TOMB OF NOSTALGIA: MAKING CONTACT (1985)

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MAKING CONTACT (1985)

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Making Contact is a West German supernatural chiller with severe Poltergeist envy. The story focuses on young Joey (Joshua Morell) who has just lost his father. Not only is Joey starting to show telekinetic abilities, but is starting to get messages from his deceased dad on his toy phone from beyond the grave. Joey’s abilities and dabbling in the paranormal, draw him to an underground maze and a ventriloquist dummy that is possessed by a demonic spirt. Of course, the boy brings it home and the supernatural hi-jinx begin.

Flick is directed by Independence Day director Roland Emmerich from his script with Hans J. Haller and Thomas Lechner. The three conjure up a story that is very much like Tobe Hooper/Steven Spielberg’s classic fright flick, including directly lifting quite a few scenes, such as flying Star Wars toys and a horde of paranormal investigators invading Joey’s home. It deviates from Poltergeist in the end with a climax set in the underground maze with Joey and his schoolmates battling the dummy, who uses their own fears against them. This evokes an appearance by Darth Vader himself, which also evokes the question as why the abundance of Star Wars imagery and merchandise (Joey’s room is full of it) didn’t evoke a lawsuit. The flick is slow moving, even at only 98 minutes, the FX are delightfully cheesy and the cast all extremely bland. You know somethings up when the best character in the movie is a toy robot named Charlie. The dialogue is equally blasé and the scenes of supernatural activity are very ho-hum, though there are a few entertaining moments and the dummy is quite creepy. Despite all the negative aspects, the film does amuse in an 80s curiosity kind of way and when it does do it’s own thing, those few touches are interesting enough.

This isn’t a great flick, but it does entertain with all the 80s nostalgia and the blatant recreation of scenes from Poltergeist that do invite chuckles. The dummy can be creepy and the few times it has original ideas they are interesting enough, such as the maze finale. The cast and dialogue are equal parts bland and wooden and the FX quite cheesy, but that does add some charm in an 80s nostalgia kinda way. Worth a look as a curiosity if nothing else.

-MonsterZero NJ

Rated 3 (out of 4) demonically possessed ventriloquist dummies for 80s nostalgia and cheese.

 

 

 

 

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BARE BONES: THE LAST WITCH HUNTER

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THE LAST WITCH HUNTER (2015)

Flick opens in the Middle Ages where witch hunter Kaulder (Vin Diesel) has hunted down the Witch Queen (Julie Engelbrecht) who has unleashed a plague and slaughtered Kaulder’s family. Before she is slain, she curses him with immortality so he may forever feel the loss of his loved ones. We then move forward to modern day where Kaulder works for the Axe and Cross, a church run organization which polices the witch population. All is well till an old enemy turns out not to be dead and seeks to exact a horrible revenge on Kaulder and the rest of the world.

Tedious and silly flick is directed very by-the-numbers by Breck Eisner from a barely coherent script by Matt Sazama, Burk Sharpless and Cory Goodman. While the FX are decent and there is plenty of action, the plot is a completely nonsensical mess and even star Diesel does not seem like he wants to be there. There is no energy or urgency to any of the proceedings and it’s all rather dull and lifeless despite the heavy fantasy and action elements. It almost seems like no one involved really wanted to make this movie…or write it for that matter…as it has no heart or soul and all the performers are at paycheck level. Also stars Game Of Throne’s Rose Leslie, Lord Of The Rings’ Elijah Wood and the incomparable Michael Caine somehow got dragged into this forgettable mess as Kaulder’s handler, Dolan.

-MonsterZero NJ

1 and 1-2 star rating

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