MONSTERZERO NJ’S SATURDAY NIGHT DOUBLE FEATURE: DON’T BREATHE and THE NEIGHBOR

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Two thrillers/horrors that I think would make a good pairing for a Saturday night on the couch with your favorite brew. One was a big hit recently and the other deserves more attention than it got and both involve sneaking into someone’s house and the unexpected things you might find there…

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DON’T BREATHE (2016)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

Don’t Breathe is an intense and very entertaining thriller that turns the home invasion flick on it’s head and proves writer/director Fede Alvarez (Evil Dead remake) is the real deal. The story takes place in a rundown suburb of Detroit where house thieves Rocky (Evil Dead’s Jane Levy), Money (It Follows‘ Daniel Zovatto) and Alex (Goosebumps’ Dylan Minnette) hear of a big score. There is an almost deserted street with only one house still occupied, the home of a blind war veteran (Stephen Lang) who supposedly was given a large cash settlement by the family of a rich girl who ran over and killed his daughter. Thinking it easy money, the three break into the man’s home one night. But the man turns out to be far more dangerous than they realize and soon has them trapped inside his house with the intent they never leave.

Co-written with his Evil Dead co-scribe Rodo Sayagues, Alvarez crafts a very suspenseful and intense game of cat and mouse inside the Detroit house that gets started quickly and never gives up till it’s unsettling last moments. Alvarez gives us a claustrophobic and isolated setting by placing the house on a deserted block and making great use of the desolated Detroit setting to give it atmosphere. He then has his ex-soldier seal our three thieves inside, where he knows the layout and they…and we…don’t. Alvarez also uses the character’s blindness to set up nerve-wracking moments, as our thieves try to quietly elude him and then he clever turns off the power to turn the odds in his favor. There are also some moments of brutal violence that really punctuate the intensity of the proceedings, as the director plays with the home invasion formula by turning our intended victim into the monster and the invaders into the victims. This works well due to the way his characters are written. While Money is basically a street thug, Alex has a conscience and a heart, which keeps him likable and Levy’s Rocky is only stealing to get enough money to take her little sister out of Detroit and away from her alcoholic mother. This makes them sympathetic, despite their criminal activity, yet Alvarez still puts them through the ringer for them to truly earn our empathy. If the brutal pursuit through the three floors of the old house isn’t enough, Alvarez has a late reveal that adds a really disturbing angle to a simple theft gone awry story…one that will have you squirming as much as Levy’s Rocky was…and turns the blind soldier into a true fiend. And it works very well. As with Evil DeadAlvarez accents his story with a great visual eye. His settings and shots are captured stylishly by the lens of Pedro Luque and Evil Dead composer Roque Baños returns for an atmospheric score. It all adds up to a suspenseful, intense and very atmospheric thriller that will keep you on the edge of your seat and squirming in it too!

Alvarez has assembled a small but very effective cast for his sophomore film for Sam Raimi’s Ghost House Pictures. Evil Dead leading lady Jane Levy is very strong as the street smart Rocky. She is convincing in that she is stealing only out of love for her little sister and she moves from thief to anti-hero to heroine very well. Her Rocky is really put through Hell, just as her Mia was in the 2013 horror remake and she really provides us again with a strong character to root for, even if she, like Mia, isn’t the sweet girl next door. Levy has a unique way of combining an intensity with a sensitivity that deserves more spotlight roles. Daniel Zovatto, who was the kindly Greg in It Follows, plays basically a street thug and does play him well. He has his charisma, but is not a good guy and the one we least feel sorry for when the poop hits the fan. Dylan Minnette’s Alex seems almost too nice to be part of this group, but it is made known he crushes on Rocky and is betraying his security company father most likely to be close to her. It succeeds in keeping him likable and he proves once again he is a charming actor with an appealing screen persona. This would not work if our blind ex-soldier, whose name is never given, wasn’t convincing as a monster and Stephen Lang once again is a strong bad guy. He is sympathetic at first, then let’s us know that this man is still lethally dangerous, even with his war injury handicap and then becomes a full blown fiend once the movie progresses. His soldier is filled with menace and threat and once we get the full picture, any feelings that this guy is just protecting what’s his, go out the window and it works thanks to an intense performance from a skilled actor.

