When her grandfather dies and leaves her everything, Robin Murphy (Rachel Nichols) travels back to her childhood home in the German Black Forest with her husband Leo (Yohance Myles). Soon they and a group of others are kidnaped by the cult-like followers of a forest deity known as The Great Hunter. True to it’s name, they are released into the dark woods and hunted by the hooded pagans—and possibly something far more unearthly.
Flick is directed by Miles Doleac from his script with Michael Donovan Horn and is an entertaining and sometimes spooky supernatural/survival horror. It can be atmospheric at times and the basis in pagan folklore does add some atmosphere as well. It is methodically paced and that is by design. Performances vary with Nichols doing solid work as heroine Robin and Doleac himself playing the role of local hunter Arthur. Yohance Myles tries hard, but seems to get the worst of the dialogue to recite as Leo and remaining cast member’s playing the hunted seem to be there just to provide body count. Those portraying the pagan worshipers are appropriately creepy and dangerous, as they should be. There is some effective violence and graphic gore and even if we have seen the innocents being hunted scenario many times before, it’s not badly done here, with the hunters using primitive weapons rather than guns. The forest setting also works well to create a sense of isolation and hopelessness for our prey, as the are relentlessly pursued. The flick has some effective visuals, as photographed by Nathan Tape, with a fitting score by Clifton Hyde. Horror fans will appreciate that there is a slasher element to the proceedings and the last act changes gears from the hunt to a more straight-up and bloody horror conclusion.
Overall, an entertaining little indie that is a mash-up of backwoods pagan horror and the hunt scenario. If you are looking for something a little different than the usual spooky season fair, you might want to give this flick a watch. Demigod will be available On Demand and in select theaters on 10/15/21!
Flick takes place in NYC on Christmas Eve where pretty executive Angela Bridges (Rachel Nichols) is the last one to leave the office. She gets to the parking garage to find her car won’t start and the building is now locked down. Those are the least of her problems, as she is trapped inside the building parking levels with psychotic parking attended Thomas (Wes bentley). The deranged man apparently has had his twisted eye on her for some time and will do anything, and to anyone, to impress/keep her.
Film is directed by Franck Khalfoun (the Maniac remake) from a script by he, Grégory Levasseur and Alexandre Aja (Piranha 3D, Crawl). It’s a well made thriller that is basically one long cat and mouse game. Angela continually tries to evade and escape Thomas, while the unhinged attendant tries to reacquire her after she initially gets away from him. It’s made even more difficult on Angela as she is scantily clad, barefoot and handcuffed and Thomas has the security system and a Rottweiler at his disposal. There are also a few casualties along the way, in his pursuit of his obsession, though body count is minimal. Rachel Nichols makes a really solid and resilient heroine, though Bentley is simply missing a strong threat factor, despite all the creepy and homicidal things he does. Sometimes he’s a little too over-the-top and thus more silly than scary. Things like his Elvis obsession don’t help. Despite being a nut, he comes across as kind of a wuss. There is never any doubt as to who is going to come out on top here and thus it’s not as suspenseful as it needed to be to really work. It’s entertaining enough, but there should have been more intensity and tension and it all leads back to Thomas simply being a weak villain.
THE WOODS (2006)
Lucky McKee followed up his devious and gruesomely fun May with this David Ross written story of supernatural goings on at at all girls boarding school set deep in the woods. The story is set in 1965 and centers on troubled and trouble-making teen Heather (Agnes Bruckner) who is sent to the strict Falburn Academy by her mother and father (Emma Campbell and horror icon Bruce Campbell, who are not related.) and put under the guidance of the dean Ms. Traverse (Patricia Clarkson). Upon entering, the rebellious Heather not only befriends the lonely and picked-on Marcy (Lauren Birkell) and meets the reigning mean girl Samantha (Rachel Nichols),but, also beings to have strange dreams of something terrifying deep in the woods. Heather hears tales of three witches who once entered the academy and brought carnage and death along with them. As her dreams become more and more ominous and girls begin to disappear, Heather may soon find out that there may be some truth behind the bedtime ghost stories and the fate of she and her schoolmates may have already been sealed.
The Woods is an atmospheric chiller that seems to be influenced by Dario Argento and his classic Suspiria, which dealt with a coven of witches in a dance academy. DIrector Lucky McKee gives the film a nice feeling of dread but, also gives it a touch of fairy tale whimsy in it’s story of school girls encountering supernatural forces in their school in the woods. His visual style is less flashy then Argento but, the earthy colors are rich and the production design not only evokes the era it takes place but, aids in adding that dark fairy tale element as well. The film was also a refreshing return to a more old-fashioned gothic style horror in the tradition of films like Horror Hotel or some of the Hammer horrors by taking it’s time to establish that something is very wrong and unnatural going on and relying more on atmosphere then gore, though, when the time comes, we get a good helping of that. The film moves well but, saves it’s big reveals and most horrific moments for it’s last act and it works and McKee delivers a final showdown between our heroine and the dark forces that is suspenseful, chilling and very spooky. The FX presenting the supernatural are very well orchestrated in both the visual and make-up departments and the sparingly used gore is quite effective. Add to that a very atmospheric score by John Frizzell…with some Lesley Gore tunes added in to give the film some added embiance of not only the time period, but, of teen girl angst…and you have a well crafted and satisfying supernatural horror that entertains and holds ones interest for it’s 90 minutes.
There is a good cast here, too and McKee gets good work from them. Agnes Bruckner is very strong as rebellious teen and resourceful heroine and creates a likable and tough girl who we believe can put up a fight against greater odds when needed. Clarkson is solid, as always, as the strict and yet caring Ms. Traverse but, also imbues her with an air of mystery to keep us guessing as to her true intentions. Campbell is effective as well, in a role that is far less comic then we are used to seeing him and his restraint makes the role work as Heather’s harried and concerned father. Rounding out is an also solid supporting cast of students and teachers that give the film a good helping of it’s atmosphere with their performances. A good cast that help make this old school supernatural horror work.
I like The Woods. It is charmingly old-fashioned at times and relies heavily on atmosphere which director McKee gives it plenty of. It saves it’s most shocking moments till it’s last act, thus making them more effective, and is supported by a good cast and some very good FX on a modest budget. Despite heavily evoking Dario Argento’s Suspiria at times, the film has it’s own style and gives us some unique moments and ideas within it’s more traditional story. No classic but, an effective and entertaining tale of schoolgirls and dark forces.
3 resourceful heroines.