THE FILMS OF TI WEST!

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THE FILMS OF TI WEST!

With the theatrical release of Ti West’s latest horror X to theaters, this indie filmmaker is finally getting the notice he deserves. Horror fans have been watching his films for years, now he is getting the attention of more mainstream audiences and it’s about time! If you haven’t seen his films yet, here they all are for you to discover!

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-MonsterZero NJ

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TI WEST’S HORROR FLICK “X” IS COMING TO BLU-RAY and DVD!

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TI WEST’S HORROR FLICK “X” IS COMING TO BLU-RAY and DVD!

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Indie director Ti West’s (House of the Devil, Innkeepers) new film horror film X has already set a release date for Blu-ray and DVD! The film will arrive on home media on 5/24/22 and is already available for pre-order on Amazon! The flick stars Mia Goth, Jenna Ortega, Martin Henderson, Brittany Snow, and Scott Mescudi!
“In 1979, a group of young filmmakers set out to make an adult film in rural Texas, but when their reclusive, elderly hosts catch them in the act, the cast find themselves fighting for their lives.”

 

Here’s the link to the Amazon pre-order page: https://www.amazon.com/gp/product/B09VJDBF1V/ref=ox_sc_saved_image_1?smid=ATVPDKIKX0DER&psc=1

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-MonsterZero NJ

Source: Joblo.com; Amazon

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REVIEW: X (2022)

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X (2022)

Latest indie horror from A24 takes place in 1979 and finds sleazy Texas producer Wayne (Martin Henderson) setting out to make a porn film with stars Bobby-Lynne (Brittany Snow), Maxine (Mia Goth), and Jackson (Scott “Kid Cudi” Mescudi) along with their two-person film crew RJ (Owen Campbell) and his girlfriend Lorraine (Jenna Ortega). They travel to the remote farm of strange, elderly couple Howard (Stephen Ure) and Pearl (also Mia Goth), who turn out not to be the harmless old folks they seem, and the porn film soon turns into a horror movie…for real.

X is written and directed by Ti West (The House of the Devil, The Innkeepers) and is basically The Texas Chainsaw Massacre meets Debbie Does Dallas. It is a good, old-fashioned, grindhouse style flick with lots of sex, gore and flesh crawling moments. X starts out like most of West’s flicks with a slow burn, but one where we start to feel from the very start that something is not right. This prevailing sense of dread builds as things get weirder and weirder and West makes us constantly feel that a threat is soon to emerge, no better symbolized then by the gators lurking about the couple’s property. When the blood finally starts to flow, it’s prosthetic gore and there are some nasty kills to characters we’ve gotten to know and like. Even sleazy Wayne has a good-ole-boy charm that’s hard not to endear to. This makes it all the more impactful when the film crew starts to fall to various sharp objects, shotguns and the before mentioned gators. It’s scary, nasty and in between the violent moments, there are some that will certainly make your skin crawl. The sexual, undercurrent the film has also gets very disturbing…and that’s by design. This is simply West’s best horror since The House of The Devil, and one of the best horrors so far this year. It’s sexy. sleazy, scary and gory…what more do you want from a horror flick!?

Director West has a good cast in support. Henderson gives Wayne a charming appeal that despite his sleazy nature and willingness to exploit his girlfriend, Maxine, makes him a likable rogue. As Maxine, Mia Goth deftly balances a young woman with both a strong sexuality and a gentle sweetness that really makes her character work. Snow is delightfully sassy as Southern belle and porn star Bobby-Lynne, who is no dumb blonde. She’s using her natural talents to make a better life for herself. Scott “Kid Cudi” Mescudi is also solid as ex-Marine and war veteran turned porn star Jackson. He’s fun and has a nice heroic side. Jenna Ortega is once again impressive as “church mouse” Lorraine who seems sweet and virginal but may not be as innocent as she appears. Owen is likable as filmmaker wannabe RJ, and Stephen Ure and Mia Goth are very creepy—especially Mia Goth—as the elderly Howard and Pearl. A good cast.

