MONSTERZERO NJ’S SATURDAY NIGHT DOUBLE FEATURE: EX MACHINA and ANNIHILATION

MZNJ_SNDF
now playing

bars

MonsterZero NJ’s Saturday Night Double Feature is back again, this time with the two feature films from writer/director Alex Garland. For those who like visually striking and thought-provoking science fiction, read on…

ex-machina-poster

bars

EX MACHINA (2015)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

Ex Machina is a great little thought-provoking piece of Sci-Fi from Alex Garland, who wrote the cult favorite Dredd and the equally thought-provoking Sunshine. It’s his first directorial effort and as such, it shows he is as adept behind the camera as he is the keyboard.

The film opens with Caleb Smith (Domhnall Gleeson), an employee of the internet company Bluebook, being chosen to spend the week at the remote home of the company’s CEO Nathan Bateman (Oscar Isaac). Caleb arrives and finds this is not a social event, but he is there to assist in testing a Bateman created artificial intelligence housed inside a very life-like robot named Ava (Alicia Vikander). Though as Caleb begins his test to see if the A.I. is truly self-aware or just responding to programming, he starts to believe that Nathan may have a dark side and there may be far more to Ava than mere machine.

To describe the story anymore would be to ruin a really interesting and entertaining piece of Sci-Fi from British writer/director Garland. The film obviously takes us to places that we originally did not expect from our opening sequences and certainly more than one character, human and/or machine, may be more than they first appear. Garland brilliantly guides us into his set-up and gets us very interested and emotionally invested in what’s going on and then, slowly starts to pull the rug out from under us, gradually, so we at first don’t realize it. Does Bateman have a hidden agenda?…does Caleb?…or does Ava? It’s a subtle but intense journey to find out what is really going on in this remote home/research facility and one that leaves us thinking about where artificial intelligence ends and sentient life begins. It’s a subject also touched upon in last year’s equally intriguing The Machine, but Garland doesn’t bother going onto the broader implications of A.I. as weapons or something as equally cliché or grandiose, but goes deeper than that to a far more intimate and emotional arena. Just how human can these creations get…and what effect will that have on us? Where does programming end and legitimate emotions begin? Where is the line and when does it disappear?…and what if it does? Do we treat these ‘machines’ as such, or as humans? Garland definitely posses a lot of intriguing questions while skillfully entertaining us with a story that can be equal parts endearing and disturbing. On a technical level, this modestly budgeted thriller has a really interesting visual style with a stark contrast of the gorgeous Norway locations used for the exterior sequences and the colder and more sterile interior of Bateman’s home/lab. The interiors sometimes evoke Kubricks 2001: A Space Odyssey with it’s almost sterile and functional interior design that contrast it’s occupant with Bateman’s, casual, shoeless and unshaven appearance. Garland has a nice eye for shot framing and it is captured well by cinematographer Rob Hardy whose lighting adds a lot of mood and atmosphere. There is also a very moody electronic score by Ben Salisbury and Geoff Barrow and the special visual FX are excellently carried out in presenting Ava and some of the more fantastic elements. A very impressive production on a limited budget.

The cast is excellent! Domhnall Gleeson is perfect as the programmer whisked into the lair of his company CEO and shown wonders he never expected. He obviously starts to have feelings for Ava and the actor makes you believe these feelings are real…and you understand his actions based on them. Oscar Isaac creates an eccentric yet brilliant man with his Nathan Bateman. He is also a man that seems troubled and may have a very dark side and Isaac let’s that bubble just below the surface before our story really starts to show Bateman’s true nature and agenda. As Ava, Alicia Vikander is totally enchanting. We understand how Caleb can start to fall for her, despite her being a machine and Vikander makes her innocent, yet intelligent and gives her a charm and vulnerability which is very convincing…and distracting. Rounding out is Soyona Mizuno as Bateman’s personal assistant Kyoko, who doesn’t speak any English and Mizuno gives her a nice air of mystery that suits the story tone.

