TOMB OF NOSTALGIA: HAPPY 35th ANNIVERSARY to JOHN CARPENTER’S THE FOG (1980)

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JOHN CARPENTER’S THE FOG (1980)

John Carpenter’s The Fog was released on February 8th 1980 and my butt was there in a theater to see it! So, in honor of the 35th anniversary of one of my all-time favorite horror flicks, I am re-posting this look back at Carpenter’s classic!

One of my all time favorite horrors and one of my favorite John Carpenter flicks, in fact, since I was too young to see Halloween when it came out, this was the first Carpenter film I saw in a theater and the flick that started me on my love of his movies.

The Fog tells the story of the 100 year anniversary of the small coastal California town of Antonio Bay and as the town prepares for it’s centennial celebration, a dark secret is revealed. Legend has it a leper colony paid the founders of Antonio Bay a lot of gold to let them settle nearby but, they were betrayed and murdered, as their ship was lured onto the rocks to crash and sink on a fog laden night. All were lost but, now a horde of vengeful spirits returns from the sea, wrapped in a surreal fog, to make the descendants of those who wronged them, pay with their lives.

The Fog focuses not on a main character but, a group of central characters whose individual experiences during this supernatural crisis bring them slowly all together for it’s tense and creepy final act set in the town church. A good cast, including Jamie Lee Curtis as hitchhiker Elizabeth, Tom Atkins as local fisherman Nick, Janet Leigh as centennial chairwoman Kathy Williams and Adrienne Barbeau as single mom and radio DJ Stevie Wayne, give life to this ensemble and make them characters we like and care about so, we fear for them when they are placed in harm’s way. Add to that Hal Holbrook as the town’s alcoholic priest and a host of Carpenter regulars…with even a cameo by Carpenter himself…and you have a film wonderfully filled with a variety of characters who are all potential victims for the marauding phantoms. As for those phantoms, lets not forget to mention the ghostly Captain Blake (FX man Rob Bottin) and his vengeful crew who are portrayed with in-camera practical FX. This makes them quite spooky and gives them a heavy dose of menace and a lot of effectiveness when they are on the attack. There is loads of atmosphere and some very solid scares and suspense created by Carpenter, along with some great cinematography from frequent Carpenter collaborator Dean Cundey, which makes this a good, solid, old-fashioned ghost story and a fun Halloween season treat. Carpenter again delivers a score which adds chills and foreboding to his tale of ghostly revenge, much like he did for Halloween and he starts the film off perfectly with a chillingly fun opening sequence featuring veteran John Houseman as a crusty sailor who likes to tell kids scary stories. It sets the mood for the thrills and chills yet to come. This classic was made back when there was no phoney CGI, just solid make-up effects from master Rob Bottin (who went on to do The Thing’s FX for Carpenter) and some very basic down to earth smoke and mirrors style visuals, that are as beautiful as they are scary. A great flick the likes of which they rarely make anymore and one of MonsterZero NJ’s must-watch flicks during the Halloween season!

The film is available, for the first time, on blu-ray from Scream Factory with all the extras from previous releases plus, an added new commentary track with Barbeau, Atkins and Tommy Lee Wallace and two really fun and informative interviews with Jamie Lee Curtis and Cinematographer Dean Cundey who also supervised the absolutely gorgeous new transfer!

4 spectral sailors!

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MONSTERZERO NJ’S SATURDAY NIGHT DOUBLE FEATURE: THE THING 2011 and THE FLY II

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I thought it would be fun to do a sequel to my double feature of remakes The Thing and The Fly from a few weeks back by offering a double bill look at their perspective sequels…

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THE THING (2011)

John Carpenter’s The Thing is one of my all time favorite movies. It’s a classic and arguably Carpenter’s masterpiece. So, I tried to put the audacity aside that someone would attempt a prequel and went in trying to view this film on it’s own merits as much as possible. Ultimately, since it’s trying to be part of that film’s story, you kinda have to compare and my mind constantly made comparisons all throughout. Overall, I wasn’t that impressed, but also didn’t hate it and over time it has grown on me as a sort of amusing companion piece. Still, obviously far from a classic like it’s predecessor.