Overall, this is one of West’s best films and a refreshingly, old-fashioned horror that leaves all the overdone meta/retconning crap behind. It’s scary, gory and has some moments and kills that will legitimately make your flesh crawl. It has a sexual undercurrent that goes from sexy to disturbing and pays homage to the classic grindhouse era horrors of the 70s, while yet being its own thing. Definitely one of the best horror flicks to come out so far in 2022 and one of West’s most effective horror flicks yet. Stay through the credits!

-MonsterZero NJ

Rated 3 and 1/2 (out of 4) knives!

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HALLOWEEN HOTTIES: IS JENNA ORTEGA THE NEW QUEEN OF HORROR?

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Photo: © IRVIN_RIVERA GRAPHICSMETROPOLIS

IS JENNA ORTEGA THE NEW QUEEN OF HORROR?

This latest installment of Halloween Hotties features an up-and-coming Latina actress who has recently taken the horror community by storm, with her roles in the hit “requel” Scream (2022) and the Netflix horror/comedy The Babysitter: Killer Queen. Jenna Ortega has been acting since she was ten years-old and in just nine years has built quite a resume of various roles. Lately she has been appearing in numerous horror themed projects and we couldn’t be happier! She first got a taste of the spooky at only eleven years-old starring in Nickelodeon’s Deadtime Stories mini-series and then later on in season 2 of Netflix’s psychodrama You. She then went full blown horror with Killer Queen, following it up with three titles in 2022, Scream (2022), The Foo Fighters’ horror/comedy Studio 666, and Ti West’s upcoming horror flick X. She’ll also be playing the title character in Tim Burton’s upcoming Addams Family spin-off Wednesday on Netflix, possibly releasing sometime later this year. Is Jenna Ortega the new queen of horror!?…only time will tell, but we hope so!
(Click on the highlighted links to read reviews of the films covered here that Jenna Ortega has appeared in)

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THE BABYSITTER: KILLER QUEEN (2020)

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As tough-girl and rebel Phobe, in the horror/comedy sequel The Babysitter: Killer Queen!

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Scream (2022)

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Jenna Ortega in a tight spot as Tara, in the horror “requel” Scream (2022).

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STUDIO 666 (2022)

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As Skye, in the Foo Fighter’s recently released horror/comedy Studio 666.

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X (2022)

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As Lorraine, in Ti West’s upcoming 70s set horror flick X.

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WEDNESDAY (RELEASE DATE UNKNOWN)

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As an actress excited to be the first Latina to play this classic role!

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There’s no telling where this versatile and talented actress will show up next. She shows no sign of slowing down with new projects already in various phases of production! We can only hope she will return to horror soon! For now, her body of work, especially having three horror titles in one year—and it’s only March—puts her in the running as one of horror’s new queens!

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And don’t forget to check out our previous Halloween Hotties profiles…just click on the following link to head over to the Halloween Hotties listings!)

-MonsterZero NJ

source: IMDB

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NEW TI WEST FLICK “X” GETS A POSTER AND TRAILER!

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NEW TI WEST FLICK “X” GETS A POSTER AND TRAILER!

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Indie director Ti West (House of the Devil, Innkeepers) has a new film coming out and now we have a trailer and poster! It looks like Boogie Nights meets Texas Chainsaw Massacre and we couldn’t be more excited! The flick opens on March 18th, 2022, and stars Mia Goth, Jenna Ortega, Martin Henderson, Brittany Snow, and Scott Mescudi!

