“EXPEND4BLES – Only In Theaters September 22. Starring Jason Statham, Curtis “50 Cent” Jackson, Megan Fox, Dolph Lundgren, Tony Jaa, Iko Uwais, Randy Couture, Jacob Scipio, Levy Tran, with Andy Garcia, and Sylvester Stallone.
A new generation of stars join the world’s top action stars for an adrenaline-fueled adventure in Expend4bles. Reuniting as the team of elite mercenaries, Jason Statham, Dolph Lundgren, Randy Couture, and Sylvester Stallone are joined for the first time by Curtis “50 Cent” Jackson, Megan Fox, Tony Jaa, Iko Uwais, Jacob Scipio, Levy Tran, and Andy Garcia. Armed with every weapon they can get their hands on and the skills to use them, The Expendables are the world’s last line of defense and the team that gets called when all other options are off the table. But new team members with new styles and tactics are going to give “new blood” a whole new meaning.”
Guardians of the Galaxy Vol. 3 Finds Quill aka Starlord (Chris Pratt) still mourning the loss of his Gamora (Zoe Saldana) and the fact that the other timeline Gamora does not remember him or their relationship. When the Guardians are attacked by the powerful Adam Warlock (Will Poulter), sent by the vengeful empress of the Sovereign, Ayesha (Elizabeth Debicki), Rocket (Bradley Cooper) is critically injured. To save his life they seek his creator The High Evolutionary (Chukwudi Iwuji), unaware that he is a deranged individual with a sinister purpose and has devious plans for Rocket.
Third and supposedly final Guardians flick is once more directed by James Gunn from his own messy script. The story itself is a simple one stretched out over 150 minutes and basically meanders through a bunch of noisy and overblow set pieces till it reaches its admittingly satisfying action-packed climax. We do get a lot of flashbacks filling us in on Rocket and his origin and these scenes do resonate emotionally. It’s the time-wasting nonsense involving the Guardians efforts to save him that are less engaging, especially since the group seem sick of each other and their once playful bickering now comes across as meanspirited and nasty. It hurts the charm and camaraderie the group had, and it gets tiresome quick. The action scenes in the first two thirds seem almost random and really don’t accomplish much. Overall, the film rarely feels like a climax to a trilogy, until it kind of forces itself to in the last half hour or so. To be honest, a lot of the film feels made up as it goes along. The FX are still top notch. Iwuji does make for a solid villain and the last act pulls things together for an entertaining climax. The movie as a whole though, feels like it’s missing something up till then.
The main cast are all veterans in their parts though one can feel certain members seem to be tiring of all this. No point in going over the leads as we have seen them play these parts in five previous flicks. Newcomers are good. Chukwudi Iwuji makes for a sinister villain as The High Evolutionary, though his actual plan doesn’t make much sense. Will Poulter is fine as Adam Warlock, but the comic character’s loyal fans will be very disappointed with his being portrayed as a pouty teenager with minimal screentime. There are also some nice voice performances and some fun cameos that won’t be spoiled here.
Overall, this was a disappointing adventure and finale. It stretches a simple plot well over two hours and as a result, a lot of the sequences feel more like filler than an integral part of the story. The team’s bickering seems not only overdone, but a bit too meanspirited to be funny. Speaking of funny, a lot of the jokes fall flat here and lack the twisted fun of the previous flicks. It does recover with a solid enough last act, though doesn’t really feel like a climactic installment till forced to in the last moments. At least the sequences featuring Rocket’s origins give us something to endear to. Stay through the credits for two additional scenes that sadly don’t amount to much.
Sequel/reboot finds Task Force X being sent to the small South American island of Corto Maltese to destroy the ominous Project Starfish. Col. Flag (Joel Kinnamen) leads the charge, with the returning Harley Quinn (Margot Robbie), Captain Boomerang (Jai Courtney) and a host of other freakish, reluctant heroes. They take heavy loses and some are captured, as we soon find out they were a distraction for the real squad, Bloodsport (Idris Elba), Peacemaker (John Cena), Polka-Dot Man (David Dastmalchian), Ratcatcher 2 (Daniela Melchior) and King Shark (voiced by Sylvester Stallone). Now this new squad must make a few rescues along the way to accomplishing their mission.
