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A trailer has finally arrived for the sequel to Fede Alvarez’s Don’t Breathe! Sequel is directed this time by Rodo Sayagues from his script with Alvarez. The two co-wrote the first flick with Alvarez at the helm. Don’t Breathe 2 is once again produced by Sam Raimi and Robert Tapert and seems to put the blind villain in more of an anti-hero role this time around.
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-MonsterZero NJ

Source and Photos: Sony Pictures; Youtube




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Religious themed horror finds down on his luck reporter Gerry Fenn (Jeffrey Dean Morgan), now covering Weekly World News level stories. While in the small rural town of Banfield, Massachusetts, investigating an obvious hoax, Fenn encounters young deaf/mute Alice (Cricket Brown), who can now hear and speak, and who credits The Virgin Mary herself for her miraculous healing. As Alice is now accomplishing miracles of her own, Fenn’s research uncovers that something far more malevolent may be responsible for these “divine” occurrences and Fenn himself may be the one that unleashed it.

Flick is directed in by-the-numbers fashion by Evan Spiliotopoulos, from his screenplay, based on the book Shrine by James Herbert. It is a dull and routine flick that never makes any attempt to add a little mystery as to whether these miracles are divine or demonic. We know from the first scene with Fenn that something evil has been unleashed and that religious leaders, including local priest Father Hagan (William Sadler) and the church’s Bishop Gyles (Cary Elwes) are being just as bamboozled as innocent Alice. There are no scares, the FX are obvious ho-hum CGI creations and the characters that populate this generic story are all stereotypical of such a tale…as are the events and finale just as predictable. A familiar and forgettable horror with a cast that deserved much better.

-MonsterZero NJ






MAJOR SPOILER WARNING! In order to properly compare these three films, I have to give DETAILED SPOILERS. If you haven’t seen Equinox, or Sam Raimi’s The Evil Dead and Evil Dead II, there are MASSIVE SPOILERS BELOW for each film. You have been warned!


For years horror movie fans have debated as to whether or not the 1970 low budget horror Equinox was an influence on Sam Raimi’s 1981 Evil Deadthough there are also strong similarities with it’s 1987 sequel Evil Dead IIas wellSam Raimi has never mentioned seeing it, though Evil Dead FX man Tom Sullivan has. We may never know for sure and it’s up to us then to decide for ourselves. So read on to take a look at just how these flicks compare…

(Click on the highlighted movie titles to go to the full length reviews and on the photos to enlarge them!)



Equinox finds Four college students David, Susan, Jim and Vicki (Edward Connell, Barbara Hewitt, Frank Bonner and Robin Christopher), venturing into the woods to meet a Prof. Waterman (Fritz Leiber), who, unknown to them, has discovered an ancient book of evil. They find his cabin destroyed and once acquiring the book from a creepy old man (Irving L. Lichtenstein), soon have the devil himself after them to get it back. In this film the evil has already been unleashed when our main characters arrive.

Sam Raimi’s classic The Evil Dead has five young people, Ash, his sister Cheryl, his girlfriend Linda, Scott and Scott’s girlfriend Shelly (Bruce Campbell, Ellen Sandweiss, Betsy Baker, Hal Delrich and Theresa Tilly), going up to a secluded cabin in the woods for a weekend of partying and fun. When they get to the rundown cabin, they find an old book and a tape recording in the creepy cellar that claims it is the book of the dead and wrapped in human flesh. Thinking it’s all a joke, they play the recording, which includes someone reading from the book, and find out the hard way that it’s all too real, as they unleash horror beyond their imaginations.

Evil Dead II finds Ash, now alone, trapped in the cabin with the forces of evil trying to get at him. Ash is soon joined by the daughter (Sarah Berry) of the archeologist, who formally inhabited the cabin and is the finder of the book. She and her party (Dan Hicks, Kassie Wesley and Richard Domeier) first think Ash has murdered her parents. Soon enough, though, the evil in the woods makes itself known and Ash joins forces with his new companions. Their numbers start to dwindle as the evil lays siege to the cabin and Ash must face this ancient terror in a final showdown.

There are some differences in plot details, but all three flicks have a cabin, a book of evil discovered by a professor and a group of unsuspecting characters, being attacked by an ancient evil. All three have demons and demonic manifestations from the book. All three have a story or backstory that is revealed by way of a reel to reel tape recording.




