Italian set horror finds student and shutterbug abroad, Tracy (Makenna Guyler) sneaking into a supposedly abandoned old house with her roommate and friend Petra (Marta Tananyan). As this is a horror film, Tracy, Petra and would-be thief Alex (Emanuele Turetta) find themselves trapped inside the large home with a deformed man (Mario Cellini) with a taste for blood and murder.
Flick is directed by Emiliano Ranzani from a script he co-wrote along with Davide Mela. It’s an amusing enough flick, though nothing remarkable, as we follow Tracy and the others as they try to evade the “creature”…as the credits call him…who is less monster than a man suffering from Porphyria or Gunther disease. The disease gives our villain characteristic of a vampire, though he is not supernatural. Other characters that find their way into the house are the creature’s brother Vittoria (Alberto Sette), Bruno (Franco Olivero), a man that watches the house for him, and two police officers (Salvatore Palombi and Denitza Diakovska). This provides a bit of a body count and puts the odds against Tracy when the number of her allies dwindles. There is some suspense and tension and plenty of well-rendered gore to hold one’s attention. The film looks good, especially a hallucination sequence about halfway through and Ranzani makes good use of the creepy old house location. Makenna Guyler makes for a cute enough heroine, though basically remained a damsel in distress for most of the movie. Overall this is nothing special, but entertaining enough and at 83 minutes, it doesn’t overstay it’s bloody welcome.
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Wer is a fascinating and sometimes gruesomely intense twist on the werewolf film from The Devil Inside’s William Brent Bell. The film takes place in France where a vacationing American family is savagely attacked by what appears to be a large animal. The sole survivor (Stephanie Lemelin), though, describes a very large hairy man as the culprit. Police quickly arrest local resident Talan Gwynek (Brian Scott O’Connor) as the suspect. Gwynek suffers from Porphyria, a rare disease that can cause excessive body hair and other symptoms which are believed to have inspired the legends of werewolves and vampires. Enter human rights lawyer Katherine Moore (A.J.Cook) who plans to prove that Talan is just being used as a scapegoat. As her team (Vik Sahay and Simon Quaterman) investigates the case, they not only find a conspiracy to want to see Talan convicted, but a more shocking possibility there may be some truth to the ancient legends after all.
I really enjoyed this movie. Not only does director and co-writer…along with Matthew Peterman…William Brent Bell deliver a really fresh take on the traditional werewolf movie, but a suspenseful thriller and a gruesomely bloody horror film, too. The script is smart and keeps us guessing till the reveal about halfway through and then turns up the gruesome action once the film switches gears and becomes a more traditional monster movie…though one we aren’t really expecting. The use of the rare Porphyria as it’s focus and the implication that it has effects we are not aware of, is very cleverly handled and helps make this tale of lycanthropy more unique. There are also some really intense action sequences with some delightfully gruesome gore to satisfy the need for some more traditional elements. The film only stumbles just slightly when another character contracts the disease from a bite and there is an over-the-top battle royal between the two infected. It’s fun, but seems just a little out of place when compared to the rest of the film…on the other hand, who doesn’t like a good monster fight! Overall, though, the flick combines the horror and crime investigation elements nicely with a touch of conspiracy thriller thrown in. On a production level, the gore FX are good for the most part, though there is a lot of CGI which doesn’t look completely convincing and there are some really effective FX to illustrate the infected’s strengths and abilities.
The cast are all convincing. A.J. Cook is sexy and strong as Katherine. She truly believes in Talan’s innocence and when things start to spiral out of control, she conveys the woman’s shock and regret very well. O’Connor gives his Talan a humble sadness that makes you want to believe his innocence and also cuts an imposing figure that makes you have doubts. Vik Sahay is good as the cocky and arrogant Eric, as is Quaterman as animal specialist and Katherine’s former flame, Gavin. Rounding out is Sebastian Roché as Klaus Pistor, a hard nosed cop who may have ulterior motives to believe Gwynek’s guilt.
Wer is a really inventive and very intense horror flick. It breathes some new life into the time honored werewolf sub-genre and was well-directed from a cleverly written script. It’s got a pace that moves quickly, but not too fast and keeps us guessing till it’s ready to spatter the screen with some impressively bloody action. A really enjoyable flick that gets far too little attention than it deserves.
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