THE MUMMY (2017)
Universal’s second attempt…Dracula Untold was the first, but they distanced themselves from it when it failed to draw box office blood… to start their Dark Universe is a bigger clunker than their Dracula flick. Convoluted plot has adventurer Nick Morton (Tom Cruise) finding the tomb of cursed Egyptian Princess Ahmanet (Sofia Boutella) who gets unleashed and now raises the dead across England as she tries to find both Morton…who she has plans for…and a sacred dagger…which she also has plans for. Also interested in the little mummy honey is a certain Dr. Jekyll (Russell Crowe)…who has his own plans for the Egyptian princess.
Directed by Alex Kurtzman from a messy script by three writers, the flick is a CGI drenched bore that won’t do Universal any favors in starting it’s Marvel-esque monster series. Cruise is strictly phoning it in and has far more screen time than the actually mummy whose schtick is basically rehashing the same gimmick from the Stephen Sommers movies, but with a girl mummy this time. It’s just plain silly to have Jekyll involved, though at least Crowe got the material and would probably be a fun Jekyll/Hyde in a much better movie. Boutella had a few effective scenes, but otherwise it’s a snoozefest of CGI and a very miscast TomCruise.
The idea of teaming up comic legend Goldie Hawn and funny girl of the moment Amy Schumer wasn’t a bad one, it’s just too bad they weren’t in a much more solid comedy. Flick has recently dumped and fired Emily (Schumer) going on a vacation originally planned with her now ex-boyfriend. She takes her mom (Hawn) instead and the two head off to Ecuador. The mother and daughter are kidnapped by an Ecuadorian crime lord (Óscar Jaenada) and now must find a way to escape both the criminal and the jungle in one piece.
Directed by Jonathan Levine from a so-so script by Katie Dippold, this flick starts out funny when it is about mother and daughter trying to bond and get along at the resort. It takes a more serious and far less funny tone once they are kidnapped and then escape with the vengeful criminals hot on their heels. There are some deaths along the way, which the film unsuccessfully tries to make funny and the film only regains a little of it’s comic footing when Schumer’s Emily and some strange women (Wanda Sykes and Joan Cusack) mount a half-assed rescue when Hawn is recaptured. Shame the script wasn’t funnier as Schumer and Hawn had a nice chemistry.