HORROR YOU MIGHT HAVE MISSED: GERALD’S GAME (2017)

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GERALD’S GAME (2017)

Gerald’s Game is a Netflix original film adaptation of the Stephen King novel of the same name that many felt was almost impossible to adapt. Along comes Hush and Oculus director Mike Flanagan to prove those naysayers wrong. Story finds Jessie (Carla Gugino) and husband Gerald (Bruce Greenwood) going up to a secluded lake house to put some spark back in their marriage. Gerald’s idea of turning up the heat is to handcuff Jessie to the bed. When his sex game gets a little too rough for Jessie, she protests and struggles and the ensuing argument…plus the effects of the Viagra Gerald took…gives the man a fatal heart attack. Now trapped by the bonds of the intended sex game, Jessie is unable to get free, left alone with only the manifestations of a panicking mind, haunting memories from her past and a hungry stray dog to keep her company.

Flanagan once again delivers one of the best horror films of the year, as well as, one of the best Stephen King adaptations. His script with Jeff Howard brilliantly comes up with a way to portray Jessie’s inner monologue by using a trick he used briefly in Hush, by having Gugino and Greenwood basically play different trains of thought going on in her head. It works tremendously in letting us know what is going on in Jessie’s frightened mind as her imprisonment drags on for days and she engages in conversation with herself and her dead husband, revealing her fears and the painful memories her current situation drags up. If the inner terror isn’t enough…and some of these dialogue bits are intense and disturbing…there is the hungry mutt who is snacking on Gerald and a ghoulish phantom figure Jessie keeps seeing at night, at least one of which being a very real threat. The result is a very terrifying and nail-biting story of a woman basically left by happenstance to die and what goes on in her head during the ordeal. If the film falters a little…and it’s only a little…is that the last ten minutes deviates a bit into the subject of Jessie’s possible creeper and it feels like it’s part of a different movie, despite being basically from the book. It still brings us to a satisfying conclusion, but just felt a little out of place when compared to the preceding 90 minutes, which was dark and gripping on an intimate scale, taking place up to that point in the Burlingame bedroom.

Flanagan may have indeed masterfully directed this tale of terror, but his success would not be without two Oscar caliber performances from leads Carla Gugino and Bruce Greenwood. Both actors play themselves and manifestations of Jessie’s fears and mental breakdown and as such these actors are superb. Gugino has always been a good actress and here she delivers one of the best performances of her career. As Jessie, she vividly portrays a woman harboring some dark memories and secrets which come bubbling to the surface as she left alone and helpless to a horrible fate. The actress is simply amazing as both Jessie and the manifestation of Jessie’s subconscious. The same could be said of Greenwood, who plays not only her husband, who has a bit of a dark side himself, but also the manifestations of Jessie’s fears and weaknesses. The two actors’ performances are unbelievably in-sync especially when playing off each other as conflicting patterns of thought in the terrified woman’s head. Fantastic work. There are some supporting actors as well, such as Henry Thomas and Hush‘s Kate Siegel  as Jessie mom and dad in flashbacks and Carel Struycken as the phantom figure Jessie interprets as death coming to take her.

Mike Flanagan has yet to disappoint and here he delivers one of his strongest films yet. He and co-writer Jeff Howard have a script that borders on brilliant at times in it’s adapting of a story that many felt was impossible to adapt. The film is terrifying and disturbing and doesn’t pull punches or turn away from some of the more intense subject matter…and there is a bit of effective gore, too. The last few scenes may feel a bit out of place from the previous nail-biting sequences, but they remain faithful to King’s story and certainly don’t tarnish one of the best horror films of the year. The teaming of Flanagan and Netflix has produced two really top notch horror flicks and it makes one eagerly anticipate The Haunting of Hill House series Flanagan has upcoming on the network.

-MonsterZero NJ

A solid 3 and 1/2 handcuffs.

 

 

 

 

 

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NETFLIX’S “THE PUNISHER” GETS A TRAILER!