2011’s The Thing takes place in the Norwegian camp that is seen briefly in Carpenter’s film in smoldering ruins. It details their finding of the alien ship and it’s passenger in the ice and it’s subsequent escape and infiltration of the camp and assimilation of various members. The Norwegians are joined by some American’s including Mary Elizabeth Winstead as Paleontologist Kate Lloyd, Eric Christian Olsen as scientist Adam Finch and Joel Edgerton as helicopter pilot Sam. Aside from Ulrich Thompson as lead scientist Dr. Sander Halvorson, the rest are interchangeable and generic characters that serve mostly as body count. Only Winstead really tries to make Kate a more rounded character, but she isn’t given much to do but look concerned, or scared, or both, till the last act.

This is where The Thing fails to assimilate the 1982 perfectly as it’s title creature would. Director Matthijs van Heijningen Jr. fails to generate much suspense or create the kind of paranoia that fueled the 82 classic. He does create a bit of a sense of dread, but for the most part, he directs this “prequel” competently, but very by-the-numbers. There’s very little of the kind of tension Carpenter built during his film, even though the situation is basically the same. Even if he was trying to craft a film that was more it’s own “thing” he still doesn’t have the directing chops to really pull it off. The film has a nice visual style and there are some well done action sequences and they did do a good job of matching sets and events to link up with the film this is a prequel to, but it simply doesn’t come close to Thing ’82.

Heijningen doesn’t get that much help out of his actors either. Other than Winstead and Edgerton, most of them pretty much perform on ‘paycheck’ levels and there are none of the memorable characters like Carpenter’s eclectic bunch. Well, at least there should be some cool monster stuff, right? Not quite. All this talk of practical effects during production was nonsense as 90% of what we see is CGI, or enhanced with CGI, and it’s only a few levels about your average SYFY channel movie. So, even the monster evokes no emotion, because it looks like what it is, phoney. And to be honest, the designs lack the impact of Rob Bottin’s now legendary work. Even at their weakest moments, Bottin’s creature transformations generated awe or disgust. You’d think they’d take advantage of almost 30 years of technological advancement in movie effects, yet the creatures have  little impact. And, speaking of our alien star, we are never given much more information about the creature then we already know from Thing ’82. They totally blow the opportunity to add to the creature’s mythos.

I’ll admit, there were a few scenes I liked, especially toward the end where the camp is thrown into all out combat with our computer generated invader and there are some clever bits like one involving tooth fillings. I also liked Winstead’s Kate as our lead. I think Winstead is capable of strong roles and it’s too bad she’s wasn’t given stronger stuff till the last act here. She makes a credible heroine. The end credits nod to the Carpenter flick is the best stuff in the movie. At least the lead-in stuff worked very well and the film ends on a spooky note as we know what comes next… a far superior movie.

In conclusion, I didn’t hate this flick, but would only recommend it as an amusing curiosity or a mindless popcorn monster flick as long as you forget about it even trying to add up to the Kurt Russell starrer. The Thing 2011 did have almost impossible shoes to fill and while it falls far short of the mark, it’s also not the complete disaster it’s made out to be. Best “thing” about the movie is that it is a lead in to Carpenter’s flick, so you can always watch that afterwards.

2 and 1/2 flame thrower wielding cuties!

