Creep is the first feature film from British writer/director Christopher Smith (Severance, Black Death) and is a tale of horrors set in the train tunnels and sewers beneath the streets of London. The film opens with a couple of sewer workers (Vas Blackwood and Ken Campbell) discovering a new hole in one of the walls which leads to an undocumented tunnel. Their foray into this tunnel does not end well and sets the tone for what is to come. We then shift focus to pretty Kate (Franka Potente) who is planning to leave the party she is at and join a friend at another party where George Clooney is said to be going. But while waiting for the last train of the night, Kate fall asleep on the bench and when she awakens she finds herself locked inside the now shut down train station. And Kate is not alone. In the station are not only a homeless drug addict couple (Kelly Scott and Paul Rattray), but an obnoxious jerk security supervisor (Morgan Jones) and the lecherous and quite high Guy (Jeremy Sheffield) who followed her from the party. They all are about to be plunged into the same nightmare as there is someone, or something, lurking beneath the streets of London that has cruel and disturbing plans for all those unfortunate enough to be there after closing. And when Kate finds herself in the underground lair of this terrifying occupant, she realizes, to her horror, that those already dead got off easy.
I’ll be the first to admit that the talented Smith’s first flick has it problems. There are plenty of plot holes and the film does rely on some conveniences to tell it’s story such as Guy actually becoming stuck in the tunnel after closing as well in his search for Kate and the security guard basically being such a jerk that he refuses to do anything to help including calling authorities when it is clear there is something wrong going on. But Smith is a skilled filmmaker and he does still manage to make an entertaining, suspenseful and very disturbing horror film out of his flawed script. He has a visual style which makes good use out of the tunnels and underground rooms and corridors and gives us a villain whose methods and purpose are quite shocking and horrifying yet, not without a touch of sympathy. The film moves quickly once it gets going and is a tight and entertaining 81 minutes.
Smith gets good work from his cast with Potente being a strong heroine who starts out as a bit of a self-centered , superficial person who not only proves to be a fighter, but learns some humility along the way. And Sean Harris gives disturbing life to the deformed and deadly “Craig” who earns both our dread and a little of our sympathy. The film has some very gruesome moments with some very top notch gore and make-up effects and Smith even adds a touch of poetic justice/irony to it’s final frames.
The film overall shows potential for a director that has been living up to it with his more recent films which prove he not only is skilled at delivering films with a dark tone, but is fairly versatile with films ranging from the surreal, like his Triangle with Melissa George to his darkly satiric Severance to his grim medieval set Black Death. A flawed, but still very effective first feature from a director who’s proven he’s worth keeping an eye on.
3 frightened Frankas!