During the spooky season it might be fun to watch flicks that actually take place on All Hallow’s Eve… so here is a revised list of some horror flicks that actually occur on, or near, our favorite Holiday! 🎃

(To get to the reviews of the titles below that were covered here at the Movie Madhouse, just type the title in the search engine to find the corresponding critique!)

-MonsterZero NJ




During the Halloween season it might be fun to watch flicks that actually take place on Halloween… so here are some horror flicks that actually occur on, or near, our favorite Holiday! 🎃

(To get to the reviews of the titles below that were covered here at the Movie Madhouse, just type the title in the search engine to find the corresponding critique!)

-MonsterZero NJ




During the Halloween season it might be fun to watch flicks that actually take place on Halloween… so here are 25 horror flicks that actually occur on, or near, our favorite Holiday! 🎃

(To get to the reviews of the titles below that were covered here at the Movie Madhouse, just type the title in the search engine to find the corresponding critique!)

-MonsterZero NJ




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KRAMPUS (2015)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

Michael Dougherty’s Trick ‘R Treat became an almost instant classic once the flick was discovered on DVD and now he is finally back in the director’s chair with Krampus, a dark comic fantasy based on European folklore. The legendary Krampus is a demonic creature that serves as an anti-Santa Claus, who comes to punish the naughty at Christmas time…at least according to parts of Western Europe.

This tale finds young Max (Emjay Anthony) becoming increasingly disappointed with his family and their completely dysfunctional treatment of Christmas, which Max still believes in. His spirit is broken when his redneck cousins push him to the edge when mockingly reading his letter to Santa out loud at an already spoiled pre-Christmas dinner. He shreds his letter and casts it angrily out the window denouncing Christmas and any hope of having a happy one. This evokes a massive snowstorm and power outage and at it’s core lurks the creature of legend Krampus, along with his demonic elves and minions, who soon, one-by-one, start taking the members of this holiday-challenged family to a very un-merry fate.

Krampus is not quite the devious and twisted fun that Trick ‘R Treat was, at least not until all hell breaks loose in it’s last act. As co-written with Zach Shields and Todd Casey, Dougherty goes for something with a little more mainstream accessibility and thus with less of an edge than his Halloween classic. The PG-13 movie is a bit more family friendly film, but certainly does have it’s dark, wicked moments and satirical…though cliché…jabs at what Christmas has become in modern times. No better is this illustrated than in it’s opening credits sequence set at a mall. There are some suspenseful moments, but the film don’t quite have the constant atmosphere of ghoulish fun that graced Trick ‘R Treat. The earlier scenes of family chaos are a tad flat and presented the cliché ‘yuppies vs white trash’ scenario seen so many times before. On the plus side, Dougherty’s sumptuous visual style dazzles and chills with his snow-covered vista’s and the dark shadows that dance in fireplace lit rooms. His creatures are all twisted, evil versions of classic Christmas toys and characters, including the title monster himself. That and a splendid animated flashback about halfway through…the best segment in the film…evokes elements of Tim Burton when he was at the top of his game. The FX of this modestly budget film are all top notch and exquisitely designed though, I was not quite as impressed by Krampus himself as I should have been. He looks cool, but doesn’t have much more impact than some of his minions, such as the kid devouring jack-in-the-box or vicious ginger bread men, which evoked nervous giggles from the audience. Adding to some of the film’s atmospheric moments is Trick ‘R Treat composer Douglas Pipes’ effective score, aided by Jules O’Loughlin’s lush and spooky cinematography. Dougherty succeeds here more than he slips and overall this is a fun movie if not totally living up to his previous fan favorite.

The cast was a mixed bag for me. I am not a fan of Adam Scott, who I find very bland and he was so here as dad, Tom. Toni Collette is wasted in a very stereotypical suburban mom role, as Sarah, that gives this gifted actress very little to do except grimace at her redneck relatives and look worried/scared. Young Emjay Anthony fares much better as the sensitive and disillusioned Max, though the story has him take a back seat to the more bland Scott and David Koechner, who plays gung-ho brother-in law Howard. Stefania LaVie Owen showed some moxie as Max’s sister Beth, but the script has her disappear in the first act and Krista Stadler was good as Tom’s European mother “Omi” who provides old-world charm and the Krampus exposition we and the film’s characters need. The rest…including hard working character actress Conchata Ferrell…all play cliché white trash members of Sarah’s sister Linda’s (Allison Tolman) family and they are stereotypes we’ve all seen before.

I liked Krampus and more worked for me than didn’t. I did wish it had a bit more of an edge and that things were a little livelier in it’s more sedate, cliché and sometimes flat, beginning. The second half of the film really delivers what we came for, especially the last act and makes up for it’s weaker parts, though I wish the film kept it’s focus on Max instead of turning it over to the blander adults. The film looks gorgeous and the spooky visuals, creature designs and animated flashback reminded me of Tim Burton at his finest. Not quite the instant classic that Trick ‘R Treat was, but a film that certainly entertains, overall and may grow on one even more, upon repeat holiday viewings. Flawed but still recommended.

