic, over-the-top spectacle that has become the status quo. Some may find the action routine, but it evoked the old fashioned action films before digital software allowed for things to become so much larger than life and in some cases, out of control. The pace is fairly swift with an almost two hour running time and just when it starts to drag a bit, we head into the last act tomb raiding finale. The South African locations look good substituting for a Pacific island and the interiors of Himiko’s tomb are interestingly designed, though with all the previous adventure flicks in this vein, the whole traps and puzzles thing is getting very old hat. Possibly why it’s kept at a minimum. Otherwise we get some solid gun-play and fisticuffs and it makes for an entertaining night at the movies with the hope that this franchise has new legs.
Alicia Vikander makes for a solid heroine as young Lara. Purists may feel her petite frame does not suit the statuesque video game character she’s portraying, but she is quite the spitfire and gives Lara both a strength and a vulnerability that make her more than just megapixels. She does action scenes as good as the boys and was convincing as a young woman coming into her inner adventurer. Walter Goggins is a serviceable enough villain. He could have had a bit more gusto, but they were going for a more grounded approach, so he is not the usual pontificating, cackling villain that most movies of this type feature. Dominic West is fine as Richard Croft in flashbacks, which provide backstory and exposition and Daniel Wu is solid as drunken sailor and Lara’s back-up, Lu Ren. We also get appearances by veterans Kristin Scott Thomas and Derek Jacobi, as well as, fan favorite Nick Frost.
Overall, this was a solid action adventure that stripped away the over-the-top overindulgence of today’s action films and settled for a more back to basics approach. Alicia Vikander made for a strong Lara Croft and overcame her petite stature with a tenacity and vulnerability that really worked here. The whole tomb of traps and puzzles thing is kind of worn out at this point, but there was plenty of chases, gunfire and brawling to keep us entertained. A fun flick from Roar Uthaug.
Latest flick from Quentin Tarantino finds bounty hunter John “The Hangman” Ruth (Kurt Russell) heading to the town of Red Rock with his latest acquisition, murderess Daisy Domergue (Jennifer Jason Leigh). They are reluctantly in the company of another bounty hunter, Major Marquis Warren (Samuel L. Jackson) and there is a massive blizzard on it’s way. Ruth, Warren and a group of others find themselves taking shelter at a remote haberdashery to wait out the storm. The owners are suspiciously absent and now Ruth begins to suspect he’s walked into a trap with possible associates of Miss Domergue. As they are all snowbound together, paranoia begins to take over as no one knows who they can trust. Accusations begin to fly, can bullets be far behind?
If I am to sum up Quentin Tarantino’s latest in one word it would be underwhelmed. The film is well directed and certainly looks great, as Tarantino knows how to frame a shot. It’s just that it is a very long winded mystery/thriller at almost three hours and there are tedious stretches of dialog that seem to drag on. Tarantino is known for his snappy dialog, but here it just seems to meander, taking a long time to accomplish something. Once the bullets and blood start to fly in the last act, it just comes off as gratuitous after such a long time of slowly unraveling what is going on. That and when it is all laid out before us, it’s not all that impressive or a big deal. You kind of feel like “I sat through almost three hours for this?”. There are some really good characters and performances in the flick and it has a great cast, but just takes a long time to not go anywhere all that interesting or far. Not an outright bad movie, just one that is only moderately engaging. Also stars Bruce Dern, Michael Madsen and Channing Tatum.