Flick is written and directed by James Gunn and is basically a very simple plot dragged out over 132 minutes. It’s over two hours of juvenile humor, excessive gore—simply for the sake of being gory—and random action sequences, till we get to our last act confrontation with a giant alien starfish. It gets tedious quick as the colorful cast of characters meanders around for two hours before finally reaching their objective. There is a lot of blood and bullets along the way and that would be fine if it didn’t feel so made up as it goes along and rambles more than tells a story. A lot of the humor falls flat, the overblown CGI gore gets tiresome and the only thing that holds our interest somewhat is that Gunn has at least given some fairly ridiculous characters a little weight and depth. Even the climactic battle with the giant, alien starfish Starro feels like it could have used a bit more of the WOW factor. Iffy CGI blood aside, this foul-mouthed super hero flick—which wouldn’t be a bad thing if there was more wit to the vulgarity—has some top notch SPFX, some decent action scenes and a cast that is far better than the disappointing material. And speaking of that cast…
Once again Margot Robbie is the perfectly cast Harley Quinn in a sadly underwhelming movie. Harley is sidelined for a portion of the film in a silly and thankfully brief romance with a South American dictator sub-plot and once she does rejoin the squad, she is more of a second banana and seems to be written more dim-witted than her usual sarcastic cleverness. When will this actress get the flick she and her portrayal deserve? Elba is good as Bloodsport, who is basically a re-written Deadshot, as Will Smith wisely had had enough. Jai Courtney is fun as Boomerang, in a far too small part. John Cena is fun as the patriotic to the point of insane Peacemaker and one wishes he had some better dialogue and moments. KInnamen is fine as Flag and Davis is solid as a returning Amanda Waller. Real standouts amongst the new cast members are Stallone hilariously voicing the simpleton brute that is King Shark, David Dastmalchian is fun as the dour and sympathetic Polka-Dot Man and Daniela Melchior gives some nice heart to Ratcatcher 2. There are also a host of familiar faces in small supporting roles, such as Michael Rooker as Savant, Nathan Fillion as TDK and Alice Braga as rebel leader Sol Soria. A really good cast in a sadly underwhelming movie.
Overall, James Gunn writes and directs this flick like a giddy 13 year-old and, for the most part, not in a good way. He chooses vulgarity over wit, crudeness instead of cleverness and wastes a really good cast with a meandering mess of a superhero flick. As the Deadpoolmovies prove, R-rated superhero flicks can be a blast, but this one takes a real simple, basic story and stretches it out over two and a quarter hours. It’s tedious and rambles most of the time, with only a few standout sequences, such as Harley Quinn’s acrobatic and violent escape from captivity and Polka-Dot Man’s brief but triumphant moment in the last act. It’s a slight improvement over David Ayer’s awful original, but not by much and Gunn has shown he certainly can do better with his witty and fun Guardians of the Galaxyflicks and his gory, nostalgic Slither. Very disappointing.
Completely unnecessary sequel finds Viet Nam veteran John Rambo (Sylvester Stallone) now living on his late father’s ranch…or underneath it, as he prefers to lurk in a series of tunnels he’s built to one of the actual rooms. He lives with his father’s former live-in caretaker Maria (Adriana Barraza) and her hot granddaughter Gabriela (Yvette Monreal) and is on meds for post-traumatic stress disorder. When Gabriela travels to Mexico to find her father, she is kidnapped by a Mexican cartel for sex trafficking. This has Rambo putting down his meds and picking up his weapons to rescue Gabriela and take on vicious cartel lord Hugo Martinez (Sergio Peris-Mencheta) and his army of thugs.
After the last film took the character full circle, there was no need to drag him back into action again, but, here we are. Flick is routinely directed by Adrian Grunberg from a bad script by Stallone and Matthew Cirulnick. Not sure what the intent here was, but the film paints a very unflattering portrayal of both Mexican’s and Mexico itself. Stallone’s script vilifies the country and most of it’s people, one assumes in the hopes that we’ll feel no sympathy when the super soldier brutally and bloodily dispatches an army of cartel members in the booby-trapped maze beneath his ranch. You’d think slimy cartel leaders and their thugs are villainous enough, but aside from Maria and Gabriela, no one from south of the border is portrayed as anything but a lowlife or creep. Even without the hateful tone of the flick, it’s simply a routine and dull movie with generic bad guys and horror flick level gore when Rambo goes all Jigsaw in elimination of his prey. Hopefully the film’s subtitle is true to it’s word and Rambo has finally retired his pointy objects. They should have quit while they were ahead.
