MAJOR SPOILER WARNING! In order to properly compare these two films, I have to give DETAILED SPOILERS. If you haven’t seen The Blob (1958) or The Blob (1988), there are MASSIVE SPOILERS BELOW for each film. You have been warned!


Comparison In Horror is back!…and in this installment the comparison is between the two versions of The Blob. One, of course, is the classic 1958 original, the other being the 1988 remake. Remember!…In order to discuss these flicks in-depth, the are some very important plot details that will be revealed, so if you haven’t seen one, the other, or both, there are MASSIVE SPOILERS! Otherwise, on to the comparison!…

(Click on the highlighted movie titles to go to the full length reviews and on the photos to enlarge them!)



The Blob 1958 features a meteorite landing in the woods near a small Pennsylvania town. It carries within it a gelatinous space creature that absorbs anyone it comes in contact with. As it descends upon the town, getting bigger with every victim, teens Steve Andrews and Jane Martin to try to find a way to get the townsfolk to believe them and stop it.

The Blob (1988) takes place in the ski town of Arborville, California. What appears to be a meteorite crashes in the nearby woods and carries inside a gelatinous creature that eats anyone it comes in contact with. While the monster is quietly invading the town, a shady paramilitary containment group arrives, suspiciously soon after. It’s up to teens Meg Penny and Brian Flagg to outwit the military and try to find a way to stop the creature.

The initial story for both films are extremely similar, at least to start. The 1988 remake opens things up adding in the caveat of the military containment group and a conspiracy element about the creature’s origin. The remake also has a larger cast of characters.




The Blob 1958 is a gelatinous creature from space that comes to earth in a meteorite. The creature is a formless mass that can squeeze in and out of almost any place and gets bigger the more people it absorbs. The Blob in this version seems to be a mindless organism simply in search of sustenance. It retains a somewhat globular shape. The creature is impervious to almost all weapons, except it has a sensitivity to cold, which is finally used to subdue it.

The Blob (1988) is also a gelatinous creature, but though it falls from space, it’s very earth-born in origin. It starts out as a germ created by the military as a weapon, being sent into space in a satellite, as part of an experiment. This mutates it into an aggressive multi-celled organism. The creature is a formless mass that can squeeze in and out of almost any place and gets bigger the more people it absorbs. This incarnation of the creature is given hints of an intelligence and described as a predator. It also seems to be able to form limb-like tentacles, or even a gaping maw, based on it’s needs. This also implies a form of intelligence. Any parts cut off, become it’s own monster, which is not addressed in the original film, but is in it’s 1972 sequel. The creature is impervious to almost all weapons, except it has a sensitivity to cold, which is finally used to subdue it.



Heroes and Heroines 

In The Blob 1958 our hero is teen Steve Andrews (Steve McQueen) and our heroine is his date, Jane Martin (Aneta Corseaut). Steve is a typical teen male of this time period, interested in girls, rock n’ roll and drag racing. He has a sense of honor and of doing the right thing, so when authorities don’t believe him, he sets out to find a way to warn others and stop the invading creature. Jane is more of a damsel here. She is loyal and bravely tries to help Steve, while keeping her too curious little brother Danny (Kieth Almoney) out of harm’s way. She mostly follows Steve around and supports whatever he decides, while playing babysitter to Danny.

In The Blob (1988) writer/director Chuck Russell makes the roles more contemporary and throws us a curve as to our leads. It starts out giving the impression that our hero and heroine will be high school football player Paul Taylor (Donovan Leitch) and his date, cheerleader Meg Penny (Shawnee Smith). Paul is killed off early, however, and instead leather-jacketed, juvenile delinquent, Brian Flagg (Kevin Dillion) becomes out leading man. Flagg is a bit of a troublemaker, but he seems to care more than he lets on and goes up against The Blob and the military authorities to save the town and Meg. As for for Meg Penny, this girl is no damsel. She’s tough, a fighter and while also has a little brother (Michael Kenworthy) that needs kept out of danger, she’s not afraid to grab a fire extinguisher, or an M-16 to go up against the monster.

In comparison, Jane and Steve are the wholesome all-American teens of films of this era. Steve being the hero and Jane the loyal sidekick. Meg and Brian are more representative of movies of their era, with Meg being a spunky fighter and Brian, the rebellious bad boy with a heart. They are equals in the action, with Meg even stealing some of the heroic thunder in the last act, when she rescues Brian from the creatures clutches.