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THE FLY II (1989) 

 With The Fly being a critical and box office hit, a sequel was inevitable. And while this Cronenberg-less follow-up is no classic, it’s actually a fun monster movie on it’s own. The story opens with Ronnie (played now by Geena Davis lookalike Saffron Henderson) giving birth at Bartok Industries to Seth Brundle’s child. She dies from shock as what appears to be a monstrosity is born, but it is actually a human baby sealed in a cocoon. Martin Brundel (Harley Cross as a child, Eric Stoltz as an adult) is far from a normal human, though, as he grows at an accelerated rate, has his father’s genius intelligence and is being intensely studied by a team of scientists. At 5 years old he is fully grown and his genius is put to work by Anton Bartok (Lee Richardson) on perfecting his father’s telepods that Bartok’s people can’t get to function properly. Bartok acts as a father figure, but is just using and studying Martin like a lab animal waiting for the inevitable. Despite never having been away from Bartok’s research labs, Martin has enough social skills to meet and woo pretty Beth (Daphne Zuniga), an employee from another division and soon starts to look into what really happened to his father and thus what might happen to him, leading him to seek out Stathis Borans (a returning John Getz) for answers. And like father like son, as the film’s tagline proclaims, Martin soon starts to transform and tries to figure out a cure as he begins to become an insectoid creature like his father. Will Martin share the same fate as his dad or can he free himself and find peace and love with Beth?

As directed by Fly FX man Chris Walas, Fly II is an entertaining monster movie with some cool action sequences as well as some gruesome ones. He doesn’t try to match Cronenberg’s gem for emotional intensity, though there are some effective dramatic scenes involving Martin trying to cope with who and what he is and a scene involving a lab dog he bonds with, that is especially moving and fuels his learning of Bartok’s true nature. The cast perform well with Stoltz making a charming and tragic hero and Zuniga a spunky girl next door heroine. Richardson and Chalk make contemptible villains and while they are fairly routine bad guys, we dislike them enough to look forward to their possible comeuppance. The FX are top notch for this pre-CGI time with animatronics and make-up being used to represent the various lab creatures and Martin’s progressive transformation. There is some really good gore, as it’s no surprise that the last act does turn into a full blown monster on-the-loose flick when Martin becomes an insect-like creature with a human intelligence stalking the halls of Bartok and getting revenge on those who mistreated him, while trying to save himself and Beth. Christopher Young gives the film a really strong score that is not quite Howard Shore’s, but very effective on it’s own and the cinematography by Robin Vidgeon makes good use of the Bartok interiors.

All in all, Fly II is an entertaining horror flick and while it is far from the near masterpiece of it’s predecessor, it wasn’t meant to be and it is a fun popcorn monster flick that honors the film it sequalizes and makes for an entertaining viewing, after the intensity of the Cronenberg classic. If you haven’t seen it and like the 1986 flick, give it a go!

3 flys!

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MONSTERZERO NJ’S SATURDAY NIGHT DOUBLE FEATURE: THE THING and THE FLY

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This week’s double feature showcases two horror classics, both great remakes of films that themselves were classics and both directed by two of the greatest horror directors of the modern era. Watched this the other night and it was a great evening of classic horror cinema!

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THE THING (1982)