Guardians Of The Galaxy was a blast of fun and a big hit for Marvel, so it’s no surprise the oddball band of heroes are back for another go around, this time bringing movie legends Kurt Russell and Sylvester Stallone with them. The film opens with The Guardians saving the day for a race called The Sovereign, but getting on their bad side before the dust even settles. This sets them on the run and into the sights of a celestial being called Ego (Kurt Russell) who claims to be Peter Quill’s (Chris Pratt) father. Peter finds out he may have celestial powers of his own, but the more he bonds with his newfound father, the more Gamora (Zoe Saldana) and Drax (Dave Bautista) feel that daddy isn’t to be trusted. In the meantime, Rocket (voiced by Bradley Cooper), Yondu (Michael Rooker) and “baby” Groot (voiced by Vin Diesel) have to deal with mutinous Ravagers, angry Sovereigns and a vengeful Nebula (Karen Gillan).
Second adventure is an entertaining ride, thought not quite as much rapid-fire fun as it’s predecessor. Sequel is again written and directed by James Gunn, who returns with his quirky, sarcastic sense of humor that made the first flick stand out in the Marvel Cinematic Universe. After a first film sometimes moved too fast, this film dials it back during it’s middle act to take time to allow Peter and Ego to bond and along the way deliver some backstory on more than one character. While father and son take long walks on Ego’s self-made world, Raccoon and Yondu also have some bonding moments as Ravager prisoners, where souls are bared and alliances made. It’s certainly not boring, but it does take a bit more time for the action to fire up again while we get some character development for characters both old and new. Ironically, the first film rushed the character development while this one makes it more the focus….maybe slightly too much for it’s own good at over 136 minutes. Once we discover daddy is a baddy and our displaced heroes reunite, then we get a spectacular and action packed finale that amusingly evokes the climax of Star Trek V: The Final Frontier, but with far better FX and a lot more fun. The before mentioned visuals and FX are truly stunning and the action is quite exhilarating once it comes and it comes in spades. There are some hilariously funny bits and some very funny exchanges between the characters, who still have that twisted love/hate relationship with each other. When the group is split into two separate plot lines, the film doesn’t quite have the same spark as when this bunch of self proclaimed “A-holes” are all together trying not to kill each other, or be killed. If there is a flaw with this worthy sequel, it is that it does disrupt the group chemistry by separating them for almost an hour. The film is at it’s most fun when they are all together and joined by new characters, like Pom Klementieff’s empathetic and naive Mantis and Sylvester Stallone’s veteran Ravager Stakar, who fit in quite well to the mythos. The film also has a touch more sentimental than we would expect from this delinquent group. It’s a bit corny at times, but it serves to cement the dysfunctional family unit that they are. This bunch is together for a reason…and they’re accompanied by another killer soundtrack of classic tunes!
The cast are all on point. Returning actors slip back into their now beloved characters flawlessly and as per the story, get to add a little depth to their roles, including the CGI Rocket and scene stealing baby Groot. The actors have a chemistry together and thus do the characters they bring to life. As for new faces, Kurt Russell is charming and charismatic as Ego. We almost believe, as does Quill, that he is the benevolent being he claims, looking finally to be a father to his estranged son. Once he reveals his true nature, Russell chews the scenery in just the right measures of megalomania. Sylvester Stallone also fits into the Guardian’s world well as a legendary Ravager named Stakar Ogord. He only has a few scenes but it is implied we haven’t seen the last of him and it’s nice to see Sly doing his larger than life thing in the Marvel universe. Adorable Pom Klementieff steals scenes as the delightfully ditzy empath called Mantis. She’s a fun and very likable character and never lets her performance go too over-the-top so that she becomes annoying. She fits in nicely and has some very funny scenes with Bautista’s all too literal Drax. The large cast of supporting and secondary characters also shine when they get their moments, too, such as Chris Sullivan’s boorish Taserface and a returning Sean Gunn as Rondu’s right hand, Kraglin. A solid cast with the usual funny cameo by you-know-who!
