Kurt Russell as Snake Plissken! One of the greatest and sadly underused movie anti-heroes of all-time!

40 years ago today the film world was introduced to Snake Plissken (Kurt Russell) as John Carpenter’s Escape From New York was released in theaters! A little EFNY anniversary trivia: studio Avco Embassy Pictures wanted Charles Bronson or Tommy Lee Jones for Plissken, but Carpenter held out for Kurt Russell and history was made! HAPPY 40th ANNIVERSARY ESCAPE FROM NEW YORK!





The late, great Oritani Theater in Hackensack, N.J. where I saw Escape From New York opening night! (Photo from the Mitchell Dvoskin collection)

-MonsterZero NJ




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 James (Shakedown) Glickenhaus’ The Exterminator is a grind house flick through and through with it’s dirty, grimy depiction of a crime-riddled New York City and the cruel and blood-spattered activities of it’s criminal underworld and corrupt officials. The film focuses on Viet Nam vet John Eastland (Robert Ginty) and his friend Michael Jefferson (Steve James) who saved his life in the brutal opening sequence set during the war. When the two best friend cross paths with The Ghetto Ghouls, a vicious street gang, the vengeful youths attack Jefferson and paralyze him for life. This sets Eastland off on a bloody quest for revenge which starts at the Ghetto Ghoul’s hang-out and soon spreads out onto the streets of New York City itself as Eastland decides to become a one man war against crime, who proclaims himself to the people of the city as “The Exterminator.” With guns, flame throwers and even meat grinders at his disposal, The Exterminator is out to clean up the streets…but he’s got the attention of a hard-boiled cop (Christopher George) and made enemies even he may not be able to survive.

Written and directed by Glickenhaus, this is a sleazy and nasty little film that isn’t afraid to go deep into the alleyways and hidden sex dens to follow Eastland on his quest for justice, spurred by the mutilation of his dearest friend. Glickenhaus creates a New York City that is dirty, violent and corrupt on every level. A film where little or no moral characters exist and that makes you want to take a bath after it’s over. It’s a revenge, action film that’s directed more like a slasher movie, unafraid to go places mainstream movies won’t and smart enough to not try to be more than it is. It’s an exploitation movie to it’s core, showing a darker side of the world’s greatest city at a time where lawlessness was at it’s worst. Obviously, 80s nostalgia permeates the film now and adds to it’s cult classic status. The film’s not perfect. Eastland goes from mild mannered vet to homicidal vigilante far too quickly to appreciate the effects of his being pushed too far. Having no main villain after he deals with the Ghetto Ghouls early on, robs the film of a more focused story and makes Eastland’s actions appear random at times. The pace is rather slow…though not uncommon in this era of movies. The action, aside from the Viet Nam opening is rather unremarkable. The acting is passable at best and the ending, though unconventional, is rather abrupt. It is an exploitation film after all and it delivers the sleazy goods more than it stumbles and gives us a down and dirty look at NYC at a time when the Big Apple had lost a lot of it’s luster. It’s a bloody, bare bones grind house flick about vigilante justice, street style, without the Hollywood gloss of the similar Death Wish.

The cast are all efficient enough, though, we won’t be handing out any awards. Robert Ginty is fine as Eastland. He is a bit wooden, but his boyish looks and calm delivery make him a good choice as Eastland, as he is not someone you would immediately expect to be a psychopathic vigilante. Christopher George is his usual reliable self as the macho, tough-guy cop tracking The Exterminator and he works in the type of part he played often in his career. The rest of the cast are an assortment of gangsters, gang members and slimy CIA agents and everyone fits in with the exploitation atmosphere just fine. Samantha Eggar has a small role as George’s doctor girlfriend and she may be one of the only nice people in the film apart from Michael’s wife Maria (Michele Harrell).

Released by legendary studio Avco Embassy Pictures, I didn’t see The Exterminator when it first came out, but caught it a few years later on VHS and wasn’t overly impressed at that time. I did see the lackluster sequel from Cannon Films in 1984. The original is a cult classic and I think I appreciate it more now for what it is and that it presents such heavy nostalgia of the early 80s NYC in all it’s sleazy 42nd street glory. The city has greatly improved since then and while that is good for visitors and occupants alike, we can now safely revisit one of it’s darkest times, crime-wise, through exploitation films like this, that dove into the immoral muck and mire with both feet and swam through it proudly…and The Exterminator does just that as any good grind house movie should.

3 about to become chopped meat mobsters.

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This week’s double feature combines two movies I’ve covered before but, since NYC was on a lot of people’s minds this past week and the World Trade Centers figure prominently in both features, I decided to pair up two of my favorite 80s action guilty pleasures! Enjoy!



Escape From New York is one of my all time favorite B movies and a bonafide film classic. I instantly fell in love with this film upon seeing it opening night at the legendary Oritani Theater in Hackensack, N.J. and John Carpenter solidified himself as one of my favorite directors.

