MONSTERZERO NJ’S SATURDAY NIGHT DOUBLE FEATURE: FRIDAY THE 13th PART 3 and FRIDAY THE 13th: THE FINAL CHAPTER

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As I’ve stated previously, I have been revisiting a lot of 80s horror flicks recently, especially some of the more infamous slashers and have set my sights on revisiting the Friday The 13th sequels. While I’m not the biggest fan of this series, apart from the first film, I have found my revisit has some nice added 80s nostalgia to them and that is adding a lot of fun to this horror series…plus some of these installments bring back memories of long gone theaters and fun evenings with friends. The third and fourth installments fit nicely together as they not only take place right after each other, but Jason now gains his hockey mask and fully becomes the character we all know…
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FRIDAY THE 13th PART 3 (1982)

Friday The 13th Part 3 is a slight improvement over Part 2 ,but still a mixed bag, though it does hold some nostalgic importance to me as it was another film seen at my cherished Oritani theater in Hackensack, N.J. Released during the 80s 3D revival, sparked by Comin’ At Ya, the film was made and released in 3D and is filled with objects being thrust at the camera. This is just plain distracting when watched in 2D and wasn’t that great in pre-digital 3D either. The film opens the story formula up somewhat with this chapter being set at a lake house and not a summer camp. This installment has pretty Chris Higgins (super cute Dana Kimmell) returning with friends for a getaway at her family’s house on Crystal Lake, where 2 years earlier she survived an attack in the woods by a deformed man…hmmm, who could that be? It’s no stretch to guess that soon Chris’ friends and anyone else in the vicinity of the house, start to be dispatched in gory ways by that same deformed man.

Steven Miner directed again and this time he does get a little intensity going, especially in the last act which is an extended chase with Chris going all final girl with Jason. The film does start out with a bit slower pace and takes a while to get going, but the last act does kick into gear. Having twice the budget than the last film, it shows with a slightly larger scale and more elaborate stunts. Miner also directs with a bit more of a humorous touch in this installment, too, which works both for and against it. It gives it a bit different tone, but also keeps the first and second acts a bit light till Jason really gets going and things get serious. It does kinda take the edge off of the impact of the kills and atmosphere, till the final half hour when the intensity kicks in. This is, however, also the film where Jason (the late Richard Brooker) not only gained his iconic hockey mask and look, but was also portrayed as the bigger and stronger adversary that he remained throughout the series. He has a lot more of an imposing persona and more of his trademark relentlessness here than in Part 2. The kills are a little bloodier, too, but still not as gory as Part 1 and some of them are a little silly, such as a character bringing a spear gun to a house on a lake.

The cast are again fine with Kimmel being a favorite of the sequels’ final girls. She is not only adorable, but makes a good damsel who is also feisty and resourceful and fights back with intensity. The rest of the characters are a little more colorful than usual, including a three person biker gang and two hippie stoners. The young, attractive actors give these characters some added life, so they are more likable and a bit less cliche’ than in the previous entry.

Overall, this is an entertaining enough entry. It still can’t touch the first movie, but was on fairly equal footing with the sequel it followed. It also was fun enough to keep one interested in the series and awaiting the next adventure of Mr. Voorhees…which would be one of his best.

MONSTERZERO NJ EXTRA TRIVIA:  There is a scene where the pretty Debbie (Tracie Savage) is reading an issue of Fangoria and opens the page to a Godzilla article. That is a nod from director Steve Miner who was planning to make an American Godzilla movie in 3D back in the 80s, well over a decade before the Roland Emmerich disaster. The film obviously never got made. Too bad. It sounded better than what we got in 98.

UPDATE 2/8/2015: After a lot of deliberation and checking of release dates, I have come to believe that “Friday The 13th part 3 in 3D” may very well have been the last film I saw at my beloved Oritani Theater. If correct, Friday 8/13/1982 is the last time I was at this great theater and special place…and this, the final film I watched in it’s halls. -MZNJ

Rated 3 (out of 4) hockey masks

friday 13 original rating

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FRIDAY THE 13th: THE FINAL CHAPTER (1984)

Friday The 13th: The Final Chapter is one of my favorites of the sequels and the one that comes closest to matching the original. The film saw not only a return to the more serious tone and atmosphere of the original film, but with the return of Tom Savini to the make-up FX duties, also brought back the more intense and graphic kills and gore.

