Comic book based superhero flick finds soldier Ray Garrison (Vin Diesal), murdered and his wife (Talulah Riley) killed by a vengeful terrorist (Toby Kebbell). They can rebuild him, they have the technology! Ray is brought back to life by Dr. Emil Harting (Guy Pearce) and made better, stronger, faster…you get the idea. Nanite technology almost instantly heals his wounds and his mind is now a supercomputer. Problem is, Harting is actually using Ray as an assassin, recreating the murder of Ray’s wife, over and over, with the face of each intended target, under the deception of returning memories. Suffice to say Ray isn’t going to be happy when he finds out…which he does.
Flick is directed by David S. F. Wilson from a script by Jeff Wadlow and Eric Heisserer, based on the Valiant Comic. As such, it’s a very routine and by-the-numbers superhero/action flick. The FX are good and there is plenty of action, but it’s nothing we haven’t seen before, or presented in a way that makes it fresh. Diesel is a solid enough action hero, though even he seems to be going through the numbers here. At least it does liven up a bit for it’s free-for-all climax. Also stars Eiza González, Sam Heughan and Alex Hernandez as KT, Dalton and Tibbs, three other ex-soldiers enhanced by Harting’s Rising Spirit Tech and Wilfred Wigans as a computer genius, who helps Ray find the truth and get revenge. Not terrible, but not terribly special either.
Finally caught up to this much maligned reboot and have to say that I don’t quite understand all the hate it gets. Maybe it’s because I didn’t follow the comic and am not familiar with the lore, or that I just went in with such low expectations that I was pleasantly surprised when it wasn’t altogether awful.
The story follows the creation of a teleportation device by nerds Sue Storm, Reed Richards and Victor Von Doom (Kate Mara, Miles Teller and Toby Kebbell) along with Reed’s friend Ben Grimm (Jamie Bell) and Sue’s hotshot brother Johnny (Michael B. Jordan). The device opens a portal to another world and when an unsanctioned trip to that world goes awry, all five are graced with drastic changes that give them unique powers. While the four returning try to cope with their new ‘gifts’ and the government tries to decide what to do with them, Victor is stranded on the alien world gaining frightening power and a heinous agenda.
Josh Trank’s interpretation is, by far, not a misunderstood classic, but it is a unique take on the superhero genre, much like his Chronicle, focusing more on how one might react to gaining unwanted abilities and how they would be viewed by paranoid and power-hungry government agencies. The fact that two of the four become outright government agents to use their powers for ‘good’ is amusing and we know that eventually some kind of threat, here Victor Von Doom, will unite them as heroes. It’s actually an interesting and non-traditional viewpoint of the superhero epic and there is little or no action till the end…which is where it really stumbles. The conflict with Doom is basically in the last 20 minutes and his reasons for wanting to literally destroy the Earth are quite convoluted. We also never get a real grasp as to what it is about the forces on this planet that imbue superpowers upon it’s visitors. The battle between the newly formed superhero group and “Dr. Doom” ends rather quickly and with little effort, leaving the film with a very anti-climactic feel by the time the credits roll. It all seems more like a 100 minute origin story than a complete movie, though had it not bombed, it might have been interesting to see these four on a complete adventure. Oh, well. Cast were all fine though some of the CGI FX range from excellent to mediocre. Underwhelming…yes…completely awful…not really.
I really enjoyed Rise Of The Planet Of The Apes, it was an inventive way to reboot the series by going back to the very beginning and re-inventing it from there. It was well acted, solidly directed and gave the series a good start with plenty of material to be covered before the films even progressed to what we saw in the original classics. The movie was a critical and box-office success and thus the series is being continued.
The sequel picks up 10 years after the virus, that began in Rise, has decimated a massive amount of the human population. The apes, led by Caesar, (Andy Serkis) have started a community deep in the California wilderness where they are living a relatively peaceful existence and have seen no humans for years… until now. A small band of humans led by a man named Malcolm (Jason Clarke) happens upon the apes territory and after an accidental wounding of one of the apes, are sent fleeing. The apes follow them back to San Francisco where they find a human colony still exists and one that is well armed. Caesar goes there with an army as a warning to the humans to stay away from the apes’ home. But, Malcolm begs Caesar to allow the humans to work at dam nearby their village, to restore electricity to the human colony which is running out of fuel. Caesar agrees in an effort to promote peace but, as Malcolm and the ape leader form a fragile alliance, fear on the human side and hatred on the other side in the form of an ape named Koba (Toby Kebbell), threaten to not only end that peace but, elicit all out war.
Sequel is this time directed by Cloverfield’s Matt Reeves who does a great job of creating a film that is it’s own movie yet, still fits in with the previous chapter. Reeves gives the film some very strong dramatic weight while not skimping on the action or suspense and it has a really effective look of a world where nature has grown over cities formally populated by people. The script by Mark Bomback, Rick Jaffa and Amanda Silver takes it’s time to establish the characters, especially all the new human ones, and where the world stands at this time. It also achieves this as the story moves forward and thus we get the information we need as part of that story and the film never needs to stop for exposition. A lot is achieved in it’s 130 minute running time and the film has a brisk pace and yet, covers all the ground it needs to. The action, when it comes, is exciting and very well staged and carries a lot of impact’ as well as, an epic scale. The gunfire, chases and explosions also serve the story and is never overindulgent for the sake of satisfying the Summer movie crowd. This is an intelligently written movie that also vastly entertains and should satisfy both the popcorn movie audience and those looking for a little more substance in their movie. The SPFX are flawless, for the most part and the film is wrapped in a very effective score by Michael Giacchino that evoked some of the music from the classic Apes series of the 70s. In fact the film’s story has some nice echoes of those classic 70s flicks too that will be obvious, but not obtrusive, to fans of the original series.
Also serving the story and supporting Reeves excellent direction is a great cast. Serkis’ motion capture acting for Caesar is fantastic and he gives the simian star a very emotionally expressive face and body language that really creates a three dimensional character from the CGI. The same goes for most of the ape performance actors with Kebbell’s Koba also being strongly portrayed. Clarke makes a noble character in his Malcolm. He really wants what’s best for everyone and his pain when conflict arises seems genuine and it is understandable that he and Caesar would bond. Gary Oldman is strong as the head of the human colony, a man named Dreyfus. His leader wants what’s best for his people even if it brings war but, he is never portrayed as a villain. It’s about the survival of the human race and Oldman conveys that the man’s harsh decisions are not from hate as much as simply willing to take what his people need to live. Keri Russell plays a former CDC nurse and part of Malcolm’s team who is a sympathetic and strong woman and one who has her inner pain too. She gives the character a nice dimensionality despite not really being all that major a part when all is said and done. The rest of the supporting cast are equally good and really add the final piece to making this a smart and highly enjoyable film.
So, a first rate sequel to a first rate reboot and a really enjoyable and entertaining movie. The script is intelligent yet, still weaves in plenty of action and it’s all brought together by a really well done directing job from Matt Reeves. When all is said and done, probably the best movie I have seen so far this summer.
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