Simple plot finds pizza delivery girl Sam (Hayley Griffith) delivering to a rich neighborhood and stumbling into a Satanic ceremony. She’s chosen as a sacrifice due to her virgin status, but the resourceful young lady escapes. She meets up with the Satanic Coven Leader Danica’s (Rebecca Romijn) outcast daughter Judi (Ruby Modine), who is in peril of her own and the two try to evade capture. Can the two women escape almost certain death with the forces of evil in hot pursuit?
Flick is directed by Chelsea Stardust from a script and story by Grady Henrix and Ted Geoghegan (We Are Still Here) and sadly doesn’t quite live up to it’s amusing premise. One problem is that it doesn’t know what it wants to be, a hip comedy or a horror flick. The tone changes from scene to scene with one moment trying to have fun with the tropes of a Satanic thriller and another trying to pull off some serious horror. Unfortunately, director Stardust doesn’t really evoke any scares or intensity when it tries to be more of a horror film and the script fails to be all that funny when it’s trying to be humorous. It wants to be a quirky, edgy comedy one minute and a occult themed horror the next and never really accomplishes either to a successful degree. Sure, there is some fun to be had and there is the underlying commentary about the haves vs the have nots, but none of it really hits the mark we hoped it would. It’s colorful, energetic and Stardust has a good visual eye, it’s just she never really settles on a tone. Should we be having fun?…or should we be taking this more seriously? On the plus side, there is a cool score by the “Wolfmen of Mars” and it doesn’t overstay it’s welcome at only 89 minutes. There is also some fun practical gore, too and it is elevated by a cast that is all in with the material.
On the subject of cast…Hayley Griffith makes a strong and very endearing heroine in her Sam. She’s a down on her luck young lady, working her first night as a pizza delivery girl and her pursuit of a much needed tip turns her first night into a literal living Hell. Rebecca Romijn chews the scenery appropriately as Danica, a rich woman who is also the coven leader. She’s fun in the part and gives her scenes a lot of the “snap” they need. Ruby Modine is good as Danica’s rebel daughter Rubi. Rubi is tough and confident, but being on the outs with a Satanic cult has put her in mortal danger. Modine and Griffith work well together. There are also supporting roles from Jerry O’Connell, horror vet Jordan Ladd and Rob Zombie regular Jeff Daniel Phillips. The cast get the material and really help make this very watchable despite a disappointing script.
Overall, Satanic Panic is a flick that has it’s moments, but ultimately doesn’t live up to it’s potential or premise. It has a bit of an identity problem and isn’t funny enough when it’s trying to be funny and isn’t scary enough when it wants to be scary. It’s heart is in the right place and with a better script with a more consistent tone, one wonders if Chelsea Stardust might be a filmmaker to keep more of an eye on. At least it has enough moments and a material savvy cast to make it worth a look, as long as expectations aren’t conjured too high.
What happens when an adorable pizza delivery girl (Hayley Griffith), delivers to the wrong house?… Satanic Panic of course! Delightfully fun looking horror/comedy is directed by Chelsea Stardust from a script by Grady Hendrix (Mohawk) based on a story by Hendrix and Ted Geoghegan (We Are Still Here, Mohawk). The devilishly fun sounding flick also stars Jerry O’Connell (Piranha 3D), Ruby Modine (Happy Death Day1 & 2) and Rebecca Romijn (X-Men‘s Mystique) and comes to us from Fangoria Films and Aperture Entertainment! Satanic Panic premieres on 9/6/2019 in limited theatrical and VOD release!
With X-Men: Days Of Future Past having just opened, I thought it would be fun to look back at the first two flicks that started this comic book-based film series, one that is still ongoing…
I never read the X-Men comics though, I am familiar with some of the characters but, as far as the mythos, I take the films for what they are and rate them as movies and not in comparison with the story-lines from the comics.
The first film opens with a scene set in a concentration camp during WWII of a young boy who shows extraordinary power when separated from his mother. Decades later it is revealed that beings with special abilities of all kinds, dubbed mutants, have evolved among us and some government officials, especially a Senator Kelly (Bruce Davison), are proposing to make mutant registration a law. Fighting against this form of discrimination are two factions. One, Dr. Charles Xavier (Patrick Stewart) a powerful telepath who wants nothing but, peace between human and mutant alike, and the other, Erik Lehnsherr (Ian McKellen), also known as Magneto, a man who has the power to manipulate metal and feels that humans are inferiors who are meant to be ruled and dominated, not trusted. Magneto was the boy we saw in the opening scene and his experience in a concentration camp is what paints his refusal to trust humans ever again. Magneto and his fellow mutants Mystique (Rebecca Romijn-Stamos), Toad (Ray Park) and the massive Sabertooth (Tyler Mane) have hatched a plan to turn a group of world leaders into mutants themselves at a crucial summit at Ellis Island. Xavier and his own team of mutants, Storm (Halle Berry), Cyclops (James Marsden) and Dr. Jean Grey (Famke Janssen) have been trying to stop Magneto and his plans of conquest and with the arrival of the rebellious and quick-tempered mystery man Wolverine (Hugh Jackman) and the power absorbing Rogue (Anna Paquin), the odds may have shifted… but, in who’s favor?… as one of these new recruits may be crucial to Lehnsherr’s success.