-MonsterZero NJ

  3 Christmas trees.

fred clause rating







During the Halloween season it might be fun to watch flicks that actually take place on Halloween… so, here are 21 horror (or thriller) flicks that actually occur on, or near, our favorite Holiday!

(Click on the titles below the movie poster gallery to get to our reviews!)

Click on the highlighted titles below to go to the review page for the corresponding movie!

1. Halloween

2. Halloween II

3. Halloween III: Season Of The Witch (obviously, you may want to watch 4 thru Resurrection, too!)

4. Trick ‘r Treat

5. House of 1000 Corpses

6. Halloween RZ

7. Halloween II RZ

8. Hellions

9. The Houses October Built

10. All Hallows Eve

11. The Town That Dreaded Sundown 2014

12. Creepshow 

13. Ginger Snaps

14. The Crow

15. The Crow: City Of Angles

16. May

17. Lady In White

18. Satan’s Little Helper

19. Night Of The Demons

20. The Guest

21. Boo

-MonsterZero NJ





Michael Dougherty, who gave us the modern classic Trick ‘r’ Treat is going after another beloved holiday with his yuletide set horror flick Krampus. Movie is based on European folklore of a creature that punishes bad children at Christmas. The film opens 12/4/15!

-MonsterZero NJ

Sources: internet


From Frights To Fun: The Evolution Of 80s Horror


From Frights To Fun: The Evolution Of 80s Horror

(Remember, clicking the highlighted links brings you to my full reviews of the films referenced here!)

To me, the 80s is one of the best decades ever for horror flicks…with the 70s following right behind it. Sure, every decade since films started being made has it’s classics from 1922’s Nosfeatu to 2007’s Trick ‘r’ Treat, but in terms of sheer proliferation and the number of classics that came out of it, the 80s was an amazing time to be a horror movie fan and I am glad I was in my theater seat for it all the way. And as I have said before, it was a time where low-budget B horrors could still be seen in a theater, where they belong and a time I will always cherish. I will also admit there was a lot of garbage to sift through to get to the gold, but even those had their entertainment value, especially when you and your friends were sitting in your seats giving those lesser efforts the old MST3K treatment, years before that show even existed…and that classic show is also a product of the 80s, might I add. But the one thing I also find striking about 80s horror is a distinct tonal shift in the style of horror flicks as the decade wore on that can only be appreciated now as we look back in nostalgia. Darker and more somber slashers became flicks that were lighter in tone, more colorful and with far more of a sense of fun about themselves. Let’s take a look…

John Carpenter’s Halloween may not have been the first slasher, but it is the film whose success started the early 80s slasher trend as studios and indie filmmakers realized you could make a lot of money on a shoestring budget. The early 80s cinemas became filled with films that followed the slasher formula with the stories being set on or around a special event or time, such as the prom in Prom Night, or college hazing as in Hell Night, or a fateful day like Friday The 13th. And then, within that setting, having a group of young high school or college co-eds being stalked and cut down by a killer with a grudge, till one feisty young girl…or sometimes a couple…is left to fend off our killer. For the most part these films took themselves very seriously and had a somber mood and moderate pace with the violence level being anywhere from fairly tame, like in thrillers like Terror Train or over-the-top gory as in Willaim Lustig’s Maniac or Charles Kaufman’s Mother’s Day…though, let’s not forget that some of the gorier entries where a result of the success of George Romero’s ultra-violent Dawn Of The Dead which started it’s own trend of extremely violent horrors that predominately came out of Italy and was spearheaded by filmmakers like Lucio Fulci. There were some rare instances where a director had a more humorous approach like Joe Dante’s The Howling or An American Werewolf in London, but horror/comedy is nothing new and the early 80s horror films predominately followed a more serious direction at this point in time.

Monster movies like The Boogens or Without Warning or supernatural horrors like The Fog and  The Boogeyman also followed the slasher format with victims being isolated and killed off one by one, leaving a frightened heroine to fend for herself with the occasional surviving love interest to help her survive. And for the first two or three years of the decade, theaters where inundated with such horrors to the delight of screaming fans. And we got many a classic horror flick out of it. But like any trend, such as the 70s possession flick trend inspired by The Exorcist, these things run their course. But not only did 80s horror start to open up with more supernatural themed flicks like the A Nightmare On Elm Street films, that cleverly added an incorporeal villain and surreal elements to the slasher formula, but the films started to reflect the overall buoyant mood of the 80s with brighter cinematography, more humorous tones and even began to reference and acknowledge past films and filmmakers. The first ‘inside’ reference I can remember was Sam Raimi’s subtle shout-out to Wes Craven by having a The Hills Have Eyes poster displayed in the basement of the old cabin in 1981’s The Evil Dead…to which Craven responded by having Heather Langenkamp watching Evil Dead on TV in the first Elm St movie. In terms of the lighter tone, the first time I noticed it was back in 1982 with Friday The 13th Part 3. When I saw it at my beloved Oritani Theater, I was kind of taken back by it all. The film had a very colorful production design, had a lot more humor than the first two installments…including characters that seemed to be there just for comic relief…and seemed to almost be having fun with the fact that we’ve been through this twice before. Jason went from a creepy, deformed backwoodsman to a hulking comic-bookish monster complete with iconic hockey mask. The film’s trademark kills were a bit more elaborate and far-fetched, as if the filmmakers were getting a bit playful with Jason’s M.O. The tone shift seemed to be starting, but without knowing what was to come in following years, I was simply disappointed with the flick and had no idea the trend would continue.