I really liked this movie and it proves to me Fede Alvarez is a filmmaker to keep a close eye on. I really enjoyed his remake of Sam Raimi’s horror classic and certainly enjoyed the results now of a film entirely his own. This is an intense, brutally violent and sometimes twisted thriller that turns a home invasion into a house of horrors with a strong cast to back up the director’s vision and story. A solid thriller and one of the few films to live up to early word in the summer of 2016 movie season.

-MonsterZero NJ

3 and 1/2 turkey basters…you’ll have to see the movie!

dont breathe rating

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THE NEIGHBOR (2016)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

Intense crime drama tells the story of John (Josh Stewart) and Rosie (Alex Essoe from Starry Eyes and Tales Of Halloween) who live in the rural town of Cutter, Mississippi and work for drug runners. They plan to do one more job and when they collect their money, they plan to make a run for Mexico and an early retirement. When John returns after a job and finds Rosie missing, he suspects his odd neighbor Troy (comedian Bill Engvall) who seemed to be quite taken with his pretty girlfriend. When John sneaks into Troy’s house, he discovers his neighbor has been engaging in far worse activities than he could ever have imagined…and he may not get back out alive.

Writer/director Marcus Dunstan (the Saw series, the Collector movies) crafts a lean and mean thriller about bad people going up against far worse people in a small backwoods town in rural Mississippi. It does share some similarities with the recent Don’t Breathe, but is it’s own movie and aside from criminal types, who are looking to make a better life for themselves, being trapped in a house by psychotics, that’s where the similarities end. Dunstan gets his story started quite quickly, but not too quick that we don’t get to know John and Rosie a bit, and keeps the intensity cranked till the very last frames. We find ourselves rooting for John, even though he is not a good person, because Dunstan is able to make Troy and his boys a lot creepier. Add in a corrupt cop (Jaqueline Fleming) who already has it in for John and you have solid reasons to get behind our anti-hero couple. There is some graphic violence, but unlike his torture heavy Collector and Saw films, Dunstan uses it sparingly, so it is vicious and effective when it happens. The director does have a good visual eye and stages the action fast and furious with some nice suspense in-between the bullets and beatings. The tension is thick at times and while the climax may conveniently wrap things up, it is quite satisfying. There is some crisp cinematography from Eric Leach and a really cool score by Charlie Clouser.

Dunstan also gets good work from a good cast. Despite being a criminal who works for a sleazy drug lord, Josh Stewart makes his John quite likable and embues him with a bit of a heart underneath his criminal activities. His work reminded me of Jane Levy’s Rocky from Don’t Breathe, an anti-hero to root for. I have been a fan of Alex Essoe since her stunning work in Starry Eyes and she is solid again here. She does spend part of the flick as a damsel in distress, but gets to really turn it up in the last act and show another side to a versatile actress we want to keep seeing more of. Her Rosie is a badass when provoked. Bill Engvall makes for a very creepy villain. He gives you chills without going over the top and his subtle yet unnerving Troy is all the more effective because he doesn’t overdo it. A very creepy villain that makes you forget John and Rosie are criminals of a different kind. Jaqueline Fleming is also good as a cop with her own agenda and Luke Edwards and Ronnie Gene Blevins are solid as Troy’s equally creepy sons, Cooper and Harley. Melissa Bolona is also effective as another of Troy and company’s “guests.” 

