MONSTERZERO NJ’S SATURDAY NIGHT DOUBLE FEATURE: NIGHT OF THE CREEPS and SLITHER

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Haven’t done one of these in a long time! These two features are paired up for obvious reasons, but let it be known that James Gunn sights David Cronenberg’s The Shivers as an inspiration for his gooey creature feature and not Night of the Creeps!…though they pair a bit better being both horror/comedies.

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NIGHT OF THE CREEPS (1986)

Fred Dekker wrote and directed 2 of my favorite 80’s guilty pleasures, the underrated The Monster Squad (our second feature) and this B-movie blast, Night of the Creeps. A fun sci-fi/ horror that is not only a homage to the drive-in flicks of the 50’s, but is nostalgically 80’s now, too. Creeps starts out with a desperate chase inside an alien spaceship where a fugitive releases a tube from the ship carrying an “experiment” before being gunned down by his fellow crew members. The tube lands on earth in 1959 where two college students are on a date at a make-out point. The young man sees the tube land and heads into the woods to find it. His pretty date remains behind and is killed by an escaped ax murder while her date gets a face full of alien slugs when he finds the tube and it opens. We then move forward almost 30 years later where dorky college freshman Chris (Jason Lively) and handicapped bud J.C. (Steve Marshall) are desperate to join a fraternity, so Chris can impress beautiful sorority girl Cindy (Jill Whitlow). A little too anxious to accomplish an initiation prank they are assigned to carry out at the morgue, the two wander into the wrong room and wind up letting loose a frozen corpse from suspended animation…that of the young man infected by the alien slugs in the opening sequence. Now with fellow students being infected by the freed creatures and zombifying, the two team up with Cindy and a detective with a past linked to the 1959 ax murder (a great Tom Atkins) to try to stop the alien invasion from spreading through the entire campus and then the world.

Night Of The Creeps is a lot of fun. The whole thing is tongue in cheek from the campy dialog to every major character having the last name of a horror movie director. And, best of all, the audience is in on the fun. Dekker does take his material seriously to a degree so not to make a complete joke out of it and so it does have some suspense and tension, but in the spirit of the drive-in movies of the 50s, lets the deliberately absurd material, bathed with homage, deliver the fun. The cast also play their parts straight and are all good with Atkins’ cynical and grumpy Detective Cameron stealing the show with his one liners and our three leads giving us some very likable heroes and heroines to root for. Whitlow also makes for a fetching flame thrower wielding sorority girl. The entire cast seems to get the tone of the material and it really makes this work. The FX are really good too and there is some nice and abundant gore to go along with the slimy critters and their army of co-ed zombies.

A real fun homage to the sci-fi horrors of yesteryear, as well as, a great slice of fun 80s horror, too. How can you not like a movie with the line “I’ve got good news and bad news, girls… the good news is your dates are here…’what’s the bad news?’… they’re dead!”

MONSTERZERO NJ TRIVIA: Keep an observant eye out as Dekker gives a little shout out to his next movie The Monster Squad in a scene with J.C.

-MonsterZero NJ

3 and 1/2 infected aliens!

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SLITHER (2006)

Slither is a really fun sci-fi/comedy from writer/director James Gunn who helmed Marvel’s Guardians Of The Galaxy flick. This creepy, gooey story is set in the small town of Wheelsy, South Carolina where a meteorite crash lands in the woods and is happened upon by two-timing husband Grant Grant (Michael Rooker) while out messing around with a local girl. Grant is stuck in the chest by some kind of organic dart from within the object and immediately starts to change physically and behaviorally. At first he tells his wife Starla (Elizabeth Banks) it’s an allergic reaction to a bee sting, but as Grant starts chowing down on the local pets and begins transforming into something otherworldly, Starla turns to Sheriff Bill Pardy (Nathan Fillion) for help. As fate would have it, Starla Grant has also been the apple of Sheriff Pardy’s eye since they were kids and as the two former school sweethearts try to figure out why Grant is transforming into a ‘squid’. Meanwhile Grant impregnates local girl-toy Brenda (Brenda James), who then gives birth to hundreds of slug-like creatures who set upon the town entering their victims through their mouths and turning the locals into zombies at alien infected Grant’s command. Can Bill, Starla and whoever is left stop this extraterrestrial threat and save Wheesley and the world from this slimy alien incursion?