In conclusion I really loved this movie. It’s thought provoking, skillfully crafted and keeps one intrigued and guessing. It is intelligently written, but avoids pretension and it can be very very entertaining and a bit disturbing when it needs to be. Definitely made my list of best films of the year for 2015.

-MonsterZero NJ

  Rated 4 (out of 4) Avas.

ex machina rating

 

 

 

 

 

**************************************************

plus

bars

ANNIHILATION (2018)

Biologist and former soldier Lena (Natalie Portman) hasn’t seen or heard from her commando husband Kane (Oscar Isaac) for over a year. When he finally shows up at her door sick and disorientated, a black ops team abducts them both to a secret location designated Area X. There Lena finds out there is some sort of disruption called “The Shimmer” surrounding an area of land with a lighthouse being it’s point of origin. This “Shimmer” is slowly growing and everything and everyone sent into it has never returned…except for Kane. Now Lena volunteers to join a four women scientific team, Dr. Ventress (Jennifer Jason Leigh), Josie Radek (Tessa Thompson), geologist Sheppard, (Tuva Novotny) and Thorensen (Gina Rodriguez) to enter The Shimmer and find out what is going on inside. What they find is beyond belief and whatever it is, it’s changing the DNA of all lifeforms trapped inside it as it expands.

Another well directed sci-fi flick from writer/director Alex Garland (Ex Machina), this one from a book by Jeff Vandermeer. Not only is the film visually stunning, but thought-provoking, suspenseful and sometimes downright scary, too. Garland’s script only feeds us information a little at a time so we learn about The Shimmer and it’s effects on life, much as our four explorers do. The further they go into the anomaly, the more mutated the plant and animal life seems to get…and dangerously so. Along the way they visit an abandoned military base and an evacuated town where even more mysteries and abominations are presented to us. Add to this a group of women who are slowly coming apart at the seams and you have a sci-fi chiller that, at times, evokes the fear and paranoia of John Carpenter’s The Thing. We know it’s all coming down to a visit to that lighthouse at the center and what awaits us is chilling to the bone. On a production level, the film has some top notch visual FX and to add atmosphere to an already atmospheric film, is some wonderful cinematography from Rob Hardy and a fitting score by Geoff Barrow and Ben Salisbury, who did the same for Garland on Ex Machina.

The cast is top notch. Portman’s Lena is a somewhat emotionally complex character. She’s a woman who has had no word from her husband in a long time and even then there were complications in their relationship. Now he reappears and is in bad shape and needs her help. Add to that a woman already interested in biology and cellular activity and it creates a character with both scientific and personal reasons to go on what could be a suicide mission. Portman handles it very well. Leigh is strong as the group leader and another woman with her own personal reasons to enter The Shimmer. She’s tough and strong and can be hard on the others, but she never reaches villainous levels. Tessa Thompson is the emotionally weakest of the group and she is sweet and very likable and the first to bond with Lena. Rodriguez is the tough paramedic, Anya Thorenson. While she is a strong character, she is in over her head in terms of what her mind can accept of what she sees and the actress plays it well. Novotny’s Sheppard is a likable character as the team geologist and another character that bonds with Lena on this out of this world journey. Rounding out is Oscar Isaac who plays a lot of the role of Kane in a disoriented state, except for flashbacks when he is himself and does it well. A dependable actor.

There is very little to complain about here with a film that is a return to more thought-provoking science fiction. It is also a visually stunning ride, a suspenseful journey into a dangerous unknown and sometimes, a simply scary flick. We have a solid cast of strong female characters who each have their own reasons for going where only one has returned. It’s well-written, intensely directed and shows, like Ex Machina, that Alex Garland is a cinematic force to be reckoned with and a filmmaker who walks to the beat of his own drum.

-MonsterZero NJ

Rated 4 (out of 4) lighthouses.