Equinox has the devil himself in the human disguise of park ranger, Mr. Asmodeus (theatrical cut director Jack Woods) pursuing the four characters to get the book back. He can take on the guise of one of the other characters and appears in a flying demon form near it’s climax. He also sends various minions to get the book, such as an octopus-like creature, a mutant ape and a blue giant. His minions appear to be able to be killed by conventional means, while he can be warded off with protection symbols from the book.

The Evil Dead Films feature ancient evil spirits known as Deadites, that are unleashed when either the book is read from directly, or a recorded reading from the book is played back. They want the souls of all those in the cabin and possess and torment the occupants claiming them one by one. Raimi’s film requires the possessed victim be totally dismembered to render them harmless. The Deadites seem to hail from somewhere around ancient Sumer and there are, like in Equinox, some creature-like minions in Evil Dead II. The Deadites appear to be only able to attack at night, while Equinox‘s evil is active both day and night.




Equinox’s ill-fated hero is college student David Fielding (Edward Connell). He’s a clean-cut all-American college student who is forced to come up against some supernatural odds. He’s resilient and brave and is pretty much the strongest and quickest thinker of his group of friends. Poor Dave ends up doomed and in an insane asylum, but before all that, he stands up to some intimidating evil.

Ash Williams (Bruce Campbell) is the Evil Dead franchise’s beleaguered hero. The now iconic Ash is a mild mannered fellow and a little on the cowardly side in the first film. He leaves it up to alpha male Scott to hack up his possessed sister Cheryl and generally do the hero stuff till the Deadites get Scott, too. This leaves Ash all alone to man-up and battle the Deadites. It’s not till the sequel that he starts to take on the mantle of a hero, although an arrogant and bumbling one.




Here, settings differ slightly though both include cabins and woods. The cabin we are traveling to in Equinox is already destroyed by the time our characters get there and the film takes place primarily after that in the surrounding forest.

Both Evil Dead and Evil Dead II take place primarily inside the cabin with a few unsuccessful sojourns out into the woods.

The cabins in all three films were previously occupied by professors who found the books of evil in question.




All Three movies contain books of evil that trigger the horrific ordeals the respective films’ characters endure. Equinox‘s book is discovered in the Persian Gulf by a Prof. Waterman and it is his examining the book and it’s contents that opens a portal allowing the evil to enter this world and seek the book’s return. It is described as a bible of evil.

The book of the Evil Dead films is the Naturan Demanto or Necronomicon…the book of the dead…and is described as Sumerian in origin and thus is discovered by a Professor Knowby (John Peaks), also in the Persian Gulf area.

Both books are filled with cryptic languages and spooky illustrations and are not only filled with dark rituals, but also ways to protect from the evils evoked.




Equinox opens interestingly at it’s climax with David on the run through the woods from the demonic evil and finding himself in a hospital after being hit on the road by a driverless car. A year later he’s gone insane and a reporter named Sloan (James Philips) investigates the story to find out what happen to him. It’s his reviewing David’s initial taped testimony that sets us on a flashback to what happened.

The Evil Dead opens with the camera racing through the woods with some ominous growling heard as it reaches the car carrying our main protagonists. It is quick and to the point, but sets the tone right away that something bad is going to happen to our five unsuspecting travelers as they head towards the cabin.

Evil Dead II simply picks up where the first left off, after a brief recap, with the evil attacking and briefly possessing Ash, who is saved by the rising sun. So, there is little similarity here.

All three films’ openings are perfect for setting us up for what is to come, starting us off with an atmosphere of fear and foreboding. Though there are only minor similarities here between Equinox andThe Evil Dead, none really with Evil Dead II…except, of course, for the woods setting each share.




In terms of their climaxes, all the films have endings that resonate.

Equinox ends with David in the asylum screaming for his cross which “accidentally” is now in the hands of reporter Sloan. It’s a year and a day after the incident at the park, the day the demon predicted David’s demise. As Sloan leaves the building, David’s dead girlfriend Susan is seen walking into the hospital. As we hear David’s cries for his cross over the soundtrack, a wicked smile appears on Susan’s face. Ominous and spooky, a last chill before you leave the theater.