Gunn directs this fun flick with tongue firmly in cheek. The film doesn’t make a joke out of it’s homage filled story, but never takes itself too seriously either. And while it is light in tone, it is not without it’s share of suspense and chills. The cast are all having a good time with Fillion once again showing he can play comedy and be a charming leading man. Rooker is delightfully over the top as the infected Grant. The actor is having a blast as he transforms into an alien creature who seems to enjoy some of the side benefits of being human, such as his host’s pretty wife. Banks is quite feisty as Starla and makes a fun combo of damsel and heroine and has a great chemistry with both Rooker and Fillion. Also in the cast is Gregg Henry as the obnoxious ass of a Mayor who goes by the name of R.J. MacReady (a nod to Carpenter’s The Thing) and The Office’s Jenna Fischer in a small role as Sheriff Pardy’s sassy receptionist Shelby. The make-up FX are excellent with Grant going through numerous stages as he transforms and of course the activities of his slug-like minions and their carnage are well portrayed. It is a mix of practical and CGI, but it appears mostly practical with some very well done CGI in support, the way it should be. The production value is high on this modestly budgeted film and there is an effective score by Tyler Bates to add atmosphere.

Whether it’s paying homage to The Thing, The Shivers, Night Of The Creeps or The Blob to name a few, Slither is just a real fun, gory and very entertaining night at the movies with a great cast and it’s heart in the right place. Much like some of the films it pays tribute to, Slither was sadly overlooked when it first came out, but seems to have now found it’s audience and developed a bit of a cult following. A highly recommended and delightfully gooey movie.

3 and 1/2 disturbingly shaped alien slugs.

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COOL STUFF: SLITHER SPECIAL EDITION BLU-RAY!

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SLITHER (2006) Blu-Ray

Slither is a fun and delightfully gory horror/comedy from Guardians of the Galaxy writer/director James Gunn, that is sadly overlooked and underrated…until now! Once again the awesome folks at Scream Factory have given a flick the respect and treatment it deserves with this new special edition. This title in particular has always been a personal favorite and this disc was obviously anxiously awaited. Let’s find out if it delivered…

On a technical level the film image is clear and sharp with some nice contrast, while maintaining the original color palette that Gunn filmed it in. The flesh tones, both human and in-human being the most vibrant colors aside from the gore. The movie is presented in the original 1.85.1 aspect ratio, preserving the film’s original dimensions. The sound is in 5.1 DTS-HD Master Audio with alternate 2.0 DTS-HD for those without home theater sound systems. The original extras from the DVD are presented in the video format ratio of 1:33:1 that they were filmed in. Remember it was 2006 and the TVs those extras were made for still came in the square format.

Now on to the extensive extras which make this disc so worth having!…

Scream Factory has added some new features in addition to including all the fun extras from the initial DVD release. We get new commentary from James Gunn with Nathan Fillion and Michael Rooker, aside from the original commentary with Gunn and actor Nathan Fillion. We also get new interviews with both writer/director Gunn and actor Gregg Henry and it is interesting to hear Gunn reminisce about the flick now that he’s had such success with the Guardians of the Galaxy films. From there we get deleted and extended scenes with optional James Gunn commentary. We get a step by step of some of the film’s visual FX. We get a fun tour of the set with actor Nathon Fillion, followed by an amusing profile of his character Bill Pardy. There’s a documentary from the original release called The Sick Minds And Slimy Days Of Slither. One of the FX crew humorously gives us a fake blood recipe in Brewing The Blood. There is another FX documentary about how the slimy critters were brought to life and a short video diary with Troma creator Lloyd Kaufman on set for a cameo, which sadly was cut from the final print. The extras wrap up with a fun gag reel and the original theatrical trailer. A nice batch of extras for a movie only now starting to get the notice it deserves.

This is a personal favorite and a flick that is finally finding an audience after being overlooked upon initial release. It’s a fun horror/sci-fi flick that pays homage to many of it’s influences, yet not without having it’s own identity. (my full review HERE) If you’re a fan of the film, it’s a must have disc. If you are just discovering James Gunn through his Guardian’s movies, than this is definitely an item you may want to check out. Another great disc from Scream Factory.