**************************************************

bars

REVIEW: ANNIHILATION (2018)

MZNJ_New_review

now playing

bars

ANNIHILATION (2018)

Biologist and former soldier Lena (Natalie Portman) hasn’t seen or heard from her commando husband Kane (Oscar Isaac) for over a year. When he finally shows up at her door sick and disorientated, a black ops team abducts them both to a secret location designated Area X. There Lena finds out there is some sort of disruption called “The Shimmer” surrounding an area of land with a lighthouse being it’s point of origin. This “Shimmer” is slowly growing and everything and everyone sent into it has never returned…except for Kane. Now Lena volunteers to join a four women scientific team, Dr. Ventress (Jennifer Jason Leigh), Josie Radek (Tessa Thompson), geologist Sheppard, (Tuva Novotny) and Thorensen (Gina Rodriguez) to enter The Shimmer and find out what is going on inside. What they find is beyond belief and whatever it is, it’s changing the DNA of all lifeforms trapped inside it as it expands.

Another well directed sci-fi flick from writer/director Alex Garland (Ex Machina), this one from a book by Jeff Vandermeer. Not only is the film visually stunning, but thought-provoking, suspenseful and sometimes downright scary, too. Garland’s script only feeds us information a little at a time so we learn about The Shimmer and it’s effects on life, much as our four explorers do. The further they go into the anomaly, the more mutated the plant and animal life seems to get…and dangerously so. Along the way they visit an abandoned military base and an evacuated town where even more mysteries and abominations are presented to us. Add to this a group of women who are slowly coming apart at the seams and you have a sci-fi chiller that, at times, evokes the fear and paranoia of John Carpenter’s The Thing. We know it’s all coming down to a visit to that lighthouse at the center and what awaits us is chilling to the bone. On a production level, the film has some top notch visual FX and to add atmosphere to an already atmospheric film, is some wonderful cinematography from Rob Hardy and a fitting score by Geoff Barrow and Ben Salisbury, who did the same for Garland on Ex Machina.

The cast is top notch. Portman’s Lena is a somewhat emotionally complex character. She’s a woman who has had no word from her husband in a long time and even then there were complications in their relationship. Now he reappears and is in bad shape and needs her help. Add to that a woman already interested in biology and cellular activity and it creates a character with both scientific and personal reasons to go on what could be a suicide mission. Portman handles it very well. Leigh is strong as the group leader and another woman with her own personal reasons to enter The Shimmer. She’s tough and strong and can be hard on the others, but she never reaches villainous levels. Tessa Thompson is the emotionally weakest of the group and she is sweet and very likable and the first to bond with Lena. Rodriguez is the tough paramedic, Anya Thorenson. While she is a strong character, she is in over her head in terms of what her mind can accept of what she sees and the actress plays it well. Novotny’s Sheppard is a likable character as the team geologist and another character that bonds with Lena on this out of this world journey. Rounding out is Oscar Isaac who plays a lot of the role of Kane in a disoriented state, except for flashbacks when he is himself and does it well. A dependable actor.

There is very little to complain about here with a film that is a return to more thought-provoking science fiction. It is also a visually stunning ride, a suspenseful journey into a dangerous unknown and sometimes, a simply scary flick. We have a solid cast of strong female characters who each have their own reasons for going where only one has returned. It’s well-written, intensely directed and shows, like Ex Machina, that Alex Garland is a cinematic force to be reckoned with and a filmmaker who walks to the beat of his own drum.

-MonsterZero NJ

Rated 4 lighthouse.

 

bars

MONSTERZERO NJ’S SATURDAY NIGHT DOUBLE FEATURE: THOR and THOR: THE DARK WORLD

MZNJ_SNDF

now playing

double feature_thor_thorTDW

bars

Yes, it’s true I have covered both these films before but, with Thor: The Dark World recently being released on home media, I decided to revisit it and the first film together. They actually make a really cool double feature with each film bringing it’s own style thanks to two different directors yet, they still blend very well together with their mix of fantasy and real world adventure. It is also interesting to see Thor as we first saw him, the arrogant hot-head, in contrast to the more noble and humble warrior he has progressed into over the course of the first film and The Avengers. That and his relationship with Jane Foster is resumed as well. A really entertaining night of popcorn entertainment with a little extra courtesy of two contrasting yet equally talented directors.
Thor_poster