This little flick took me by surprise. I am not a big fan of the Collector films and never watched Dunstan’s Saw movies, as I was done with that series by then, but this high octane thriller took me a bit by surprise. Sure there are some familiar story elements, but Dunstan uses those elements well and really cranks up the suspense and tension in the last hour, peppering it with moments of brutal violence that don’t overstay their welcome and are very effective because of it. A good cast helps the filmmaker out and overall, cast and crew deliver a solid and engrossing thriller.

-MonsterZero NJ

3 and 1/2 bullets.

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HORROR YOU MIGHT HAVE MISSED: DON’T BREATHE (2016)

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DON’T BREATHE (2016)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

Don’t Breathe is an intense and very entertaining thriller that turns the home invasion flick on it’s head and proves writer/director Fede Alvarez (Evil Dead remake) is the real deal. The story takes place in a rundown suburb of Detroit where house thieves Rocky (Evil Dead’s Jane Levy), Money (It Follows‘ Daniel Zovatto) and Alex (Goosebumps’ Dylan Minnette) hear of a big score. There is an almost deserted street with only one house still occupied, the home of a blind war veteran (Stephen Lang) who supposedly was given a large cash settlement by the family of a rich girl who ran over and killed his daughter. Thinking it easy money, the three break into the man’s home one night. But the man turns out to be far more dangerous than they realize and soon has them trapped inside his house with the intent they never leave.

Co-written with his Evil Dead co-scribe Rodo Sayagues, Alvarez crafts a very suspenseful and intense game of cat and mouse inside the Detroit house that gets started quickly and never gives up till it’s unsettling last moments. Alvarez gives us a claustrophobic and isolated setting by placing the house on a deserted block and making great use of the desolated Detroit setting to give it atmosphere. He then has his ex-soldier seal our three thieves inside, where he knows the layout and they…and we…don’t. Alvarez also uses the character’s blindness to set up nerve-wracking moments, as our thieves try to quietly elude him and then he clever turns off the power to turn the odds in his favor. There are also some moments of brutal violence that really punctuate the intensity of the proceedings, as the director plays with the home invasion formula by turning our intended victim into the monster and the invaders into the victims. This works well due to the way his characters are written. While Money is basically a street thug, Alex has a conscience and a heart, which keeps him likable and Levy’s Rocky is only stealing to get enough money to take her little sister out of Detroit and away from her alcoholic mother. This makes them sympathetic, despite their criminal activity, yet Alvarez still puts them through the ringer for them to truly earn our empathy. If the brutal pursuit through the three floors of the old house isn’t enough, Alvarez has a late reveal that adds a really disturbing angle to a simple theft gone awry story…one that will have you squirming as much as Levy’s Rocky was…and turns the blind soldier into a true fiend. And it works very well. As with Evil DeadAlvarez accents his story with a great visual eye. His settings and shots are captured stylishly by the lens of Pedro Luque and Evil Dead composer Roque Baños returns for an atmospheric score. It all adds up to a suspenseful, intense and very atmospheric thriller that will keep you on the edge of your seat and squirming in it too!

Alvarez has assembled a small but very effective cast for his sophomore film for Sam Raimi’s Ghost House Pictures. Evil Dead leading lady Jane Levy is very strong as the street smart Rocky. She is convincing in that she is stealing only out of love for her little sister and she moves from thief to anti-hero to heroine very well. Her Rocky is really put through Hell, just as her Mia was in the 2013 horror remake and she really provides us again with a strong character to root for, even if she, like Mia, isn’t the sweet girl next door. Levy has a unique way of combining an intensity with a sensitivity that deserves more spotlight roles. Daniel Zovatto, who was the kindly Greg in It Follows, plays basically a street thug and does play him well. He has his charisma, but is not a good guy and the one we least feel sorry for when the poop hits the fan. Dylan Minnette’s Alex seems almost too nice to be part of this group, but it is made known he crushes on Rocky and is betraying his security company father most likely to be close to her. It succeeds in keeping him likable and he proves once again he is a charming actor with an appealing screen persona. This would not work if our blind ex-soldier, whose name is never given, wasn’t convincing as a monster and Stephen Lang once again is a strong bad guy. He is sympathetic at first, then let’s us know that this man is still lethally dangerous, even with his war injury handicap and then becomes a full blown fiend once the movie progresses. His soldier is filled with menace and threat and once we get the full picture, any feelings that this guy is just protecting what’s his, go out the window and it works thanks to an intense performance from a skilled actor.

