MONSTERZERO NJ’S HORROR FLICKS FOR BLACK HISTORY MONTH!

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MONSTERZERO NJ’S HORROR FLICKS FOR BLACK HISTORY MONTH!

February is the month where we mark the achievements of the black community and there have been some wonderful contributions to the world of horror films by some amazing talents. Whether it be black filmmakers like William Crain and Jordan Peele, or actors such as William Marshall, Pam Grier, Lupita Nyong’o, Kiana Madeira and Duane Jones, there is much to celebrate! Here are fifteen films that illustrate the sometimes groundbreaking and always entertaining achievements in the horror genre that this month so proudly commemorates!

To all these talented men and women in front of and behind the camera…CHEERS!

-MonsterZero NJ

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MONSTERZERO NJ’S 15 REASONS WOMEN OF COLOR ARE GOING TO ROCK YOUR HALLOWEEN!

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Native American actress Amber Midthunder made quite an impression as Comanche warrior Naru in Prey!

MONSTERZERO NJ’S 15 REASONS WOMEN OF COLOR ARE GOING TO ROCK YOUR HALLOWEEN!

Horror films have always been a step ahead with having diversity in their casts and women of color have played important roles for decades! To celebrate their contribution to our favorite genre, here are 15 reasons women of color are going to rock your Halloween🎃!

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VONETTA MCGEE in BLACULA!

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PAM GRIER in SCREAM BLACULA SCREAM, GHOSTS of MARS and BONES!

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KELLY JO MINTER in A NIGHTMARE ON ELM STREET 5: THE DREAM CHILD, THE PEOPLE UNDER THE STAIRS and POPCORN

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EIHI SHIINA in AUDITION

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LUCIANA FAULHABER in THE NIGHT CREW and DON’T LOOK!

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CHASTY BALLESTEROS in THE NIGHT CREW and GIRLHOUSE!

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LUPITA NYONG’O in US and LITTLE MONSTERS!

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TARA BASRO in SATAN’S SLAVES and IMPETIGORE!

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CHELSEA ISLAN in MAY THE DEVIL TAKE YOU and MAY THE DEVIL TAKE YOU TOO!

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KIANA MADEIRA in THE FEAR STREET TRILOGY!

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ROSA SALAZAR in BRAND NEW CHERRY FLAVOR!

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CRISTINA RODLO in NO ONE GETS OUT ALIVE!

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JENNA ORTEGA in SCREAM and X!

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AMBER MIDTHUNDER in 14 CAMERAS and PREY!

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TSAI HSUAN-YEN in INCANTAION!

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Versatile and talented Latina actress Jenna Ortega in Ti West’s’s chilling X!

These talented ladies aren’t the only ones and women of color are now also getting a chance to add their voices behind the cameras, with writer/directors like Nia DaCosta (Candyman) and Gigi Saul Guerrero (Mexico Barbaro) making a name for themselves and opening doors. All the more reason that women of color are going to rock your Halloween🎃!

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-MonsterZero NJ

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CULT CLASSIC CUTIES: LYNNE MOODY!

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Cult Classic Cuties are characters from some of our favorite cult classics and midnight movies who captured our hearts and/or actresses who got our attention, but sadly never returned to these types of flicks. They’re femme fatales and final girls whose sexy stars shined only briefly, not quite achieving scream queen status. And this installment’s cutie is


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LYNNE MOODY!

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With this being Black History Month, this installment of Cult Classic Cuties is going to feature a beautiful actress who despite a long and prolific career, that appears to be still going, has only performed in two horror films in the five decades that she has been working. Lynne Moody’s first feature film was the horror classic sequel, Scream Blacula Scream in 1973 and she has been acting in movies and television ever since! Her only return to the horror genre was another cult classic chiller, The Evil with Richard Crenna in 1978!

(You can read my full review for the movies she’s appeared in by clicking the highlighted titles!)