THOR (2011)

I’m not that familiar with the Marvel comics version of Thor, so, I have to take the movie at face value and as such, Thor is a lot of fun. The film takes place both on Earth and in Thor’s (Chris Hemsworth) home realm of Asgard and Kenneth Branagh does a nice job of switching back and forth between both worlds and keeping the tone even and the narrative flow fairly smooth (more on that later). The film fits in very nicely with the world created in the Iron Man films and yet has it’s own style and flavor as it tells the story of arrogant Prince Thor and his path from banished and disgraced warrior to hero of both Earth and Asgard. The cast works really well together and in filling their roles. Hemsworth brings a nobility to Thor, as well as, keeps him charming during his arrogant beginings and then makes believable his humble awakening during the course of the film. Natalie Portman is energetic as the pretty scientist and love interest, Jane Foster and she and Hemsworth have a nice screen chemistry together that actually gave their growing relatrionship a realistic touch despite the fantasy story elements. Tom Hiddleston makes a good villain as the devious Loki, Thor’s brother and Anthony Hopkins is a regal and strong Odin. Kat Dennings is cute as Portman’s sidekick, Darcy and her antics are just enough to provide humor without being annoying and Stellan Skarsgard is fine as a fellow scientist, Dr. Selvig who grew up with norse mythology and provides some exposition for those not in the know. And I would be remiss in not mentioning Rene Russo as Thor’s mom. There is plenty of action and the SPFX are top notch especially in the portrayal of the mystical Asgard which is beautifully designed and realized. Thor’s flying was the hardest thing to pull off and they smartly keep it to a minimum and it works withing the context of the scenes. My only gripes are minor. The middle of the film slows down for about 20 minutes… though it does give the opportunity for some nice character interaction… but, soon picks up as the film heads toward it action filled last act. The earth sequences don’t quite flow as smoothly as the Asgard sequences leaving me to believe there was some editing to get the fim under 2 hrs but, it is not jarring. And, finally, the set of the New Mexican town just doesn’t quite look like a real town, it’s layout does make it look like a set, well built, but still a set. But these problems are small and don’t ruin what is an overall very fun and entertaining movie that has some nice fairy tale touches as well as plenty of action. Stay through the credits as usual with these films.

A solid 3 and 1/2 hammers!

Thor rating

plus

THURS_003B_G_ENG-GB_70x100.indd

THOR: THE DARK WORLD (2013)