This entry opens right where Part 3 left off with Jason (stuntman Ted White) and his victims carted off to the morgue from the Higgins place only to have Jason revive and escape, but not before gruesomely murdering two horny hospital employees. We then switch to two houses deep in the woods near Crystal Lake, one occupied by single mother Mrs. Jarvis (Joan Freeman) and her daughter Trish (Kimberly Beck) and young son Tommy (Corey Feldman), the other occupied by a group of partying youths on a make-out and drinking getaway. A certain someone has returned home to his stomping grounds and now has targeted both young partiers and innocent family alike. Will any of them survive his relentless rage?

This installment brought in The Prowler director Joseph Zito and he brings the suspense, atmosphere and intensity to the proceedings that made that 1981 slasher one of the more entertaining of the time period. He comes very close to providing an equal to the original Friday with what was supposed to be Jason’s final film. The kills are brutal, as well, and with Savini’s return, the make-up FX are quite inventive and gory. Zito leaves some of the lighter humor that appeared in Part 3 behind and it keeps the atmosphere taunt and foreboding, as it should be. The film also added an interesting plot element in the character of Rob (Erich Anderson), who at first seems like a hunter/camper, but turns out to be the vengeful brother of a girl murdered by Jason (Sandra played by Marta Kober from Part 2) and he is now stalking the lethal serial killer with the intent of ending his reign of terror. One of the film’s few faults is the confrontation between these two could have been a bit more epic. The character of young Tommy (Feldman) being a bit of a geek/make-up artist also adds a fun twist to the proceedings.

As for the rest of the characters, this bunch are a lot livelier then most of the generic victims and with the inclusion of Crispin Glover in one of his most ‘normal’ roles as a shy teen and 80s movie fixture Judy Aronson as a one of the babes, we get a nice group of likable, horny teens to fall under Jason’s varied weapons. It gives their deaths impact because we like them and the young cast give them life and personality. Also stars Hell Night’s Peter Barton as one of the party goers who meets Jason’s wrath and the score is one again by Harry Manfredini.

A really good entry in the series and by far the best of the sequels.

MONSTERZERO NJ EXTRA TRIVIA: There is a small mistake here in this installment. When driving past a graveyard, they spot Mrs. Voorhees’ tombstone which has her date of death being 1979. But, as we all know, she actually died on Friday June 13th, 1980 by having her head removed by final girl Alice in the original Friday The 13th.

Rated 3 and 1/2 (out of 4) hockey masks

friday 13 1980 rating

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MONSTERZERO NJ’S SATURDAY NIGHT DOUBLE FEATURE: DEATHSTALKER and THE SWORD AND THE SORCERER

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Having  just seen and been a bit disappointed with the latest installment of The Hobbit trilogy, I thought back to another time when sword and sorcery films were popular, in the early 80s. While not having the 100+ million dollar budgets of the fantasy epics of today or the abundant CGI to make these fantasy realms come to life, these films had to make do with the talent and creativity of their makers. The two biggest and most popular were Conan The Barbarian and Excalibur which I already covered in a previous double feature (here). For this double feature I am going to go with two B-movie fantasy films that didn’t have anywhere near the budget of those two flicks but, they made up for it with boobs, blood and lots of heart… and in some ways were just as entertaining or more so than the films they were trying to compete with…

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DEATHSTALKER (1983)

Deathstalker is another film that has sentimental value to me as friends and I saw it at the now long gone Loews Harmon Cove in Secaucus NJ. I saw a lot of fun B-movies there such as the laughably bad Luigi Cozzi Hercules with Lou Ferrigno and the Chuck Norris ‘classics’ Missing in Action 1 & 2 and Forced Vengeance. Produced by B-movie legend Roger Corman, Deathstalker is a fun little movie that knows it can’t compete with the big budget fantasy flicks and instead gives us a campy and fun tale filled with spurting blood and bared breasts. This B-movie cult classic has cynical warrior Deathstalker (Rick Hill) hunting 3 powerful objects, a sword, a chalice and an amulet that when combined, will give the barer great power. The amulet and chalice are in the clutches of the evil wizard Munkar (Bernard Erhard) while Deathstalker has possession of the sword. Using a tournament of strength and skill open to all the warriors of the land as a cover to enter Munkar’s castle and retrieve the objects, Deathstalker and travel companions Oghris (the late Richard Brooker) and the warrior woman Kaira (Lana Clarkson) enter the lion’s den. Now Deathstalker must not only battle a slew of fierce warriors, he must also rescue the rightful ruler, the beautiful Princess Codille (Playboy Playmate Barbi Benton) and also battle a traitor in his midst. And if he survives that, there is still the powerful magician Munkar to contend with, who has what Deathstalker wants and wants what Deathstalker has.