Arguably John Carpenter’s best film and his masterpiece, The Thing  was a remake of Howard Hawks’ 1951 classic The Thing From Another World, which was itself based on John W. Campbell’s story Who Goes There? Instead of using the 1951 film’s walking, blood sucking alien vegetable, he went back to Campbell’s story which featured an alien creature capable of imitating whatever it fed on. Carpenter’s film opens with an isolated American research station in Antarctica being buzzed by a Norwegian helicopter that seems to be trying to gun down a lone sled dog. The incident results in the helicopter being destroyed and both raving occupants being killed, one by the station commander Gary (Donald Moffat) in defense of his crew. Now the team including helicopter pilot MacReady (Kurt Russell) are stuck with a bizarre mystery and the surviving sled dog. But, when MacReady and Doctor Copper (Richard Dysart) investigate the Norwegian camp, they find it destroyed, it’s occupants dead and a huge hollowed out block of ice… not to mention a burned corpse of something barely human. The investigating of the evidence indicates the Norwegians found a strange ship in the ice and brought a specimen back to their camp that apparently was not dead when thawed out. But the real nightmare is yet to come as the Norwegian dog reveals itself to be something quite unworldly and that an alien creature with the ability to absorb and become it’s prey may now be among them… or worse, may be one or more of them already. The paranoia and terror grows as the team try to discover who may be a creature in disguise and the creature feeds their paranoia and seeks to eliminate any of the men with the scientific knowhow to unmask it. Can those still human stop it and if they fail, what will happen to the rest of humanity? The Thing is both a masterpiece of suspense and tension, as well as, of visceral horror. Carpenter along with Bill Lancaster’s script perfectly creates the paranoia of not knowing who around you is human and who is not. The setting of isolation is made all that apparent as Carpenter seals his characters in an ice and snow surrounded maze of hallways and dark rooms where the 12 men are trapped with something very inhuman and they can’t even trust each other as it could be anyone. The team all suspect each other but, as is human nature, turn to those they like for support and turn on those they may have not liked or not gotten along with before. We have 12 men who are social outcasts thrust into a situation where no one is coming to their rescue and they are forced to not only try to save themselves but, literally save the planet as their failure to stop this creature will unleash it upon an unsuspecting world. And just so we fully understand the enormity of this creature’s threat, we are treated, via make-up FX master Rob Bottin (and Stan WInston who created the dog kennel creature), to some of the most gruesome creature transformation sequences ever filmed. Bottin convinced Carpenter to not go with a standard true form for the creature design but, an organism that is constantly changing and different once revealed and is made up of parts of all the beings it has absorbed during it’s journey through space. And the results are visually horrifying and still hold their full impact even today. And all this is brilliantly filmed by cinematographer Dean Cundey and accented by a haunting score by Ennio Morricone… who later voiced disapproval of how Carpenter used it. It is said the prominent electronic bits were actually written by Carpenter though, a lot of Morricone’s music is still used. As for the human players, obviously this is Kurt Russell’s show as he plays a man who is reluctantly forced to try to save a world he seems intent on hiding from and does so, honorably and selflessly. With 12 characters not everyone is given a lot of attention but, the cast all handle their roles well in presenting a bunch of eclectic social misfits who would rather be in the antarctic then with the rest of the world. The standouts aside from Russell’s MacReady are Dysart’s Dr. Copper, Moffat’s Gary, who crumbles when he really needs to take charge forcing MacReady to lead the rest, Keith David’s Childs and Brimley’s scientist Blair. Ironic as Brimley has voiced his complete distain for the film. Maybe he should have read the script before signing on? Rounding out a solid cast are Richard Masur as Clark, David Clennon as stoner Palmer, Charles Hallahan as the meek Norris, Joel Polis as the quiet scientist Fuchs, T.K. Carter as the smart-ass cook Nauls, Thomas G. Waites as cowardly radioman Windows and Peter Maloney as complainer Bennings. Carpenter’s wife at the time, actress Adrienne Barbeau, also has a vocal cameo as the voice of MacReady’s chess computer. The history of this film is as legendary as the film itself. The flick was critically panned for it’s gruesome gore FX and grim tone and audiences stayed away… not me though, I saw it at least 3 times back in the day… and it has taken decades for it to finally be recognized as the masterpiece and classic it truly is. Simply a great horror/sci-fi film that has yet to be equalled. Followed by a Carpenter-less prequel in 2011 that is a moderately amusing companion piece at best.

A classic 4 Things!

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THE FLY (1986) 