Thor was one of my favorites of the Marvel Phase 1 movies. I loved it’s fun mix of fantasy and real world adventure and thought Hemsworth made a noble and very likable hero. And now the Norse God turned superhero is back in his second solo adventure and a welcome return it is. Thor: The Dark World opens 5000 years earlier with an alignment of the planets being taken advantage of by the Dark Elves and their leader Malekith (Christopher Eccleston) to unleash a weapon called The Aether which will convert all the worlds into dark matter where only the Dark Elves may exist. Thor’s grandfather Bor (Tony Curran) defeats the invaders and they are assumed destroyed and The Aether is hidden away never to be found… or so Bor hoped. But, in the present, the worlds are aligning again and the long dormant Malekith and the remaining Dark Elves seek to destroy all once more and, as fate would have it, Jane Foster (Natalie Portman) stumbles upon the hidden weapon and it is absorbed within her. Now hunted by Malekith, Thor (Chris Hemsworth) brings Jane to Asgard against Odin’s (Anthony Hopkins) wishes and must somehow find a way to stop Malekith, banish The Aether and save the woman he loves and all the known worlds… and the only one who can help him is his devious stepbrother Loki (Tom Hiddleston) imprisoned in Asgard’s dungeons by Thor’s own hand. This second solo adventure is this time directed by Game Of Thrones and Deadwood director Alan Taylor who creates a much grittier and down to Earth version of Asgard then the bright and magic kingdom-ish version we saw in the delightful first feature directed by Kenneth Branagh. It’s still recognizable as Asgard and it blends perfectly with the first Thor but, we get to see far deeper into the city and into it’s halls and pubs and get a more lived in and functional look at Thor’s homeland. The tone of the film is also darker at times and that was a nice change from the upbeat first film and Avengers but, so not to get too dark or grim, the film is punctuated with a lot of fun and humorous sequences especially those involving Darcy (Kat Dennings) and Eric Selvig (Stellan Skarsgard), the latter’s trip to Stonehenge being especially hilarious. I thought the humor and the darker story elements were blended just fine and there was plenty of action and strong drama throughout till the big free-for-all ending set in London where Thor and Malekith finally get to throw down. And the action and special effects do not disappoint, they are top notch as with all the previous Marvel films. The budget is onscreen in all aspects of the production from sets to costumes to FX. Taylor gets good work from all the cast. There are some nice character moments in between the drama and destruction and all the actors are now very comfortable in their roles and work very well together. Hemsworth is once again a noble hero who has grown since his first visit and the battle in New York. He and Portman still have a nice chemistry together and I liked their scenes especially when Thor has to explain where he’s been for two years. Dennings gets a bit more screen time and handles it well getting some of the bigger laughs and Hiddleston is once again scene stealing as Loki. It was also nice to see Rene Russo finally get a big scene and have a bit bigger part this time and Hopkins is still endearing as the weary but, majestic Odin. We also get some nice scenes with supporting characters Heimdall (Idris Elba), Sith (Jaimie Alexander), Volstagg (Ray Stevenson), Fandral (now Zachary Levi) and Hogun (Tadanobu Asano) but, those expecting expanded roles from this bunch will be disappointed. Newcomer to Thor’s world Christopher Ecceleston, is OK as villain Malekith but, he really doesn’t make a strong impression or stay with you after the film is over. To me his somewhat tepid villain is the film’s only real stand out weak point and a stronger villain or more screen time to really establish Malekith as a threat would have made this flick even better. Taylor’s interpretation of Don Payne and Robert Rodat’s script is highlighted by a moody score from Brian Tyler and some nice cinematography by Kramer Morgenthau. Overall, Thor: The Dark World is a very entertaining follow-up that gives us enough of the action, drama and suspense we are looking for and takes it in enough of a different direction to keep it fresh but, not straying too far as to alienate us. It’s not perfect, as stated the villain could have been stronger, there are a few slow spots here and there, especially in the first half and we can tell there was a bit of editing to manage the running time but, for all the entertainment we get, those minor flaws can be overlooked. A fun and worthy sequel to both Thor and The Avengers and certainly less schizophrenic then the mixed bag that was Iron Man 3As with all Marvel films stay through the entire credits for not one but, two additional sequences and keep an eye out for a couple of really fun cameos. Another solid bit of entertainment from Marvel and Disney.

3 and 1/2 hammers!

thor TDW rating

bars

REVIEW: THOR: THE DARK WORLD (2013)

MZNJ_New_review

now playing

THURS_003B_G_ENG-GB_70x100.indd

bars

THOR: THE DARK WORLD (2013)

