I AM THE PRETTY THING THAT LIVES IN THE HOUSE (2016)
Sophomore flick from Osgood Perkins, shows the filmmaker has indeed mastered spooky atmosphere with this tale of home care nurse Lily (Ruth Wilson) moving in with ailing horror novelist Iris Blum (Paula Prentiss). As she cares for the woman, the easily scared Lily starts to believe that the house is more than just a home, but a direct inspiration as it appears one of Blum’s character’s, Polly (Lucy Boynton) was indeed murdered in the house…and her spirit may still be there.
While Perkins script presents a very thin story, the director loads it up with some really creepy atmosphere. Most of the film consists of Lily wandering about the house and seeing and hearing some very strange things as the film takes her on a journey of discovering that something happened in that house to inspire Blum’s most famous novel, The Woman Inside The Walls. Perkins accomplishes a lot with some very simple visuals and some very chilling moments as Lily discovers that Blum may have recounted an actually murder that took place in the house and relayed by the spirit of the victim herself, Polly. The story is far simpler than Perkins’ creepy The Blackcoat’s Daughter, but despite taking place solely in the house and mostly with just Lily, it still is quite unsettling at times. To say much more would be to spoil the effectiveness of this atmospheric tale. The equally atmospheric score for the film is once again by the director’s brother Elvis Perkins.
The minimal cast is quite good as it practically is a one woman show. Ruth Wilson creates a very meek and timid woman, possible a bit eccentric, too and takes her on a supernatural quest of discovery as Lily finds that the house has a dark secret that may have inspired her charge’s most famous tale. As Blum, Paula Prentiss doesn’t have many scenes, but is effective at portraying a woman with dementia, who is only adding to Lily’s mystery with her words, that may be more than babbling. Bob Balaban has a small part as a man who manages Blum’s affairs, Erin Boyles plays Blum in flashbacks and Lucy Boynton effectively plays Polly in flashbacks and when Lily has visions of her.
The film may be of a simpler nature than Oz Perkins’ first flick, but this is an old fashioned haunted house movie done in what is becoming the writer/director’s signature spooky style. It’s loaded with chilling atmosphere and unsettling scenes and while it is very economical in terms of story, it is still effective in giving chills for those patient enough to go with it’s slow burn.
3 pretty things that live in the house.
THE DISAPPOINTMENTS ROOM (2016)
The Disappointments Room is exactly that. Kate Beckinsale stars as architect, wife and mother, Dana, who is moving into a rural country home with her family. Exploring her new house she finds it has a hidden locked room in the attic. Research reveals it’s a disappointments room…a room where well-to-do families hid deformed or handicapped children, to live out their lives in secret without ’embarrassing’ their families. Dana, having lost one of her own children, is especially disturbed by this and starts to see and be haunted by visions and apparitions of a past family and their deformed daughter. Is she just experiencing delusions caused by grief over the accidental death of her baby daughter, or is she really being haunted?
Directed by D.J. Caruso (Disturbia), from a script by he and Wentworth Miller, this is an incredibly generic ghost story. All the well-worn clichés are present, such as Dana being the only one who sees these apparitions and the husband (Mel Raido) leaving mid-haunting to go away for a few days with the haunted wife now home alone with her son (Duncan Joiner). Beckinsale really tries hard here to give her emotionally strained mom some depth, but the incredibly bland script doesn’t give her much to work with. Raido’s husband is the typical doubter who believes it’s all in his wife’s head and there is the stereotypical young, hunky handyman (Lucas Till) to hit on Beckinsale’s hot mom, in a sub-plot that goes nowhere. Caruso directs competently, but achieves only a few spooky moments and holds our interest only by a thread. Bland and very familiar.
THE OFFERING (2016)
Ho-hum possession/demonic thriller has pretty atheist Jaime Waters (Elizabeth Rice) rushing to Singapore when she learns of her sister’s (Rayann Condy) suicide. She begins to investigate the reasons behind her sibling’s demise and finds a a supernatural threat is emerging and one that challenges her disbelief and threatens her young niece (Adina Herz).
Despite the novelty of the Singapore location and Rice making a likable heroine, this is a dull and routine demonic thriller that makes good use of neither. There is a convoluted plot invoking a demonic entity trying to resurrect the Towel Of Babel and even when writer/director Kelvin Tong comes up with a clever idea of the demon using computers to influence, he jettison’s it for the same old possession/haunting tropes, including a basement-set exorcism finale that totally rips-off The Conjuring. Completely derivative and forgettable even when it tries to be clever. Would like to see cutie Elizabeth Rice do final girl duty in a much better film. Also known as The Faith Of Anna Waters.