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Netflix may be keeping the release date for it’s new series The Punisher a secret for now, but they have finally released a trailer for the upcoming Marvel adaptation. Jon Bernthal stars as vigilante Frank Castle aka “The Punisher” who is avenging the death of his family.

Source: Youtube

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BARE BONES: LITTLE EVIL (2017)

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LITTLE EVIL (2017)

Little Evil is a Netflix horror/comedy that has likable schlep Gary (Adam Scott) marrying pretty mom Samantha (Evangeline Lilly) and soon suspecting her six year-old son Lucas (Owen Atlas) might be the spawn of Satan…literally. And that’s kinda it.

There is little to recommend about Little Evil as it is a dreadfully unfunny attempt to spoof the bad seed/demon child scenario. Most of the jokes fall flat and the film takes itself a little too seriously anyway, which would be fine if the derivative horror elements worked at all. We’ve seen it all before and that would be fine if the flick was funny enough to laugh at the familiar tropes. It’s not. Scott is once again a dull lead and at least Lilly is perky as the oblivious mom and young Owen Atlas is suitably creepy as devil child Lucas. Other than that, the direction from Eli Craig is as pedestrian as his script is uninspired and both lack the cleverness, style or laughs to make a spoof/homage like this work. A bore from start to it’s cliché finish. Also stars Clancy Brown as a priest.

-MonsterZero NJ

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MIKE FLANAGAN’S GERALD’S GAME ADAPTATION GETS A TRAILER!

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Mike Flanagan, who has brought us Absentia, Oculus and Hush, has now adapted Stephen King’s novel  Gerald’s Game for Netflix and they have just released a trailer. Schedule to air September 29th, 2017, the flick stars Carla Gugino and Bruce Greenwood. Gerald’s Game is directed by Flanagan from a script by he and Jeff Howard. Can’t wait!

Source: Youtube

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BARE BONES: TAKE ME (2017)

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TAKE ME (2017)

Indie comedy has the interesting premise of a man named Ray (Pat Healy) who performs kidnap scenarios at a client’s request. He has recently relocated to his family home in California and is quite down on his luck. He gets an opportunity for financial redemption when a client named Anna St. Blair (Taylor Schilling) contacts him for a $5,000 weekend scenario with all the trimmings. But once Ray has Anna in his clutches, he starts to get the impression that something is very wrong and this kidnapping may be far more real than even he bargained for, as the lines between fantasy and reality start to blur.

Flick is directed by star Healy from a fairly clever script by Mike Makowsky. Actor Healy is a first time director here, who also has to star in the production and maybe this was a bit much as his first flick could have used a bit more spark. It does have an intriguing premise and does throw us some fun twists that make one wonder if Ray has the right victim, or if she is far too into her own fantasy than even he can handle. With this novel plot, though, we do feel Makowsky could have gotten more use out of some elements of the scenario, such as a police visit that could have taken things a bit further. And while it’s amusing to see it all play out, we do wish the flick had just a touch more fun with it’s story. Healy and Schilling work well together and have a nice chemistry. Healy keeps Ray somewhat likable despite being a bit of a creep and Schilling has a blast keeping us guessing if she is a real victim or way too into what’s going on. It’s amusing to watch her turn the tables on a man who is used to being in control. Not a great movie, but entertaining enough thanks to an amusing premise and a good cast.

-MonsterZero NJ

3 star rating

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TV REVIEW: GLOW (2017)

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GLOW (2017)

Glow is a fun and nostalgic 2017 Netflix original show based on the Gorgeous Ladies of Wrestling tv program that ran from 1986-1990. The original show featured a bevy of female wrestlers performing cartoon-ish stereotype characters and soap opera-esque story-lines along with in-ring matches…which isn’t too much removed from professional wrestling in general. This ten episode Netflix series fictionalizes the creation of the show when struggling exploitation director Sam Sylvia (Marc Maron) agrees to put an all girl wrestling show together for wannabe producer Sebastian (Chris Lowell) who has a rich mother. Sam’s actual goal is to get “Bash” to fund his next flick. Answering the audition call for the Gorgeous Ladies of Wrestling are down-on-her-luck actress Ruth Wilder (Alison Brie), her former best friend and ex-soap opera actress Debbie (Betty Gilpin), along with ten other women. The show mixes comedy and drama as it chronicles Sam and the ladies’ struggle to train, come up with their characters and get along, without killing the show, or each other, before they even step into the ring.

