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At Halloween 🎃 time it is when we most think about scary movies, even those of us who watch them all year round. So why not take a look at five individuals who are bringing their own distinct vision to the genre and whom horror fans should be talking more about!…and no, I didn’t forget the ladies, they deserve their own installment, forthcoming!

(To get to the full reviews of the films mentioned, just hit the highlighted titles that link to the corresponding page!)


Adam MacDonald


Adam MacDonald is a Canadian actor and filmmaker who has written and directed two features, thus far, that have made quite an impression. His first film Backcountry is a survival thriller that followed a couple (Jeff Roop and Missy Peregrym) who go camping in the woods. Jealous of his girlfriend’s success, her beau chooses a lesser traveled route to prove himself to her. This puts them within the feeding ground of a massive and very hungry grizzly bear and thus sets up an intense and sometimes brutal last act. His second film Pyewacket is a supernatural thriller which finds a mother and daughter (Laurie Holden and Nicole Muñoz) in conflict over their methods of mourning the death of their husband/father. This propels the occult fascinated teen Leah (Muñoz) to evoke the dark entity Pyewacket to kill her mother. Leah soon learns to be careful what you wish for. Both films use troubled relationships as a catalyst for their stories and Pyewacket especially has some good old fashion scares and chills supported by a strong emotional center. MacDonald is showing a versatility and a depth to his filmmaking. Adam currently wrapped filming on Slasher season 3, so look out for more from this talented new voice in horror!

Nicole Muñoz conjures the wrong spirit in Adam MacDonald’s Pyewacket


Stevan Mena


Stevan Mena is a New York born filmmaker who is a one man production company, writing ,editing, directing, producing and even scoring his own films. He made a splash in 2003 with his low budget slasher Malevolence, which was an old-fashioned horror throwback that echoed both Halloween and The Texas Chainsaw Massacre. Set in and around an abandoned slaughterhouse, it told the chilling story of some bank robbers and their hostages meeting up with serial killer Martin Bristol (Jay Cohen). He followed that up with a horror icon filled horror/comedy called Brutal Massacre, before returning to the saga of Bristol in 2010 with the brutal and intense Bereavement. The second Malevolence film was a prequel telling the story of how serial killer Graham Sutter (Brett Rickaby) kidnapped Martin (Spencer List ) as a child and trained him to be his successor. It’s one of the best horrors of the decade IMO. Recently Mena overcame some tragic events to complete his Malevolence trilogy with the independently financed Malevolence 3: Killer. Sequel has an adult Martin (a returning Jay Cohen) leaving a blood soaked trail on the way back to his home town. Mena’s work evokes that of John Carpenter himself and one hopes he returns to the director’s chair sooner than later.

A killer (Jay Cohen) returns home in Stevan Mena’s Malevolence 3: Killer


Colin Minihan


Colin Minihan started out as part of the writing/directing duo known as The Vicious Brothers along with collaborator Stuart Ortiz. Their first film was the fun and spooky found footage paranormal show send up Grave Encounters in 2011. They followed that up with the entertaining and chilling cabin in the woods/alien invasion hybrid Extraterrestrial in 2014. Though co-written with Ortiz, Minihan took the director’s chair solo for the next film It Stains The Sands Red. This was an amusing, bloody and offbeat tale of a lone woman (Brittany Allen) being followed across the desert by a lone zombie. An interesting relationship forms as she fights brutal heat, dehydration and her relentless undead pursuer. Minihan wrote and directed his fourth film on his own with the brutal and intense What Keeps You Alive. One of the years best, it finds a married lesbian couple (Brittany Allen and Hanna Emily Anderson) celebrating their anniversary in a remote cabin in the woods. Soon romantic bliss becomes a battle for survival as one of the women is not who she seems. This flick proves Minihan is a force to be reckoned with, armed with a great script, taunt direction and brilliant work by his lead actresses. Minihan is a filmmaker fans need to be talking more about.

Lover vs lover in Colin Minihan’s brutal and intense What Keeps You Alive


Anthony Diblasi


Boston born Anthony Diblasi is another filmmaker showing great versatility and a mastery of horror while also providing some emotional depth to his films. His first film Dread was a chilling tale of a college documentary project about fear, spinning horribly out of control. His next film Cassadaga, found deaf art teacher Lily (Kelen Coleman) being haunted by the spirit of a murdered young woman whose killer may have his sights set next on the pretty teacher. Diblasi worked on some non-genre projects and the horror anthology The Profane Exhibit before co-writing and directing The Last Shift in 2014. One of his scariest flicks, the story found a young policewoman being given the final shift in a haunted police precinct closing it’s doors in the morning…but can she survive the night? Diblasi returned to horror again in 2015 with Most Likely To Die, an old fashioned slasher about a high school reunion turned deadly, and again in 2018 with Extremity. His latest finds an emotionally troubled woman turning to an extreme haunt to make her face her fears…bad idea. The film was not only disturbing and scary, but had a strong emotional lining with multi-dimensional characters and commentary about abuse and the lives it effects. Another filmmaker that is bringing a distinct voice to the horror genre.

