Mexican horror opens with a massacre in a hospital maternity ward where police detective Emmanuel Ritter (Joaquín Cosío) loses his infant son. Five years later, he is given a case of a similar massacre at a school…one right out of today’s headlines. Aside from the painful similarities, Ritter doesn’t see a connection till Vatican paranormal expert Ivan Franco (Tate Ellington) arrives. Franco warns Ritter these killing may be the work of rogue priest Vasilio Canetti (Tobin Bell) and an ancient demonic presence. At first Ritter is skeptical, but soon his eyes are opened to things he’s never imagined, especially when he finds out the reason all these innocent children are being slaughtered.
Film is effectively directed by Emilio Portes from a plot heavy script by he and Luis Carlos Fuentes. There is a lot going on, but the film has some spooky and intense moments, especially the shocking maternity ward scene which sets the tone. The flick has biblical implications, some interesting plot twists and some very familiar demonic possession tropes, but uses them effectively for the most part. It is a bit overlong, but the cast is good and Portes has a visual style that works well with the horror elements. There is some graphic violence which has impact and Portes uses his Mexican locations atmospherically. Even the traditional exorcism is effective enough, despite the familiarity. An entertaining horror, even if a bit cliché heavy. Also stars Liam Villa as Isa, a little boy who is the focus of the demon’s attention and Yunuen Pardo as his mother.
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Brothers Justin and Aaron (directors Justin Benson and Aaron Moorhead) escaped a strange cult ten years ago and their lives have never been the same since. Despite Justin’s negative suspicions about Camp Arcadia, Aaron suggests they go back for a visit to say goodbye and get closure. Soon after arriving, the two start to experience some very strange phenomena and begin to wonder if the mysterious deity the cult worships might actually be real and this outwardly serene place may hold some unearthly secrets.
Fans of Benson and Moorhead’s first feature Resolution may be happy to know their latest collaboration is set in the same universe and is almost a sequel, as familiar characters do appear and Benson and Moorhead play the same cultists from that film. If you haven’t seen that flick, this one plays just fine, as those elements aren’t necessary to appreciate the subtly unsettling story here. The film is it’s own thing, though if you enjoy this chiller, you might want to check Resolution out. While well written, if there is any part of Justin Benson’s script that was a bit hard to accept, it was that two people would want to go back to a cult they escaped for a visit, though Aaron seems far more eager to revisit than the cynical Justin. There is some creepy stuff here. As Aaron starts to question why he left, especially when reunited with the pretty Anna (Callie Hernandez), Justin starts to believe that this “thing” they worship has those in it’s domain in a kind of continual loop. It gets really weird and it actually works that we aren’t spoon-fed any answers and left to ponder things a bit as the credits roll. The directing duo gives us some interesting…and unsettling…imagery on a small budget, much like they did with their last film Spring and Jimmy Lavalle wraps it in an atmospheric score.
The cast are solid. The directors play the main characters and are effective with Benson playing the cynical and somewhat paranoid Justin and Moorhead as the quieter and more accepting Aaron. One believing Camp Arcadia is a place of unseen danger and the other thinking it’s not so bad, as their life isn’t going well after fleeing. Callie Hernandez is charming as the sweet and pretty Anna and Tate Ellington is effective as the cult leader, who never seems quite trustworthy despite his calm exterior and gets increasingly creepy as the film progresses. Lew Temple (recently scene in Feral) also has a small part as a mysterious cult member. A good cast.
Benson and Moorhead keep making intriguing films on a low budget and as much as one would like to see them get the attention they deserve, maybe they should stay independent of the studio system. Their Spring was a wonderful horror-tinged romance and their follow-up is a spooky and sometimes trippy little flick. It may have been a bit hard to swallow that anyone would return to a cult they once fled, but as there are definitely supernatural elements present, maybe they had no choice. There are some unsettling and strange things going on and the directing duo give it some nice atmosphere. Sure, not everything is explained or spelled out for you, but it is an intriguing and spooky little movie nonetheless and ambiguity sometimes works better than answers.
Rated 3 (out of 4) moons…sometimes all at once. (You’ll have to watch the movie!)