Glow starts off a bit shaky, but after a few episodes hits it’s stride quite nicely. The shaky start is due to the need to get the story moving quickly as there are only ten, half-hour episodes to tell it. The show needs to establish Ruth and Debbie as friends, turn them into enemies…when Ruth sleeps with Debbie’s husband (Rich Sommer)…and then thrust them back together as they become the show’s intended star rivals. This is hastily done in the first two episodes and doesn’t quite gel as we never get a feel for them as friends before they are at each others throats, literally. Ruth’s motivations for sleeping with her friend’s husband are never really convincing either. Just not enough time to really make it work. Once this occurs, the show kicks into gear as the production seems doomed from the start, yet the group start to come together like a dysfunctional family to try to make it happen. Not everything works, like an abortion sub-plot that literally lasts for one episode and seems to add nothing, and occasionally some of the humor falls flat, though mostly it works. Otherwise, this is a lot of nostalgic fun, especially if you remember the actual show that inspired it, or are a fan of everything 80s. The finishing touch is that it’s all wrapped in some awesome 80s tunes across it’s ten episodes and the whole thing leaves us wanting more.

The cast work really well and as a character driven show that is important. Alison Brie has shown a flair for comedy in the TV sitcom Community and some of her recent film roles and she shines here as Ruth. Ruth sees herself as an actress and it takes a while for her to get used to this brand of acting, but once she does she dives in with both feet. Brie works very well in the part of a woman desperate to find her place and is adept as the physical comedy, too. Gilpin is solid as Debbie. A respected TV actress who left her soap opera role to be a wife and mother and now finds that home broken by Ruth and that she has a need to be more than a babysitter. Gilpin portrays well a woman with an axe to grind who wants to be star of the show and does so without making her unlikable. Marc Maron is perfectly cast as the somewhat sleazy filmmaker, who does have a heart underneath all that cynicism and sarcasm. He really does good work here at making the guy very likable, even when he’s being a bit of an ass. The supporting cast all are strong, including Sydelle Noel as “Cherry” who becomes the groups trainer, as well as, one of the wrestlers know as “Junkchain” and Britney Young as a gentle giant of a women who only wants to prove she can be a wrestler like her famous father and brothers. A well rounded and well cast group of eccentric and eclectic characters.

So, the show does have a few flaws…and most shows take at least one season to hit their stride…but it overcomes them to become quite engaging. It’s a fun, nostalgic and clever look back not only an era, but one example of that era’s outrageousness. It’s well cast, has some fun moments and mixes the drama and comedy very well nicely. Another fun, entertaining and original show from Netflix!

The cast of Glow

EPISODE LIST

  1. Pilot – directed by Jesse Peretz and written by Liz Flahive & Carly Mensch
  2. Slouch. Submit – directed by Wendey Stanzier and written by Liz Flahive & Carly Mensch
  3. The Wrath of Kuntar – directed by Claire Scanlon and written by Nick Jones
  4. The Dusty Spur – directed by Melanie Mayron and written Sascha Rothchild
  5. Debbie Does Something – directed by Phil Abraham and written by Rachel Shukert
  6. This Is One Of Those Moments – directed by Kate Dennis and written by Jenji Kohan
  7. Live Studio Audience – directed by Jesse Peretz and written by Rachel Shukert
  8. Maybe It’s All The Disco – directed by Sian Heder and written by Nick Jones
  9. The Liberal Chokehold – directed by Lynn Shelton and written by Liz Flahive & Carly Mensch
  10. Money’s In The Chase – directed by Tristram Shapeero and written by Liz Flahive & Carly Mensch

-MonsterZero NJ

3 wrestling rings!
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MONSTERZERO NJ’S 25 HORRORS CURRENTLY ON NETFLIX THAT ARE WORTH WATCHING!