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Lynne Moody as Denny, the girlfriend of wannabe voodoo lord turned vampire, Willis (Richard Lawson).

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Denny unknowingly chatting with a monster in Scream Blacula Scream!

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Moody as Felecia, a young woman tasked with renovating an apparently haunted house in The Evil.

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Felecia and friend scream at one of the many horrors of The Vargas Mansion in The Evil!

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So, we have another beautiful and talented actress who only made two stops in the horror genre despite a decades-spanning career. Both films are cult classics in their own right and thus Lynne Moody definitely qualifies as a Cult Classic Cutie!

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Be sure to check out our Cult Classic Cuties (click right here for the link) section to see more crush worthy ladies from cult films and midnight movies!

-MonsterZero NJ

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MONSTERZERO NJ’S 15 HORROR FLICKS FOR BLACK HISTORY MONTH!

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now playing

MONSTERZERO NJ’S 15 HORROR FLICKS FOR BLACK HISTORY MONTH!

February is the month where we mark the achievements of the black community and there have been some wonderful contributions to the world of horror films by some amazing talents. Whether it be black filmmakers like William Crain and Jordan Peele, or actors such as William Marshall, Pam Grier, Lupita Nyong’o, Kiana Madeira and Duane Jones, there is much to celebrate! Here are fifteen films that illustrate the sometimes groundbreaking and always entertaining achievements in the horror genre that this month so proudly commemorates!

REVIEW LINKS: click to read the corresponding review!

  1. Blacula
  2. Scream Blacula Scream
  3. Abby
  4. Dr. Black and Mr. Hyde
  5. Sugar Hill
  6. The House On Skull Mountain
  7. Candyman
  8. Tales from the Hood
  9. Night of the Living Dead
  10. Get Out
  11. Us
  12. His House
  13.  Fear Street Part 1: 1994
  14. Spiral
  15. JD’s. Revenge

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To all these talented men and women in front of and behind the camera…CHEERS!

-MonsterZero NJ

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MONSTERZERO NJ’S 12 REASONS WOMEN OF COLOR ARE GOING TO ROCK YOUR HALLOWEEN!

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Luciana Faulhaber is an actress that doesn’t wait for the phone to ring! This hard working and talented Latina directed, co-wrote, as well as starred in, the backwoods horror Don’t Look!

MONSTERZERO NJ’S 12 REASONS WOMEN OF COLOR ARE GOING TO ROCK YOUR HALLOWEEN!

Horror films have always been a step ahead with having diversity in their casts and women of color have played important roles for decades! To celebrate their contribution to our favorite genre, here are 12 reasons women of color are going to rock your Halloween🎃!

babysitter blog

VONETTA MCGEE in BLACULA!

PAM GRIER in SCREAM BLACULA SCREAM, GHOSTS of MARS and BONES!

KELLY JO MINTER in A NIGHTMARE ON ELM STREET 5: THE DREAM CHILD, THE PEOPLE UNDER THE STAIRS and POPCORN

EIHI SHIINA in AUDITION

LUCIANA FAULHABER in THE NIGHT CREW and DON’T LOOK!

CHASTY BALLESTEROS in THE NIGHT CREW and GIRLHOUSE!

LUPITA NYONG’O in US and LITTLE MONSTERS!

TARA BASRO in SATAN’S SLAVES and IMPETIGORE!

CHELSEA ISLAN in MAY THE DEVIL TAKE YOU and MAY THE DEVIL TAKE YOU TOO!

KIANA MADEIRA in THE FEAR STREET TRILOGY!

ROSA SALAZAR in BRAND NEW CHERRY FLAVOR!

CRISTINA RODLO in NO ONE GETS OUT ALIVE!

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Versatile and talented Indonesian actress Tara Basro in Joko Anwar’s chilling Impetigore!

