Film student Tabitha (Abigail Haggerty) is making a slasher movie for her thesis project. Fellow student Maddie (Emma Norville) gets a part in it. They even plan to shoot their movie at a summer camp. Unknown to the cast and crew of this amateur production, however, there is a real killer stalking them and filming his kills for his own fiendish film project.
Low budget horror is written and directed by Blayne Weaver, who also has a long resume as an actor. It has it’s heart in the right place, though not an overly successful effort. GetAWAY respectfully follows the classic slasher film tropes, like the crazy person (Kristen Trump) warning our filmmakers about impending doom and the cantankerous caretaker (Hank Stone) as an all too obvious suspect. The acting is amateurish, but somehow works in the context of making this bunch of wannabes seem more like real students trying to make a movie. Norville does make a decent enough final girl, too, as Maddie and she’s likable. There is little suspense or scares, the kills are simple but bloody and unfortunately, our killer lacks a really strong personality to give him more impact. Just a mask doesn’t an effective killer make. His identity reveal is also kinda ho-hum, though a much bigger reveal a bit later works very well, as does the flick’s finale. In conclusion, it’s not a terrible movie, certainly not unwatchable, just kind of routine and forgettable, even if well intended. Also stars Danielle Carrozza as cast member Kayla.
VICTOR CROWLEY (2017)
Fourth installment of Adam Green’s slasher homage series takes place ten years after the last one with survivor Andrew Yong (Parry Shen) becoming a bit of a cult celebrity after writing a book about his encounter with Victor Crowley. On route to an interview, his plane crashes right into Crowley’s killing ground, Honey Island Swamp. At the same time, a group of amateur filmmakers head into the swamp to make a trailer for a proposed film on Crowley. The plane survivors and the filmmakers soon find out that Crowley’s legend is all too true.
Adam Green returns to the director’s chair…after abdicating it to B.J. McDonnell for part III…and again writes. The result is a lazy, by-the-numbers sequel with a few laughs and gory moments here and there, but the “been there done that” is heavily setting in. Green doesn’t offer anything we haven’t seen before in this series and delivers a fourth dose of the same gory kills and goofy humor in the same setting. Fans of this series will probably enjoy the familiarity, but if you are looking for Green to do something innovative to freshen up his franchise, you’ll be extremely disappointed. The gore FX are well done, but the film otherwise looks cheap and restricts a good two-thirds of the action to the wrecked plane interior and the immediate grounds surrounding it. The film centers on the whiny Andrew Yong and the likes of Danielle Harris’ vengeful Marybeth Dunston are sadly missed.
Kane Hodder returns as Crowley and stomping around and grunting is basically all the role requires him to do. Shen tries hard, but Yong is a supporting character and promoting him to lead really doesn’t help. Laura Ortiz shows a bit more spunk as movie make-up artist Rose and Dave Sheridan is fine as wannabe actor turned hero, Dillon. We also get horror vets Felissa Rose and Tiffany Shepis as Yong’s agent and ill-fated passenger, Casey, respectively. The cast get the material and go with it.
Overall, this is basically just more of the same and not very effectively at that. Adam Green doesn’t do anything to freshen up his slasher homage series and falls back on the same ole, same ole for his latest chapter in the Victor Crowley saga. It just comes across as lazy. The first film was amusing and the two sequels had their moments, but this fourth flick shows a franchise definitely running out of swamp gas.
With word coming today that Adam Green secretly filmed a fourth Hatchet flick entitled Victor Crowley, I thought I ‘d drag out my original Hatchet review written pre-blog -MZNJ
Hatchet is both a homage and a spoof of the slasher films of the 80s and it’s obvious director Adam Green has a love for the films he playfully has fun with. Hatchet is a gory but silly story of Victor Crowley, a deformed boogie man legend claims stalks the New Orleans bayou. When a group of tourists on a haunted swamp tour become shipwrecked in Crowley’s backyard, they soon learn this is one urban legend with a lot of truth to it.
While Green does a good job recreating one of those 80s slasher flicks, he’s not as totally successful at juggling the gory horror with the comedy elements. Green is not subtle here and the film jarringly changes tone between scenes where one minute it’s being a comedy, and the next it’s trying to be seriously spooky. It’s this back and forth that keeps one from completely settling into his tribute to all things Jason. Green is also hindered here from his inner film geek seeing his vision not as a story, but as a movie. This gives Hatchet a staged look, it looks like a movie filmed on sets whether it was or wasn’t. This robs us of the illusion of watching his story unfold and instead constantly reminds us that this is only a movie and these are not characters but actors. Even in a playful homage like this, we still need that illusion.
But, there is still fun to be had as Adam Green does both skewer and stroke the slasher genre. The gore is over the top and top notch and he points out with a wink the absurdities of some of the films it references…Crowley finding a hand sander in the middle of a swamp, rain at a most crucial and inappropriate time…and the film geek in us knows exactly where he’s coming from. Despite the flaws in his method we still get his madness. Stars horror legends Tony Todd, Robert Englund and Kane Hodder as Crowley.