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Jay screams for her life in It Follows!

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MONSTERZERO NJ’S 25 HORRORS CURRENTLY ON NETFLIX THAT ARE WORTH WATCHING!

Netflix seems to be the go-to place to watch horror movies these days, so MonsterZero NJ has put together a list of twenty-five worth watching fright flicks screaming…oops, streaming…right now!

 

(for reviews of all these flicks pop the title in the search engine above to get MZNJ’s full review!)

 

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Deaf mute Maddie unaware a killer lurks outside her door in Hush!

-MonsterZero NJbars

BARE BONES: THE DISAPPOINTMENTS ROOM (2016)

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THE DISAPPOINTMENTS ROOM (2016)

The Disappointments Room is exactly that. Kate Beckinsale stars as architect, wife and mother, Dana, who is moving into a rural country home with her family. Exploring her new house she finds it has a hidden locked room in the attic. Research reveals it’s a disappointments room…a room where well-to-do families hid deformed or handicapped children, to live out their lives in secret without ’embarrassing’ their families. Dana, having lost one of her own children, is especially disturbed by this and starts to see and be haunted by visions and apparitions of a past family and their deformed daughter. Is she just experiencing delusions caused by grief over the accidental death of her baby daughter, or is she really being haunted?

Directed by D.J. Caruso (Disturbia), from a script by he and Wentworth Miller, this is an incredibly generic ghost story. All the well-worn clichés are present, such as Dana being the only one who sees these apparitions and the husband (Mel Raido) leaving mid-haunting to go away for a few days with the haunted wife now home alone with her son (Duncan Joiner). Beckinsale really tries hard here to give her emotionally strained mom some depth, but the incredibly bland script doesn’t give her much to work with. Raido’s husband is the typical doubter who believes it’s all in his wife’s head and there is the stereotypical young, hunky handyman (Lucas Till) to hit on Beckinsale’s hot mom, in a sub-plot that goes nowhere. Caruso directs competently, but achieves only a few spooky moments and holds our interest only by a thread. Bland and very familiar.

-MonsterZero NJ

2 and 1-2 star rating

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HORROR TV YOU MIGHT HAVE MISSED: MST3K: THE RETURN (2017)

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MST3K: THE RETURN (2017)

(Clicking the highlighted links brings you to corresponding reviews and articles here at The Movie Madhouse!)

Mystery Science Theater 3000 was created by Joel Hodgson and originally ran for ten seasons from 1988 till 1999 and was a beloved show for movie geeks everywhere, as it playfully skewered some of the worst cult classics and B-movies of all kinds. The format had a working stiff (originally series creator Joel Hodgson and then Mike Nelson) being kidnapped to a satellite in space and forced to watch some of the worst films ever made. The subject and a group of robots would then comment on these films as the series’ villains observed and routinely tried to make things miserable for our heroes. Fans have missed the show since it’s cancellation and were overjoyed to find out that Netflix was reviving it.

Premiering on Netflix streaming this April, the new series follows the same plot with newcomer Jonah (comedian Jonah Ray) being the newest test subject under the watchful evil eye of Kinga Forrester (Felicia Day), daughter of original series villain Dr. Clayton Forrester and Max (Patton Oswalt), otherwise known as The TV Son of TV’s Frank, offspring of original series villain TV’s Frank. There are fourteen new episodes featuring fourteen bad movies to which our hero, along with robots Gypsy, Tom Servo, Crow and Cam-bot, watch and mock while Kinga and Max do their best to make Jonah crazy…all with mostly hilarious results.