Much like Carpenter’s The Thing, David Cronenberg’s The Fly is based on a 1950s horror flick of the same name and similar plot which itself is based on a short story, this one written by George Langelaan. Cronenberg’s telling is of brilliant scientist Seth Brundle ( Jeff Goldblum) who plans to revolutionize travel and change the world by creating teleportation devices which can instantly transfer people from one place to another when perfected. He meets and falls for pretty journalist Veronica (Geena Davis) and decides to reveal his work to the world through her as she documents his progress. The two quickly become lovers and during an evening when Ronnie leaves to deal with slimy publisher/ ex-boyfriend Stathis Borans (John Getz), a jealous and drunk Brundle decides to use himself as the first human test subject for teleportation. At first Brundle seems to somehow have been improved through teleporting being stronger and faster but, soon his body and behavior starts to change for the worse and his health starts to deteriorate. An investigation into his teleporting session reveals a fly was in the telepod with him and the computer became confused and fused their DNA at a molecular level. Now the man is slowly turing into a monster and Ronnie is torn between staying to help the man she loves or fleeing an evolving creature that becomes less human… and more dangerous… by the day. Where David Hedison’s scientist in the 1958 classic simply became a human with a fly’s head and claw and the fly had his human head, Cronenberg, working from his own draft from Charles Edward Pogue’s script, uses the transformation as a metaphor for disease… some interpret it as AIDS but, Cronenberg himself nixes the idea he was being so specific. Instead of swapping part’s, Goldblum’s Brundle is merged with the insect at a molecular level and Cronenberg treats us to a grotesque and horrifying gradual transformation from man to insectoid monster. All the more effective because we like the charming and eccentric Seth so much and the romance between he and Veronica works so well, we are horrified to watch him degenerate in front of his helpless lover. Davis and Goldblum have such great chemistry together and both give terrific performances which really makes the film work as we become endeared to this cute and off-beat couple and watching her pain and his confusion and terror as he mutates slowly into a human/insect hybrid, that can walk on ceilings and and could kill viciously if provoked, is mortifying . And as performances go, let’s not forget John Getz who creates a slimy, self centered jerk in Stathis Borans yet, still makes him heroic and sympathetic during the films horrifying climax. Even minor supporting characters all perform well here. The SPFX from Chris Walas Inc. are stunning and rightfully won an Academy Award… though Goldblum was robbed of a deserved nomination. Walas and his team gruesomely take us from skin blemishes and fingernails falling off to a full blown insectoid creature in the film’s intense and heartbreaking last act. Their make-up FX not only show the graphic effects of the gradual transformation but, allow the human underneath to come through and enhances an already sympathetic and strong performance by our leading man. Assisting Cronenberg, his actors and his FX team is a wonderfully moody and intense score by Howard Shore and atmospheric cinematography by Mark Irwin. The Fly is a true horror classic and arguably Cronenberg’s best film and was oddly praised for the same reasons our first feature The Thing was criticized for only 4 years earlier. It is a horrifying and yet heartbreaking sci-fi film about the price and sacrifice one man pays for delving into things possibly best left alone. And underneath all the grotesquery and horror, there is also a tragic love story and an allegory to the torment of dealing with the illness of a loved one or one’s self. A great horror but, also, simply a great movie. Followed in 1989 by an amusing but, far inferior sequel that had only Getz returning as a bitter and now handicapped Borans and was directed by Fly FX man Chris Walas.

A classic 4 flies!

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TOMB OF NOSTALGIA: LEGEND: DIRECTOR’S CUT (1985)

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LEGEND: DIRECTOR’S CUT (1985)

