Cult Classic Cuties are characters from some of our favorite cult classics and midnight movies who captured our hearts and/or actresses who got our attention, but sadly never returned to these types of flicks. They’re femme fatales and final girls whose sexy stars shined only briefly, not quite achieving scream queen status. And this installment’s cutie is…
With this being Black History Month, this installment of Cult Classic Cuties is going to feature a beautiful actress who despite a long and prolific career, that appears to be still going, has only performed in two horror films in the five decades that she has been working. Lynne Moody’s first feature film was the horror classic sequel, Scream Blacula Scream in 1973 and she has been acting in movies and television ever since! Her only return to the horror genre was another cult classic chiller, The Evil with Richard Crenna in 1978!
(You can read my full review for the movies she’s appeared in by clicking the highlighted titles!)
So, we have another beautiful and talented actress who only made two stops in the horror genre despite a decades-spanning career. Both films are cult classics in their own right and thus Lynne Moody definitely qualifies as a Cult Classic Cutie!
(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)
70’s Blaxsploitation flick from producer Samuel Z. Arkoff and the legendary American International Pictures isn’t one of the best of that era, but certainly isn’t among the worst. Sugar Hill tells the supernatural story of Diana Hill (Marki Bey) who is known to everyone as Sugar. Sugar’s boyfriend, Langston (Larry D. Johnson) is murdered by gangsters and the distraught woman turns to voodoo to exact revenge. Soon the men of crime boss Morgan (Robert Quarry) start to fall, as Sugar and her army of zombies hunt them down one by one and gruesomely murder them.
Flick is the one directorial effort from prolific producer and writer Paul Maslansky from a script by Tim Kelly. It’s directed a bit by-the-numbers and has a somewhat slow pace even for a 90 minute film. Sugar Hill does benefit now from it’s nostalgic charm, but that doesn’t totally get us past that some of the acting is a bit too bad to enjoy at times and the dialogue a bit too badly written to really laugh at. Don Pedro Colley’s Baron Samedi, for example, is almost comical, despite the film’s dead serious tone. There are some amusingly cheesy SPFX…especially the make-up on the zombies…and a few spooky moments, too, such as when they first rise. If that doesn’t add some entertainment to it, there are always some of gangster Morgan’s outfits to provide nostalgia and chuckles. It is also of interest to see how racist, misogynist and sexist a movie could be in that era without raising a ruckus, as in today’s politically correct times. Not to mention, as well, how much PG rated films got away with before the ratings system became more conservative in the 80s. Lastly, this story of a woman who uses voodoo to avenge her lover’s murder has it’s heroine become so gleeful at slaughtering the mobsters who beat her fiancé to death, that sometimes it’s hard to root for her. Sure the bad guys deserve it, but she is now just as bloodthirsty, or more so, than the men she stalks and kills. It’s a thin line, but sometimes it’s hard to get behind someone who’d work perfectly as the villain in another movie. Then again, Sugar Hill is not a morality play, but simple exploitation entertainment.
Overall, this is an amusing example of a distinct era of filmmaking, but not quite one of the best, though there are those that might argue that. Sugar Hill is certainly worth seeking out by those interested in Blaxsploitation cinema and does have it’s entertainment value. Also stars Richard Lawson, who appeared as “Willis” in Scream Blacula Scream, as Det. Valentine and Zara Cully as voodoo priestess Mama Maitresse.