The Oritani Theater

Photo from the Mitchell Dvoskin collection

If you’ve been visiting this site for a while you’ve probably heard me mention more than once, The Oritani Theater in Hackensack, N.J. The Oritani was a grind house, that presented badly dubbed martial arts movies, horror flicks, and raunchy low budget comedies during the late seventies and early 80s. I lived only a town away, so this was a go-to theater on a Friday and Saturday night for my friends and I, who shared a love of B-Movie horror and sci-fi. I decided to compose a list of 12 favorite flicks that I saw there, which are now regarded as classics, cult classics, or fan favorites. Some of these were seen when first released and a few of the older titles were at revivals or midnight shows there!

Click on the titles here to go to the review page for the corresponding movie!

  1. Escape From New York
  2. Galaxy of Terror
  3. Humanoids from the Deep
  4. The Texas Chainsaw Massacre
  5. Night of the Living Dead
  6. Scanners
  7. Mad Max
  8. The Boogens
  9. Shogun Assassin
  10. The Incredible Melting Man
  11. Laserblast
  12. Without Warning


-MonsterZero NJbars




(Just click on the movie titles to go to our full length reviews!)

Some film fans may remember Avco Embassy Pictures, though there also may be some of you out there who have never heard of them…but if you love movies, you certainly know some of their titles! When talking about Avco Embassy Pictures, it would also be remiss not to mention the name of Robert Rehme…and as a B-Movie fan, you might want to know who this man is, too…

Originally a distributor of foreign films, such as Godzilla: King Of The Monsters and Fellini’s 8 1/2, Avco Embassy was founded by legendary producer Joseph E. Levine in 1942. It wasn’t until the 60s when the studio began to produce it’s own films, including such classic’s as The Graduate, Mad Monster Party and The Producers, to name just a few.

Some classic genre flicks released/produced by Avco Embassy in their early years!

The era that should resonate most with horror, action and sci-fi fans, are the years between 1978 and 1982. During most of this time, a man named Robert Rehme ran the studio. After having been sold and then experiencing some financial trouble that brought production to a halt, Rehme was hired to get the studio producing and profitable again and that he did! Rehme, who got his start working for Roger Corman at New World Pictures, used some of his former employer’s methods and turned to lower budgeted, yet popular B-movies to get the studio back in the black. Avco Embassy started churning out such flicks prolifically for the next few years, producing many inexpensive but successful films. Under his watch, the studio produced and released such classics and cult classics as Phantasm, The Fog, Scanners, The Howling and Escape From New York among many others! This strategy was a success, as studio earnings quadrupled during Rehme’s time at the helm!

Some of the classics and cult favorites the studio churned out under Rehme between 78 and 82!

All good things do, however, come to an end. Robert Rehme moved on to work for Universal in 1981 and Avco Embassy was subsequently sold in 1982. The name was changed to simply Embassy Pictures and the new owners gradually moved away from such B-Movie fair focusing on turning out more mainstream movies such as Eddie And The Cruisers and the classic comedy This Is Spinal Tap. Their last theatrical feature saw it’s release in 1986 and laid to rest the legacy of a studio whose early 80s flourish produced numerous classics and cult favorites. While Avco is now long gone, and Rehme apparently retired after a lengthy career, the movies they turned out, especially during their golden age between 1978 and 1982, will immortalize Avco Embassy Pictures and Robert Rehme with movie buffs for all time!

-MonsterZero NJ

Unsung hero of many a horror and B-Movie classic and cult classic, Robert Rehme!

sources: Wikipedia/IMDB/internet




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(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

In Almost Human writer/director Joe Begos gave us a horror/sci-fi with some nice homages to flicks like Fire In The Sky and John Carpenter’s The Thing in a gore wrapped story of alien abduction and a creature within stalking a small rural town. Here Begos returns to pay tribute to David Cronenberg’s Scanners with a story of individuals with powerful psychic abilities, even setting his flick in the early 90s. The story tells of Zack (Graham Skipper) and Rachel (Jug Face and Darling’s Lauren Ashley Carter) who are two people with incredible psychokinetic abilities and are being held by Dr. Michael Slovak (John Speredakos) for his own nefarious purposes. The two escape and thus begins a tale of pursuit and revenge that leaves a trail of bodies in it’s wake.

Joe Begos certainly knows his influences and his affection for that which he pays homage is certainly apparent through his past two films. That being said, the same applies here even more so than Almost Human in that, while it is entertaining, the film is a little too close to it’s source material to really have it’s own identity. Almost Human was, at least, a bit of a mash-up within it’s own story. Here the flick is basically just a stripped down version of Cronenberg’s classic, right down to exploding heads…a tribute, we get that…to the climactic duel between good and evil psychokinetic powered individuals. Again, it is a fun tribute, that while it spares us the more complicated conspiracy aspects of Scanners, ups the gore and violence quotient in it’s place. As with Begos’ last flick, the film is moderately paced, which to be fair, is much like the films it purposely evokes. Also like Almost Human, the acting is again a bit wooden especially from the overacting Speredakos, who might have been a bit more threatening bad guy with some moderation and less eye-rolling. The gore FX are quite good, Begos has a good visual eye and style and there is a wonderfully nostalgic electronic score by Steve Moore to give it that 80s/early 90s feel.

Overall, this was an enjoyable tribute to a classic flick from a filmmaker who has an eye for what made those flicks work. As with Almost HumanBegos shows potential as a good low budget filmmaker who certainly has some classic influences and his heart in the right place. Now it’s time for him to take what he has learned from the films he grew up with and do his own thing…and looking forward to it when he does. A fun Cronenberg love letter that while isn’t overly original, successfully evokes what it is giving homage to. Also stars indie horror flick icon Larry Fessenden as Zack’s dad and Noah Segan who is racking up quite the horror resume.

-MonsterZero NJ

3 beers lifted cinematically to David Cronenberg.

worlds end rating