In 1985 when Ridley Scott tested the 113 minute cut of his fantasy epic Legend, it didn’t test well with audiences and it was deemed that it took far too long to get to the action. The film American audiences finally saw was 89 minutes but, the film was a box office failure anyway. Now the film has been restored to Scott’s original 113 minute cut and has been beautifully presented on blu-ray for fans to finally see the film Scott intended. But, is it a better film then what I originally saw in a theater in 1985? I think so. I will agree it does take a lot longer to get to the questing and rescuing but, a lot of the fairy tale elements and atmosphere have been restored with this edition of these removed sequences and a lot more story and character interaction does enrich the film and make it less a music video and more a fantasy film. The restoring of Jerry Goldsmith’s score also changes the atmosphere and gives it more of an epic fantasy feeling. I like Tangerine Dream’s work on the theatrical cut, but, it does give it more of the before mentioned music video vibe. Remember MTV was still new and a big thing when this was released so, I wouldn’t doubt that was what they were going for. Legend tells the story of lone woodsman Jack (Tom Cruise) who is trying to woo a princess named Lili (Mia Sara). He decides to take her to see the last pair of unicorns whose magic keeps the sun rising and good and light in this fantasy world. But, the evil Lord Of Darkness (Tim Curry) plans to destroy the unicorns and bathe the world in darkness so he and his minions may rule. When the unicorns are distracted by the innocence of virginal Lili, one is poisoned and it’s horn stolen by Darkness’ goblins. Soon they capture the last remaining unicorn and Lili as well and Darkness plans to kill the magical animal and wed the girl. Now it is up to Jack and an assortment of Wood Elves, Brownies and Fairies to rescue Lili and save the unicorn from within Darkness’ lair. Whether it’s the director’s cut or theatrical cut, Legend is an amazingly beautiful and sumptuous visual fantasy feast under Ridely Scott’s lens. The visuals are stunning and without benefit of CGI and they, even by today’s high-tech standards, are breathtaking. There is plenty of action and a lot of strange creatures both good and bad and all rendered with some fantastic make-up FX from The Thing’s Rob Bottin. Tim Curry’s Darkness has become an iconic character and is truly remarkable to see. Again, no CGI. As for the acting, Cruise and Sara are fine but, it was early in both careers and the performances are not as strong as they would be today, now that both are veterans. Curry on the other hand, radiates both evil and malicious charm through the layers of latex and even though he looks completely inhuman on the outside, he gives the Dark Lord a vivid personality and makes him a threatening villain worthy of such an epic fantasy film. Overall, we have a lot more moments with all these characters together with the expanded cut. To me it adds a richness to the film that wasn’t there in the theatrical version, especially in Jack and Lili’s relationship, their feelings for each other are far more explored and we get a better idea of why Jack risks so much for her. I feel this Legend is far more a fairy tale in this version then fantasy themed action movie and like Jackson’s Lord Of The Rings films decades later, it’s worth sitting through more of these little moments to emotionally enrich the film as it only gives the action scenes more depth. I still think the theatrical cut has it’s merits as a fun, breezy 90 minutes of fantasy action but, if you want more depth and don’t mind spending a bit more time reveling in Ridley Scott’s beautiful fantasy world, then the director’s cut is for you.

3 and 1/2 Lords of Darkness!

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TOMB OF NOSTALGIA: THE FOG (1980)

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JOHN CARPENTER’S THE FOG (1980)

Since The Fog has just been released on blu-ray from the awesome folks at Scream Factory, I thought I’d roll out another Tomb Of Nostalgia and take a look back at this classic ghost tale…

One of my all time favorite horrors and one of my favorite John Carpenter flicks, in fact, since I was too young to see Halloween when it came out, this was the first Carpenter film I saw in a theater and the flick that started me on my love of his movies.

The Fog tells the story of the 100 year anniversary of the small coastal California town of Antonio Bay and as the town prepares for it’s centennial celebration, a dark secret is revealed. Legend has it a leper colony paid the founders of Antonio Bay a lot of gold to let them settle nearby but, they were betrayed and murdered, as their ship was lured onto the rocks to crash and sink on a fog laden night. All were lost but, now a horde of vengeful spirits returns from the sea, wrapped in a surreal fog, to make the descendants of those who wronged them, pay with their lives.