Thor was one of my favorites of the Marvel Phase 1 movies. I loved it’s fun mix of fantasy and real world adventure and thought Hemsworth made a noble and very likable hero. And now the Norse God turned superhero is back in his second solo adventure and a welcome return it is. Thor: The Dark World opens 5000 years earlier with an alignment of the planets being taken advantage of by the Dark Elves and their leader Malekith (Christopher Eccleston) to unleash a weapon called The Aether which will convert all the worlds into dark matter where only the Dark Elves may exist. Thor’s grandfather Bor (Tony Curran) defeats the invaders and they are assumed destroyed and The Aether is hidden away never to be found… or so Bor hoped. But, in the present, the worlds are aligning again and the long dormant Malekith and the remaining Dark Elves seek to destroy all once more and, as fate would have it, Jane Foster (Natalie Portman) stumbles upon the hidden weapon and it is absorbed within her. Now hunted by Malekith, Thor (Chris Hemsworth) brings Jane to Asgard against Odin’s (Anthony Hopkins) wishes and must somehow find a way to stop Malekith, banish The Aether and save the woman he loves and all the known worlds… and the only one who can help him is his devious stepbrother Loki (Tom Hiddleston) imprisoned in Asgard’s dungeons by Thor’s own hand. This second solo adventure is this time directed by Game Of Thrones and Deadwood director Alan Taylor who creates a much grittier and down to Earth version of Asgard then the bright and magic kingdom-ish version we saw in the delightful first feature directed by Kenneth Branagh. It’s still recognizable as Asgard and it blends perfectly with the first Thor but, we get to see far deeper into the city and into it’s halls and pubs and get a more lived in and functional look at Thor’s homeland. The tone of the film is also darker at times and that was a nice change from the upbeat first film and Avengers but, so not to get too dark or grim, the film is punctuated with a lot of fun and humorous sequences especially those involving Darcy (Kat Dennings) and Eric Selvig (Stellan Skarsgard), the latter’s trip to Stonehenge being especially hilarious. I thought the humor and the darker story elements were blended just fine and there was plenty of action and strong drama throughout till the big free-for-all ending set in London where Thor and Malekith finally get to throw down. And the action and special effects do not disappoint, they are top notch as with all the previous Marvel films. The budget is onscreen in all aspects of the production from sets to costumes to FX. Taylor gets good work from all the cast. There are some nice character moments in between the drama and destruction and all the actors are now very comfortable in their roles and work very well together. Hemsworth is once again a noble hero who has grown since his first visit and the battle in New York. He and Portman still have a nice chemistry together and I liked their scenes especially when Thor has to explain where he’s been for two years. Dennings gets a bit more screen time and handles it well getting some of the bigger laughs and Hiddleston is once again scene stealing as Loki. It was also nice to see Rene Russo finally get a big scene and have a bit bigger part this time and Hopkins is still endearing as the weary but, majestic Odin. We also get some nice scenes with supporting characters Heimdall (Idris Elba), Sith (Jaimie Alexander), Volstagg (Ray Stevenson), Fandral (now Zachary Levi) and Hogun (Tadanobu Asano) but, those expecting expanded roles from this bunch will be disappointed. Newcomer to Thor’s world Christopher Ecceleston, is OK as villain Malekith but, he really doesn’t make a strong impression or stay with you after the film is over. To me his somewhat tepid villain is the film’s only real stand out weak point and a stronger villain or more screen time to really establish Malekith as a threat would have made this flick even better. Taylor’s interpretation of Don Payne and Robert Rodat’s script is highlighted by a moody score from Brian Tyler and some nice cinematography by Kramer Morgenthau. Overall, Thor: The Dark World is a very entertaining follow-up that gives us enough of the action, drama and suspense we are looking for and takes it in enough of a different direction to keep it fresh but, not straying too far as to alienate us. It’s not perfect, as stated the villain could have been stronger, there are a few slow spots here and there, especially in the first half and we can tell there was a bit of editing to manage the running time but, for all the entertainment we get, those minor flaws can be overlooked. A fun and worthy sequel to both Thor and The Avengers and certainly less schizophrenic then the mixed bag that was Iron Man 3. As with all Marvel films stay through the entire credits for not one but, two additional sequences and keep an eye out for a couple of really fun cameos. Another solid bit of entertainment from Marvel and Disney.

3 and 1/2 hammers!

thor TDW rating

bars

MONSTERZERO NJ’S SATURDAY NIGHT DOUBLE FEATURE: THOR and CAPTAIN AMERICA

marqueenow playing

double feature Thor_Cap

bars

Thor_poster

THOR (2011)