I really liked this movie and it proves to me Fede Alvarez is a filmmaker to keep a close eye on. I really enjoyed his remake of Sam Raimi’s horror classic and certainly enjoyed the results now of a film entirely his own. This is an intense, brutally violent and sometimes twisted thriller that turns a home invasion into a house of horrors with a strong cast to back up the director’s vision and story. A solid thriller and one of the few films to live up to early word in the summer of 2016 movie season.

-MonsterZero NJ

3 and 1/2 turkey basters…you’ll have to see the movie!

dont breathe rating

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HORROR YOU MIGHT HAVE MISSED: THE ASYLUM (2015)

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THE ASYLUM (2015)

(Clicking the highlighted links brings you to corresponding reviews and articles here at The Movie Madhouse!)

Marcus Nispel’s abandoned asylum horror has gone through more than one name change, It started out as Blackmask, then became Exeter and now has settled on the generic The Asylum…for now. The film tells of the long abandoned Exeter Asylum where mentally disturbed children were brought for care and rehabilitation. The place became more of a house of horrors and after a fire, was shut down. As the structure is being slowly emptied out for refurbishing, a group of youths decide to hold a rave inside. As this is never a good idea, those remaining in the building the following morning, are locked in by a vengeful spirit and suffer a horrible ordeal of possession and gruesome fates. Will any escape alive?

Nispel, who directed remakes of Texas Chainsaw Massacre, Friday The 13th and Conan The Barbarian, delivers a goofy, dumb, but actually kind of fun horror from his script with Kristen Elms. There is nothing we haven’t seen before, but Nispel knows it and just goes with it. The result is a silly but fast paced and very gory 90 minutes that can be entertaining if you just go along with the blood spattered chaos. Nispel presents his story with a serious tone…and with some atmosphere…but throws every possession/haunted asylum trope he can at you and showers it in blood and gore. It’s far from a classic and we are very familiar with the story elements, so there are little actual scares or any real intensity about it, but it is energetic and unapologetic…and that helps make it fun. Nispel has always had a strong visual sense, so it looks good and the gore and make-up FX are quite well executed. As with many horrors of this nature, expect characters to do dumb things to make the situation worse or put themselves in harm’s way and Nispel especially seems to have fun with this ‘tradition.’

As for the cast…veteran Stephen Lang is the priest who ran the asylum, Father Conway. He is appropriately mysterious and only appears in the beginning and then in the last act. A paycheck job, probably, but he gives it his spooky all. Other than Lang we have an attractive and adequate cast of relative unknowns. Our leads are Kelly Blatz cutting a fine but reluctant hero as Patrick and pretty Brittany Curran as our heroine with a touch of mystery, Reign. The supporting actors, Gage Golightly as Amber, Brett Dier as Brad, Michael Ormsby as Patrick’s brother Rory, Nick Nicotera as Knowles and Nick Nordella as Drew, are all fine in their parts as party animals at a party gone very wrong. As angry spirit fodder they all do their jobs efficiently.

So, in conclusion, I had a fun time with this. To a degree it’s not an overly good movie and certainly not very original. It does have a good time, though, with the familiar elements of it’s unoriginal story and approached from a certain viewpoint, can be a lot of fun because of it. The cast are all serviceable, the film does have a disturbing look and feel to it and splatters the screen often with gore and body parts when not possessing it’s attractive young cast with evil entities. Good movie?…not in a strictest sense. A fun movie…yes!

-MonsterZero NJ

2 and 1/2 haunted honies.

asylum rating

 

 

 

 

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