Overall, this was a fun adventure and a worthy sequel. It did slow down the pace down a bit for a more character driven middle act and may have had one too many sentimental moments for it’s own good, but there is still plenty of eye-popping special effects, hilariously sarcastic moments, rapid-fire action and some sumptuously rendered alien creatures and world’s. We get some of the character development that was a bit lacking in the first film, though do sacrifice some of that great group chemistry and dialog exchanges when the story chooses to separate them. Still highly recommended for fans of the original and a solid start to the summer 2017 movie season.
…oh…and, obviously stay through the fun credits for FIVE additional scenes!
I know this is the Movie Madhouse but, I will review a book now and then, one that I really loved or one that pertains to the movie world….and what pertains more than a book by one of the greatest producers that ever lived… Roger Corman!
HOW I MADE A HUNDRED MOVIES IN HOLLYWOOD AND NEVER LOST A DIME by ROGER CORMAN with JIM JEROME
In the pages of this autobiography from legendary film producer/director Roger Corman, he tells firsthand of his journey to becoming one of the most successful filmmakers of all time. He details his humble beginnings in Detroit to his family’s move to Beverly Hills then on to college and his first job at a major studio where the film-making bug first bit. He shares with us how he cleverly financed his first film The Monster From The OceanFloor and thus began his prolific…and sometimes tumultuous…career as a director and producer. Corman takes us on a fun ride of clever financing, seat-of-your-pants film-making, world travel, giving first opportunities to many future stars and legends and even some of the lovely ladies he met making movies, including his wife Julie. It’s a vastly entertaining book from the man himself detailing how he was able to beat the Hollywood system and become the film geek, household name that he is. The book traces his life and career up to the point where he returned to directing after a long hiatus to helm Frankenstein Unbound, which, as of now, stands as his last full length feature as a director.
As a huge fan of Corman, I had a blast with this book. The master producer details how he produced films his way and rarely had a box office disappointment in his illustrious career. He gives generous details on the making of such early classics as It Conquered The World and Not of This Earth to some of the New World classics such as Death Race 2000 and Piranha. We get anecdotes from some of the talents who got their start with Corman and went on to be legends themselves like Joe Dante, Francis Ford Coppola and Sylvester Stallone and also from Corman regulars like Dick Miller, Chuck Griffith and Beverly Garland. It’s a humble telling of a fascinating life from the man who lived it and a host of people who had the honor of working for/with him. If you are a fan of Roger Corman and his films, it is a must read. If you are simply a fan of movies and the film-making process, I still highly recommend you hear these great tales about one of Hollywood’s greatest maverick film-makers from the man himself and some of those who joined him on his ongoing journey.
Routine action adventure pairs action icon Dolph Lundgren (who also produced and co-wrote) with Thailand action sensation Tony Jaa. Lundgren is Newark, N.J. cop Nick Cassidy who teams with Thailand cop Tony Vitayaku (Jaa) to take down crime lord and human trafficker Viktor Dragovic (Ron Perlman). There is nothing we haven’t seen before in this fast paced and sometimes ludicrous action flick, directed by Thailand director Ekachai Uekrongtham, but, there is a B-Movie entertainment to be had and it’s fun to see Lundgren pair with someone who speaks English far worse than he does. There is also fun in seeing Lundgren and Jaa together and against Ron Perlman, no less. The action itself is routine for the most part, as is the plot, but go in expecting that and it can provide some fun and unintentional chuckles. Also stars Michael Jai White and Peter Weller.
BIG GAME (2014)
Offbeat Finnish action adventure is based on a comic book and tells of young teen Oskari (Onni Tommila) who is sent into the woods, with bow and arrow, as part of a coming of age hunting trip to prove himself a man. At the same time a terrorist (Mehmet Kurtuluş) and a traitorous Secret Service agent (Ray Stevenson) take down Air Force One over those same woods and are on the hunt for the escaped President Of The U.S. (Samuel L. Jackson). Obviosuly, he is found by Oskari first, who vows to prove his manhood by delivering the President to safety, despite being outnumbered and outgunned by his pursuers. Directed by Jalmari Helander and co-written by he and Petri Jokiranta, this is actually a fun little movie despite being preposterous and silly. Jackson and young Onni Tommila get along well and are a fun team. It’s not to be taken too seriously and doesn’t holdup to today’s Hollywood blockbusters, but it has it’s heart in the right place and can be lighthearted, if not forgettable, fun.
