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Never one to pass up an opportunity to make a buck on a trend, Roger Corman put this space opera into production with the hopes of capturing a little of the Star Wars lightening in New World Pictures’ bottle. The story finds the inhabitants of the peaceful planet of Akir, under siege from Sador of the Malmori (John Saxon), a ruthless warlord who conquers worlds and uses spare body parts to keep himself young and tyrannical. Not able to defend themselves, village elder Zed (Jeff Corey) sends the rebellious young Shad (Richard Thomas) out to hire mercenaries to defend their planet against the invading army. Can Shad find warriors bad and brave enough to take on Sador and his planet-destroying Hammerhead starship?

As you can tell by the story description, this is more a take on Akira Kurosawa’s Seven Samurai than a retread of George Lucas’ box office titan, though Star Wars rip-off it shamelessly still is. No more obvious than the planet name Akir, which is a tribute to the legendary Japanese director, whose story is being appropriated here. The fun script is by John Sayles (Piranha, The Howling) and it’s directed with a comic book flare by Jimmy T. Murakami, who previously had experience in animation. The film never makes a joke out of the proceedings, but is loaded with humor and plenty of innovative SPFX on a small budget, as designed by James (Terminator, Aliens, Avatar) Cameron. The action is fast and furious, there is a variety of ships to go along with the motley group of mercenaries and it’s all a good time as intended. Sure it’s only got about a fifth of Star Wars’ budget, but the film has loads of heart and the hard work and imagination of everyone that worked on it shows through. The FX can be cheesy and there are a few spots where things slow down a bit, but otherwise it is a cult classic in it’s own right and how can you not like a movie that has a spaceship with a set of boobs…only in a Roger Corman flick, folks!

The cast really make this work especially well. All the actors get the tone and none of them treat the material like a joke, yet still have a good time with their roles. Richard Thomas makes a noble hero as Shad. A young man willing to risk all to save his world and people. Darlanne Fluegel is pretty and resilient as Nanelia, who joins Shad on his quest and becomes his first love interest. John Saxon is simply on target with his portrayal of Sador. He gives him a sense of malice and villainy, yet is careful to never carry him too far into over-the-top territory, so he stays threatening. As our warriors, we have George Peppard as “Space Cowboy” a space trucker caught up in the fight, Robert Vaughn as Gelt, an outlaw on the run, Sybil Danning as the beautiful but arrogant warrior woman Saint-Exmin, Morgan Woodward as the reptilian Cayman, who has a personal grudge against Sador, as well as, a heat communicating duo called The Kelvin and a group of five clones, who act and think as one, called The Nestor. And let’s not forget Sador’s army of patchwork mutants, too. A colorful and diverse group of characters if there ever was.

A cult classic in itself, this is a fun low budget space epic with loads of heart. Sure, the sets are cheesy, as are some of the SPFX, the dialogue corny and the pacing a little erratic, but this movie is a lot of fun. The cast all get the material and give it their all. The imagination of James Cameron and his FX crew is up on screen and it has one of James Horner’s best scores. A Roger Corman cult classic that may have been inspired by George Lucas’ surprise blockbuster, but has earned an identity and place in B-movie history all it’s own.

-MonsterZero NJ

Rated 3 (out of 4) Sadors.









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Based on Stephen King’s book, this TV mini-series was first aired back in November of 1990 and it’s taken me quite a long time but, I have finally caught up with it. To be clear, I haven’t read the book so, I am viewing the movie as a movie and not comparing it to the original source material for which I am not familiar.

Book based horror tells the story of 7 childhood friends in the small Maine town of Derry, where, at this time, there have been a rash of murders and disappearances of small children including the little brother of one of the group. And soon after, the group themselves become terrorized by something evil in the form of a horrifying clown who calls himself Pennywise (Tim Curry). The creature preys on their fears and weaknesses until the seven friend’s finally gather the courage to enter the abandoned sewer plant where they believe this creature lives and after a terrifying confrontation, appear to have defeated it. But, they make a promise that if “It” ever returns they would come together and fight the creature once more… But, after 30 years their worst nightmares come true and children start to disappear or are found murdered again in Derry and the call is raised for the “Loser’s Club” to rejoin and keep their promise. But, the horrors of what happened in 1960 are hard to overcome and worse yet, the mysterious and sinister Pennywise knows they are coming and is more than ready. Can the group defeat their own fears and reunite to put this fiend to rest once and for all… or will they all finally fall victim to the monstrous clown… or whatever it is that has haunted this town for generations?