Emotionally troubled Allison (Dana Christina) turns to an extreme haunt to face her fears in Anthony Diblasi’s Extremity


Oz Perkins


Just because he is the son of legendary actor Anthony (Psycho) Perkins, one should not assume actor/director Oz Perkins knows horror…but he does! One of the most interesting filmmakers out there, Perkins has a unique vision and a strong ability to chill to the bone. His first film The Blackcoat’s Daughter finds Rose (Lucy Boynton), a student at a Catholic girls school, given charge of new student Kat (Kiernan Shipka) at break. With almost everyone else gone, Rose starts to realize there is something very wrong with Kat and that she may be in danger. Perkins followed that up with a very atmospheric ghost story I Am The Pretty Thing That Lives In The House. Perkins writes and directs a subtle, yet chilling tale of care nurse Lily (Ruth Wilson) coming to live with ailing horror novelist Iris Blum (Paula Prentiss). Soon timid Lily starts to find out that Iris Blum’s inspirations may be far more real than she’d like. It’s a creepy and very effective film. Word has it his next film may be entitled A Head Full Of Ghosts and as he is bringing a very unique style to the genre, he sounds like the right man for the job!

Care nurse Lily (Ruth Wilson) finds her charge may have had all too real inspiration for her horror novels in Oz Perkins’ I Am The Pretty Thing That Lives In The House


So these are five creative forces bringing new blood to horror. Each one is worth screaming about and their films are certainly worth checking out!

…and stay tuned for our second installment taking a look at the creative ladies bringing their unique voices to the genre!

-MonsterZero NJ





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most likely to die



(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

Old school slasher flick tells the story of an approaching ten year high school reunion being attended by a group of friends who meet beforehand at a remote house in the California hills. Obviously, by our opening scene, there is a killer stalking them and killing them in ways that reference their yearbook’s ‘most likely’ quotes about them. Is it the student they teased and tormented in school now back for revenge?…or does someone else have a grudge against these ill-fated alumni?

Flick is directed by Anthony DiBlasi (Cassadaga, Last Shift) who gives the proceedings a sense of grisly fun despite not having the strongest script from Laura Brennan. It’s hard to tell sometimes if Brennan is deliberately trying to pay homage to the 80s era slashers by having characters do dumb things, like separate individually to check the rooms of the house once they know a killer is at large, or stopping to bare each other’s souls while that killer is at large, who could attack at any minute. Some of the dialogue is a bit clunky and a few of the kills would have required the killer knowing exactly where someone is going beforehand for things to be set up and waiting. It’s just hard to tell if some of this is done on purpose, or just out of lack of imagination, as sometimes the script follows the classic 80s slasher formula and sometimes it seems like it wants to be it’s own thing. There is some cleverness, too, such as the killer’s yearbook based MO and his weapon of choice, a razor edged graduation cap. The script, thankfully, also avoids going the smarmy, pop culture reference imbued post-Scream route, which has been done to death. We also get a fairly surprising reveal and the film does have a bit of a twisted sense of humor. On a production level, DiBlasi again proves he is a talent to watch. He makes the most out of the script and turns this into an enjoyable slasher with some suspenseful scenes, intense action and some inventively gory kills with that razor edged graduation cap, a box cutter and some other handy items. Some of the demises are quite vicious and gives our killer some solid menace. As for the killer, they are very effective with graduation gown and spooky homemade mask and they seem quite giddy when they slaughter their victims. The gore is quite abundant and well done and DiBlasi’s visual style works well with the story. Not his strongest film, but still very entertaining.

Except for Glee alumni Heather Morris, Jake Busey and a part played by internet gossip Perez Hilton, the cast are fairly unfamiliar faces. Morris shows the makings for a good heroine here and is solid as good girl Gaby. Busey is suitably creepy as the groundskeeper..always gotta have a creepy groundskeeper…and Hilton is actually good as a cowardly, ex-alcoholic returning to old habits once things get intense. The rest of the cast are all fine in their roles with Tess Christiansen showing some final girl potential herself as Gaby’s friend Jade.

I had fun with this despite it’s flaws. The script could have been tighter, but it’s heart is in the right place and it did follow the slasher formula well enough to entertain. There are some nice touches and Anthony DiBlasi guides things well, gives us some nice suspense, some outrageous and brutal kills and keeps the atmosphere going from the opening scenes. Not as intense as Last Shift but a fun slasher flick with an effective killer.

-MonsterZero NJ

3 graduation caps

most likely to die rating