These talented ladies aren’t the only ones and women of color are now also getting a chance to add their voices behind the cameras, with writer/directors like Nia DaCosta (Candyman) and Gigi Saul Guerrero (Mexico Barbaro) making a name for themselves and opening doors. All the more reason that women of color are going to rock your Halloween🎃!

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-MonsterZero NJ

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MONSTERZERO NJ’S 12 HORROR FLICKS FOR BLACK HISTORY MONTH!

MZNJ_new_views

now playing

MONSTERZERO NJ’S 12 HORROR FLICKS FOR BLACK HISTORY MONTH!

February is the month where we mark the achievements of the black community and there have been some wonderful contributions to the world of horror films by some amazing talents. Whether it be black filmmakers like William Crain and Jordan Peele, or actors such as William Marshall, Pam Grier, Lupita Nyong’o and Duane Jones, there is much to celebrate! Here are twelve films that illustrate the sometimes groundbreaking and always entertaining achievements in the horror genre that this month so proudly commemorates!

REVIEW LINKS: click to read the corresponding review!

  1. Blacula
  2. Scream Blacula Scream
  3. Abby
  4. Dr. Black and Mr. Hyde
  5. Sugar Hill
  6. The House On Skull Mountain
  7. Candyman
  8. Tales from the Hood
  9. Night of the Living Dead
  10. Get Out
  11. Us
  12. His House

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To all these talented men and women in front of and behind the camera…CHEERS!

-MonsterZero NJ

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A TALENT GONE TOO SOON: THE FILMS OF WILLIAM GIRDLER!

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A TALENT GONE TOO SOON: THE FILMS

 OF WILLIAM GIRDLER!

WIlliam Girdler 1947 – 1978

photo: williamgirdler.com

William Girdler was a low budget filmmaker who made nine movies between 1972 and 1978. They were B-movies, rip-offs and exploitation flicks, but they were entertaining and displayed a man with a love for what he was doing. Name actors of the era, like Austin Stoker, Leslie Nielsen, Christopher George and Michael Ansara, worked with him on more than one film. A few of his titles are now considered cult classics. He not only directed, but wrote six of the films he made, produced two and wrote the score for three films, two of those, his own. His directing career started out with two low budget horrors, Asylum of Satan (1972) and 3 on a Meathook (1972), which were both filmed in his hometown of Louisville, Kentucky.

What will this pretty girl (Sherry Steiner) find behind that door? 3 on a Meathook, perhaps?

His next three films were for prolific exploitation studio American International Pictures. They were Blaxploitation titles, The Zebra Killer (1974), the Exorcist rip-off Abby (1974), with William Marshall, and the Pam Grier detective flick Sheba, Baby (1975). Abby was on the way to big box office profits, on a mere $100,000 investment, when Warner Brothers sued to have it pulled from release, due to it’s similarities to William Friedkin’s classic. Girdler’s first five films were lensed in his native Kentucky.

The great William (Blacula) Marshall as Bishop Garnet Williams in Girdler’s Abby!

Girdler left Kentucky for the Philippines for his next film, the Leslie Nielsen action flick, Project Kill (1976). It’s the oft-told story of a lethally skilled soldier battling his protĂ©gĂ©e (Gary Lockwood). The film was an early Troma release. Girdler’s next two films were for Film Ventures International. They included the Jaws rip-off Grizzy (1976), his most financially successful picture, with a $39 million box office gross and the eco-horror Day of the Animals (1977).

The fifteen foot tall Grizzly from Girdler’s largest grossing film of the same name.

His final feature was for the legendary Avco Embassy Pictures and was The Manitou (1978) with Tony Curtis, Susan Strasberg, Michael Ansara and Burgess Meredith. The Manitou was his most expensive film, budgeted at an estimated $3 million and was released a few months after his untimely death. It also was a box office success.

Michael Ansara and Tony Curtis set out to battle The Manitou!