The Evil Dead ends with Ash having barely escaped a vicious assault from his possessed friends by burning the book in the fireplace resulting in a roller coaster bloodbath of gore. As the sun starts to rise, he limps out the door only to have the camera race towards him growling like in the opening and coming right at his face as Ash utters a horrible scream. The film cuts to black and ends with the credits rolling; Ash apparently not as triumphant as he believed. It is ferociously quick and very effective, a last jolt before you leave the theater.

Evil Dead II comically has Ash being sucked into a vortex and deposited in the Middle Ages, where, at the moment, he is seen as a deliverer come to defeat the Deadites. Again as with the opening scene, no similarity here to Equinox other than the visual of a castle.

…though all three endings do involve screaming.





Here, pictures speak louder than words, with these visual similarities…




So, we have one flick that is a horror masterpiece and one of the greatest horror flicks of all time and another that is a cult classic, midnight movie from a decade earlier that may…or may not…have inspired it. Both were derived from short films. Equinox was re-edited with new footage added from the original The Equinox … A Journey into the Supernatural, a 70 minute film expanded for theatrical release. The Evil Dead was created from the short film Within the Woods, a thirty minute version of the same story made to attract investors. They both feature some startling SPFX on incredibly small budgets and took three or more years to finally hit theaters. Both are also first films made by young aspiring filmmakers, that made an impression and got careers off the ground for some of their makers and stars.

We may never know the actual truth as to whether Sam Raimi saw and was inspired by Equinox, but the story and visual similarities make for a striking argument. At this point it’s up to you to decide as to what you believe. Did Equinox inspire The Evil Dead, or is it just a cinematic coincidence? Either way, they are both horror classics in their own rights that are now held in high regard.

-MonsterZero NJ



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MonsterZero NJ’s Saturday Night Double Feature is back! For years horror fans have discussed the similarities between the 1970 low budget flick, Equinox and Sam Raimi’s Evil Dead. Was this flick an inspiration for Raimi’s classic, or was it all a coincidence? We may never know exactly, but we can watch both films together and decide for ourselves…


EQUINOX (1970)

Four college students (Edward Connell, Barbara Hewitt, Frank Bonner and Robin Christopher) venture into the woods to meet a professor (Fritz Leiber) who, unknown to them, has discovered an ancient book of evil. They find the cabin destroyed and once acquiring the book from a creepy old man (Irving L. Lichtenstein), find the devil himself is after them to get it back.

While this does sound like the plot of an Evil Dead film, it is actually the plot of the low budget horror, Equinox which was released in 1970. Over a decade before Raimi’s classic, the film does share a lot of plot elements, such as the students being possessed, here by the park ranger disguised Satan, and even the book itself is quite similar to Raimi’s Necronomicon. It’s never been stated that the film was an influence on Raimi’s flick, but Evil Dead effects artist Tom Sullivan admits seeing the film and it inspiring him to make movies. Draw you own conclusions.

Equinox is campy by today’s standards and is slow paced, unlike Raimi’s roller coaster ride, but there is some fun to be had and some nice SPFX for such a low budget flick. Equinox started out as a low budget short film, put together by three future FX legends, Dennis Muren, Jim Danforth and Dave Allen in 1967. It was made for about $6,500, from a story by Mark Thomas McGee and directed by Muren. So there is some great FX work for the time and budget, including some very cool stop-motion animated creatures, representing the Devil’s minions and Old Scratch himself in winged demon form. Producer Jack H. Harris saw their film and hired writer/director Jack Woods to film some new footage and expand the 70 minute short film into feature length and re-edit it. The film was finally released in 1970 as Equinox, shortened from the original title of Equinox…A Journey Into The Supernatural. I saw this as a kid and must admit it creeped me out back then. I watch it now and it’s more campy fun than scary, but it’s no denying that it is a valiant low budget effort, despite some very amateurish acting from the cast, including director Jack Woods, who also appears as The Devil in park ranger form.

This film, like Raimi’s, is now considered a classic. Whether it inspired Evil Dead or not, both films represent the achievement that future filmmakers can make on a micro-budget, if their hearts and talent are in the right place. Evil Dead fans should check it out for the interesting similarities, even if we may never know if Raimi indeed saw and was influenced by it, or if the familiar elements are just coincidence. It’s been released in a wonderful restored edition by the Criterion Collection, which includes the original short film and effects work that didn’t make the final cut. A campy, fun horror that gave the world, Dennis Muren, Jim Danforth and the late, great David Allen…and maybe…just maybe, Evil Dead.