TV movie directed by John Carpenter alumni Tommy Lee Wallace (Halloween III, the original Fright Night II), who also adapted King’s book with Lawrence D. Cohen, is a well made and entertaining film though a bit long-winded when watched all at once instead of broken up into two parts as when it was originally aired. The film starts off in 1990 as we are first treated to the murder of a poor child by the fleetingly glimpsed Pennywise and then slowly over the course of the first 90 minutes we are introduced to the main characters both as children and adults and then shown the horrifying events that take place in 1960 that lead up to the being’s temporary defeat and the pact made to return if need be. The narrative is a little choppy but, it smoothes out after about 3/4 of an hour and since King likes to add extensive detail and backgroud to his many characters, it’s easy to see why the filmmakers weren’t 100% successful in relaying that to screen even with 3 hours to work with. The narrative is much smoother in it’s second half as it builds to the reunion of friends and then it’s climactic confrontation. Even with the uneven narrative in the first act, the film is effective and creepy fun, especially when Curry is onscreen as Pennywise. He really nails the whole scary clown thing and seems to be having a blast as the sinister villain. It’s in the final battle when sadly It let’s us down as the film turns into another movie altogether once the creature, in it’s true form, is revealed. Not only does the climax become a routine monster movie complete with a generic creature, but, it robs us of what we have been wanting to see all along, Pennywise getting what’s coming to him. The creature in true form is basically a monstrous spider and while I liked the charming stop-motion animation from Terminator FX man Gene Warren Jr. and his Fantasy II Film Effects, it simply doesn’t resonate and is devoid of what made the film work for the last 2 and 1/2 hours, Curry’s creepy clown. Overall, I think Wallace did a good job and he certainly learned from Carpenter as evidence by his camera angles and Richard Leiterman’s Dean Cundey-esque cinematography but, the film’s cheesy monster movie (and I love cheesy monster movies) ending doesn’t give his film the horrifying and powerful climax the story needs. Whether it was the script or the book itself that disappoints… though friends assure me the book does not… we need this to end with an intense bang and not a whimper. And despite all it gets right, the film does end on a whimper and that is really sad because otherwise, this was a very engaging and fun horror flick with talented people involved on all fronts from behind the camera to a fine cast.

And as for the cast, Wallace get’s good work out of them all, but, obviously Curry takes the creepy ball and runs with it and makes this his show. Pennywise is a true cinema villain with Curry under the grease paint and it’s sad he is replaced by Boris the spider at the climax. The rest of the cast both young and adult actors are good. We have… Richard Thomas as adult Bill Denbrough with Johathan Brandis as young Bill, Annette O’Toole as adult Beverly Marsh with Ginger Snaps‘ Emily Perkins as young Beverly, John Ritter as adult Ben Hanscom and Brandon Crane as young Ben, Harry Anderson as adult Richie Tozier and Buffy’s Seth Green as young Richie, Fade To Black’s Dennis Christopher as adult Eddie Kaspbrak and Adam Faraizi as young Eddie, Tim Reid as adult Mike Hanlon and Marlon Taylor as young Mike with last, but not least, Richard Mazur as adult Stanley Uris with Ben Heller as young Stan. They all do a good job giving some personality to their characters, both in young and adult incarnations and are an endearing bunch. A solid cast who perform their roles well though, all upstaged by Curry and, as he is to haunt their nightmares, rightfully so!

So, I will say I enjoyed It and am now curious to read the book. The ending did let me down, although it was the type of ending I would have enjoyed if it were attached to a low budget monster movie and not the finale that we were building three hours up to. Overall, I would still recommend it as a creepy good time and one of the better TV made movies around, it’s just a shame that it falls short of classic status due to a final act which doesn’t live up to the rest of the film’s promise.

3 creepy clowns.

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