REVIEW: SUMMER OF 84 (2018)

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SUMMER OF 84 (2018)

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80s set flick is from Turbo Kid makers François Simard, Anouk Whissell and Yoann-Karl Whissell and takes place in the small town of Ipswich, Oregon where normally nothing happens. The area, however, has been plagued with the disappearances of some teenage boys and now a killer dubbed The Cape May Slayer is taking credit. Ipswich teen Davey (Graham Verchere) is convinced his cop neighbor, Officer Mackey (Rich Sommer) is responsible. Determined to save themselves and their neighborhood, Davey and friends Tommy (Judah Lewis), Curtis (Cory Gruter-Andrew) and Woody (Caleb Emery) decide to gather enough evidence to bring him down.

Simard and the Whissells direct from a well-written script by Stephen J. Smith and Matt Leslie and give this mystery/thriller loads of atmosphere, aside from it’s wonderfully nostalgic 80s feel. It’s like one of those teen-centric buddy movies from the 80s like Stand By Me, but with the brooding atmosphere and last act right out of an 80s slasher. While Turbo Kid paid homage to the low budget Road Warrior rip-offs that permeated much of the decade, this one recreates an 80s coming of age movie that’s been cross-bred with a slasher flick and the mix works perfectly. The tropes are all present, including our young hero Davey crushing on his former babysitter, Nikki (Tiera Skovbye) and finding she likes him back and a climax that leaves us unsettled long after the credits roll. This trio knows their 80s and they also know how to deftly create a homage while still making their own film. By the very nature of being a homage we’ve seen a lot before, but it is the love and respect given the recreation of the beloved elements that makes it work so well. It also knows our familiarity with these scenarios and is not afraid to play a little with our expectations, too. We get a likable group of young guys to get behind and the makers are not afraid to put them…and the audience…through the ringer once the last act kicks into intense gear. Add to that some nice nostalgic cinematography by Jean-Philippe Bernier and a great electronic score by Le Matos and you have not only return to a style of filmmaking that inspired many of today’s talent, but a successful mystery/thriller in it’s own right.

The cast of relative unknowns are really effective. Graham Verchere is a very likable, yet realistic teen. He has an overactive imagination and a crush on the slightly older girl-next-door and an obsession that his neighbor is a killer. A classic character, but one given enough of his own personality to avoid being a cliché. Lewis, Gruter-Andrew and Emery also accomplish the same with their characters taking the classic delinquent, geek and “fat kid”, respectively and making them more than the stereotype characters they represent. Rich Sommer is also good as Officer Mackey. The actor makes him nice enough to have us doubt Davey one moment, yet also gives him a subtle creepiness that makes you think that maybe Davey is right after all. Rounding out the main cast is pretty Tiera Skovbye as sassy girl-next-door Nikki, a character also given enough emotional depth from the actress and script to transcend the cliché she could have been. The flick’s script gives each character some emotional resonance and thus a good cast a solid base to work with.

Overall, this was a really good homage to a unique age of movies that was the 80s. It had all the tropes very well recreated, yet as a mystery and thriller was quite effective on it’s own, aside from the nostalgic 80s setting. The script gives the characters some dimension and depth while putting them through the paces of a coming of age movie intertwined with a slasher. If you are a fan of 80s flicks or are old enough to have seen a lot of these flicks during that era, this movie is both a nostalgic treat and a chilling and intense thriller, that’s not afraid to play with your expectations at times.

-MonsterZero NJ

Rated 3and 1/2 80s style walkie talkies.

 

 

 

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TV REVIEW: GLOW (2017)

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GLOW (2017)

Glow is a fun and nostalgic 2017 Netflix original show based on the Gorgeous Ladies of Wrestling tv program that ran from 1986-1990. The original show featured a bevy of female wrestlers performing cartoon-ish stereotype characters and soap opera-esque story-lines along with in-ring matches…which isn’t too much removed from professional wrestling in general. This ten episode Netflix series fictionalizes the creation of the show when struggling exploitation director Sam Sylvia (Marc Maron) agrees to put an all girl wrestling show together for wannabe producer Sebastian (Chris Lowell) who has a rich mother. Sam’s actual goal is to get “Bash” to fund his next flick. Answering the audition call for the Gorgeous Ladies of Wrestling are down-on-her-luck actress Ruth Wilder (Alison Brie), her former best friend and ex-soap opera actress Debbie (Betty Gilpin), along with ten other women. The show mixes comedy and drama as it chronicles Sam and the ladies’ struggle to train, come up with their characters and get along, without killing the show, or each other, before they even step into the ring.