The revived series certainly is a welcome return and, for the most part, can be as funny as the original show. As with all the other seasons, there are some strong and hilarious episodes and some which are just OK. The key here is the movies have to provide the crew with something to work with. The funniest episodes of the new season, such as premiere episode Reptilicus, Time Travelers, Starcrash, The Land That Time Forgot and the season finale At The Earth’s Core all provide material that is ripe for commentary and the writers certainly take the ball and run with it. Then there are movies which are just bad, like Cry Wilderness, the first hour of Beast From Hollow Mountain, Wizards of the Lost Kingdom and Carnival Magic, which are so bad that Jonah and the boys struggle through them to keep the comments coming and funny. If the movie they’re watching is boring, there isn’t much the crew can do. Thankfully, the episodes that do work…and more do than don’t…hilariously make up for the few where laughs and fun are scarce. As with the previous seasons, there are movie geek references galore, such as Kinga’s house band looking delightfully like Infra-Man’s skull soldiers and meta references to previous episodes.

The cast are all having a blast and it shows. Jonah Ray is a suitable replacement for the earlier Joel and Mike. He’s a likable lug and fits the part well. Felicia Day is having a blast as Kinga, a cross between Cruella Deville and Veruca Salt. Day knows how to ad camp in just the right amounts and to dial up just enough villainy so Kinga stays a fun bad girl, like her predecessors and doesn’t tip over into unlikable. Patton Oswalt is equally successful as the bumbling Max…who has a crush on Kinga, which she obviously ignores…and is not quite such a bad guy as his boss lady…though he is trying. The robots’ voice actors all do a good job with instilling them with personality, although they are the same characters from the original show, so they don’t have to work as hard to establish themselves like out new leads. There are also cameos from original series characters and actors and some amusing appearances from famous faces such as Mark Hamill and Jerry Seinfeld.

Overall, this is a very happy return for a personal favorite show. The new cast and characters are likable and fit in with the show’s established style and the old format still works and works well when given material ripe for the picking-on. There are a few yawn inducing episodes, when the movie itself is dull and not even funny in the wrong way, but when the movie is the right kind of bad, the episodes measure up to some of the previous series best on equal footing. Welcome back MST3K!…and when can we expect season 12???

EPISODE LIST

(Rating the show by episode instead of the usual overall rating)

  1. Reptilicus – 3 and 1/2 stars
  2. Cry Wilderness – 2 and 1/2 stars
  3. Time Travelers – 3 and 1/2 stars
  4. Avalanche – 2 and 1/2 stars
  5. The Beast of Hollow Mountain – 3 stars…the last 1/2 hour was very funny
  6. Starcrash – 3 and 1/2 stars
  7. The Land That Time Forgot – 3 and 1/2 stars
  8. The Loves Of Hercules – 3 stars
  9. Yongary – 3 and 1/2 stars
  10. Wizards of the Lost Kingdom – 2 and 1/2 stars
  11. Wizards of the Lost Kingdom II – 3 stars
  12. Carnival Magic – 2 and 1/2 stars
  13. The Christmas That Almost Wasn’t – 2 and 1/2 stars
  14. At the Earth’s Core – 3 and 1/2 stars

-MonsterZero NJ

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HORROR TV YOU MIGHT HAVE MISSED: STRANGER THINGS (2016)

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STRANGER THINGS (2016)

(Clicking the highlighted links brings you to corresponding reviews and articles here at The Movie Madhouse!)

Stranger Things is an eight episode series from Netflix that takes place in Hawkins, Indiana in 1983. This fun retro series tells of four friends, Mike (Finn Wolfhard), Dustin (Gaten Matarazzo), Lucas (Caleb McLaughlin) and Will (Noah Schnapp), who are into Dungeons and Dragons and Star Wars like most nerdy kids of this era. A bizarre series of events occur with Will disappearing and a mysterious young girl (Millie Bobby Brown) with strange powers showing up in town, at the same time. She calls herself ‘Eleven’ and seems to be on the run. The three friends bond with Eleven and the four set out to find Will, as does local police chief Hopper (David Harbour) with all clues pointing to the mysterious Hawkins Laboratory and it’s presiding head scientist (Matthew Modine). Where is Will? Who really is Eleven? And what do the experiments at Hawkins have to do with all this?