-MonsterZero NJ

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REVIEW: GUARDIANS OF THE GALAXY VOL. 2 (2017)

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GUARDIANS OF THE GALAXY VOL. 2 (2017)

Guardians Of The Galaxy was a blast of fun and a big hit for Marvel, so it’s no surprise the oddball band of heroes are back for another go around, this time bringing movie legends Kurt Russell and Sylvester Stallone with them. The film opens with The Guardians saving the day for a race called The Sovereign, but getting on their bad side before the dust even settles. This sets them on the run and into the sights of a celestial being called Ego (Kurt Russell) who claims to be Peter Quill’s (Chris Pratt) father. Peter finds out he may have celestial powers of his own, but the more he bonds with his newfound father, the more Gamora (Zoe Saldana) and Drax (Dave Bautista) feel that daddy isn’t to be trusted. In the meantime, Rocket (voiced by Bradley Cooper), Yondu (Michael Rooker) and “baby” Groot (voiced by Vin Diesel) have to deal with mutinous Ravagers, angry Sovereigns and a vengeful Nebula (Karen Gillan).

Second adventure is an entertaining ride, thought not quite as much rapid-fire fun as it’s predecessor. Sequel is again written and directed by James Gunn, who returns with his quirky, sarcastic sense of humor that made the first flick stand out in the Marvel Cinematic Universe. After a first film sometimes moved too fast, this film dials it back during it’s middle act to take time to allow Peter and Ego to bond and along the way deliver some backstory on more than one character. While father and son take long walks on Ego’s self-made world, Raccoon and Yondu also have some bonding moments as Ravager prisoners, where souls are bared and alliances made. It’s certainly not boring, but it does take a bit more time for the action to fire up again while we get some character development for characters both old and new. Ironically, the first film rushed the character development while this one makes it more the focus….maybe slightly too much for it’s own good at over 136 minutes. Once we discover daddy is a baddy and our displaced heroes reunite, then we get a spectacular and action packed finale that amusingly evokes the climax of Star Trek V: The Final Frontier, but with far better FX and a lot more fun. The before mentioned visuals and FX are truly stunning and the action is quite exhilarating once it comes and it comes in spades. There are some hilariously funny bits and some very funny exchanges between the characters, who still have that twisted love/hate relationship with each other. When the group is split into two separate plot lines, the film doesn’t quite have the same spark as when this bunch of self proclaimed “A-holes” are all together trying not to kill each other, or be killed. If there is a flaw with this worthy sequel, it is that it does disrupt the group chemistry by separating them for almost an hour. The film is at it’s most fun when they are all together and joined by new characters, like Pom Klementieff’s empathetic and naive Mantis and Sylvester Stallone’s veteran Ravager Stakar, who fit in quite well to the mythos. The film also has a touch more sentimental than we would expect from this delinquent group. It’s a bit corny at times, but it serves to cement the dysfunctional family unit that they are. This bunch is together for a reason…and they’re accompanied by another killer soundtrack of classic tunes!

The cast are all on point. Returning actors slip back into their now beloved characters flawlessly and as per the story, get to add a little depth to their roles, including the CGI Rocket and scene stealing baby Groot. The actors have a chemistry together and thus do the characters they bring to life. As for new faces, Kurt Russell is charming and charismatic as Ego. We almost believe, as does Quill, that he is the benevolent being he claims, looking finally to be a father to his estranged son. Once he reveals his true nature, Russell chews the scenery in just the right measures of megalomania. Sylvester Stallone also fits into the Guardian’s world well as a legendary Ravager named Stakar Ogord. He only has a few scenes but it is implied we haven’t seen the last of him and it’s nice to see Sly doing his larger than life thing in the Marvel universe. Adorable Pom Klementieff steals scenes as the delightfully ditzy empath called Mantis. She’s a fun and very likable character and never lets her performance go too over-the-top so that she becomes annoying. She fits in nicely and has some very funny scenes with Bautista’s all too literal Drax. The large cast of supporting and secondary characters also shine when they get their moments, too, such as Chris Sullivan’s boorish Taserface and a returning Sean Gunn as Rondu’s right hand, Kraglin. A solid cast with the usual funny cameo by you-know-who!

Overall, this was a fun adventure and a worthy sequel. It did slow down the pace down a bit for a more character driven middle act and may have had one too many sentimental moments for it’s own good, but there is still plenty of eye-popping special effects, hilariously sarcastic moments, rapid-fire action and some sumptuously rendered alien creatures and world’s. We get some of the character development that was a bit lacking in the first film, though do sacrifice some of that great group chemistry and dialog exchanges when the story chooses to separate them. Still highly recommended for fans of the original and a solid start to the summer 2017 movie season.