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-MonsterZero NJ

Source: A24; Youtube

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REVIEW: IN A VALLEY OF VIOLENCE (2016)

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IN A VALLEY OF VIOLENCE (2016)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

Western homage is written and directed by Ti West who is known for horror films like The House Of The Devil and the recent The Sacrament. This is a departure for West and shows he can do more than just horror with this tale of revenge. Flick has ex-soldier Paul (Ethan Hawke) wandering into the small town of Denton, New Mexico. He is just passing through, but in true western fashion, has an altercation with the town bully/deputy, Gilly (James Ransone). Paul is commanded to leave town by Gilly’s sheriff father (John Travolta), but is pursued into the desert by Gilly and his thugs. Upon being ambushed, his beloved dog, Abbie is murdered and Paul himself left for dead. Surviving Gilly’s attempt at payback, the lone drifter heads back to Denton with death and revenge on his mind.

In A Valley Of Violence may not be perfect, but it is a fun homage to both spaghetti and American westerns. Ti West creates a classic drifter in Paul, a man who grew tired of killing Native Americans senselessly and left the army behind, too ashamed to return home to his own family. He wants no more to do with death, but is forced by the slimy Gilly and his father into picking up gun and knife once more. We also get the classic love interest in young Mary-Anne (Taissa Farmiga) who happens to be the sister of Gilly’s fiancé, Ellen (Karen Gillan) and takes a shine to the handsome drifter. In telling this classic story, West’s horror background does come through. Paul uses an assortment of weapons to gain revenge, including gun, straight razor and bludgeoning a man with his own boot heel. The flashback to the Native American massacre the broke him down is also very reminiscent of his set up for the sacrifice scene in The House Of The Devil. This western is also a bloody one, thought he does not go overboard with it. If West stumbles a bit, it’s with the film’s odd sense of humor. It is a bit intrusive in a few spots such as during the climactic scenes with Paul stalking Sheriff Martin and his posse throughout the town. There are a couple of moments where some humorous dialogue interrupts the tension that West has built, such as after witnessing a cohort gunned down, one of Martin’s thugs (Tommy Nohilly) declares, in a rant, that he no longer wants to be called “Tubby”. The humor is blended fine most of the time, but here it seems to slow the momentum a bit and break the suspense. It doesn’t damage the film, but the climactic showdown could have been tighter and more tense. On a technical level the film looks good. Cinematographer Eric Robbins makes good use of the New Mexico locations and Jeff Grace gives it a homage filled western score that evokes Morricone at times.

West also gets good work out of an impressive cast. Hawke may be no Clint Eastwood, but he plays the tortured drifter very well. Paul is a man who has come to abhor violence, but is forced back into it, reluctantly, by the bully Gilly. His dog Abbie is the rock that what humanity he has left clings to and when she is taken, the killer is unleashed again. Hawke makes Paul likable, yet a bit distant and we do believe he is lethal when the time comes. Travolta is very good as Sheriff Martin. He plays him as not quite a bad guy, but obviously someone who lets his son and thugs have their way around town. He knows enough to not mess with the ex-soldier Paul, but sadly is not convincing enough to his son. As Gilly, James Ransone is appropriately slimy and full of himself. Gilly is a bit too much of a jerk to really be completely menacing and Ransone plays him as someone a bit too over confident to know when to quit. Taissa Farmiga is sweet and spirited as Mary-Anne, the lonely impressionable young girl who falls for Paul and Karen Gillan is also entertaining as her snooty sister Ellen, who is engaged to the bully Gilly. Indie flick icon Larry Fesenden also appears as one of Gilly’s three thugs along with Toby Huss and Tommy Nohilly.

Overall, I liked this odd little western homage and was entertained. The story is common to the genre as are the stereotypical characters, but that is completely on purpose. This is some nice tension and suspense to go with the bloody action and the cast all perform their parts well. If the film falters somewhat, it is in that sometimes it’s quirky humor comes at the wrong moments when things should stay tense. Otherwise this is a fun western from a man who has already impressed with his horror flicks and Blumhouse who continues to support indie filmmakers. Also stars Burn Gorman as a less than typical priest.

-MonsterZero NJ

3 six-shooters.