GRUDGE MATCH (2014)
On paper, making a movie about Robert De Niro and Sylvester Stallone playing two over-the-hill boxing rivals who get together for one more tie-breaking fight, must have sounded like a great idea…and it could have been. But the film takes itself far too seriously, instead of just having a good time with the silly premise and just going with it. Director Peter Segal (who’s made a career out of mediocre and mundane comedies) directs with a leaden hand from the script by Tim Kelleher and Rodney Rothman, a script which makes the mistake of downplaying the humor and tries to make a fairly serious flick out of this nonsense. De Niro and Stallone do the best they can with the weak soap opera-level material, but neither really acts like they are completely onboard with this. It’s a shame, the premise could have been a lot of fun with writers and a director who recognized it’s real potential. Also stars Kevin Hart as the son of a Don King-like fight promoter and Kim Basinger as the girl who got between the two boxers back in the day. Snooze Match is more like it.
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Nighthawks is a flick that has some nostalgic importance to me as I saw it at the long gone Rialto Theater in Ridgfield Park, N.J. which, at the time, was a block away from my home. It’s also a pretty good movie with some gritty NYC atmosphere and tackled the subject of terrorism on U.S. soil years before it would become an actual concern.
Story has two loose cannon New York City cops, Deke DaSilva (Sylvester Stallone) and partner Matthew Fox (Billy Dee Williams), being transferred into a new anti-terrorist unit headed by British operative Peter Hartman (Nigel Davenport). Their first objective is to track down a vicious international terrorist, who goes by the name Wulfgar (Rutger Hauer) and who may be headed for the Big Apple for his next strike. Despite not quite seeing eye to eye with Davenport’s methods, DaSilva and Fox have bigger problems to worry about when the merciless Wulfgar indeed shows up in the city and starts his reign of terror. Can the two NYC cops stop this stone cold killer before he brings the world’s greatest city to it’s knees?
This 1981 action flick still feels very 70s as directed by Bruce Malmuth from David Shaber’s script. It does have that gritty, backstreet NYC vibe and that goes a long way in making this enjoyable. It has that 70s style such as a police chief who shouts everything he says (the late, great Joe Spinell), a few disco scenes and a very Serpico-esque hero in the bearded and ear-ringed DaSilva. There are some nice action and chase sequences, though nothing groundbreaking and the film really makes good use of the film’s NYC locations. That and we get a strong villain for our heroes to try to bring down and with that, you have a recipe for a really good thriller. What holds Nighthawks back from being on a higher level, closer to something like French Connection, or at least The Seven-Ups, is a weak script and rumored studio interference that edited out some important character development, such as the relationship with Deke and his estranged wife (Lindsay Wagner), who is hardly in the finished film. Apparently some of the violence was edited down as well, to please an MPAA who was very strict at this time due to some of the slasher film backlash. The result is a film that moves almost too quickly for it’s own good and lacks some real meat in-between the bare bones. DaSilva and Fox track down Wulfgar basically due to a plot convenience and a ‘hunch’ instead of demonstrating the detective skills and street savvy the characters were supposedly chosen for…then you blink and the film is at it’s climactic set piece. Also, after being portrayed as a total badass early on, DaSilva suddenly becomes hesitant when faced with the terrorist in earlier confrontations. Doesn’t quite jell without a bit more backstory. Obviously, production issues effected this film, from the original director (Gary Nelson) being fired, to rumored tension between Stallone and Hauer, to the hatchet editing job by the studio and reportedly by Stallone, too. The result is a fun action flick instead of the well-rounded thriller with a lot more substance that the filmmakers supposedly set out to make. On the plus side, there is some atmospheric cinematography of old NYC by James Contner and a fitting score by ELP’s Keith Emerson to give the film some needed mood.*
The film has a good cast. Stallone is Stallone as DaSilva and it would have been nice to see excised footage that may have made this a meatier role for him. His military record is briefly mentioned, but there are hints it played a larger role with DaSilva’s character. Billy Dee is solid as Fox, but is basically a sidekick and we really don’t get much character development on him, either. Hauer is really effective as Wulfgar and his performance overcomes having some of his character development edited down as well. Davenport is the tough as nails as the director of the A.T.A.C. and he makes a good foil/mentor for Stallone’s rebellious DaSilva. Lindsay Wagner is long suffering/estranged wife, Irene and gets far too little screen time to make an impact, but serves her purpose well enough. Joe Spinell is dead-on as the gruff NYC police chief who seems to be drinking way too much caffeine and Persis Khambatta makes for a suitable cold killer as an associate of Wulfgar’s named Skakka.