…oh…and, obviously stay through the fun credits for FIVE additional scenes!

-MonsterZero NJ

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REVIEW: GUARDIANS OF THE GALAXY (2014)

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GUARDIANS OF THE GALAXY (2014)

I’d never even heard of Guardians Of The Galaxy till Marvel announced a film version of the comic. So, I went into this flick blind though, I am a big fan of director James Gunn’s Slither and was familiar with his devious and sarcastic sense of humor. And while I do feel some familiarity with the comic would help a little going in, I had a blast of a good time nonetheless.

The film opens with a young boy, Peter Quill being abducted from Earth by a space ship and then fast forwards 26 years later with Quill (Chris Pratt) now a renown thief who calls himself Star Lord and runs with a group of space pirates know as the Ravagers. He steals a mysterious orb which is also on the wanted list of a vicious Kree usurper called Ronan The Accuser (Lee Pace) and when he tries to sell it without involving the Ravager’s leader Yondru (Michael Rooker), he also earns a price on his head. And when he collides with Ronan’s assassin Gamora (Zoe Saldana) and bounty hunters Rocket Racoon (Bradley Cooper) and the plant-like Groot (Vin Diesel) all four land in jail. It is there they bond over common issues and enemies and hook up with their eventual 5th member Drax (WWE Superstar Dave Bautista) and the Guardians Of The Galaxy are born! Now they must escape from prison and somehow keep the orb out of Ronan’s hands as he seeks to use it’s powerful contents to lay waste to anyone who stands in his way, including the Nova Corp home world of Xandar and even the powerful Thanos (Josh Brolin) himself.

Yea, Guardians is a little plot heavy but, makes it work in just over two hours. One of the few flaws I had with it was, that the plot is a little complex in terms of characters, which there are a lot of, and backstory, which is kinda rushed through in quick exposition sequences. The first half hour is a bit clunky as we have five main characters and two or three villains to introduce us to and the flick tries to get this origin stuff out of the way as quick as possible to get the story moving. And this first segment is a bit too fast paced for it’s own good. But, once the heroes bond inside the Nova Corp prison and form a misfit group with a mission, the flick accelerates into a incredibly fun, and hysterically funny at times, sci-fi adventure that is one of this Summer’s best movies and one of the most outright entertaining movies Marvel has put out since The Avengers. Director and co-writer, with Nicole Perlman, James Gunn has shown us his audacious, mischievous and deviously sarcastic sense of humor in his previous films and here he delivers some really funny lines and scenes that test the boundaries of Marvel’s PG-13 movie universe while not disrupting the dazzling and action packed space opera going on around it. He keeps the film moving like a rocket, though a little too fast at first as said, and there are some truly dazzling action and battle scenes throughout. And the best thing of all, is the film also has some nice emotional resonance to go along with the one-liners and space battles and the film has a huge heart to go along with all the CGI wizardry. The characters fast become very endearing and the villains are strong and help add weight to the story. There are dozens of bizarre and unique characters that populate Gunn’s vision of the Guardian universe and the production design reminded me of the classic Heavy Metal comics when it was in it’s glory with artists like Moebius. I really loved the look of the film and the FX were flawless and amazing. Top that off with another strong score by Tyler Bates supported with a great assortment of classic tunes and you have a real blast of a movie with a refreshingly mischievous and rebellious edge to add contrast to the other Marvel films in this ongoing series.

There is a large cast and all of them do good work at bringing their colorful and offbeat characters to life. Pratt makes a strong ‘bad boy’ hero and is a nice addition to Marvel’s canon and is nicely flawed reminding one of a less genius and far less polished Tony Stark. Saldana is a strong and passionate Gamora and has a nice chemistry with Pratt and the others. Bradley Cooper steals the show as the voice of Rocket Raccon and he has some of the film’s best lines and delivers them with some deft comic timing. Diesel’s Groot has only one line the tree creature can utter and gets the point across and adds a little different tone and inference to that line each time he says it. Rounding out our heroes is a surprisingly very funny Dave Bautista. The WWE Superstar gives some hilariously dry line readings as well as creates a very noble and imposing warrior in Drax. He shows much more range then some of his other roles. As for the rest, Pace makes a very threatening villain in Ronan, Karen Gillan made a strong villainess in his assassin assistant Nebula and Rooker is top notch, as always, as the out for himself Yondu. Add to that, eccentric character appearances by Benicio del Toro, John C. Reilly and Glen Close and you have a deep cast that really make the offbeat characters come vividly to life whether it is a large role or little more then a cameo… and let’s not forget Josh Brolin giving a lot of weight to Thanos, who is to play a far larger role in future Marvel films.