Sadly, Girdler’s career was tragically cut short, when he was killed on January 21st, 1978 in a helicopter crash in the Philippines, while location scouting for his next project. His films were getting better from a production standpoint and even he once commented on his hands-on learning experiences making these movies…

“Other people learned how to make movies in film schools. I learned by doing it. Nobody saw Billy Friedkin’s or Steven Spielberg’s mistakes, but all my mistakes were right up there on the screen for everybody to see.” (Louisville Times, 1977)*

It’s a shame that an up and coming filmmaker like Girdler had his life and career cut short. Many highly regarded film talents, like James Cameron for one, got their start on movies like these. We may never know what he would have accomplished, if not for that tragic accident, but he has left behind a film legacy that B-movie fans will always cherish.

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THE FILMS OF WILLIAM GIRDLER

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-MonsterZero NJ

 

Sources: Wikipedia, IMDB and WIlliamgirdler.com

*quote from WIlliamgirdler.com

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TOMB OF NOSTALGIA: ESCAPE FROM L.A. (1996)

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ESCAPE FROM L.A. (1996)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

It took 15 years, but in 1996 John Carpenter finally brought Snake Plissken back for another escape. This flick takes place in 2013 and finds Plissken (Kurt Russell) being caught gunfighting in Thailand and brought to the West Coast to be deposited in the lawless island of L.A. A massive earthquake, predicted by the United States’ right wing religious president (Cliff Robertson), has separated L.A. from the mainland and now any immoral or criminal individuals are deposited in this no man’s land. Meanwhile, the president’s daughter, Utopia (A.J. Langer) has rebelled and fled to L.A. into the arms of Peruvian terrorist Cuervo Jones (Georges Corraface) with a doomsday weapon. Like in New York, Plissken is offered his freedom and a pardon of all his crimes, if he infiltrates L.A., kills Cuervo and Utopia and returns the weapon to the U.S. president.

Escape from L.A. was a box office and critical disappointment back in 1996, but with a lot of John Carpenter’s lesser films, it grows on one and now, viewed all these years later, is an entertaining watch finally finding it’s fan base. Carpenter directed from a script by he, producer Debra Hill and star Kurt Russell. It’s lighter in tone and more colorful than Plissken’s apocalyptic first adventure and the characters are a bit more cartoonish than those Snake met in NYC. The budget is almost 4x as much, though bargain basement CGI FX make it look a lot cheaper than it’s 1981 predecessor. The story is a thin remake of the first film and is a bit more politically preachy, with it’s religious right president and police state where even smoking and red meat are criminal offenses. Thankfully Snake is still Snake and he’s cool as ice, even when surfing a tsunami alongside Peter Fonda. The action is somewhat bigger than in EFNY, though a weak villain and too many disposable characters lessen the film’s overall impact. The flick follows the 1981 original’s template too closely to really resonate as a new adventure, but there is a lot of entertainment in watching Carpenter poke fun at politics and Hollywood, no more evident than the Surgeon General of Beverly Hills (Bruce Campbell) segment. It is a flawed movie, but with a little added nostalgia, at over two decades old, it can be fun…and at least we get to see Russell back in action as Snake, one more time.

Carpenter always assembles a good cast. Russell steps into Snake Plissken seamlessly and despite the outlaw being 15 years older, it seems like just yesterday, he was escaping New York City. Russell plays him very seriously despite the film’s lighter tone and Snake is ever the badass up until and including the very last shot. A classic character used far too sparsely. The only disappointment in the cast is Corraface as Cuervo Jones. The actor tries hard, but doesn’t have the presence or ferocity to make him a strong villain worthy of taking on Snake. He’s weak. Issac Hayes’ Duke of New York seemed far more deadly and dangerous. Langer is fine as the ditzy Utopia, though the character is too light to fit in a Plissken adventure. Same could be said of Buscemi’s ‘Map To The Stars’ Eddie. He’s a jokey substitute for Borgnine’s Cabbie and another character that feels out of place. Keach is good as Malloy who would be the Bob Hauk character, as is Robertson slimy as the religious zealot president. Michelle Forbes, Valeria Golino, the great Pam Grier and Peter Fonda are all fine in their supporting roles, as is Bruce Campbell a hoot as the Surgeon General of Beverly Hills. A good cast for the most part.

