BARE BONES: FRANKENSTEIN vs. THE MUMMY, COME BACK TO ME and PREDESTINATION

FRANKENSTEIN vs. THE MUMMY (2015)

What could have been a fun monster flick is instead, at almost two hours, an overlong and extremely talkie bore with the title creatures battling for less than five minutes at the climax. The story has an Egyptian mummy being studied at a university by pretty Archeologist Naihla (Ashton Leigh) while Dr. Frankenstein (Max Rhyser)…or “Dr. F” as his students call him…teaches there while conducting his usual experiments. Obviously, as Naihla and the good doctor date, their respective projects are destined to clash.

Writer/director Damien Leone doesn’t do a bad job directing, it’s just that his script and tone are trying way too hard to make a serious horror out of a SYFY movie plot. There are endlessly long dialogue scenes and while the gore and make-up are quite well done, the film’s main selling point is treated as practically an afterthought at the film’s climax. I appreciate the taking of the story seriously, but do we need a 10 minute bonding conversation between Victor’s henchman and a homeless man he intends to kill anyway? Nowhere near the fun it should have been.

COME BACK TO ME (2014)

Film has an interesting premise, but unfortunately, is a bit weak on the execution. Flick has pretty wife Sarah (Katie Walder) suffering from blackouts and unexplained injuries who finds out her creepy neighbor (Nathan Keyes) is stalking her, too. Unknown to Sarah these events are connected as stalker Dale has a unique gift that he is using in a nightmarish capacity.

While I won’t spoil the disturbing reveal, I do like that writer James Leyden and director Paul Layden took the scenario of someone having a ‘special gift’ and put that gift into the hands of a very disturbed person. It’s like a cruel joke as the power could have been miraculous in the hands of someone with a better moral code and saner mind. Unfortunately, the film could have played the scenario out in a bit more of an intense and interesting manner and the acting could have been stronger. Not bad, but a film you wish was just a bit better due to the intriguing and disturbing premise. Climax did have some shock value.

PREDESTINATION (2014)

I could write a full review for this really interesting and entertaining flick, but the less you know going in the better. I will say that the movie is based on a Robert A. Heinlein short story about a’ temporal agent’ (Ethan Hawke) whose job it is to travel back in time to prevent criminal or terrorist acts. On his current mission to stop a bombing, the agent makes an illegal stop for more personal reasons to guide the fate of a transgendered male writer (an amazing Sarah Snook) and quite possible throws his mission and the lives of thousands into jeopardy…but why?

Written and directed by Michael and Peter Spierig, this is a very engaging Sci-Fi thriller that makes interesting use of the time travel paradoxes and sometimes really messes with our heads. Added in is a strong performance by Ethan Hawke and a phenomenal performance by Jessabelle’s Sarah Snook and you’ve got some intense thought-provoking science fiction. Highly Recommended!

 

 -MonsterZero NJ

10 PERFORMANCES THAT PROVE WOMEN RULED HORROR IN 2014!

THE TOP 10  PERFORMANCES OF 2014

Woman have always played a role in horror. Whether it be fiendish femme fatales, the damsels of yesteryear or the final girls of the modern era, they have always played a part. As this is Women In Horror Month, I’ve decide to look back at the past year and some very strong roles/performances from the ladies. 2014 was an exemplary year for female horror roles, as there were a lot of very strong performances from actresses in the lead parts of some of the year’s best flicks…and some movies where the performances was the only thing worth watching for. Which to me is solid proof that the ladies ruled horror in 2014!…

(Just click on the banners to go to our reviews of these films!)