-MonsterZero NJ

Rated A campy fun 3 (out of 4) blue giants!





The original Evil Dead is one of my all time favorite horror movies, if not the all time favorite. I was fortunate enough to see it in a theater when it was released in 1981 and it changed how I looked at horror movies. This one was furiously paced, wildly inventive and delivered buckets of blood and gore, all on a shoestring budget. It launched writer/director Sam Raimi’s career and made a cult legend out of star Bruce Campbell.

The film opens as Ash (Bruce Campbell) and girlfriend, Linda (Betsy Baker) are traveling to vacation in a remote cabin with another couple, Scott (Hal Delrich) and Shelly (Sarah York), along with Ash’s sister, Cheryl (Ellen Sandweiss). When they get to the rundown cabin they find an old book and a tape recording, in the creepy cellar, that claims it is the book of the dead and wrapped in human flesh. Thinking it’s all a joke, they play the recording, which includes someone reading from the book and find out the hard way that it’s all too real, as they unleash horror beyond their imaginations. The quiet Cheryl is the first to be possessed, as she is attacked and literally raped by the trees during one of the film’s most talked about scenes, As the panicked bunch lock her in the cellar, it is only the beginning as they are soon possessed one by one by an ancient evil that can only be stopped by total bodily dismemberment. Let the fun begin!

The first Evil Dead did not have the heavy comic elements of it’s two sequels or recent series and what follows is a gore soaked roller coaster ride, when Ash finds himself the last man standing against his demon possessed friends. Raimi uses some fantastically inventive camera work and low budget gore effects to bring us Ash’s battle to survive against the people he once loved, in all it’s gory glory. The film is fast paced and once it starts, it never stops, as this classic turns the screws on it’s viewing audience with a barrage of scares, jolts and suspense, all bathed in buckets of blood. This was the first of it’s kind to use such a relentless and merciless attack on it’s viewers where most films at the time, like John Carpenter’s Halloween, or the original Friday The 13th, used a bit of a slower burn and more of a methodical pace to present it’s suspense and scares. Raimi paces this like an action flick. Carpenter did crank things up in the last act of The Fog, a year earlier, but it was still nothing like Raimi’s final act, as the outnumbered Ash refuses to “join us”, as his demonic assailants constantly taunt.

Evil Dead revolutionized horror to a degree and inspired some of today’s best young horror directors. Without it, we may not have a Blair Witch, Dead Alive or Martyrs. While we still get the occasional slow burn horror like Paranormal Activity and the films of Ti West and Stevan Mena, which is just fine, Raimi opened the door for horror filmmakers to take a far more aggressive approach and showed us horror can be deliriously scary, delightfully gory and just plain fun. A true classic that placed Raimi amongst the likes of George Romero and John Carpenter!

-MonsterZero NJ

Check out our review of the remake!

A solid 4 (out of 4) Ash salute!




If you’ve got time, add Evil Dead II as a third feature, which also shares some amusing similarities with Dennis Muren and Jack Woods’ 1970 cult classic!

-MonsterZero NJ




Photo by Steve Granitz/


Legendary horror director Sam Raimi hits a milestone birthday today at 60 years young! Raimi is the creator of the now classic Evil Dead franchise, as well as, produced a number of horror flicks for other up and coming filmmakers, not to mention directed three Spider-Man flicks! Happy Birthday to this legend of modern horror!

-MonsterZero NJ

Sources: internet




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CRAWL (2019)

New flick from director Alexandre Aja (Haute Tension, Piranha 3D) and producer Sam Raimi is basically 2010’s Burning Bright with alligators instead of a tiger…and that’s not necessarily a bad thing. Flick has massive category 5 hurricane Wendy hitting Florida so hard even rescue operations are imperiled. College student Haley Keller (Kaya Scodelario) defies evacuation orders to track down her father Dave (Barry Pepper), who hasn’t answered texts or calls. She finds him at their old family house unconscious in the basement and soon finds out why…the rapidly flooding house is surrounded by a pack of very hungry alligators.