The setting for the classic original is a small, rural Pennsylvania town…the name on the diner implies it’s called Downingtown, which is a real PA town and one of the movie’s filming locations. Whatever the name, it’s the quintessential Norman Rockwell town with quaint houses, small local grocery store, movie theater and diner. The police force is minimal and the worst that usually happens is high school pranks and drag racing. There doesn’t seem to be a medical facility other than the town doctor.

The setting for the remake is the fictional ski resort town of Arborville, California, though it was filmed in Abbeville, Louisiana. Same can be said of this town as Blob 1958’s, in that it is the ideal picture of Americana. It also has a small police force, the whole town shows up for football games and everyone knows each other. Arborville is a town that relies on the ski season and has it’s own hospital, so it might be slightly larger than the home town of Steve Andrews and Jane Martin.




The Blob 1958 opens with a silly theme song over an animated background and it’s playful credits are a bit off-putting to the serious and scary tone of the movie. It wastes no time with us meeting Steve and Jane at a local make-out spot and having them witness the meteorite crash land. Within seven minutes, including credits, the old man (Olin Howland) gets The Blob on his hand and Steve and Jane find him and take him to the doctor’s office. Right to the action.

The Blob (1988)  opens with far more ominous credits, with moody electronic music accompanying images of space and then takes us down to earth and introduces us to the streets of Arborville. It takes a few minutes to introduce us to the town and some of our main characters, before homeless “Can Man”(Billy Beck) gets The Blob on his arm at about fifteen minutes in. There’s a few more minutes of character interaction again, before Paul, Meg and Flagg find him and get him to the hospital.

Both openings serve their respective stories well. The original’s goofy opening song is an odd choice for the more serious toned action that follows. The film recovers quickly, as like many films of this era, it’s economical and gets it’s story started right away and the scene of the old man meeting the extraterrestrial invader is very effective. Blob (1988) benefits from setting a mood with more ominous opening credits and giving us a little introduction to the characters and town. It’s equally effective when Can Man gets “blobbed” and the more contemporary (at the time) FX make the scene intense and disturbing. Both films open effectively, though the remake takes a little more time to let us know our leads and setting before starting things up.




Both films end with it’s respective Blobs frozen solid.

In the original, when Steve and Jane are trapped by The Blob in a supermarket, they hide in the freezer. The Blob is repulsed by the cold and thus they discover it’s weakness. Once it engulfs the diner, the fire department and Steve and Jane’s high school classmates, converge on the distracted Blob and freeze it with fire extinguishers. The last scene is the Blob being deposited at the North Pole to hopefully remain a Blob-sickle. The words THE END appear across the screen and a question mark appears after it. There was in fact a more humor-laced sequel Beware! The Blob in 1972 where a polar oil pipeline employee brings home a sample of something he hit with his bulldozer…guess what!?

The remake has Flagg and Meg trapped in the freezer at the diner and learning the creature’s aversion to cold in the same way. The climax here is on a far larger scale as the military and townsfolk are battling the massive Blob in the center of town. Flagg attacks it with a snowmaker and an M-16 bearing Meg straps explosives to the tank, dousing the monster in a storm of snow. The last scene of this version, shows the scarred Reverend Meeker (Del Close) preaching end times scripture in a tent, where it is revealed he still has the frozen Blob samples in a jar he took from the diner, only now they are quite active. Despite the set-up, the remake never got a sequel, though there has been talk recently of yet another remake, that hasn’t materialized yet.





The Blob 1958 is directed by Irvin Yeaworth from a script by Theodore Simonson and Kay LInaker, based on a story by Irving H. Millgate. The remake is directed by Chuck Russell from a script by he and Frank Darabont, based on the original film. They both share key scenes, such as the old man getting Blob on his hand, a diner attack scene and a theater attack scene. While the original climaxes at the diner, the remake has the diner attack about half-way through. The original cost a mere $110,000 to make, while the remake cost an impressive at the time $10 million. The original grossed around $4 million and was a hit, while the remake grossed only $8.5 million and was considered a box office failure. Both films were the second feature films for their respective directors and obviously 30 years of movie FX progress allowed the remake to be far more graphic with it’s Blob carnage and have a much bigger scale to the action. The original opens with an amusing song called Beware of the Blob sung by Bernie Knee (billed as The 5 Blobs) and the remake ends with a very 80s metal song Brave New Love performed by the band Alien. The original Blob was made for general audiences, while the remake was R-rated and quite gory. Would have it been more of a hit with a teen friendly PG-13? Who knows? The original clocks in at around 86 minutes, while the remake is about 95 minutes in length. 