I like this flick, but do wish a director’s cut would surface one day, so we could find out if the studio and star re-editing saved or hurt the movie we got. There was also violence removed to satisfy the MPAA which may have hurt some of the flick’s intensity, too. It’s still a fun, nostalgic action movie about a dirty, grimy, crime-ridden NYC, before the city got it’s act together in the 90s, and and features Stallone in a more human role before the success of Rocky III and First Blood would turn him into a larger than life character, for the rest of the 80s. There is also some personal sentimentality attached, but overall it’s a good Saturday night trip back to 80s NYC that is still worth taking.
-MonsterZero NJ
*(Additional information concerning production details as per Nighthawks‘ Wikipedia page)
I know I’ve covered both these movies before but, I got my copy of The Expendables 3 in the mail and decided to make an Expendables night out of it!
THE EXPENDABLES 2 (2012)
Expendables 2 is a fun follow-up to the 2010 eighties action throwback hit that isn’t quite as engaging in it’s quieter moments as the previous flick but, thankfully there aren’t too many of those. This installment finds the gang being sent by the mysterious Mr. Church (Bruce Willis) after a downed plane in Eastern Europe to recover the contents of an onboard safe. Along for the ride is Maggie (Yu Nan), a tech specialist and new sniper, Billy (Liam Hemsworth). But, they are intercepted by a gang of armed thugs headed by the cold blooded Villain (Jean-Claude Van Damme) and henchman, Hector ( Scott Adkins) who take their quarry and kill one of the team. Now it’s personal, as Barney (Stallone) and Co. seek to track down Villain and put him down… for good. Along for the bullet-ridden ride are old rival Trench (Arnold Schwarzenegger), Mr. Church and legendary ‘Lone Wolf’ mercenary, Booker (Chuck Norris). When the action is flying fast and furious, EX2 is a real blast. It’s great to see Arnold, Van Damme and Norris back on screen doing what they do best. Van Damme in particular seems to be having fun chewing up the Eastern European scenery as the lethal bad guy and he doesn’t get enough screen time, sadly, to really establish the character’s full menace. Aside from an overuse of CGI blood, director Simon West gives us some good, old-fashioned rip-roaring action scenes that fit the retro action icon cast perfectly and some good hand to hand combat as well. Although some of those, especially Stallone v.s. Van Damme, could have gone on a bit longer to give them more dramatic impact. And drama is where West stumbles. The scenes between the action, which should be engaging and strong to keep us involved until the bullets fly again, are rather ho-hum. The dramatic scenes, though few, needed some more energy, more “pop”. The camaraderie between the team members that Stallone captured so well in part 1 is weak here and because of that, we are less forgiving of the cheesy dialog and the characters are less engaging as well. Perfect example is Lundgren’s Gunner, who practically stole the flick first time around. He’s nowhere near as fun as in EX1 and the fun Statham/ Stallone relationship is also weaker. The in-between scenes also had a quicker pace under Stallone’s direction last time and thus we were able to overlook the plot holes easier. But, this is an action film and there is plenty of that and who is in action is why we sat in our seat and on that level, Expendables 2 delivers on what we came to see. I am all for Expendables 3 but, find a director that can put some energy in the drama, give the team their team spirit back and a writer who can give them some livelier banter… as well as deliver the carnage.
3 bullets!
THE EXPENDABLES 3 (2014)
Having grown up in the 80s, I obviously have an appreciation and love for the styles of movies that came out then. And the 80s action flick is no different. So,no surprise, I am a fan of this series which takes a lot of those 80s action icons and let’s them suit up and shoot it out once more. And maybe I am biased but, I had an absolute blast with the latest installment.
The newest adventure finds Barney Ross (Sylvester Stallone) and crew (Statham, Crews, Lundgren, Couture) rescuing an old Expendable member referred to as Doctor Death (Wesley Snipes) from a moving train incarceration and taking him on a mission in Somalia. There, not only does Barney find former Expendables co-founder turned arch-enemy Conrad Stonebanks (Mel Gibson) still alive… after Barney himself thought he killed him… but, one of his team is critically wounded. CIA operative Drummer (Harrison Ford) is not happy with the team’s failure and demands they try again. But, Barney realizes his team has been doing this a long time and the next mission may be their last so, he releases his longtime friends to gather a newer, younger team including the headstrong Smilee (Kellan Lutz) and the sexy and quite lethal Luna (Ronda Rousey). But, Conrad Stonebanks is one step ahead of them again and when he takes Barney’s rookies hostage, Barney realizes his mistake and the old team reunites to go into battle once more… maybe for the last time as Stonebanks has an army and is waiting.