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HORROR YOU MIGHT HAVE MISSED: THE SACRAMENT (2013)

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THE SACRAMENT (2013)

From the director of House Of The Devil and The Innkeepers comes this faux documentary chiller about a supposedly idyllic commune that echoes the real-life Jonestown incident of 1978. The story finds fashion photographer Patrick (Kentucker Audley) traveling to a remote South American jungle with his friends Jake (Joe Swanberg) and Sam (AJ Bowen) when he gets a letter from his sister Caroline (Amy Seimetz) about her new life in a religious commune. As the three all work for a New York based multimedia company named Vice, they decide to make a documentary about the commune as part of their visit. And while, at first, the place seems like the peaceful haven it appears, that starts to change upon meeting it’s charismatic founder “Father” (a haunting Gene Jones), a man who might be more about playing God then serving him. Now, the longer they stay, the more they realize something is terribly wrong here and they may not live to present the world the story of Eden Parish.

I have been a big fan of director/writer Ti West since first seeing his low budget horror The Roost and he hasn’t disappointed me yet. The Sacrament is a chilling story of desperate people who fall under the control of a manipulative megalomaniac whose promise of freedom is only made so he can imprison and control them. West does a good job of first making us think that maybe Eden Parish isn’t such a bad place as our media crew interview some very happy and satisfied settlers. But, once Father appears and they interview him, West slowly starts to build tension and chills as there is a malicious underlying meaning to some of his answers. As the night goes on, the tension and chills mount as the 3 men realize that this is not a haven and they may not be allowed to leave. The film legitimately disturbs as our crew become increasing afraid and realize they may be trapped in a serpent’s nest and Ti West’s use of the documentary format helps get the viewer in close. If there is any Achilles’ Heel to this film, it is that it follows history a little too closely and anyone with knowledge of Jim Jones and the Jonestown Massacre, know what’s coming. Sure, it’s unsettling to watch unfold but, it doesn’t quite have the shock it needed to really punctuate the rest of the film and give it the powerful climax it needs. It is effective, don’t get me wrong but, as someone who was a teen in 1978 when the incident this is based on occurred… the familiarity did lessen the event’s impact. Overall the film is disturbing, especially when you add in Eric Robbins’ cinematography and Tyler Bates effectively chilling score but, as this event played out in real-life and is historically renown, it does take away the core shock of what transpires.

But in the director’s favor, West also gets good work out of his cast and this helps with the film’s effect. Swanberg, Audley and Bowen all present realistic characters that definitely give the vibe of metro filmmakers, who, especially in the case of Bowen’s Sam, give the impression of being equal parts idealistic and naive. They wade into their documentary full steam ahead realizing only too late they are in shark infested waters. Their fear appears quite genuine. Amy Seimetz is especially convincing as a woman who seems very happy on the outside but, is brainwashed to the point of committing horrible acts to preserve that ‘happiness’ as her leader commands. But, the real star of this show is a truly mesmerizing Gene Jones as Father. Jones presents a man who truly believes what he says and who uses the word of God and the promise of a peaceful life to control and manipulate those around him. He also is not above bending or breaking the very laws of God that he claims to uphold, if it suits his purpose and maintains his control over his subjects. He comes across as that friendly uncle who always greets you with a warm hug but, this time has a knife hidden behind his back. A really noteworthy performance.

In conclusion, I liked Ti West’s The Sacrament. It is chilling and disturbing and the found footage format puts us in the compound with our beleaguered film crew and adds to the tension. The only real flaw the film has, is that it follows a tragic historical event a bit too closely and anyone with knowledge of that incident knows where this is heading. The last act of the film is less shocking because of it but, is still unsettling to watch unfold under the skilled lens of Ti West and the very chilling performance of Gene Jones. Still very recommended.

3 jugs of Kool Aid.