Both films are very entertaining in their own right. The original is considered a horror/sci-fi classic, while the remake has taken years to develop a well deserved cult following. The original is a perfect example of what films back then were like in terms of characters, settings and story, while the remake is very 80s with it’s hair and clothes styles and characters, most notably it’s female lead getting far more physically involved in the action. Let’s not forget the cheese metal end credits song. The remake also took a little extra time for character and story development, including adding a conspiracy sub-plot, that was not in the original. Story-wise and character-wise the remake has a bit more of an edge, as the original’s bare bones approach, left little development in either area. The original doesn’t even have an appearance by any sort of scientists to at least give some speculation on what this creature is. In the remake we have the sinister Dr. Meddows (Joe Seneca). Budget and technical advancements obviously also give the remake an edge, but the original was and will always be the first version of the story to be filmed. One can love both equally.

-MonsterZero NJ

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towering inferno


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Another Irwin Allen production, The Towering Inferno is one of the all-time great 70s disaster epics that I was privileged to see in a theater…the now long gone Park Lane…as a kid. The flick follows the formula of an all-star cast of characters embroiled in their own personal melodrama until a disaster brings them together…or tears them apart. Here,  the setting is the world’s tallest skyscraper in San Franscico. While the building is enjoying it’s dedication ceremony with a massive party, the shortcuts taken by owner James Duncan (William Holden) and his jerk son-in-law Roger (Richard Chamberlain), catch up with them when an electrical fire breaks out on the 81st floor and quickly spreads. Now it’s up to angry architect Doug Roberts (Paul Newman) and Fire Chief Mike O’Halloran (Steve McQueen) to figure out a way to stop the blaze before it reaches the 300 guests at the penthouse floor party, who are now trapped.

Another movie that is well-written by Stirling Silliphant based on two books, The Tower by Richard Martin Stern and The Glass Inferno by Thomas N. Scortia and Frank M. Robinson. As with his Poseidon Adventure script, he keeps the melodrama to a minimum and maintains a claustrophobic setting inside the building for most of the film. While John Guillermin directs the film fairly by-the-numbers, the script affords him plenty of opportunity for suspenseful action, daring escapes and some nail-biting rescues. The fact that we also have some well-written characters and the dialog stays remotely grounded, makes for a more realistic and relatable drama. The fire scenes are really intense and well orchestrated, as are some of the sequences outside the building, such as one involving a teetering glass elevator. The action is solid and while the film is moderately paced, it is never dull. If the film has any main flaw, it’s that at 165 minutes it is about 30 minutes too long and thus there is some repetition in the action and subplots that really don’t further the story. For example…Robert Wagner’s entire character and scenes with his secretary (Susan Flannery) could have been removed without effecting the film and trimming it by a good 15 minutes. There is also some weak model work during the climax, but it’s brief and not enough to tarnish a first rate thriller. Back on the plus side, there is yet another effective score from master composer John Williams and Fred J. Koenekamp provides the vibrant cinematography.

There are a lot of characters in this flick With Newman, McQueen and Holden being the top three spots. Newman is a legendary performer and is solid here as the architect who finds out his specs were changed to cut costs and now it has caused a disaster. He dives right in saving lives and assisting McQueen’s fire chief and is a memorable hero. Same said for McQueen. His fire chief is tough, but remains cool under pressure and he is put through the ringer with this out of control blaze in the worst possible place. He and Paul Newman work well as a team and the flick smartly gives them numerous scenes together. Holden’s Duncan is interesting as he is not an outright villain, a role reserved for Chamberlain. He admits he made mistakes and shows remorse and sorrow over the death and destruction it has caused, so we don’t readily hate him like we do his son-in-law. Supporting them are Faye Dunaway, Robert Vaughn, Susan Blakely, Fred Astaire and the infamous O.J. Simpson as the head of security.

Definitely one of the best of this type of flick due to a toning down of the cheesy melodrama and some very intense action and suspense sequences. It maintains a large cast well and presents a very straightforward depiction of what a disaster like this might be like. If it has any flaws worth mentioning, it’s that it could have lost about a half hour and still been a solid action thriller. The leads are legendary performers who give it their all and the support is generally strong too. There are the usual disaster clichés, but that’s why we watch these flicks! Another 70s disaster movie classic!

-MonsterZero NJ

3 and 1/2 towering infernos.

towering inferno rating