It Follows star Maika Monroe returns to our favorite genre in the Netflix sci-fi/horror thriller Tau. Monroe plays a young woman kidnapped by a scientist (Ed Skrein) to be used in experiments to test an A.I. (voiced by Gary Oldman) of his own creation. The film premieres June 29th! Check out some stills (from Maikamonroe.us) and the trailer…
Production stills: maikamonroe.us
THE RITUAL (2017)
Based on a book by Adam Nevill, this chiller finds four friends traveling deep into the Swedish wilderness on a hiking excursion while mourning the death of a fifth member of their group. Deep in the woods they find a supernatural entity presides there, one worshiped as a deity by the locals and who feeds on the mental…and physical…pain of it’s sacrifices…and anyone wondering into it’s territory qualifies as a sacrifice.
Film, directed by David Bruckner (the Amateur Night segment of V/H/S) from Joe Barton’s script, which is based on Nevill’s novel, evokes mixed feelings. On one hand it is basically The Blair Witch Project meets The Wicker Man (original version, of course) and thus is very familiar. On the other hand, Bruckner does conjure up some spooky sequences and the film has a very unsettling visual style, especially in the last act when it’s wendigo-like deity makes it’s appearance. There are scenes directly lifted from The Blair Witch Project with symbols found carved on trees, strange formations made from sticks and antlers and characters screaming in the distance as something unseen drags them away. There is a spooky cabin in the woods and even a witch. We do, however, also get some gory stuff with animals and people found gutted and hanging from trees and some very unsettling dream sequences, especially from lead Luke (Rafe Spall) who feels guilty over his friend’s death. It turns full blown into The Wicker Man in it’s last act, when the surviving hikers are taken to a village lost in time, where they are to be sacrificed to whatever lurks among the trees. Once the thing shows up, Bruckner gets some good effect from the spirit creature’s look and ferocity and the fight to escape it by the remaining characters. The movie is atmospheric and the small cast perform their clichéd roles well. There is a spooky score by Ben Lovett and some really effective cinematography from Andrew Shulkind to add to it’s overall effectiveness.
This film was a bit hard to rate as it is very effective in terms of it’s atmosphere, it’s spooky visuals and some effectively creepy moments from director Bruckner, but constantly reminds us of other movies. It does use the familiar elements to do it’s own thing, but also borrow heavily from some widely renown films. It’s definitely worth a look, but go in knowing you’ve seen a lot of it before. Also stars Arsher Ali, Robert James-Collier and Sam Troughton as Luke’s three friends. Film is currently streaming on Netflix.
Rated 3 deer.
THE PUNISHER (2017)
Spin-off series from season 2 of Netflix’s Daredevil finds ex-soldier Frank Castle aka “The Punisher” (Jon Bernthal) thinking he’s finished his mission of revenge and hanging up his skull adorned bulletproof vest under the new identity of loner, construction worker Pete Castellini. Upon being contacted by a whistle blower thought dead named Micro (Ebon Moss-Bachrach), Castle finds that there is a deeper conspiracy responsible for the murder of his family, one that involves high ranking military personal, dirty CIA agents and unknowingly himself. Castle returns to the road for revenge, but only now he has a tenacious Homeland Security agent on his tail (Amber Rose Revah) who has her own score to settle.
The Punisher solo series’ first season leaves some mixed feelings. Bernthal is still a great Frank Castle/Punisher and there is certainly a lot of the bone-crushing, brutal action like the character was involved in on Daredevil. The problems here are some sub-plots that don’t seem necessary or to add much to the proceedings and the fact that it once again takes nearly the whole season for The Punisher to really re-emerge. It’s more of a conspiracy show, a la the X-Files, which would be fine if it stuck to the conspiracy and it’s attention didn’t wander to sub-plots like a growing relationship with Micro’s “widow” (Jaime Ray Newman) and kids (Kobi Frumer and Ripley Sobo) and an emotionally disturbed young vet turned terrorist named Lewis (Daniel Webber). These sub-plots seem more like plot devices, one to keep his relationship with Micro antagonistic and the other to wrongfully out him to the world as a terrorist. At times they feel a bit like filler to stretch the series out to it’s 13 episodes when maybe a more streamlined 10 would have served it better and kept to the main story. Sometimes the violence seems a bit too over the top and Frank seems to bounce back from severe wounds or beatings far too quickly to be believable. If the show wants to ground itself in reality, which it does, than it’s hard to swallow a man entering physical combat mere days after being beaten practically to death. Still the show is well done and the acting is strong across the board, especially from Bernthal, Moss-Bachrach and Revah. Paul Schulze makes a detestable bad guy as rogue CIA director William Rawlins, one of the season’s main villains. There are also some returning characters From DDse02, such as Deborah Ann Woll as Karen Page and Clancy Brown as Major Schoonover. While there are generous amounts of action throughout, once The Punisher suits up again there are some really intense action set-pieces, which illustrate just how bad-ass this incarnation of the character is. The show does have a kind of Sons of Anarchy vibe, it handled the theme of a combat vet’s life back home very well and a more focused second season could really fire on all cylinders for the character.
Overall, the first season for Marvel’s gun-toting vigilante wasn’t exactly on target, but has enough going for it to look forward to more. Now that the revenge and conspiracy elements are taken care of, season two can get down to The Punisher doing what he does best. Not a great first season, but one that shows a lot of potential if season 2 can lock it down.
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- Resupply – directed by Karl Skogland and written by Dario Scardapane
- Gunner – directed by Dearbhla Walsh written by Michael Jones-Morales
- The Judas Goat – directed by Jeremy Webb and written by Christine Boylan
- Crosshairs – directed by Andy Goddard and written by Bruce Marshall Romans
- Cold Steel – directed by Antonio Campos and written by Felicia D. Henderson
- Front Toward Enemy – directed by Marc Jobst and written by Angela LaManna
- Virtue of the Vicious – directed by Jim O’hanlon and written by Ken Kristensen
- Danger Close – directed by Kevin Hooks and written by Felicia D. Henderson
- Home – directed by Jet Wilkinson and written by Dario Scardapane
- Memento Mori- directed by Stephen Surjik and written by Steve Lightfoot