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NEW RED BAND TRAILER FOR TI WEST’S ‘THE SACRAMENT’

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I am a huge fan of indie filmmaker Ti West (House Of The Devil, The Innkeepers) and am certainly looking forward to his newest flick the Jonestown-ish thriller The Sacrament which premiers on VOD on 5/1/14. Till then we have this chilling new red band trailer of the Eli Roth produced flick…

Source:Youtube/ IGN

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REVIEW: BENEATH (2013)

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BENEATH (2013)

Larry Fessenden is one of the busiest people on the indie film scene especially when it comes to indie horror. If he’s not writing and directing one of his own features, he’s acting, producing, or both, for features made by other indie filmmakers such as Ti West and Jim Mickle. Having just seen him as the backwoods father in Jug Face, I now got to see his latest directorial effort Beneath.

The title in this horror flick, written by Tony Daniel and Brian D. Smith, refers to not only the giant carnivorous fish hiding in the waters of a remote mountain lake, but also the dark sides and secrets that lie hidden within the six youths who it’s chosen as it’s prey. Secrets that surface along with the vicious predator as they fight to survive. And that’s what I liked about this low budget thriller, is that it takes what could have been a typical monster on the loose scenario and uses it as a study of how relationships quickly deteriorate and a group of close friends turn on each other when faced with a fight for their lives.

The story is simple. High school is over and six friends decide to go for a camping/partying trip in the woods across a large remote mountain lake. There have been legends about there being something in Black Lake, but none of them, except for moody Johnny (Daniel Zovatto seen recently in It Follows), pay them any heed. So they head out into the lake in a rowboat and despite Johnny’s warnings to stay out of the water, they go swimming. Soon they realize that the stories are true and they are attacked by a large and very vicious fish that proceeds to kill one of their number, damage the boat and one by one relive them of their oars. The teens find themselves trapped in the middle of the lake with the boat slowly sinking and the fish patiently circling it’s prey. But even more dangerous then the aquatic predator is the threat they pose to each other, as they start to turn on each other and see their compatriots no longer as friends, but as meaty distractions to lure the fish away, while they try to escape. The dark secrets and hidden emotions rise up as they try to decide who stays and who is going over the side. As the day lengthens and their situation grows more dire, they may find themselves in more danger from each other than the creature lurking just outside their boat.

That’s what I liked most about this little flick, is that it really focuses on the breakdown of friendships, civility and morality when the instincts to survive kick in. Fessenden does create a very tense situation in this sinking boat while keeping us reminded of the constant threat outside in the water. The creature is almost always present lurking nearby keeping constant pressure on the youths inside the boat. It’s this pressure that quickly breaks them down and sets them at each others throats just as quickly as the monster waiting outside the boat sets upon those unfortunate enough to find themselves in the murky lake waters.

Helping the director achieve his effectiveness are fairly sturdy performances from his cast including the before mentioned Zovatto as Johnny, Bonnie Dennison as Kitty who is Johnny’s ex and is now dating jock Matt (Chris Conroy), Jonny Orsini as Matt’s brother Simon, Griffin Newman as would be filmmaker Zeke and Mackenzie Rosman as sassy Deb. Rounding out the cast is Mark Margolis as Mr. Parks, an odd neighbor who gives the teens the traditional ominous warnings. None of the cast are perfect, but considering the material’s intensity, they handle it effectively enough.

As for the effects, there is plentiful and well orchestrated gore and Fessenden wisesly chooses to go with a animatronic fish over CGI and while it isn’t the most realistic looking critter ever on film, it is effective enough in appearance and movement and has far more personality and threat then something created digitally. Being that the creature is more of a catalyst for the horrors going on inside the boat, it is more then efficient for it’s purpose.

The film is not perfect. There is some weak dialog that sticks out here and there. The teens turn on each other and come to the conclusion that sacrificing one of their own is a good idea far too quickly, but I can understand for the sake of keeping the story moving as to why the breakdown occurs quicker then you might expect. There are some time lapse shots to indicate that they have been there much longer then the 90 minute running time, but the events still take place over a matter of only a few hours and things do disintegrate rather rapidly, especially considering they have been long-time friends. There is also one character’s fate that I’m not sure totally worked except to move certain story elements along, but for the sake of not ruining anything, I won’t mention details.