Glow starts off a bit shaky, but after a few episodes hits it’s stride quite nicely. The shaky start is due to the need to get the story moving quickly as there are only ten, half-hour episodes to tell it. The show needs to establish Ruth and Debbie as friends, turn them into enemies…when Ruth sleeps with Debbie’s husband (Rich Sommer)…and then thrust them back together as they become the show’s intended star rivals. This is hastily done in the first two episodes and doesn’t quite gel as we never get a feel for them as friends before they are at each others throats, literally. Ruth’s motivations for sleeping with her friend’s husband are never really convincing either. Just not enough time to really make it work. Once this occurs, the show kicks into gear as the production seems doomed from the start, yet the group start to come together like a dysfunctional family to try to make it happen. Not everything works, like an abortion sub-plot that literally lasts for one episode and seems to add nothing, and occasionally some of the humor falls flat, though mostly it works. Otherwise, this is a lot of nostalgic fun, especially if you remember the actual show that inspired it, or are a fan of everything 80s. The finishing touch is that it’s all wrapped in some awesome 80s tunes across it’s ten episodes and the whole thing leaves us wanting more.

The cast work really well and as a character driven show that is important. Alison Brie has shown a flair for comedy in the TV sitcom Community and some of her recent film roles and she shines here as Ruth. Ruth sees herself as an actress and it takes a while for her to get used to this brand of acting, but once she does she dives in with both feet. Brie works very well in the part of a woman desperate to find her place and is adept as the physical comedy, too. Gilpin is solid as Debbie. A respected TV actress who left her soap opera role to be a wife and mother and now finds that home broken by Ruth and that she has a need to be more than a babysitter. Gilpin portrays well a woman with an axe to grind who wants to be star of the show and does so without making her unlikable. Marc Maron is perfectly cast as the somewhat sleazy filmmaker, who does have a heart underneath all that cynicism and sarcasm. He really does good work here at making the guy very likable, even when he’s being a bit of an ass. The supporting cast all are strong, including Sydelle Noel as “Cherry” who becomes the groups trainer, as well as, one of the wrestlers know as “Junkchain” and Britney Young as a gentle giant of a women who only wants to prove she can be a wrestler like her famous father and brothers. A well rounded and well cast group of eccentric and eclectic characters.

So, the show does have a few flaws…and most shows take at least one season to hit their stride…but it overcomes them to become quite engaging. It’s a fun, nostalgic and clever look back not only an era, but one example of that era’s outrageousness. It’s well cast, has some fun moments and mixes the drama and comedy very well nicely. Another fun, entertaining and original show from Netflix!

The cast of Glow

EPISODE LIST

  1. Pilot – directed by Jesse Peretz and written by Liz Flahive & Carly Mensch
  2. Slouch. Submit – directed by Wendey Stanzier and written by Liz Flahive & Carly Mensch
  3. The Wrath of Kuntar – directed by Claire Scanlon and written by Nick Jones
  4. The Dusty Spur – directed by Melanie Mayron and written Sascha Rothchild
  5. Debbie Does Something – directed by Phil Abraham and written by Rachel Shukert
  6. This Is One Of Those Moments – directed by Kate Dennis and written by Jenji Kohan
  7. Live Studio Audience – directed by Jesse Peretz and written by Rachel Shukert
  8. Maybe It’s All The Disco – directed by Sian Heder and written by Nick Jones
  9. The Liberal Chokehold – directed by Lynn Shelton and written by Liz Flahive & Carly Mensch
  10. Money’s In The Chase – directed by Tristram Shapeero and written by Liz Flahive & Carly Mensch

-MonsterZero NJ

3 wrestling rings!
glow rating

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