I’m not that familiar with the Marvel comics version of Thor, so, I have to take the movie at face value and as such, Thor is a lot of fun. The film takes place both on Earth and in Thor’s (Chris Hemsworth) home realm of Asgard and Kenneth Branagh does a nice job of switching back and forth between both worlds and keeping the tone even and the narrative flow fairly smooth (more on that later). The film fits in very nicely with the world created in the Iron Man films and yet has it’s own style and flavor as it tells the story of arrogant Prince Thor and his path from banished and disgraced warrior to hero of both Earth and Asgard. The cast works really well together and in filling their roles. Hemsworth brings a nobility to Thor, as well as, keeps him charming during his arrogant beginings and then makes believable his humble awakening during the course of the film. Natalie Portman is energetic as the pretty scientist and love interest, Jane Foster and she and Hemsworth have a nice screen chemistry together that actually gave their growing relatrionship a realistic touch despite the fantasy story elements. Tom Hiddleston makes a good villain as the devious Loki and Anthony Hopkins is a regal and strong Odin. Kat Dennings is cute as Portman’s sidekick, Darcy and her antics are just enough to provide humor without being annoying and Stellan Skarsgard is fine as a fellow scientist, Dr. Selvig who grew up with norse mythology and provides some exposition for those not in the know. There is plenty of action and the SPFX are top notch especially in the portrayal of the mystical Asgard which is beautifully designed and realized. Thor’s flying was the hardest thing to pull off and they smartly keep it to a minimum and it works withing the context of the scenes. My only gripes are minor. The middle of the film slows down for about 20 minutes but soon picks up as the film heads toward it action filled last act. The earth sequences don’t quite flow as smoothly as the Asgard sequences leaving me to believe there was some editing to get the fim under 2 hrs but, it is not jarring. And, the set of the New Mexican town just doesn’t quite look like a real town, it’s lay out does make it look like a set, well built, but still a set. But these problems are small and don’t ruin what is an overall very fun and entertaining movie that has some nice fairy tale touches as well as plenty of action. Stay through the credits as usual with these films.

A solid 3 and 1/2 hammers!

Thor rating

plus

Captain_America_The_First_Avenger_poster

CAPTAIN AMERICA: THE FIRST AVENGER (2012)

Captain America is a good flick and there definitely is some fun to be had and I enjoyed it but, It’s not quite the great popcorn flick it could have been. The film is well directed by veteran Joe Johnston with some nice, nostalgic old fashioned war movie touches but, it’s in how the film is structured that is where the weaknesses lie. The biggest chink in Cap’s shield is the pacing. The film takes a lot of time with his origin and while what we watch is entertaining, it takes far too long to send him on his first mission to rescue POWs from a Hydra instillation. Once he does officially take on the mantle of superhero and supersoldier, there is a quick montage of him in action and then the film slows down for more dialog until the final confrontation and that itself is underwhelming and over too quick. Why is Hydra thought of as such a threat if they can be defeated so easily? And I shouldn’t have to read the comics to find out what this glowing cube is that Hydra uses to power it’s forces. It’s origins are vague and we don’t really learn about it until The Avengers. Another big problem is that they take so much time to develop the character of Steve Rodgers (Chris Evans), that everyone else is short changed. Main villain Red Skull, played by the always good Hugo Weaving, hasn’t enough screen time to develop a threatening enough screen presence. He’s a pretty generic villain for a classic comic character and Cap’s arch villain. The showdown between Cap and Skull is also far too short and leaves not enough impact though, the scene that follows does have some nice emotional resonance to it. The cast is good with what little they have to do.  Hayley Atwell looks serious and pretty as Agent Peggy Carter who is Rodgers’ love interest and Tommy Lee Jones barks alot of orders as Col. Phillips who doesn’t quite believe in Rodgers’ abilities at first. Cap’s sidekick and old friend Bucky (Sebastian Stan) might have 10 minutes screen time, if that. The Howling Mad Commandos also have very little screen time and you need to watch the credits to find out all their names. Dum Dum Dugan (a perfectly cast Neal McDonough) is another classic character wasted with little to do. All in all it is entertaining but, at the same time, also somewhat disappointing. Also stars Dominic Cooper as Howard Stark and Stanley Tucci as Dr. Abraham Erskine, who creates the super soldier serum that turns Rodgers into Captain America. As with all Marvel flicks stay though the credits.

3 shields!

captain america rating

bars