Flaws aside, this is an interesting and effective horror that has some intense and disturbing moments and some good old fashion bloodletting, too. I give it a lot of credit for taking what could have been a routine monster movie and turning into a character study of how fear and survival can break down moral barriers even among friends. So I would recommend this to those who like indie horrors and something a little offbeat and outside the box, but to be honest, even if you like your horror a bit more traditional, there is enough of the monster movie elements to make it certainly worth a look. An entertaining and offbeat little horror from a man who has made quite a mark on the indie horror scene.

3 toothy and hungry lake predators!

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HORROR YOU MIGHT HAVE MISSED: THE HOUSE OF THE DEVIL (2009)

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THE HOUSE OF THE DEVIL (2009)

I am a big fan of director Ti West and of 70s and 80s horror, so that’s already two in the win column for me in regards to West’s homage to late 70s/early 80s occult themed horror flicks. This story, also written by West and set in the early 80s, has financially struggling college student Samantha (Jocelin Donahue) renting an apartment and now trying to figure out how she is going to pay for it. When a babysitting job at a remote house on the edge of town comes up, Samantha takes it despite warnings from her friend Megan (Greta Gerwig) that something isn’t right. When she arrives, Samantha finds a spooky old couple (Tom Noonan and Mary Woronov) and learns she is actually there to keep an eye on their elderly mother and not a child. She decides to decline, but an offer of significantly more money coerces her to stay. As this is a horror film, it’s no secret that this night is not going to proceed quietly for Samantha.

Ti West perfectly recreates one of the horror flicks of this bygone era in every detail from the grainy photography and the camera angles to the hairstyles and fashions. But is it a good horror movie? Yes, it most certainly is. Today’s impatient audiences may not appreciate the slow burn, but West keeps the atmosphere creepy and full of foreboding till the suspenseful and blood-soaked finale act. It’s paced much like a fright flick from that time and it worked perfectly for me. It’s set on the night of a lunar eclipse which sets off our primal fears of something supernatural being afoot and Megan’s warnings make us doubt Sam is making the right decision. All adding to the mood and uneasiness. One of the things I like about West, is that he knows how to create tension with his camera and the composition of his shots, much like vintage John Carpenter. With Samantha being alone in the creepy house by herself, there isn’t a lot of dialogue or exposition, so he keeps things tense by giving the house a constant feeling of dread with his lens. He and cinematographer Eliot Rocket film the big old house with lots of shadows where evil may lurk and there are plenty of rooms with closed doors where who-knows-what may reside. It’s like the house itself is a character and one we know is up to no good.

He also gets good performances from his cast. Donahue, who was seen recently playing Barbara Hershey’s younger self in Insidious: Chapter 2, makes a strong heroine. She’s smart, but her need for cash makes her a bit desperate and thus vulnerable. When the blood hits the fan, she’s a fighter we root for. Veterans Noonan and Woronov play The Ulman’s as a bit eccentric and while they appear harmless, there is something off about them that keep us wary about the two, just as Sam is. Gerwig is a spunky and likable friend and there is a nice cameo by horror icon Dee Wallace as Sam’s landlord.

Like the films it pays homage to, it keeps things unsettling but subtle till West is ready to unleash his horrors and then we are in for a bloody and intense final act where a babysitter’s worst nightmare comes true. Even the climax is right out of a horror flick of that era, subtle and spooky. As a nostalgic trip back to a type of horror they don’t make anymore or for a spooky Halloween treat, I definitely recommend it. A really good old school horror flick.

To check out my review of West’s follow up flick The Innkeepers click here!

3 and 1/2 creepy houses that no one in their right mind would want to babysit in.

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