BARE BONES: FIGHTING WITH MY FAMILY (2019)

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FIGHTING WITH MY FAMILY (2019)

Comedy/biography is produced by Dwayne “The Rock” Johnson and tells the true story of Saraya-Jade Bevis aka WWE Superstar Paige (Florence Pugh), who was raised in Norwich, England with a Mother (Lena Headly), Father (Nick Frost) and brother (Jack Lowden), who were all professional wrestlers. The film chronicles her wrestling upbringing, to being chosen to join WWE development in NXT, and finally her rise to the main roster and becoming the youngest WWE Diva’s Champion in history on 4/7/14.

Cute, if not cliché, bio-pic is written and directed by actor/director Stephen Merchant. Merchant delivers a fun and sometime heartwarming movie, though one that really cranks up the often told sports underdog scenario. Here, to try to achieve her dream of being a top WWE Superstar, Paige is portrayed as having to fight every step of the way to gain acceptance among her trainers, peers and the NXT audience. Adding to that a conflict with her wrestler brother Patrick (Lowden), who didn’t make the cut. In actuality, the real Paige was very popular in NXT and even had a successful run as their Women’s Champion before being called up to the main roster on the post-Wrestlemania XXX episode of RAW, where she faced Diva’s Champion AJ Lee in an impromptu title match. For cinematic purposes, it’s presented as a CInderella-like opportunity that comes out of nowhere, granted by Dwayne “The Rock” Johnson, whereas in real life she simply earned her promotion with her success in NXT. Obviously, much of Paige’s story is embellished to sell the Rocky-like underdog tone of the flick and a lot of the focus is also on her relationship with her eccentric family. Pugh makes for an endearing and plucky heroine and is surrounded by a good supporting cast, especially Nick Frost as her wrestler father, Vince Vaughn as her trainer and, in a fun bit of irony, current WWE Superstar Thea “Zelina Vega” Trinidad as former WWE Superstar AJ Lee. A fun enough movie and probably more so, if you aren’t a fan and am going in without prior knowledge of Paige’s career.

Personal Note: As a WWE fan and a big fan of Paige herself, my review may be more critical of the dramatic license taken with her story, as well as, it’s failing, though understandably, to acknowledge the bittersweet reality that Saraya-Jade “Paige” Bevis was forced to retire, four years after her victory over AJ Lee, at the age of 25 due to a career ending neck injury. She does still work with the WWE to this day in management positions on their Smackdown show.-MZNJ

 

-MonsterZero NJ

3 star rating

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REVIEW: TOMB RAIDER (2018)

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TOMB RAIDER (2018)

Reboot finds a young, down and out Lara Croft (Alicia Vikander from Ex Machina) refusing to accept her inheritance by declaring her missing father (Dominic West) dead in absentia. When finally forced to do so, she gets a key and clue that sets her on a quest to find out what happen to him. It leads her to the uncharted island of Yamatai where the mysterious Order of Trinity has Archeologist Mathias Vogel (Walton Goggins) searching for the tomb of Japanese sorceress Himiko. The woman was said to be of incredible power and Trinity wants use of it. As Lara seeks to find her father’s fate, she must now also find a way to stop Trinity from accomplishing their goal.

Do-over is directed by Norwegian filmmaker Roar Uthaug (Cold Prey, The Wave) from a script by Geneva Robertson-Dworet and Alastair Siddons and is wisely an origin story that starts fresh after the previous films. It’s also refreshingly down to earth in terms of it’s story telling with Uthaug going back to basics with the action and avoiding the bombastic, over-the-top spectacle that has become the status quo. Some may find the action routine, but it evoked the old fashioned action films before digital software allowed for things to become so much larger than life and in some cases, out of control. The pace is fairly swift with an almost two hour running time and just when it starts to drag a bit, we head into the last act tomb raiding finale. The South African locations look good substituting for a Pacific island and the interiors of Himiko’s tomb are interestingly designed, though with all the previous adventure flicks in this vein, the whole traps and puzzles thing is getting very old hat. Possibly why it’s kept at a minimum. Otherwise we get some solid gun-play and fisticuffs and it makes for an entertaining night at the movies with the hope that this franchise has new legs.