To finish up, I had a blast with one of the most audaciously fun and uniquely toned and designed space operas in some time. It’s a refreshingly different entry in the Marvel film series but, somehow fits right in. It starts off a little awkwardly with a lot of backstory and characters to establish but, ones it gets going it’s a roller coaster ride of sci-fi action and fun, that isn’t afraid to test the boundaries of Marvels family friendly movies. A real blast and probably the most fun I’ve had in a movie since The Avengersand not to mention a dynamite soundtrack of classic tunes that are perfectly used and placed throughout. Highly recommended!

… and, obviously stay through the credits!

3 and 1/2 Gamoras.

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MONSTERZERO NJ’S SATURDAY NIGHT DOUBLE FEATURE: ROB ZOMBIE’S HALLOWEEN and HALLOWEEN II

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With the Holidays here what better way to show some cheer then by featuring a couple of Rob Zombie movies…and holiday themed Rob Zombie movies at that…OK, the holiday is Halloween, but since it’s Halloween all year round at MonsterZero NJ’s, these flicks are appropriate…in my twisted little mind anyway! I know Zombie’s Halloween features have caused a lot of controversy and evoked some strong feelings both pro and con, but that’s far better in my mind than indifference. So, what did I think of them? Read on…
Both reviews are of the director’s cuts…

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ROB ZOMBIE’S HALLOWEEN (2007)

(Click on the highlighted links to go to corresponding previous features here at MonsterZero NJ’s Movie Madhouse!)

There are things I like about Rob Zombie’s remake and things I don’t. As far as the things I didn’t like, Zombie’s biggest mistake is de-mystifying Michael Myers. Carpenter’s original had an average little boy from an average family, savagely murdering his older sister for no apparent reason on Halloween night. Zombie makes him the product of a broken white trash home with a stripper mother (Sheri Moon Zombie) who has a taste for loser boyfriends (William Forsythe). Giving Myers a reason for his violent behavior takes away the mystique the character had. Zombie’s Myers is a damaged young boy (Daeg Faerch) who tortures small animals and graduates to killing people and is sent to an asylum where he silently grows into a homicidal man (Tyler Mane). Carpenter’s Myers was pure evil, the young boy stopped existing and grew into a vessel for an unexplained evil force and it was random and thus spookier. The original Myers became a supernatural being, where Zombie’s Myers is all too human. Another mistake is spending almost an hour examining Myers youth and incarceration at the mental hospital before he is set loose to return home to find his little sister, now a teenager with the adopted name of Laurie Strode (Scout Taylor-Compton). Carpenter got things rolling within a few minutes in the original and his flick focuses on the stalking of Laurie and gets the scares started early. And Laurie Strode is a random victim in Carpenter’s flick, the convention that she was related to Michael wasn’t added till the original’s sequel Halloween II. Finally, the casting of genre legend Malcolm McDowell, as Dr. Loomis, doesn’t work for me. I love McDowell, but his portrayal is a bit off. He didn’t quite seem to fit the role. He also botches a couple of the classic lines and these lines are important to the mythos. Patrick Stewart would have made a far better Loomis, not that he would have done such a film.

On the plus side, Zombie does have a nice visual style and things do get intense once he finally let’s Myers loose on the peaceful town of Haddonfield. Zombie’s Myers has a savageness that the original Myers lost after being dragged through numerous sequels, and the havoc he raises is some of the best action the character has seen since the original. Tyler Mane does make an imposing Myers and his Myers is filled with rage whereas Carpenter’s Myers was more methodical. Aside from my feelings on the casting of McDowell, the rest of the cast are fine. Sheri Moon Zombie shows some nice depth as a mother helplessly watching her son become a monster. She generates some real pain in her eyes and it makes her very sympathetic. Scout-Compton is a spunky and cute heroine and plays Laurie as a typical modern teenager,  but also gives her part the needed intensity when HE comes home and she’s forced to save her babysitting charges and fight for her life. Zombie also peppers the film with familiar faces. We get Halloween sequel veteran Danielle Harris (Halloween 4 & 5) returning to the series now fully grown to play Annie Brackett and she plays a typical feisty teen girl with boys on the brain and genre vet Brad Dourif is cast as her father, Sheriff Brackett who is conflicted as to whether to believe Loomis’ warnings or not. We get cameos by the likes of Dee Wallace as Laurie’s mother, Ken Foree as Joe Grizzly, a trucker who unfortunately provides Myers with his trademark coveralls, Sid Haig as a cemetary caretaker, Danny Trejo as a hospital orderly who takes pity on Michael and Richard Lynch as Michael’s school principal. There is also a nice re-imagining of Carpenter’s score by Tyler Bates which adds some spooky atmosphere especially in the second half when Myers is finally unleashed and Phil Parmet’s cinematography captures Zombie’s visuals very well.

