THE CURSE OF LA PATASOLA (2022)
Indie horror flick finds two young couples, Naomi (Najah Bradley) and James (Patrick R. Walker) along with Sarah (Gillie Jones) and Daniel (A.J. Jones) camping in a remote forest despite ominous warnings from a park ranger (Mark Pettit). There they encounter their own personal melodrama and a bloodthirsty creature from Amazonian folklore called La Patasola (Luciana Faulhaber).
Flick is directed by star A.J. Jones from a script by he and Shaun Mathis. As per its opening conversation, the film tries way too hard to be “woke” and it feels forced and not like natural conversations between friends. Daniel is also too ignorant in his views to be believable as someone the others would even want to hang out with. Naomi is South American in origin and thus provides the background exposition for our seductive creature and the film tries to set the mood with the ominous warnings of the park ranger as well. Cliché yes, but done right, the time-honored clichés still can work. Again, here it seems forced, as is Naomi relating the folklore of La Patasola as a campfire tale and it just so happens the creature is actually here in Florida, USA. What are the odds! The Amazonian folklore is interesting, but the character melodrama is not. The film is boring, not scary, so it’s faults only become more obvious, since there is nothing to distract us away. The acting is stale as is the dialogue. Only Luciana Faulhaber gives her role a little life, imbuing La Patasola with a bit of spooky sex appeal in her far too brief appearance as the human form of the creature. Disappointedly amateur and forgettable despite being based on actual untapped folklore.