An outrageously original idea has New York City in a war torn, crime filled, future turned into a maximum security prison, and legendary director Carpenter makes it work by taking his subject matter just seriously enough to make the audience buy it. Add to that a colorful cast of characters, including one of the greatest, and sadly underused, film anti-heros of all time, Snake Plissken (Kurt Russell) and you have the recipe for a B movie classic. The story is simple, war hero turned outlaw, Snake Plissken has been captured and is about to be sentenced to life imprisonment in New York City Penitentiary. But, fate intervenes and the President’s (Donald Pleasence) plane is hijacked on the way to a crucial peace summit and crashed inside the city. Former special forces soldier Plissken is the only man skilled enough to sneak in quietly and get him out alive and Snake now has a chance at a full pardon for all his crimes if he takes the job. But, a vicious gang leader called The Duke Of New York (Isaac Hayes) has other ideas for both The President and Snake, who has less then 24 hours to complete his mission or the world goes back to war.

Director and co-writer (with Nick Castle) Carpenter creates some nice tension and suspense and his visual eye is great at creating a gloomy hellhole out of the world’s greatest city. And Dean Cundey’s cinematography is absolutely beautiful as it captures the world inside New York, which is very effectively portrayed on a small budget. Carpenter moves the film along well, although not as fast paced as today’s audience are used to, and there is plenty of action and chases to keep one entertained. And despite being released in 1981, this film may be the last film to have a real 70s feel to it before the Lethal Weapons and Die Hards changed action films forever. Another film that inspired many and was imitated many times and another great Carpenter film score to add to the atmosphere.

As for the cast… Kurt Russell does his best Clint Eastwood as Snake and it’s only natural then to pair him up with Eastwood co-star Lee Van Cleef as Police Commissioner, Bob Hauk. Rounding out the cast is Halloween vet Donald Pleasence as the President, Harry Dean Stanton as Brain, Carpenter’s then wife, Adrienne Barbeau as Maggie, Ernest Borgnine as Cabbie and legendary soul man Isaac Hayes as The Duke of New York. And not to forget, there is also genre favorite Tom Atkins as Hauk’s right hand man, Rehme and frequent Carpenter collaborator Charles Cyphers as the Secretary Of State. A simply classic B-movie sci-fi/action flick and one of my all time favorites! MONSTERZERO NJ EXTRA TRIVIA:  The studio wanted Charles Bronson as Snake, but, Carpenter fought for his choice of former Disney child actor, Russell and the rest is history. Also, the SPFX were done in part by a then unknown James Cameron, who went on to direct Terminator and Titanic. And despite it’s setting, most of the film was lensed in St. Louis and L.A. with only one night actual shooting in NYC at the Statue of Liberty.

One of the greatest B-movies of all time!

A classic 4 Snakes

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Shakedown is an 80s action guilty pleasure from Exterminator director James Glickenhaus that is not only his best film but, a darn entertaining cop thriller that is one of the last to take place in NYC before the 42nd street clean up and thus presents New York in all it’s sleazy pre-90s glory.

Shakedown is the story of public defender Roland Dalton (Peter Weller) who is moving on to a Wall Street law firm, run by his future father in-law, and as his last case, defends a drug dealer (Richard Brooks) accused of killing a cop. But, the dealer says it was self defense, he was defending himself in a robbery and the officer never identified himself. Dalton investigates along with lone wolf cop Richie Marks (Sam Elliott) and they discover a conspiracy of criminals and dirty cops who now want them both dead.

Sure some of the action is a bit overblown and the FX in the final showdown very cheesy but, Shakedown, as written and directed by Glickenhaus, is a down and dirty good time with a New York City bathed in neon lights, covered with empty crack vials and where sex, drugs and murder are a common occurrence. Add some 80s nostalgia to the mix and you have a whole six pack worth of Saturday night entertainment that is both grind-house action flick and slick crime thriller. But, aside from it’s dirty, backstreet depiction of New York and some over the top action scenes, what really makes Shakedown work is that Elliott and Weller makes such a great team. They work very well together and it’s a shame the film never caught on enough to further the adventures of Marks and Dalton. The characters and the actor who portray them, really click and begged for a series. Supporting cast all perform well too, including Antonio “Huggy Bear” Fargas as drug lord Nicky Carr, Blanche (Sixteen Candles) Baker as Dalton’s fiancé and hot Patricia Charbonneau as the assistant D.A. and Dalton’s former flame.One of my favorite 80s guilty pleasure action flicks. A fun movie.

MONSTERZERO NJ EXTRA TRIVIA: The original title for the film and it’s title in other parts of the world was Blue Jean Cop which is a term used in the film for a cop on the take (dirty cops can afford designer jeans as opposed to Wranglers or Levis). Also, Director Glickenhaus made a few more flicks, including the campy Gary Busey action vehicle Bulletproof, before leaving show business to work at his father’s investment firm and became a successful investment professional and car collector.

3 and 1/2 bullets!

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