The scenes in Haddonfield are really what worked for me as they should have. Zombie shows he can produce some suspense and scares and he cranks it up here. Too bad he chose to focus a good deal of the running time on Michael’s youth and incarceration which is less interesting as we know where it all leads, as this is a remake after all. As for the climax, without giving away any details, Zombie chooses to end his remake with a blunt shock ending where John Carpenter crafted an opening ending that left us with a feeling of dread even after the film was long over. It’s not a bad ending and does have resonance, but doesn’t have the bone chilling effect of the original.

I stand by my opinion that Zombie has a great horror film in him but, he needs to concentrate on using his distinct visuals more often and moving past his fascination with the 70’s grind house style filmmaking and the white trash characters that inhabited a lot of those films. There is nothing wrong with paying homage to your influences, but Zombie has covered that ground in his first three films now and I think he is capable of his own style.

The lowdown: better than pretty much all of the sequels after Halloween III (which, as you may know, I like a lot!), but a far cry from John Carpenter’s original masterpiece. I at least give Zombie the credit for trying to do his own thing instead of a stale shot for shot remake.

3 Zombie Myers!

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ROB ZOMBIE’S HALLOWEEN II (2009)

WARNING: If you haven’t seen Zombie’s Halloween remake, there are some points of discussion in the sequel review which may contain spoilers for the first film…
This is the film of the two Zombie Halloweens that get’s the most flak, but to be all honest, I’ve come to like this one because it’s more of a Rob Zombie film featuring Carpenter’s characters. He’s free from the confines of a remake and doing his own thing. The results can be mixed, but it is still better than any of the post Halloween III sequels. This film takes place immediately after the last with Laurie Strode (Scout Taylor-Compton) and Annie Brackett (Danielle Harris) in the hospital being frantically worked on and Myers being hauled off to the morgue. But when an accident wrecks the morgue transport, the resilient Michael Myers rises from his slab and walks off after murdering the surviving van occupant. He disappears and the story picks up two years later with a traumatized Laurie living with Annie and her father (Brad Dourif) while Laurie is trying to deal with the approach of Halloween and the fact that Myers’ body was never found. Of course it’s no secret to the audience that Michael is on his way back to Haddonfield to finish what he started and leaving a trail of bodies in his wake.

The fact that this sequel never really feels like a “Halloween” film works both for and against it. It’s more of a Rob Zombie film and here he is not afraid to take Myers’ mask off or get inside his head for some beautifully visualized hallucination sequences of Michael’s dead mother (Sheri Moon Zombie). Tyler Bates also forgoes the traditional Halloween music for the most part and his score is quite good despite not imbuing the Halloween sound and flavor like all the other movies. Zombie gives his sequel a more methodical pace and while the film never really gets scary, there are some real brutal and intense moments such as Myers’ reuniting with Annie. There are some savagely violent scenes here that are very effective, but by the end of the film, you do feel a bit bludgeoned with all the brutality. McDowell returns as Loomis who is now a pompous bestselling author writing books about Myers and profiting from the horrible experience that left many dead. I didn’t like Dr. Loomis being portrayed as an egotistical asshole. Just didn’t work. The character was always representative of the good fighting the evil and now he is a douche who is willing to sell everyone out to make a buck and himself famous. It also makes his last minute change of heart near the climax hard to swallow. Ironically since McDowell is freed of the confines of the tradition portrayal of the Loomis character, I accepted him better in this incarnation of the role despite not liking the direction the character is taken.