This is a fun flick as directed by James Sbardellati, under the pseudonym James Watson. Sbardellati knows he doesn’t have anywhere near Conan’s budget, but has a blast with the material making a far cheaper, but also a far less somber and more campy film. There is little provocation for warriors to clash resulting in spurting blood and lost limbs…and one such limb is hilariously used as a weapon by one warrior creature…or a lusty maiden to drop her clothes and reward the heroic victors. None of the cast are strong actors… though Clarkson gives her warrior woman a nice nobility and fiery sexuality… but it is obvious they are having a good time and it helps us forgive badly recited dialog and the sub-standard fight choreography. The FX are cheesy as are the 60s TV show level sets and the film knows it and takes what little it has and runs with it.

There’s no pretension here, it’s a Corman B-movie in every sense of the word and if you can look past the cheesy production value and just have a good time watching all the rolling heads and jiggling boobs, then this is a fun Saturday night flick that will go quite well with a six pack of your favorite poison. A really fun and delightfully campy B-movie the likes of which they don’t make anymore!

-MonsterZero NJ

3 battle axes!

13th warrior rating

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THE SWORD AND THE SORCERER (1982)

This modestly budgeted sword and sorcery flick beat Arnie’s Conan movie to theaters by about 2 months and is regarded by some as a lot more entertaining. While I’m not sure I’d go that far, I do enjoy Sword and will admit this flick is certainly lighter in tone and far less somber then the Schwarzenegger classic.

The tale starts out with evil King Titus Cromwell (B-movie bad guy Richard Lynch) reviving the powerful sorcerer Xusia (Richard Moll) to aid him in conquering Ehdan, the kingdom of the good and wise King Richard (Christopher Cary). Cromwell takes the kingdom, betrays the sorcerer and slaughters most of Richard’s family save for his young daughter, who he takes for himself, and Prince Talon who escapes, but is maimed in battle with Cromwell’s men. The film picks up over a decade later with Talon (Lee Horsley) now a famed pirate and mercenary with a gauntlet on one hand and a three bladed sword at his side, returning to Ehdan. Upon his arrival, Talon is hired by the beautiful rebel Princess Alana (Kathleen Beller), who is unaware of who he really is, to rescue her brother Prince Mikah (Simon MacCorkindale) who is now believed to be the rightful heir to Ehdan’s thrown and is in Cromwell’s dungeon for heading the rebellion. Joining the rebels to rescue the Prince and get revenge on the man who murdered his family proves no easy task as there is betrayal and treachery in Cromwell’s favor and if the vile King isn’t opponent enough, there is a vengeful sorcerer who would bring death to anyone who would stand in the way of his revenge.

Directed by prolific B-movie director Albert Pyun, Sword And The Sorcerer was a hit in it’s own right grossing back nearly 10x it’s original $4 million budget. Pyun injects a lot of fun in his fantasy flick giving it the tone of an Errol Flynn movie with added scantily clad babes and gore. He never takes his tale too seriously, but never makes a joke out of it either. There are some fun and bloody brawls and battles to punctuate the derring do and heroics and the scenes featuring the sorcerer Xusia have an almost horror flick look and feel. The FX are decent for this kind of flick with gore and make-up by Allan A. Apone and FX legend Greg Cannom. The sets and costumes are more on a TV show level, but Pyun makes up for it by giving us a quick pace and a lot of action to take our attention away from the budgetary shortcomings.

The cast are all having a good time with Lynch giving us a strong slimy villain in Cromwell, Lee Horsley giving us a charming rogue in the person of the exiled Talon and Beller making a feisty and beautiful heroine of her rebel princess. As with the tone of the film, the actors, who also include George Maharis, Joe Regalbuto and Robert Tessier, never take themselves too seriously, but never fall into camp either…although wrestler/body builder Earl Maynard’s Rasta pirate Captain Morgan is quite a scene stealer. Pyun brings all his colorful characters together for a climactic battle within Cromwell’s castle where swords and sorcery are brought to bare in an effort to settle scores and exact revenge. And it’s a fun showdown between heros, tyrants and scorned sorcerers.

The modestly budgeted Sword And The Sorcerer may be a B-movie at heart, but heart is something this movie has a lot of and fun is a lot of what you’ll have, as long as you go in understanding that despite it’s exploitation film trappings, there is an old fashioned swashbuckler under all the blood and boobs. Sadly, despite showing potential here and enjoying a long career, Albert Pyun would never find the stride he hit with this movie or the success it enjoyed, again, though his Cyborg with Van Damme and Nemesis were enjoyable enough sci-fi/ action B-movies. A fun flick and a good time.

-MonsterZero NJ

3 battle axes!

13th warrior rating

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