This is a fun and nostalgic series from Ross and Matt Duffer (Hidden) that not only pays homage and gives affectionate nods to the sci-fi/horror flicks of the 80s and their filmmakers, but succeeds in being it’s own thing as well. Sure we see references to many 80s classics, but Stranger Things has it’s own vibe and it’s own story to go along with it’s tributes and provides it’s own chills, as no more evident than it’s opening scenes. We get little girls with deadly powers, evil men in black, alternate dimensions, creatures, conspiracy and a small town caught in the middle of it all. The Duffers deliver it with the look and feel of a movie of that era, as well as, a really cool electronic 80s score by Kyle Dixon and Michael Stein, but not without a touch of their own style. While the mysteries slowly unravel over the course of the eight chapters, we are kept in the dark as long as possible, fed only small bits till it all comes together in the thrilling last few episodes. It’s a delightfully retro series that delivers the goods on all levels including having a little bit of an unobtrusive and offbeat sense of humor. It’s engaging and entertaining and very cleverly written by it’s creators who know exactly in what degree to deliver both it’s homages and it’s scares. The FX are well done, with much of the creature work appearing to be live effects and it never goes too overboard with them as to not betray the era it is recreating. To say anymore would be to spoil a really enjoyable and spooky show.

The cast are all really good from the name actors to the new faces. Winona Ryder is solid as Will’s emotionally troubled mother, who is pushed close to the edge by her son’s disappearance and the strange events that follow. Matthew Modine is appropriately arrogant and sleazy as head Hawkins scientist, Dr. Brenner, who pretends to care for Eleven, but is only using her for his experiments. Young Miss Brown is very endearing as Eleven, a child with some amazing and dangerous gifts who just wants to have a normal life and be cared for. We do feel sorry for her use as a test subject and how hurt she is that people fear her once they know what she is capable of. As our main group, Wolfhard, Matarazzo and McLaughlin all are engaging and make a likable trio of friends. They are brave in their search for Will and noble, especially Mike, in their befriending of Eleven. Harbour is also a good hero as the police chief who will go up against some very dangerous people to find a little boy. Schnapp doesn’t get much screen time as the missing Will, but he is likable enough in his brief appearances that we are sympathetic to what has happened to him. A good cast.

This was a solid and very entertaining series from start to finish. The 80s nostalgia was very enjoyable as was the recreation of the look and feel of films of that era, especially those of Carpenter and Spielberg. It payed homage to and referenced many 80s classics, yet was very much it’s own story that let it’s paying tribute be part of it’s tale, but not dictate it. The cast are all good, the FX were well-rendered, but did not look out of place in an 80s style film and there were plenty of chills, suspense and thrills throughout. Highly recommended and hopefully, there is only a second season, if it can match the quality of the first. Otherwise it stands perfectly on it’s own.

 

EPISODE LIST

  1. The Vanishing of Will Byers – directed and written by The Duffer Brothers
  2. The Weirdo on Maple Street – directed and written by The Duffer Brothers
  3. Holly Jolly – directed by Shawn Levy and written by Jessica Mecklenburg
  4. The Body – directed by The Duffer Brothers and written by Justin Doble
  5. The Flea and the Acrobat – directed by The Duffer Brothers written by Alison Tatlock
  6. The Monster – directed by The Duffer Brothers and written by Jessie Nickson-Lopez
  7. The Bathtub – directed by The Duffer Brothers and written by Justin Doble
  8. The Upside Down – directed and written by The Duffer Brothers from a story by Paul Dichter

-MonsterZero NJ

3 and 1/2 mysterious and powerful little girls.
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