There is a lot of other things to like here, too, though, unless you are a Halloween traditionalist and just can’t forgive Zombie for taking his own direction with things. There are some really twisted and bizarre dream sequences that have beautiful and surreal visuals that really impressed me and cinematographer Brandon Trost captures them well as with the look of the rest of the film. Much like the final act of Zombie’s House of 1000 Corpses, it is when Zombie takes his camera into these surreal sequences that his films really come to life and sadly he doesn’t do it often enough, thought I really liked what he did here and how these sequences got into both Myers’ and Laurie’s heads. I liked the sequences of Myers hallucinating that he sees his dead mother and his younger self (Chase Wright Vanek here as Faerch had outgrown the part), egging him on to kill. And the same for Laurie Strode’s nightmares. Great stuff. And I really liked the WTF ending. He really went outside the comfort zone of this series and in terms of traditional Halloween lore and it was daring. The Kubrick-esque final shot gives the appropriate chills the remake’s end lacked.

He gets some really good performances out of his cast again. Compton is good, but I do prefer her as the sweeter Laurie then the foul mouth tattooed traumatized girl here…though the progression is understandable and she does come across as a very messed up teen, mixing psychological damage with teen angst. Danielle Harris shows that she has grown into a really good actress as Annie, who was far more seriously hurt by Michael and yet is handling it a lot better then Laurie. She’s both friend and mother to Strode while soldiering on with her own life. A strong young woman and it makes her confrontation with Myers all the more powerful. And last, but not least, genre favorite Brad Dourif gives what might be the performance of his long career. Yes, he is that good and thankfully Zombie gives him a lot of good material and scenes to show it in. I loved him in this. Again, we also get some cameos by genre vets and Zombie favorites like Margot Kidder as Laurie’s psychiatrist, Howard Hessman as Laurie’s record store/cafe owner boss and Daniel Roebuck as a delightfully sleazy strip club owner.

While it’s not a great movie, I do like it for what it is and the risks Zombie took here with characters that are quite endeared to horror fans. Ironically, Zombie has been criticized and chastised for taking these risks, while equally so for not taking enough risks in the previous film. Sometimes you just can’t please fans when it comes to poking around an established classic. I hope someday Rob Zombie makes an original film that finally lives up to the potential he constantly shows. This film showed a progression from Halloween and I think we are seeing him move away from grind house and more toward Zombie. While many horror fans would disagree, I like this flick and recommend it as long as you have an open mind as to how classic characters are utilized and aren’t offended because someone took an established franchise and thought outside the box with it.

3 Zombie Myers!

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For a look at Zombie’s House Of 1000 Corpses and The Devils’ Rejects click here!

And for a look at his The Lords Of Salem click here!

For a profile of Screen Queen extraordinaire Danielle Harris click here!

For our look at the original Halloween click here and it’s first two sequels here!

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HORROR YOU MIGHT HAVE MISSED: SLITHER (2006)

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Slither

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SLITHER (2006)

Slither is a really fun sci-fi/comedy from writer/director James Gunn who helmed Marvel’s Guardians Of The Galaxy flick. This creepy, gooey story is set in the small town of Wheelsy, South Carolina where a meteorite crash lands in the woods and is happened upon by two-timing husband Grant Grant (Michael Rooker) while out messing around with a local girl. Grant is stuck in the chest by some kind of organic dart from within the object and immediately starts to change physically and behaviorally. At first he tells his wife Starla (Elizabeth Banks) it’s an allergic reaction to a bee sting, but as Grant starts chowing down on the local pets and begins transforming into something otherworldly, Starla turns to Sheriff Bill Pardy (Nathan Fillion) for help. As fate would have it, Starla Grant has also been the apple of Sheriff Pardy’s eye since they were kids and as the two former school sweethearts try to figure out why Grant is transforming into a ‘squid’. Meanwhile Grant impregnates local girl-toy Brenda (Brenda James), who then gives birth to hundreds of slug-like creatures who set upon the town entering their victims through their mouths and turning the locals into zombies at alien infected Grant’s command. Can Bill, Starla and whoever is left stop this extraterrestrial threat and save Wheesley and the world from this slimy alien incursion?