Overall, this was a bit disappointing when seen opening day 1996, especially to those of us who had been waiting 15 years for Carpenter to unleash Snake Plissken again. Decades later, now that the disappointment has abated and nostalgia has set in, it’s doesn’t seem so bad. Sure, it’s a bit too much of a remake to feel like a completely new adventure, but Russell is still awesome as Snake and at least we have two adventures to watch instead of just the one. There is a lot of action, aside from some sly political commentary and showbiz satire and some of it is more relevant now than back in the day. Not one of Carpenter’s best, but like many of his lesser titles, one that has actually aged better than expected…except for the awful CGI. Where was James Cameron and the New World Pictures FX crew and their model work when you needed them.

-MonsterZero NJ

Rated 3 (out of 4) Snake Plisskens.

 

 

 

 

 

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TOMB OF NOSTALGIA: GHOSTS OF MARS (2001)

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GHOSTS OF MARS (2001)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

Ghosts of Mars was John Carpenter’s last film before he took an almost decade long break from filmmaking. The movie takes place in the future where Earth is terraforming and colonizing Mars. A squad of police officers, including Lt. Melanie Ballard (Natasha Henstridge), Sgt. Jericho Butler (Jason Statham) and Cmd. Helena Braddock (Pam Grier), are sent to a small mining outpost to collect career criminal James “Desolation” Williams (Ice Cube), who is suspected of robbing a payroll delivery and brutally murdering six people. What they find, aside from a jailed Williams, is that an ancient evil has been released by the miners and has taken over the colonists and turned them into savage killers. Now trapped and outnumbered, they have to join forces with Williams, his criminal posse, and the other inmates, to survive.

Film is directed by Carpenter from a script by he and Larry Sulkis. Carpenter’s appreciation for British writer Nigel Kneale is evident here as Ghosts has elements of Kneale’s Quatermass and the Pit (also known as Five Million Years to Earth) and Carpenter’s own Assault on Precinct 13. We have the spirit forms of an ancient Martian race of savage warriors released from their tomb and possessing individuals, turning them into savage blood-thirsty killers, who are determined to oust the human invaders. This forces cop and criminal alike to team up to survive, as the Martians lay siege to the outpost prison. The film was not a success back in the day, but looking back it’s not as bad as it’s reputation suggests, though still one of Carpenter’s lesser efforts. There is plenty of action, abundant bloodletting and gore and the SPFX are charmingly old school on GOM’s modest budget. Carpenter had a little fun with telling certain scenes from different POVs and it has some spooky moments when dealing with it’s Martian specters, who can move from one host to another when a previous host is felled. The Martians themselves are creepy with bizarre face paint and gory body piercings. It’s only when their leader (Richard Cetrone) speaks that the scenes loose their potency as he seems to be uttering gibberish and not an actual structured language, like say, Klingon or any of the Star Wars aliens. It’s a bit distracting, but thankfully those scenes are brief and few. Overall, the film is derivative, but Carpenter still crafts a fun, action/horror with a good cast and some entertaining character interaction. One of Carpenter’s strong points has always been memorable characters and it’s no different here.