Alicia Vikander makes for a solid heroine as young Lara. Purists may feel her petite frame does not suit the statuesque video game character she’s portraying, but she is quite the spitfire and gives Lara both a strength and a vulnerability that make her more than just megapixels. She does action scenes as good as the boys and was convincing as a young woman coming into her inner adventurer. Walter Goggins is a serviceable enough villain. He could have had a bit more gusto, but they were going for a more grounded approach, so he is not the usual pontificating, cackling villain that most movies of this type feature. Dominic West is fine as Richard Croft in flashbacks, which provide backstory and exposition and Daniel Wu is solid as drunken sailor and Lara’s back-up, Lu Ren. We also get appearances by veterans Kristin Scott Thomas and Derek Jacobi, as well as, fan favorite Nick Frost.

Overall, this was a solid action adventure that stripped away the over-the-top overindulgence of today’s action films and settled for a more back to basics approach. Alicia Vikander made for a strong Lara Croft and overcame her petite stature with a tenacity and vulnerability that really worked here. The whole tomb of traps and puzzles thing is kind of worn out at this point, but there was plenty of chases, gunfire and brawling to keep us entertained. A fun flick from Roar Uthaug.

-MonsterZero NJ

Rated 3 bullets.

 

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BARE BONES: THE HUNTSMAN: WINTER’S WAR (2016)

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THE HUNTSMAN: WINTER’S WAR (2016)

Follow-up to Snow White and the Huntsman, is both prequel and sequel. It starts out telling the origin of The Huntsman (Chris Hemsworth) and takes a page out of Frozen’s playbook by also introducing The Ice Queen, Freya (Emily Blunt), who is sister to evil Queen Ravenna (Charlize Theron). We then jump seven years later, now after the events of the last film, where The Huntsman is sent to find the whereabouts of the magic mirror. He not only finds it, but that his wife/lover, Sara (Jessica Chastain) is still alive and that The Ice Queen has not forgotten him. Worse still, she needs the mirror to revive her sister and take over the land.

Mundane attempt to cash in on Snow White and the Huntsman‘s unexpected success, is directed by Cedric Nicolas-Troyan from a messy script by Evan Spiliotopoulos and Craig Mazin and without star Kristin Stewart. Nicolas-Troyan has a decent enough visual eye, but fails to bring any energy or excitement to the proceedings. Chris Hemsworth does return and gives it his all and is surrounded by a trio of lovely co-stars in Blunt, Theron and Chastain. The added babe power doesn’t hide the fact that this is an incredibly routine fantasy that tries to add interest by luring in the Frozen crowd with Blunt’s icy Ice Queen. It’s not a bad film and is technically well made, it’s just that nothing stands out or makes it in anyway involving or unique. It’s a typical fantasy quest plot with the usual sword and axe play and offers nothing to make it stand out or memorable. At least Theron dialed it down a bit this time. Poor Chris Hemsworth can’t seem to find any success outside of playing Thor and it’s too bad, he is a charming and very likable leading man. Obviously, his three beautiful co-stars have all done better work too and probably did this for the paycheck. A passible evening on the couch, but nothing you’ll remember the next morning. Also stars a returning Nick Frost and narration by the incomparable Liam Neeson.

-MonsterZero NJ

2 and 1-2 star rating

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REVIEW: THE WORLD’S END (2013)

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THE WORLD’S END (2013)