Aja directs from a script by Michael and Shawn Rasmussen (The Ward) and delivers a fun and sometimes intense thriller. We follow the father and daughter as they try to evade the reptilian predators both inside and outside, while the storm intensifies around them and slowly fills the house with water. There are some very suspenseful moments as Haley tries to get out of the basement and get help for her injured father, who is too hurt to escape on his own. It makes for some very tense moments as the vicious reptiles can come from almost anywhere and often do. In case we’ve forgotten what damage a gator can inflict, some would-be looters and a couple of cops arrive to become gory gator fodder to remind us. The film does slow down for a few moments here and there to give us some character development and some father/daughter bonding. It works both for and against the movie, as it does build a nice relationship between Haley and David, turning them into three dimensional characters, but also stops the momentum dead, at times, as the alligators seem to disappear during these moments. Once the third act kicks in, though, it’s all cat and mouse between Kellers and alligators as the waters rise in the gators’ advantage. Here Aja does what he does best and provides some intense and brutal action. The film looks great with a lot of underwater photography in the flooded house and Haley is put through some very tense and suspenseful set-pieces as she tries to escape and/or save her dad. A fun summer flick with some gory bite that doesn’t overstay it’s welcome at a brisk 87 minutes.

It’s basically a two character show with the occasional gator snack showing up. Actress Kaya Scodelario has been through this before in Tiger House, where she played John McLane to a bunch of thieves that lay siege to her boyfriend’s house. Her Haley is courageous and resilient and does just as well against alligators as her Kelly did against home invaders. Scodelario proves she is not only a good actress, who can bring intensity, but she can kick ass as an action heroine. She gives Haley some nice depth in the quieter moments between scenes of her battling her reptilian adversaries with anything and everything available. Barry Pepper is also solid as her father, Dave. His character is both mourning a divorce and injured by gator bite and Pepper gives him some depth, so we feel for him. The two actors have a nice on-screen chemistry and work very well together portraying a father and daughter, who have their issues with each other. Good casting especially since the movie is very much on their shoulders.

Alexandre Aja is a versatile filmmaker even though he does seem to prefer the horror genre. This flick is not as intense or savage as his Hills Have Eyes remake, or outright bonkers like his ridiculously gory and fun Piranha 3D. It’s a mainstream thriller with some intense moments and some gory action, but not enough to scare off the casual movie goer. It does slow down for some character development and while that’s a good thing in making us care for these folks, it does kill the momentum in a few spots. Otherwise this is a tense and entertaining popcorn thriller from a director who knows intensity.

On a side note…This is a case of the trailer giving away too many good moments. If you plan to see this and haven’t watched the trailer yet…DON’T!

-MonsterZero NJ

3 (out of 4) alligators!




For those interested but be WARNED, trailer is SPOILER heavy…




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DARKMAN (1990)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

Darkman is Sam Raimi’s first big studio film and is a fun horror movie/superhero flick mash-up. It tells the tale of Dr. Peyton Westlake (Liam Neeson), whose life’s work is to create synthetic skin. His lawyer girlfriend Julie Hastings (Frances McDormand), however, has unintentionally crossed paths with ruthless land developer Strack (Colin Friels) and crime boss Robert Durant (Larry Drake) who send thugs to Westlake’s home/lab to collect some incriminating paperwork. This results in Peyton being brutalized and badly burned with his work destroyed. Now horribly disfigured and without the ability to feel pain, Westlake continues his work in hiding and uses his ability to create skin masks to infiltrate the criminal organization…and exact gruesome revenge!

Flick is directed by Sam Raimi from Raimi’s story and a script by he and four other writers. That’s a lot of scribes for what is basically Phantom of the Opera meets Batman, but it’s far from the mess that number implies. Darkman is actually a fun and amusingly gruesome superhero/revenge flick as Neeson’s scientist turned vigilante hunts down Durant’s thugs, while carving out a path towards the gangster and his crooked developer partner. He also tries to restart his romance with Julie with a hilarious and tragic amusement park scene being the result of that epic fail. The film has a strong comic book vibe, with over-the-top characters, such as Evil Dead II’s Dan Hicks playing a one-legged thug with a machine gun in his wooden leg. There is a lot of action, but as this is a horror film, too, some cartoon-ishly gruesome death’s for Durant’s men. Raimi isn’t afraid to get bloody, as this is rated R, yet maintains the feel of a comic book, which probably got him the job directing three Spider-Man flicks. He takes his material seriously, yet has a lot of fun with it.