As for the cast playing those characters, Natasha Henstridge makes a strong lead in what Carpenter’s intro describes as a matriarchal society. Ballard is a fighter with her own issues and she and Ice Cube work well together. As Williams, Ice Cube is solid as the criminal with a bit of a code of honor. Sure, someone with a bit stronger screen presence, like Wesley Snipes, could have taken Williams into Snake Plissken territory, but Cube is more than efficient. Statham is good as the cocky and horny Jericho Butler and it’s interesting seeing him in a supporting role, before he became a top action star. Pam Grier is every bit the legend she is as the tough Cmd. Braddock and Joanna Cassidy is good as a scientist responsible for the Martians’ release. She supplies a lot of the exposition we need, as does a clever sequence of a stoned and possessed Ballard that fills in the backstory. Supporting cast include Clea DuVall (The Faculty), an imposing Richard Cetrone as the Martian war chief and small roles from Carpenter regular Peter Jason and Robert Carradine as train operators.

Maybe it’s the nostalgia, but all these years later this flick doesn’t seem quite as disappointing as it first did on opening day in 2001. GOM is still not Carpenter’s strongest work, or most original flick, but it’s also not his worst flick either. Carpenter crafts an entertaining action flick, with some spooky sci-fi/horror elements and has a good cast. It’s not perfect, but he does add some inventive touches and moments to a derivative story and it moves quickly at just under an hour and 40 minutes. Gary B. Kibbe provides some nice cinematography for Carpenter’s shots and Carpenter himself provides a rock heavy score with some famous names guesting on it, like Steve Vai, Anthrax and Buckethead*. GOM does show signs of a filmmaker getting tired of the whole process, but also one who can still make good use out of a familiar story and on a modest budget.

*Complete track listing with guest artists listed below trailer!

-MonsterZero NJ

Rated 3 (out of 4) angry red planets.

 

 

 

 

 

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GHOSTS OF MARS TRACK LISTING w/guest artists (list originally posted on Wikipedia)

  1. “Ghosts of Mars” (3:42) – Steve Vai, Bucket Baker & John Carpenter
  2. “Love Siege” (4:37) – Buckethead, Robin Finck, John Carpenter & Anthrax (Scott Ian, Paul Crook, Frank Bello & Charlie Benante)
  3. “Fighty Train” (3:16) – Robin Finck, John Carpenter & Anthrax
  4. “Visions of Earth” (4:08) – Elliot Easton & John Carpenter
  5. “Slashing Gash” (2:46) – Elliot Easton & John Carpenter
  6. “Kick Ass” (6:06) – Buckethead, John Carpenter & Anthrax
  7. “Power Station” (4:37) – Robin Finck, John Carpenter & Anthrax
  8. “Can’t Let You Go” (2:18) – Stone (J.J. Garcia, Brian James & Brad Wilson), John Carpenter, Bruce Robb & Joe Robb
  9. “Dismemberment Blues” (2:53) – Elliot Easton, John Carpenter & Stone
  10. “Fighting Mad” (2:41) – Buckethead & John Carpenter
  11. “Pam Grier’s Head” (2:35) – Elliot Easton, John Carpenter & Anthrax
  12. “Ghost Popping” (3:20) – Steve Vai, Robin Finck, John Carpenter & Anthrax

 

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MONSTERZERO NJ’S 10 HORROR FLICKS FOR BLACK HISTORY MONTH!

MZNJ_new_views

now playing

MONSTERZERO NJ’S 10 HORROR FLICKS FOR BLACK HISTORY MONTH!

February is the month where we mark the achievements of the black community and there have been some wonderful contributions to the world of horror films by some amazing talents. Whether it be black filmmakers like William Crain and Jordan Peele, or actors such as William Marshall, Pam Grier and Duane Jones, there is much to celebrate! Here are ten films that illustrate the sometimes groundbreaking and always entertaining achievements in the horror genre that this month so proudly commemorates!

REVIEW LINKS: click to read the corresponding review!

  1. Blacula
  2. Scream Blacula Scream
  3. Abby
  4. Dr. Black and Mr. Hyde
  5. Sugar Hill
  6. The House On Skull Mountain
  7. Candyman
  8. Tales from the Hood
  9. Night of the Living Dead
  10. Get Out

 

To all these talented men and women in front of and behind the camera…CHEERS!

-MonsterZero NJ

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