The Fog focuses not on a main character but, a group of central characters whose individual experiences during this supernatural crisis bring them slowly all together for it’s tense and creepy final act set in the town church. A good cast, including Jamie Lee Curtis as hitchhiker Elizabeth, Tom Atkins as local fisherman Nick, Janet Leigh as centennial chairwoman Kathy Williams and Adrienne Barbeau as single mom and radio DJ Stevie Wayne, give life to this ensemble and make them characters we like and care about so, we fear for them when they are placed in harm’s way. Add to that Hal Holbrook as the town’s alcoholic priest and a host of Carpenter regulars…with even a cameo by Carpenter himself…and you have a film wonderfully filled with a variety of characters who are all potential victims for the marauding phantoms. As for those phantoms, lets not forget to mention the ghostly Captain Blake (FX man Rob Bottin) and his vengeful crew who are portrayed with in-camera practical FX. This makes them quite spooky and gives them a heavy dose of menace and a lot of effectiveness when they are on the attack. There is loads of atmosphere and some very solid scares and suspense created by Carpenter, along with some great cinematography from frequent Carpenter collaborator Dean Cundey, which makes this a good, solid, old-fashioned ghost story and a fun Halloween season treat. Carpenter again delivers a score which adds chills and foreboding to his tale of ghostly revenge, much like he did for Halloween and he starts the film off perfectly with a chillingly fun opening sequence featuring veteran John Houseman as a crusty sailor who likes to tell kids scary stories. It sets the mood for the thrills and chills yet to come. This classic was made back when there was no phoney CGI, just solid make-up effects from master Rob Bottin (who went on to do The Thing’s FX for Carpenter) and some very basic down to earth smoke and mirrors style visuals, that are as beautiful as they are scary. A great flick the likes of which they rarely make anymore and one of MonsterZero NJ’s must-watch flicks during the Halloween season!

As stated, the film was just released for the first time on blu-ray from Scream Factory with all the extras from previous releases plus an added new commentary track with Barbeau, Atkins and Tommy Lee Wallace and two really fun and informative interviews with Jamie Lee Curtis and Cinematographer Dean Cundey who also supervised the absolutely gorgeous new transfer!

4 spectral sailors!

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TOMB OF NOSTALGIA: THE HOWLING (1981)

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THE HOWLING (1981)

The Howling is a true horror classic and ranks among one of the best werewolf movies ever made. Joe Dante, fresh off of Roger Corman’s Piranha, re-teams with writer John Sayles for a fun and spooky tale of lycanthrope loose in the California hills that was based on a book by Gary Brandner.

After a traumatic close call with a strangely animalistic serial killer named Eddie Quist (Robert Picardo), a young newswoman, Karen (Dee Wallace) is sent to a holistic retreat by her therapist, Dr. Waggner (Patrick Macnee) for treatment. But unknown to Karen and her husband, Bill (Christopher Stone), The Colony is actually a haven for werewolves that the therapist is trying to civilize…and that a certain, Eddie Quist was one of his ‘patients’. Some of the pack have other ideas and are looking at Karen as their next meal.

Dante brings a very Roger Corman feel to the proceedings and gives the legendary producer a cameo as well. The film has some fun moments, but also some legitimate scares, too and Dante mixes fear and fun very well with one never overshadowing the other. Makeup FX master Rob Bottin provides the creature and gore FX and beat American Werewolf In London by a few months with the first on-camera werewolf transformation and it still impresses after all these years and got him the job on John Carpenter’s The Thing.

A great cast, including legends Slim Pickens, John Carradine and Dick Miller, that knows when to play it straight and when to camp it up, adds to the mix and makes this a very entertaining Halloween treat and a bonfire horror classic. Countless sequels followed that all sucked, but this one still holds up and is one of my personal viewing choices for the Halloween season. Also stars the smoking hot Elizabeth Brooks as sexy nymphomaniac werewolf, Marsha. The Howling was just re-released on a gorgeously remastered and extra filled blu-ray from Scream Factory that gives the flick new bite!

The Howling bites off a classic 3 and 1/2 menaced reporters!

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Monster Zero NJ Trivia: Also a poet and singer, Elizabeth Brooks became a cult figure after the film, but her movie career never really took off despite the attention the sexy role got her. Single mom Brooks kept busy as a producer and acting coach, but sadly passed away in 1997 after a battle with brain cancer. Genre fans though, will always remember her fondly for her sizzling performance as one of the sexiest werewolves of all time and she is immortalized as Marsha in this classic horror!

elisabeth-brooks-the-howlingElizabeth Brooks as sexy lycanthrope Marsha Quist.

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