Director Bryan Singer not only creates a fun superhero flick from David Hayter’s screenplay but, adds some very nice dramatic intensity and emotional resonance along with the underlying themes about tolerance and respecting each other for who we are. He gives the film a more down-to-earth look and setting, choosing to present a more grounded approach as how such a story might transpire if it occurred in the modern world and not a more comic book-style fantasy world. And it works very well integrating some fantastic characters into a real world setting and makes these characters very human and identifiable despite their unique powers. Singer takes his material very seriously and let’s it’s moments of unobtrusive humor come from the witty dialog and script and the talent of his cast to deliver those lines and moments. And it’s blend of intensity and subtle wit is what really makes this work so well. Add to it a very fitting score from Michael Kamen and some crisp cinematography by Newton Thomas Sigel and you have a superhero flick that ranks among the best.
As for the cast. Singer has a really good collection of actors to work with from veterans Stewart and McKellen who bring nobilty and strength to the roles of Xavier and Magneto respectively. Powerful men from two opposite views who are both friends and opponents at the same time, which creates a very intriguing dynamic on screen. Jackman, in my opinion, makes a great Wolverine, giving him a sort of super-powered Snake Plissken vibe that makes the character very cool and endearing. And despite his harsh exterior, Jackman gives him a soul that peeks through enough to give the character some dimensionality. Rounding out are Berry, Paquin, Janssen and Marsden all giving some nice personality to their heroes as Romijn-Stamos, Park and Tyler Mane create worthy adversaries giving weight to their villainous turns. A good cast having a good time with their characters and it helps make this film work all the more better.
I really enjoy this flick, it has a bit smaller scale then some of the superhero epics that have followed but, that works in it’s favor by introducing a few of the more popular characters and letting us get to know them before steadily expanding the universe in future installments. It has a solid cast, a lot of action and some well executed SPFX but, also some emotional depth and nice character development too. Thus making it solid popcorn entertainment with a more substantial center. Like having a fine meal and a delicious dessert at the same time.
3 and 1/2 X-Men.
X2: X-MEN UNITED (2003)
With Magneto (Ian McKellen) behind plastic bars the humans feel safer until an attack on The President Of The U.S. by a teleporting mutant named Nightcrawler (Alan Cumming) provokes drastic measures allowing mutant hating Black Ops operative William Striker (Brian Cox) to receive permission to raid Prof. Xavier’s (Patrick Stewart) school. But, Striker’s plans run deeper and has a far more sinister goal in regards to the world’s mutants. With Xavier in Striker’s clutches, it’s now up to Wolverine (Hugh Jackman), Jean Grey (Famke Janssen) and the rest of the X-Men to stop Striker and rescue Xavier before he succeeds in wiping out all mutant kind but, to do so they may have to join forces with their greatest foes… Magneto and Mystique (Rebecca Romijn-Stamos)… and it’s a good bet Magneto has his own agenda. Can they succeed with serpents in their own den?
Singer returned to the director’s chair for the sequel and working with a script by Michael (Trick R Treat) Dougherty, Dan Harris and David Hayter, from a story by Singer, Hayter and Zak Penn, ups the ante with more action, more mutants but, without sacrificing the depth and characterization he brought first time around. We not only get the dynamic of foes having to work uneasily together against a common enemy but, we learn more about Logan/Wolverine’s past and watch as the human/mutant relationship is crumbled even further. Our heros not only fight to save themselves here but, their place in the world and how it views them. There is a lot at stake as they battle an enemy who seeks to see them destroyed but, will oddly employ mutant against mutant to get his goal accomplished. It makes for an interesting dynamic and furthers the X-Men cinematic universe without cluttering it up. We get some interesting new characters and get to know the familiar ones a little better. Sigel returns as cinematographer and John Ottman provides a suitable score to the action and drama.
The cast who return all fit into their roles nicely again with McKellen especially having a good time with his second go round as Magneto. We get to see a bit more of what makes them tick, as some try to come to terms with who they are and others who are comfortable with themselves, face change and adversity. We meet a few more mutants such as Cumming’s religious German mutant Nightcrawler and he makes for an interesting and eccentric character. We get teens Shawn Ashmore as Iceman, a kind hearted young man who takes a liking to Paquin’s Rogue and the rebellious Pyro played by Aaron Stanford. On the side of evil, Cox makes a strong villain with his slimy and hateful Striker and the villainous Lady Deathstrike is played with an ice cold exterior yet, a definite lethality by the beautiful Kelly Hu. And there are also some some fun mutant cameos peppered throughout. Again, Singer makes good use of a good cast. Even those with minimal screen time are used well in the screen time they have.
With his second X-Men flick Bryan Singer gives us both sequel and equal as we have a film that once again gives us a healthy dose of superhero action and a good story as well. It’s a fun movie that finds our heroes challenged by not only their villain but, some by the choices they have to make and a world that is ever increasingly hostile towards them. Another strong superhero treat from Bryan SInger and a nice step forward for this series that stumbled somewhat when Singer left and didn’t really regain it’s footing till the delightful First Class.