I really enjoy these flicks and am certainly cutting them some slack due to the wonderful nostalgia of seeing these icons back in action and this time joined by veterans Wesley Snipes, Harrison Ford, Antonio Banderas… who practically stole the movie… and even a cameo by Robert Davi. But, to be honest, aside from some cheesy dialog, some sub-par CGI shots and a few wooden performances, the movie is a lot of fun especially in it’s roller coaster ride of a last act. Stallone’s script with Creighton Rothenberger and Katrin Benedikt conveys a theme of adding new blood and this carried over to Sly’s choice of Australian director Patrick Hughes (Red Hill) to helm. Hughes directs well and and really brings it during the action scenes such as the exciting opening train assault and the final showdown, which was one of the most exciting extended action scenes I’ve seen since in a while. Hughes gives the film far more dramatic weight then Simon West’s somewhat weaker Expendables 2but, doesn’t take his material too seriously as to not have a good time with it. The film is never boring at over 2 hrs and while the pace is fairly moderate, it makes the action all the more thrilling when Hughes and his cast crank it up to 11 for the carnage. For those worried about the lesser PG-13 rating, this might have the largest body count yet, so, it’s not a concern. Again, you have to go in knowing this is an old school style action flick and corny dialog and implausibility is to be expected. Sure I didn’t quite buy that Barney would cast away his old team so easily but, you know that’s not going to last and it doesn’t. Along the way there are some corny messages about ‘family’ but, it’s all part of the formula and for me, it works. It’s popcorn action, with a popcorn plot and Stallone and his team delivered the old school smack down once again, in my opinion. Brian Tyler also delivers another exciting score to accent the action and the film is shot well by Peter Menzies Jr.
There is quite a big cast so I will start by saying that Stallone and Expendables regulars Statham, Crews, Lundgren, Couture, Li and Schwarzenegger all give us what we expect from them and seem to be having a really fun time especially, Arnold who hams it up a little more then usual. As for newcomers… Snipes hasn’t lost a beat and it’s great to see him back in action on the big screen. Gibson is simply a great villain and really chews up the scenery in grand style. Antonio Banderas is hilarious and practically steals the show as the screwball Galgo and his scene laying the Latin charm on Ronda Rousey mid-battle was a showstopper. As for Rousey her line delivery is a bit wooden but, it’s her first flick and when she is in action, the girl is poetry in lethal motion. Harrison Ford also seems to really be enjoying himself too and he and Sly seem to actually have a nice camaraderie together. Too bad it took this long to appear in a flick together. Kelsey Grammar gets some nice laughs as Barney’s grizzled recruiter Bonaparte and the also work well together. And rounding out Kellan Lutz, Victor Ortiz and Glen Powell are fine in their parts with Lutz’s Smilee possibly being groomed to take a larger role in future installments. And if there is an Expendables 4… I’m in.
Overall, I really enjoyed this flick. It is definitely better then Expendables 2 and comes close to being an equal to part 1. It did take a little time to tell it’s story but, there is no shortage of action and when it comes, it’s fast and furious, especially the all out war of a last act. There were some really enjoyable appearances by action icons absent too long from the screen and the new additions seem like they make a good fit if this series continues. The audience I was with wasn’t full but, cheered louder then any audience I have heard in some time. Everyone seemed to have had a blast with this second sequel and I am definitely one of them. A really fun, action-packed popcorn flick that proves Sly and company still got it. It isn’t Shakespeare… it’s The Expendables!
Having grown up in the 80s, I obviously have an appreciation and love for the styles of movies that came out then. And the 80s action flick is no different. So,no surprise, I am a fan of this series which takes a lot of those 80s action icons and let’s them suit up and shoot it out once more. And maybe I am biased but, I had an absolute blast with the latest installment.