The cast all get the material. Neeson plays Westlake as a charming but dedicated scientist and then makes for a very Phantom of the Opera-esque vigilante when he transforms into a vengeful anti-hero. Frances McDormand is good as Julie, who is at first fooled by Strack’s charms. As Strack, Friels makes for a charming yet slimy villain. Drake is very good as the brutal crime boss Durant. He can be ruthless and cruel and is a perfect match for the once kind, now vengeful Westlake. The supporting cast including Nicholas Worth, the before mentioned Hicks and a cameoing Bruce Campbell, all get the tone of the material and their characters.

Overall this is a really fun flick that captures the comic book spirit sometimes better than the straight-up superhero flicks of the time. The cast all get the tone of the material and despite the overabundance or writers, it’s a clever script that balances the comic book style with the horror elements perfectly…as does Raimi’s direction. There is action and drama and some gruesome ends to some very deserving creeps. Inspired a pair of direct to video sequels with The Mummy’s Arnold Vosloo taking over as Westlake.


-MonsterZero NJ

Rated 3 an 1/2 Darkmen (out of 4).









MonsterZero NJ’s Movie Madhouse wishes the legendary Bruce Campbell a very happy 61st birthday!…


…and as a special treat…your own MonsterZero NJ being strangled by Mr. Campbell himself at the 1992 Chiller Theater convention in Hackensack N.J.!…


-MonsterZero NJ





A young woman (Kaya Scodelario) is hunted by a massive alligator during a fierce hurricane in this new thriller directed by Alexandre Aja and produced by Sam Raimi and Ghost House Pictures! Flick is set to hit theaters 7/12/19!

-MonsterZero NJ


source: Youtube




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ASH vs EVIL DEAD season 3 (2018)

“Good sex is 30 seconds followed by a cheeseburger”– Ash Williams

(Clicking the highlighted links brings you to corresponding reviews and articles here at The Movie Madhouse!)

Ash vs Evil Dead season three is the final season, not only for the canceled, cult favorite show, but also a final farewell to Bruce Campbell’s Ash, too, as with it’s cancellation, the actor has officially announced his retirement from the role. One can’t fault him, he’s been playing the character on and off for over thirty years and is a true horror icon. Thank you, Bruce!

Season three arrived later than usual, debuting on February 25, 2018 and opens with Ash (Bruce Campbell) still in Elk’s Grove, Michigan and now running his father’s hardware store. Ash also finds out he has a daughter, Brandy (Arielle Carver-O’Neill) who immediately becomes a target of Ruby (Lucy Lawless) and her evil schemes to create Hell on Earth. Pablo (Ray Santiago) is selling tacos outside the hardware store and Kelly (Dana DeLorenzo) returns, along with a Knight of Sumeria, Dalton (Lindsay Farris), who belongs to an order sworn to assist “The Chosen One”. Can Ash handle fatherhood and fighting evil, as Ruby has birthed a hell-spawn of her own and The Dark Ones are soon to rise?

Like the past two seasons, this one has it weak spots and strong points. Season three starts off a tad shaky with introducing Brandy pretty much right off the bat, in the first episode Family and then having her thrown into the gory action before we or Ash really get a chance to embrace her. Not only are father and daughter thrown together a little too quickly, but new characters such as Brandy’s mother Candy (Katrina Hobbs) and knight Dalton get introduced and then meet their fates way too early for the characters to have resonated. A little more time with them would have been nice. There is still the trademarked gory action and some of it is quite clever, like a scene in the music room of Brandy’s school in episode #1, which utilizes musical instruments in quite a bloody inventive way. There are also some funny bits, too, such as Ash checking on his “donations” at a local sperm bank in Booth 3. The stuff involving Ruby’s pregnancy and birth are as disturbing as a delightful inappropriate funeral scene in Apparently Dead, is hilarious. Things start to get serious in episode four and then build in intensity as Ruby’s hungry offspring grows, Pablo comes into his own as a Brujo and Ash and his daughter bond in blood…and pop tarts. There are some really great moments in the second half, though few match a final showdown between Kelly and Ruby in Tales from the Rift, which is really intense and violent and shows how much Kelly has grown as a character. There are a few weak spots, too, such as yet another evil Ash doppelganger in Twist and Shout, but all the death, resurrection and blood and gore hasn’t quite warn out it’s welcome just yet. The last few episodes all lead up to the return of The Dark Ones and Ash’s confrontation with the massive demon Kandar, himself, as Deadite chaos erupts all over the world in the finale, The Mettle of Man. It’s a strong finish to the season and the show as a whole and the last scene is true to the Evil Dead spirit and is typical Ash. A fond farewell.