The World’s End is the third film in writer/director Edgar Wright’s ‘Cornetto trilogy’ that feature friends and frequent collaborators Simon Pegg (who co-wrote) and Nick Frost. I like these films though, I don’t quite see them as the comic masterpieces their passionate fan-base does but, I do enjoy them. And much like the other films (Hot Fuzz, Shaun Of The Dead) this is a fun romp where the genuine friendship between these three talents comes through and the good time making the film is evident as you watch. This film tells the story of eternal teenager Gary King (Pegg) who is determined to regroup his band of school buds (Nick Frost, Martin Freeman, Paddy Considine and Eddie Marsan) and finish the epic pub crawl in their home town that they failed to complete 20 years ago. He somehow convinces the men, some who are now married, have families and are fairly successful adults, to return to Newton Haven and complete ‘The Golden Mile’ a stretch of road containing twelve pubs in which they each must have a drink. Things start off well enough… at least in Gary’s eyes… but, soon they realize something is very wrong here in their former stomping ground and an encounter with a gang of youths reveals the town has been taken over by alien robots and their very lives may be in jeopardy. But, despite the alien occupation, Gary is determined to finish what they started two decades ago, even if it means battling a town full of inhuman invaders to do it. Edgar Wright is a clever director and it is the cleverness in his mixing of a story of growing older and facing change and responsibility with an Invasion Of The Body Snatchers-esque Sci-Fi tale that makes it work and makes it fun. He creates some very human and endearing characters in his leads who are brought to life by a talented cast including Rosamund Pike as Sam, who is the sister of Oliver (Freeman) and with whom Gary wishes to repeat his previous pub crawl bathroom encounter with. It is the likability of this bunch and their personal growth during this adventure that keeps one from realizing how silly it all is. Despite some amusing action scenes and abundant SPFX in it’s second half, the movie is rooted in this band of middle-aged friends trying to relive days gone by even in the face of an alien invasion. Their bickering over personal issues while being pursued by a town full of robotic alien clones of their old friends and neighbors, is what really makes this flick work despite top notch effects and the well choreographed action. Not everything works perfectly. It takes the film a while to get going and it takes some time for you to warm up to Pegg’s Gary who is basically a jerk but, when the film does start moving it’s a lot of fun and Pegg skillfully makes you not only root for Gary but, feel sorry for him when his personal secrets are revealed. The climax in the alien hive does bring the momentum to a grinding halt, though, it isn’t boring, just stops the action cold and the film does have a somewhat gloomy finale considering the more energetic tone… but, it works and certainly doesn’t ruin the film. All in all, I liked this third and finale (?) chapter in the trilogy but, like the others, I don’t think it’s a classic. It certainly is a bit of a refreshing change from the crude and lazy comedies that Hollywood is cranking out continuously and that is most welcome. Also stars Pierce Brosnan as the gang’s school professor Guy Shepard and a vocal cameo by the great Bill Nighy as the alien ‘Network’.

3 pints!

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REVIEW: SHAUN OF THE DEAD (2004)

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With The World’s End opening this weekend, I decided to revisit the first big screen film from Pegg, Frost and Wright…

SHAUN OF THE DEAD (2004)

Not the masterpiece most fanboys make it out to be, but British flick Shaun Of The Dead is an amusing horror comedy with a twisted sense of humor and some some excellent gore effects. The film mixes the laughs and horror well enough (which isn’t easy as most horror/comedies fail) and actually is a pretty decent zombie film even without the jokes. Simon Pegg plays Shaun, a slacker who yearns for more yet, can’t quite get off the couch to go for it, despite pressure from his pretty girlfriend, Liz (Kate Ashfield). When a zombie apocalypse breaks out, Shaun finds the hero within when he’s forced to take action to save his girl, his mom (Penelope Wilton) and their friends.

Frequent collaborator Nick Frost, in the lovable loser role, plays Shaun’s best friend and bad influence Ed, and the two play off each other very well and their reactions to each other come across as very natural (they are friends in real life). The rest of the supporting cast, including the great Bill Nighy, back them up nicely and all come across as real people not quite able to deal with what’s happening. The group turns to Shaun to guide them as he seems to be the only one with a plan, even if it is only to get to the local pub and wait things out. Director Edgar Wright wisely gives plenty of clever props and nods to the zombie films of George Romero, which clearly influenced Shaun, but while making the movie all his own. The flick has it’s share of flaws though. It is a bit predictable as we know how it’s going to all wrap up as we’ve seen the ‘slacker does good/wins the girl’ story many times before. Frost’s Ed was a bit annoying to me in the earlier scenes and I kind of sided with those who don’t like him much. He has some funny bits and again, he works well with Pegg and the two are fun to watch once the film gets going, but I wasn’t as endeared to the character as others seem to be. Also, some of the scenes of Shaun being lectured by those disappointed in him get tiresome quick. We get the point. He’s lazy. In fact I find the stuff before the zombies show up to be a bit dull and, ironically, the film only really livens up when the dead show up, but maybe that was the point.

Not quite the great movie it’s made out to be, but a fun ‘Saturday night with a few beers’ flick and one of the better horror comedies of the 2000s. An enjoyable flick and a lot of fun, but a bit overrated in the context of all the fuss that’s made about it.

3 fun zombie fighting friends!

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