Zombie flick finds an outbreak occurring after an army convoy has a serious accident outside of Las Vegas and a containment canister is opened, releasing a vicious and fast moving zombie. It, and some of the soldiers it transforms by bite, head towards the Entertainment Capitol of the World and soon it’s overrun. After unsuccessfully trying to purge Vegas of the living dead, the army has sealed off the city and there are plans to nuke it. Enter down on his luck ex-soldier Scott Ward (Dave Bautista), who is hired by businessman Hunter Bly (Hiroyuki Sanada) to assemble a team and go into zombie infested Las Vegas to steal $250 Million from a casino hotel safe before the nuke hits. No surprise that things don’t go as planned.
Netflix release is directed by Zack Snyder from his script with Shay Hatten and Joby Harold. It’s a fun heist/zombie flick that is loaded with gore, but also has some heart and a little character depth amidst all the gory spectacle. The visuals are spectacular, as with any Snyder flick, and for a 2 and 1/2 hour movie it moves well and keeps one bloodily entertained. There are a few kinks added to classic zombie lore…while they still have to be shot in the head, there are levels of zombies including some that think, move fast and have emotions, aside from just voracious appetites. The colorful cast, including Ella Purnell, Ana de la Reguera and a hilariously sarcastic Tig Notaro are solid and Bautista shows he has developed some nice chops and is capable of leading man status. There are a few slow spots here and there, but otherwise it’s a bloody fun time and loaded with gunfire, chases and showers of gore. Also stars Matthias Schweighöfer, Omari Hardwick, Raúl Castillo, Nora Arnezeder and Samantha Win as the rest of Ward’s team and actor/stuntman Richard Cetrone (Ghosts of Mars) as the zombie king.
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Ghosts of Mars was John Carpenter’s last film before he took an almost decade long break from filmmaking. The movie takes place in the future where Earth is terraforming and colonizing Mars. A squad of police officers, including Lt. Melanie Ballard (Natasha Henstridge), Sgt. Jericho Butler (Jason Statham) and Cmd. Helena Braddock (Pam Grier), are sent to a small mining outpost to collect career criminal James “Desolation” Williams (Ice Cube), who is suspected of robbing a payroll delivery and brutally murdering six people. What they find, aside from a jailed Williams, is that an ancient evil has been released by the miners and has taken over the colonists and turned them into savage killers. Now trapped and outnumbered, they have to join forces with Williams, his criminal posse, and the other inmates, to survive.
Film is directed by Carpenter from a script by he and Larry Sulkis. Carpenter’s appreciation for British writer Nigel Kneale is evident here as Ghosts has elements of Kneale’s Quatermass and the Pit (also known as Five Million Years to Earth) and Carpenter’s own Assault on Precinct 13. We have the spirit forms of an ancient Martian race of savage warriors released from their tomb and possessing individuals, turning them into savage blood-thirsty killers, who are determined to oust the human invaders. This forces cop and criminal alike to team up to survive, as the Martians lay siege to the outpost prison. The film was not a success back in the day, but looking back it’s not as bad as it’s reputation suggests, though still one of Carpenter’s lesser efforts. There is plenty of action, abundant bloodletting and gore and the SPFX are charmingly old school on GOM’s modest budget. Carpenter had a little fun with telling certain scenes from different POVs and it has some spooky moments when dealing with it’s Martian specters, who can move from one host to another when a previous host is felled. The Martians themselves are creepy with bizarre face paint and gory body piercings. It’s only when their leader (Richard Cetrone) speaks that the scenes loose their potency as he seems to be uttering gibberish and not an actual structured language, like say, Klingon or any of the Star Wars aliens. It’s a bit distracting, but thankfully those scenes are brief and few. Overall, the film is derivative, but Carpenter still crafts a fun, action/horror with a good cast and some entertaining character interaction. One of Carpenter’s strong points has always been memorable characters and it’s no different here.
As for the cast playing those characters, Natasha Henstridge makes a strong lead in what Carpenter’s intro describes as a matriarchal society. Ballard is a fighter with her own issues and she and Ice Cube work well together. As Williams, Ice Cube is solid as the criminal with a bit of a code of honor. Sure, someone with a bit stronger screen presence, like Wesley Snipes, could have taken Williams into Snake Plissken territory, but Cube is more than efficient. Statham is good as the cocky and horny Jericho Butler and it’s interesting seeing him in a supporting role, before he became a top action star. Pam Grier is every bit the legend she is as the tough Cmd. Braddock and Joanna Cassidy is good as a scientist responsible for the Martians’ release. She supplies a lot of the exposition we need, as does a clever sequence of a stoned and possessed Ballard that fills in the backstory. Supporting cast include Clea DuVall (The Faculty), an imposing Richard Cetrone as the Martian war chief and small roles from Carpenter regular Peter Jason and Robert Carradine as train operators.
Maybe it’s the nostalgia, but all these years later this flick doesn’t seem quite as disappointing as it first did on opening day in 2001. GOM is still not Carpenter’s strongest work, or most original flick, but it’s also not his worst flick either. Carpenter crafts an entertaining action flick, with some spooky sci-fi/horror elements and has a good cast. It’s not perfect, but he does add some inventive touches and moments to a derivative story and it moves quickly at just under an hour and 40 minutes. Gary B. Kibbe provides some nice cinematography for Carpenter’s shots and Carpenter himself provides a rock heavy score with some famous names guesting on it, like Steve Vai, Anthrax and Buckethead*. GOM does show signs of a filmmaker getting tired of the whole process, but also one who can still make good use out of a familiar story and on a modest budget.
*Complete track listing with guest artists listed below trailer!
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