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Third Elm St. flick is a marked improvement over the misfire that was ANOES2. It also saw the return of Wes Craven to the franchise as a writer and the return of Heather Langenkamp and John Saxon in their original ANOES roles. This installment finds Freddy haunting the dreams of a group of teens all under psychiatric care at an institute. Nancy Thompson (Heather Langenkamp) is now an intern there with a vested interest in the nightmares these kids are having. As Freddy starts to claim the young lives, Nancy and Dr. Neil Gordon (Craig Wasson), try to figure out how to stop the dream demon once and for all.

Clever second sequel is directed by Chuck Russell (The Blob 1988) from his script co-written with Frank Darabont, Bruce Wagner and Wes Craven. It was a great return to what made the first film work so well and also started the series in the direction it would go till it ended. It felt far more like an Elm St. movie that it’s predecessor, too. ANOES3 made very inventive use of the dream segments and was the film that gave Freddy his twisted sense of humor and proclivity for witty one liners, that would accompany the demise of his intended victims. It was also the film that introduced the character of Freddy’s mother, Amanda Krueger (Nan Martin), a nun accidentally locked inside an insane asylum, who is violated by the inmates and thus gives birth to Freddy, “The Bastard Son of 100 Maniacs.” The film does have a moderate pace, but there are some gory and innovative death sequences, with some great prosthetic make-up effects. ANOES3 is today thought of by many as the best of the sequels in this classic franchise. It was a success and paved the way for five more appearances by Freddy and an eventual remake in 2010.

Film is supported by a good cast that make for memorable and mostly likable characters. Obviously Robert England is at the top of his game here as Freddy. He gets to do a bit more and have more fun with the role, which really helped keep this franchise afloat. He was still scary, but now imbued with a dark and mean-spirited sense of humor. Heather Langenkamp is good as an older and more mature Nancy. She cares for these kids and is one of the only people who believes their claims about a scarred man haunting their dreams…a man Nancy knows all too well. Craig Wasson is solid as Dr. Gordon. He’s desperate to save these kids, even if it means reluctantly believing there is a malevolent supernatural entity after his patients. Saxon is really good as Nancy’s father, who is now a security guard and a drinker. Classic John Saxon. A good cast of young actors play our kids, with Patricia Arquette as Kristen, Bradley Gregg as Phillip, Ken Sagoes as Kincaid, Penelope Sudrow as Jennifer, Ira Heiden as Will, Rodney Eastman as Joey and Jennifer Rubin as Taryn. All the cast members make their characters memorable and helped establish the template of a diverse, colorful group of kids for Freddy to stalk in the future installments.

In conclusion, this flick got the series back on track and headed in a direction that would carry it till it’s end. It’s fun, still has some scares and is very inventive with it’s dream-set deaths. While not as vicious as the first two, it still has the blood and gore, not to mention some outrageous make-up effects. The cast are all good and it also contains the now classic theme song Dream Warriors by the 80s metal band Dokken. Solid entry in this classic horror film franchise.

-MonsterZero NJ

Rated 3 (out of 4) Freddy Kruegers .


Bonus: The Dokken classic Dream Warriors!…




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ED WOOD (1994)

Halloween Favorites is back and this Tim Burton classic is certainly a fun Halloween season watch when you need a break from decapitations, masked killers and lurking fiends.

Ed Wood is a twisted and funny film that delightfully tells the story of arguably the worst filmmaker in history, Edward Wood Jr. Johnny Depp plays the ambitious Wood whose passion for making amateurish sci-fi/horror movies by far eclipsed his actually talent. The film follows the wannabe director through the making of some of his most infamous flicks, like Glen Or Glenda, Bride Of The Monster and Plan 9 From Outer Space and his relationship with an oddball assortment of characters, including a drug addicted Bela Lugosi (Martin Landau), TV hostess Vampira (Lisa Marie), wrestler/actor Tor Johnson (WWE’s George “The Animal” Steele), drag queen Bunny Breckinridge (Bill Murray) and fortune teller Criswell (Jeffrey Jones). It also takes us into his equally odd personal life, including his relationships with wannabe actress Dolores Fuller (Sarah Jessica Parker) and his future wife Kathy (Patrica Arquette) along with his love for wearing women’s clothes.

This is one of Burton’s best films, as he directs Scott Alexander and Larry Karaszewski’s script with healthy doses of respect and heart. While Burton has a lot of fun with Wood’s story and the making of some of his most notorious films, never at any time does he make fun of Wood, or treat the man with contempt. Wood’s life makes for a movie as strange and off-beat as one of his own productions and the director knows it and films the story in black and white and in the same whimsical style as if we were watching one of Wood’s films, only about Wood. The film is loaded with atmosphere, charm and a lot of entertaining and oddball bits as Wood certainly lived in his own little world and Burton takes us into it. Burton also captures the spirit of Hollywood in the 50s and and the spirit of a man who wants to break into movies and be remembered for his films…and he is…though not the way he wanted. The movie’s atmosphere is enhanced with Danny Elfman’s boisterous score and Stephan Czapsky’s sumptuous black and white cinematography.

The cast is fantastic, with Depp really having a blast as the goofy, cross-dressing amateur filmmaker. He gives him passion, a kind heart and wonderfully naive charm. He is only outshined by Landau who is truly incredible…and sympathetic…as the aging, morphine addicted Bela Lugosi. The two have a wonderful chemistry together and make this odd pairing work. Lisa Marie and George Steele are perfectly cast as Vampira and Swedish wrestler Tor Johnson, who appeared in a few of Wood’s flicks. Jones is also perfect as the bizarre psychic Criswell and Murray steals every scene as drag queen and Wood associate, Bunny Breckinridge. As his love interests, Parker gives us a frustrated woman who gradually snaps at being drawn into the bizarre world her boyfriend lives in and Arquette is sweet and has almost an innocent quality, as the woman that would become Wood’s wife till he died in 1978.

This is a great movie about one of the worst directors of all-time. A man now idolized for his awful…yet, oddly very entertaining…flicks. The film chooses to focus on the more off-beat aspects of Wood’s life, while avoiding the subject of his depression and alcoholism, though it does not shy away from Lugosi’s. Burton chooses to make a more whimsical take on Wood’s life and that works very well considering how bizarre and surreal his films were. It’s a spoof, that never makes fun of it’s subject and never looks down upon this amusingly terrible filmmaker. A fun movie that indirectly captures the Halloween spirit far better than some films with more direct intent. Sadly, the film was a box office disappointment, but has developed a much deserved cult following and Lugosi did get an Oscar for his amazing turn as Lugosi.

-MonsterZero NJ

4 Woods!

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