#1 Essie Davis in The Babadook

#2 Karen Gillan in Oculus

#3 Jill Larson in The Taking Of Deborah Logan

#4 Alex Essoe in Starry Eyes

#5 Rose Leslie in Honeymoon

#6 Tilda Swinton in Only Lovers Left Alive

#7 Addison Timlin in The Town That Dreaded Sundown

#8 Sarah Snook in Jessabelle

#9 Danielle Harris in See No Evil 2

#10 Perdita Weeks in As Above, So Below

HONORABLE MENTION

Manuela Velasco in [REC] 4: Apocalypse

source: MonsterZero NJ

HORROR YOU MIGHT HAVE MISSED: JESSABELLE (2014)

JESSABELLE (2014)

(Clicking the highlighted links brings you to corresponding reviews and articles here at The Movie Madhouse!)

Jessabelle may not succeed in everything it sets out to do and may have some very familiar elements to it’s bayou-set supernatural mystery but, it’s got enough legitimate chills and spooky atmosphere to make it a moderately entertaining viewing.

The story finds twenty-something Jessabelle (Sarah Snook) pregnant and going to move in with her fiancé Mark (Brian Hallisay). But, a horrible car accident takes her fiancé and their unborn child from her and temporarily cripples her. She is forced to turn to her estranged father (David Andrews) and goes to live with him in his Louisiana home on the Bayou. But, as soon as she arrives, she starts to see and hear things and begins to have vivid and strange dreams. She also finds a series of VHS tapes her long-dead mother (Joelle Carter) made for her during her pregnancy, when she found out she had a terminal brain tumor and would not be there for Jessie’s upbringing. But, these tapes are anything but, sentimental. Her mother does tarot card readings that get more and more disturbing and prophetically warns Jessie of a presence in the house that does not want her there… a presence that increasingly makes itself known. Now Jessie must discover who is this restless and angry spirit, what do they want and even more so, who is buried in the bayou-side grave marked with the name Jessabelle and the date of her birth as it’s day of death.

Again, there are a lot of familiar elements in Ben Garant’s script, such as a wheelchair bound subject immersed in mystery, voodoo practices, angry long-haired spirits but, director Kevin Greutert is able to give the film a nice creepy atmosphere, some really spooky dream sequences and uses those familiar elements well enough to give us some decent chills here and there, such as a cliché but, still effective bathtub scene. There is an element of mystery here that works just fine, too and I will say I wasn’t quite expecting things to turn out like they did… though the ‘shocking’ climax wasn’t really shocking. Not everything works, some of the supernatural elements are too familiar and having a voodoo tinged flick set in Louisiana’s Bayou isn’t exactly new. There is also some weak dialog and a major character exits a bit too quickly to have resonance but, Greutert gets through it competently and I think he shows potential with a stronger story and a bit tighter script and he does get good work from his leading lady, which helps us go along with it to a good degree.

Pretty girl-next-door Sarah Snook gives us a solid heroine in her Jessabelle. It helps us get past some of the clichés that she gives her Jessie some intensity and likability. Andrews gives her father an air of a man who knows something he isn’t going to talk about and displays successfully the uncomfortableness of seeing his daughter for the first time in years and having to deal with her snooping into things he feels need to be left alone. Joelle Carter does a nice on-tape performance as her mother, Kate, who dabbled into some kind of voodoo and her performances gets increasingly creepy the further into the VHS tapes we go and it works very well in providing a few goose-bumps despite being nothing new. Rounding out the main cast is Mark Webber as old high school friend Preston who helps Jessie in her investigation and provides a little sexual tension despite his character being married.

So, Jessabelle isn’t a great movie and probably not an overly memorable one but, it takes it’s familiar story and time honored supernatural elements and creates a moderately entertaining enough supernatural mystery/thriller. There was some nice atmosphere and director Greutert used his locations well and did give us some chills despite walking ground tread frequently. The cast all handle the material well despite some clunky dialog and leading lady Sarah Snook gives us a serviceable heroine to root for. Sure, we’ve pretty much seen most of it before but, it kept my attention and the big reveal worked well enough as long as you don’t analyze things too much. There are better supernatural horrors out there but, certainly far, far worse.

2 and 1/2 VHS tapes.