The cast are enjoyable as ever and certainly will be missed. Campbell plays the role with the same perfect blend of hero and schlep he has from the beginning. He pulls it all off with his trademark swagger and a little newly added paternal instinct when it comes to his daughter. As Brandy, Arielle Carver-O’Neill is a chip off the old chainsaw. Early on she is a typical troublesome teen who is not eager to accept that her dad is Ashy Slashy, but by the last few episodes is dispatching evil with the same blood-soaked gusto as her dad. The actress is quite appealing and it would have been nice to see the character evolve further. Dana DeLorenzo still shines as Kelly. Her showdown with Ruby might be one of her finest moments and one of the best episodes in the entire three season run. Ray Santiago really owns the role of Pablo, especially now that he is a full Brujo Especial. He’s a very talented actor, who has a gift for comedy and can be a hero, as well as, a sidekick. Lucy Lawless continues to be a strong villain as Ruby. Here she is defying not only Ash, but the Dark Ones themselves, which leads to Ruby being on everyone’s hit list. Lawless oozes malice and devilish confidence. Newbies Lindsay Farris as Sumarian Knight Dalton and Katrina Hobbs as Brandy’s mom Candy, both are good in their parts, but neither character hangs around long enough to really make an impact or get fully developed. To get to the meat of the story, some character development went out the window with the supporting players. Good news to fans of last season, though, Lee Majors returns in episodes Apparently Dead and Unfinished Business as Ash’s dead dad Brock. Couldn’t have cast Ash’s dad any better.

In conclusion, This was consistent with the other two seasons and thus fans should be thankful for three solid seasons of Ash and his battle against the Deadites. There were a few weak spots, but they were outweighed by lot of fun and gory moments, true to the franchise. The last half of the season was really strong and gave us a satisfying…and very Evil Dead…finale as the show and it’s star are not returning. Thanks to Bruce Campbell, Sam Raimi and the rest of the cast and crew for finishing Ash’s story in true Evil Dead style.


  1. Family – directed by Mark Beesley and written by Mark Verheiden
  2. Booth Three – directed by Mark Beesley and written by Rob Fresco
  3. Apparently Dead – directed by Diego & Andres Meza-Valdes and written by Ivan Raimi
  4. Unfinished Business – directed by Daniel Nettheim and written by Nicki Paluga
  5. Baby Proof – directed by Daniel Nettheim and written by Luke Kalteaux
  6. Tales from the Rift – directed by Regan Hall and written by Aaron Lam
  7. Twist and Shout – directed by Mark Beesley and written by Caitlin Meares
  8. Rifting Apart – directed by Mark Beesley and written by Bryan Hill
  9. Judgement Day – directed and written by Rick Jacobson
  10. The Mettle of Man – directed and written by Rick Jacobson


…and a farewell message from “Ash Williams” himself, Bruce Campbell…

“Good people, Evil Dead fans everywhere, I bid you a heartfelt farewell playing Ash – the character I took acting lessons with for 39 years. I am hereby retiring from that portrayal. It’s time. I followed Ash from his formative years thru his mid-life crisis and decline. What a thrill! What a privilege! We had a great resurgence with the help of Starz (kudos not jeers, folks). They made it possible for 15 more hours of Evil Dead-ness in your life – the equivalent of 10 more features! Is Ash dead? Never. Ash is as much a concept as a person. Where there is evil in this world, there must be one to counter – man or woman, it matters not.

Thanks for watching.

Love, Bruce”

-MonsterZero NJ

3 and 1/2 groovy chainsaws.
evil dead 2 rating