Gunn directs this fun flick with tongue firmly in cheek. The film doesn’t make a joke out of it’s homage filled story, but never takes itself too seriously either. And while it is light in tone, it is not without it’s share of suspense and chills. The cast are all having a good time with Fillion once again showing he can play comedy and be a charming leading man. Rooker is delightfully over the top as the infected Grant. The actor is having a blast as he transforms into an alien creature who seems to enjoy some of the side benefits of being human, such as his host’s pretty wife. Banks is quite feisty as Starla and makes a fun combo of damsel and heroine and has a great chemistry with both Rooker and Fillion. Also in the cast is Gregg Henry as the obnoxious ass of a Mayor who goes by the name of R.J. MacReady (a nod to Carpenter’s The Thing) and The Office’s Jenna Fischer in a small role as Sheriff Pardy’s sassy receptionist Shelby. The make-up FX are excellent with Grant going through numerous stages as he transforms and of course the activities of his slug-like minions and their carnage are well portrayed. It is a mix of practical and CGI, but it appears mostly practical with some very well done CGI in support, the way it should be. The production value is high on this modestly budgeted film and there is an effective score by Tyler Bates to add atmosphere.

Whether it’s paying homage to The Thing, The Shivers, Night Of The Creeps or The Blob to name a few, Slither is just a real fun, gory and very entertaining night at the movies with a great cast and it’s heart in the right place. Much like some of the films it pays tribute to, Slither was sadly overlooked when it first came out, but seems to have now found it’s audience and developed a bit of a cult following. A highly recommended and delightfully gooey movie.

3 and 1/2 disturbingly shaped alien slugs.

slither rating

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HORROR YOU MIGHT HAVE MISSED: DOOMSDAY (2008)

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DOOMSDAY  (2008)

A fun tribute to 80s action classics like Escape from New York and The Road Warrior, that’s like a time capsule trip back to the that era of movies. And to those who call it unoriginal and a rip-off, don’t understand that a rip-off wouldn’t be so blatantly obvious and downright giddy about wearing it’s influences so proudly out in the open. It’s supposed to be reminiscent of those two 80’s classics and with nods to other flicks like The Warriors and even Excalibur. Doomsday is a homage, and director Neil Marshall never intended it otherwise. I am a big fan of  Marshall and I get exactly what he was doing here. The similarities are all deliberate and taken as such, this film is a nostalgic blast.

Doomsday tells of a near future where a horrible and deadly virus has broken out in Scotland and the British government walls the country off and leaves the survivors to die. Britain is reviled and exiled by the rest of the world and now is becoming one giant slum. And when the aptly named ‘reaper virus’ returns to London, the bureaucrats send loose cannon, Major Eden Sinclair (Rhona Mitra) into Scotland with a team of scientists and soldiers to find rumored survivors and thus a possible cure. What they find are a number of living and dangerous threats including a vicious gang of punk rock cannibals and a society of people reverted back to medieval times, castle and all. Even if they find a cure they may not survive the inhabitants of Scotland’s wasteland to bring it back.

Marshall fills Doomsday with a lot of action and some of it very bloody and gruesome at that. The film rarely stops moving and delightfully spills plenty of gore between the fight scenes, zombie-like plague victims and hungry punk cannibals. The FX are all very well done as are the stunts and the cast, including Bob Hoskins and Malcolm McDowell, are all playing it straight, yet having a good time. And let’s not forget to mention that Rhona Mitra makes an ass-kicking and smoking hot female Snake Plissken/ Mad Max. And if you haven’t gotten the point, Tyler Bates delivers a nice score that pays homage to those before mentioned 80s classics as well. If you are a fan of 80s action flicks, especially Escape from New York and The Road Warrior, then pull up a chair, open a beer and relive the spirit of those genre classics that is so perfectly recaptured here. A fun retro blast of a movie from Neil Marshall.

A fun bit of trivia: Actor Craig Conway who plays the gang leader “Sol” also played one of the creatures in Marshall’s The Descent and a camper in the opening sequence of Marshall’s Dog Soldiers.

MonsterZero NJ Rant: I know how things work. If a movie doesn’t do well…and Doomsday didn’t…there is little or no chance of a sequel. But I really loved the character of Major Eden Sinclair and thought Rhona Mitra really pulled off the female Plissken/ Mad Max hybrid while yet making the character her own. I would love to see Eden Sinclair return in another film adventure, but especially now years later, there is little or no chance of that. Bummer! A great character that would really rock in another adventure set in Marshall’s grim future, but alas, it most likely will never happen! Too bad! End rant!

3 and 1/2 Eden’s

doomsday rating

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