This is a terrible found footage flick that has a young woman (Samantha Stewart) traveling to L.A. from her home of New Orleans after an affair with a married man provokes his voodoo practicing wife. She’s filming her trip, hence the found footage format and her footage catches the escalating pursuit by evil spirits till she is literally dragged to Hell…camera still filming, of course!
Flick is awfully written and directed by Tom Costabile and the only reason it gets the extra star is for having the audacity of being the first…at least I think so…found footage movie to take place in Hell. It is laughably bad for the most part, though it’s depiction of Hell does hit Baskin levels of offensiveness with newborn babies being eaten alive and our heroine being raped by Satan himself…or one of his muscular horned demons, I can’t really tell. It’s disturbingly graphic, though wears out it’s welcome quickly, but in terms of legitimate chills and thrills, it’s completely void and Costabile seems to know little or nothing about actual voodoo. At least pretty lead Samantha Stewart and co-star Ruth Reynolds were appealing.
SHUT IN (2016)
Moderately amusing thriller has widowed child psychologist Mary (Naomi Watts) caring for her catatonic 18 year-old step-son (Charlie Heaton) after an accident that also claimed her husband’s life. At the same time, she is concerned about a young patient of hers (Room’s Jacob Tremblay) that has run away into the Maine woods with a massive snowstorm approaching rapidly. As the snowfall traps Mary in the house, she starts to feel there is something strange going on and soon believes she is possibly being haunted by the now feared dead boy’s spirit.
Flick written by Christina Hudson and directed by Farren Blackbum is a completely generic and routine thriller with Watt’s solid performance being the only thing that keeps us entertained. She is a veteran actress and handles the weak material well, adding some emotional depth to the mundane goings on and making Mary very sympathetic and likable. The big reveal isn’t exactly a surprise and actually adds a creepy and uncomfortable sexual element to the proceedings, though one the filmmakers aren’t daring enough to go too far with as they shift the focus off it rather quickly, returning to the safer stalking about a dark house finale. If nothing else is on, it’s not a complete waste of time and the 48 year-old Watts still looks quite fetching in the buff. Also stars Oliver Platt as a psychologist friend of Mary’s.