And the shift did continue with the advent of Freddy Krueger who was creepy at first, but quickly became a wisecracking, demonic gremlin that pulled people into his dream world for elaborate and outrageously gimmick-laden fates. The movies were far more fun than scary, but these films at least were more creative and imaginative than the simple stalk and kill films that came before them, though I missed the intensity and the serious tone of films like The Prowler. Flicks also started to jokingly reference their inspirations, like 1986’s Night Of The Creeps which names every character after a horror film director of that era like “Chris Romero”, “Cynthia Cronenberg” and James Carpenter-Hooper”. We also got MTV inspired films like the music filled and music video styled Return Of The Living Dead, the classic The Lost Boys, as well as, the neon-lit Vamp. Those films were far more entertaining than they were frightening as The Lost Boys even has a touch of Spielberg in it’s over-all tone…reminding us of the stark example of what happened when Carpenter’s grim and gory extraterrestrial The Thing went up against Spielberg’s bug eyed visitor from E.T. in 1982No better an example of the start of audience change of taste in the 80s than was the beating Carpenter’s now classic sci-fi/horror got from critics and at the box office…though, I saw it at least three times in a theater!

The trend continued with even lighter and more humor-laced films as we headed toward the 90s with flicks such as Waxwork, Chopping Mall and Night Of The Demons which were loaded with as many laughs as they were scares and gore. The MTV generation was being fed films that were faster paced, brightly colored and took themselves far less seriously as the arrival of music video and the end of the Cold War had created an era that was a bit more overindulgent and the films of the day reflected this. Even somewhat more serious horror like 1988s Intruder and the 1985 classic The Re-Animator still openly had a good time with their premises and occasionally winked at the audience, which films now acknowledged were sitting there and were familiar with the type of flick they are seeing. Earlier 80s films rarely acknowledged that they were a movie and that there was a horror savvy audience watching, but the second half of the decade was filled with movies that referenced those earlier films and were quite aware of themselves and who their audience was. They played to that audience instead of simply telling their scary story. And at this point Freddy Krueger was turning girls into giant cockroaches and Jason was a zombie battling telekinetic teenagers. Even the old school boogiemen had traded in their scares for more outrageous and silly story lines with each installment, as almost every horror hit became a franchise. Michael Myers also returned in 1988 to now stalk his young niece…why not his second cousin too? Needless to say by the time 1990 rolled around, horror had become burnt out and silly until horror master Wes Craven would revive it as pop-culture-reference filled heavy nostalgia with a bite in Scream… but that is another story.

Another aspect of the shift that may not have been as noticeable to the average audience, but was very noticeable to film buffs was in how these films were now being made and how they looked. By 1985 the home video market was in full swing. I should know, I worked at a Palmer Video back then. Direct to VHS films were starting to appear due to the cost effectiveness of not having to produce film prints for theater showings. And a lot of the horror films of the later decade were being made with the home video market in mind. Even some of the ones that got theatrical releases lacked that theatrical look. Gone were the cinematic visuals and widescreen presentations. Flicks like Witchboard and Waxwork had the look and feel of a TV movie and were filmed in the more TV screen friendly 1:85 format. Only some of the big studio releases and films by veterans like Carpenter and Craven maintained that theatrical look in their visual styles and still looked like a movie made for theaters. A disappointment to those who find the film’s visuals as important as their story and content. And another example of how drastically movies changed from 1980 to 1990.

Whatever the course the horror films of the 80s took, I will always have a soft spot in my heart for these movies, good or bad. Whether it be the more serious chillers of the early years, or the reference heavy, lighter toned flicks that came later on, it was a decade when I came of age and was most influenced by movies and was still a time where a low budget flick like Galaxy Of Terror or Final Exam could see the inside of an audience filled theater. And not only was I proudly there to see it, but will never forget it. And now, decades later, many a night when my social calendar is empty, I can be found in a darkened living room, on the couch, with some of my favorite brews, reliving those days long gone, but never…ever…forgotten!

… and one of the reasons I now share my passion for those movies with all of you!

-MonsterZero NJ


The Oritani Theater: 300 Main St. Hackensack N.J Photo from the Mitchell Dvoskin collection