The newest adventure finds Barney Ross (Sylvester Stallone) and crew (Statham, Crews, Lundgren, Couture) rescuing an old Expendable member referred to as Doctor Death (Wesley Snipes) from a moving train incarceration and taking him on a mission in Somalia. There, not only does Barney find former Expendables co-founder turned arch-enemy Conrad Stonebanks (Mel Gibson) still alive… after Barney himself thought he killed him… but, one of his team is critically wounded. CIA operative Drummer (Harrison Ford) is not happy with the team’s failure and demands they try again. But, Barney realizes his team has been doing this a long time and the next mission may be their last so, he releases his longtime friends to gather a newer, younger team including the headstrong Smilee (Kellan Lutz) and the sexy and quite lethal Luna (Ronda Rousey). But, Conrad Stonebanks is one step ahead of them again and when he takes Barney’s rookies hostage, Barney realizes his mistake and the old team reunites to go into battle once more… maybe for the last time as Stonebanks has an army and is waiting.
I really enjoy these flicks and am certainly cutting them some slack due to the wonderful nostalgia of seeing these icons back in action and this time joined by veterans Wesley Snipes, Harrison Ford, Antonio Banderas… who practically stole the movie… and even a cameo by Robert Davi. But, to be honest, aside from some cheesy dialog, some sub-par CGI shots and a few wooden performances, the movie is a lot of fun especially in it’s roller coaster ride of a last act. Stallone’s script with Creighton Rothenberger and Katrin Benedikt conveys a theme of adding new blood and this carried over to Sly’s choice of Australian director Patrick Hughes (Red Hill) to helm. Hughes directs well and and really brings it during the action scenes such as the exciting opening train assault and the final showdown, which was one of the most exciting extended action scenes I’ve seen since in a while. Hughes gives the film far more dramatic weight then Simon West’s somewhat weaker Expendables 2but, doesn’t take his material too seriously as to not have a good time with it. The film is never boring at over 2 hrs and while the pace is fairly moderate, it makes the action all the more thrilling when Hughes and his cast crank it up to 11 for the carnage. For those worried about the lesser PG-13 rating, this might have the largest body count yet, so, it’s not a concern. Again, you have to go in knowing this is an old school style action flick and corny dialog and implausibility is to be expected. Sure I didn’t quite buy that Barney would cast away his old team so easily but, you know that’s not going to last and it doesn’t. Along the way there are some corny messages about ‘family’ but, it’s all part of the formula and for me, it works. It’s popcorn action, with a popcorn plot and Stallone and his team delivered the old school smack down once again, in my opinion. Brian Tyler also delivers another exciting score to accent the action and the film is shot well by Peter Menzies Jr.
There is quite a big cast so I will start by saying that Stallone and Expendables regulars Statham, Crews, Lundgren, Couture, Li and Schwarzenegger all give us what we expect from them and seem to be having a really fun time especially, Arnold who hams it up a little more then usual. As for newcomers… Snipes hasn’t lost a beat and it’s great to see him back in action on the big screen. Gibson is simply a great villain and really chews up the scenery in grand style. Antonio Banderas is hilarious and practically steals the show as the screwball Galgo and his scene laying the Latin charm on Ronda Rousey mid-battle was a showstopper. As for Rousey her line delivery is a bit wooden but, it’s her first flick and when she is in action, the girl is poetry in lethal motion. Harrison Ford also seems to really be enjoying himself too and he and Sly seem to actually have a nice camaraderie together. Too bad it took this long to appear in a flick together. Kelsey Grammar gets some nice laughs as Barney’s grizzled recruiter Bonaparte and the also work well together. And rounding out Kellan Lutz, Victor Ortiz and Glen Powell are fine in their parts with Lutz’s Smilee possibly being groomed to take a larger role in future installments. And if there is an Expendables 4… I’m in.
Overall, I really enjoyed this flick. It is definitely better then Expendables 2 and comes close to being an equal to part 1. It did take a little time to tell it’s story but, there is no shortage of action and when it comes, it’s fast and furious, especially the all out war of a last act. There were some really enjoyable appearances by action icons absent too long from the screen and the new additions seem like they make a good fit if this series continues. The audience I was with wasn’t full but, cheered louder then any audience I have heard in some time. Everyone seemed to have had a blast with this second sequel and I am definitely one of them. A really fun, action-packed popcorn flick that proves Sly and company still got it. It isn’t Shakespeare… it’s The Expendables!
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