BARE BONES: CRAZY RICH ASIANS (2018)

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CRAZY RICH ASIANS (2018)

Rachel Chu (Constance Wu) is a woman from humble beginnings who is now a college professor and has a handsome boyfriend, Nick Young (Henry Golding). When Nick needs to return home to Singapore to be the best man at a friend’s wedding, Rachel finds out his family is “crazy” rich and Nick is heir to an empire. Worst still, Rachel feels that his wealthy family may not accept her…and they don’t. But Rachel is in love and determined to win them over whether they like it or not.

It’s been twenty-five years since 1993’s The Joy Luck Club that Hollywood produced a film that was steeped in Asian culture and featured Asian talent in front of and behind the camera. Crazy Rich Asians is based on Kevin Kwan’s book, which has been adapted by Peter Chiarelli and Adele Lim and very well directed by Jon M. Chu. At it’s heart it’s still a fairly routine romantic comedy/ drama, the kind we’ve seen many times before. What elevates it, aside from the abundant Asian culture, is a strong and witty script and a wonderful cast. From the legendary Michelle Yeoh, as Nick’s mother, to Constance Wu’s strong-willed Rachel…not to mention a scene stealing Awkwafina…we are given a cast of three dimensional characters to inhabit this familiar and oft told story. Sure it’s predictable, but it presents some old clichés from a refreshing perspective that Hollywood hasn’t visited in quite some time.

-MonsterZero NJ

3 star rating

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HORROR YOU MIGHT HAVE MISSED: MORGAN (2016)

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MORGAN (2016)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

Morgan is a sci-fi/horror about the attempts to artificially engineer a human being and the product of those experiments…Morgan. In a secret lab facility deep in the woods, a team of scientists have created a young women who they named Morgan (Anya Taylor-Joy from The Witch), who at five years-old appears to be closer to her teens and is vastly intelligent. Her emotional development is not coming along as well and a temper outburst injures a team member (Jennifer Jason Leigh) and causes the corporation in charge to send specialist Lee Weathers (Kate Mara) to the facility to assess the situation. But the more Lee starts to see that the emotionally unbalanced Morgan should probably be terminated, the more she finds out what this genetically manufactured girl will do to survive.

Morgan is written by Seth Owens and directed by Luke Scott, who is the son of the legendary Ridley Scott. While this tale of man trying to play God with disastrous results is nothing new, Scott has learned well from his father and makes this a suspenseful and entertaining thriller despite the familiar plot and themes. The tension is there as Morgan begins to realize she is in danger and maybe these people who she thought of as family and friends really aren’t and it works if not a bit predictable. The last act goes expectedly in full Frankenstein mode with Morgan on the loose, but despite us knowing this is exactly where it was heading, Scott does direct the proceedings well and there is some startling and brutal violence to add weight to what we see. The closing moments may also not be the surprise it’s meant to be, but again Luke Scott makes it effective and overall this is an entertaining and atmospheric flick despite being a tale told quite often since Mary Shelley’s classic first appeared in 1818.

The cast is solid. Anya Taylor-Joy is both sympathetic and creepy as Morgan. She portrays well her conflicting emotions, so we side with her at first and then gives her a sense of threat and lethality when the monster is unleashed. A good job by the young actress. Kate Mara gives her Lee a Spock-like cold efficiency that rarely breaks. This does keep her from being endearing, but the character isn’t written to be sympathetic or a ‘hero’. She’s there to do a job and can’t afford emotional distractions. As such, Mara does good work. We also have Rose Leslie who is sympathetic and likable as the behavior expert who is most emotionally attached to Morgan. We do sympathize with her once Morgan goes into survival mode and she is caught in the middle between her and the pursuing Lee. Rounding out is Michelle Yeoh as the scientist in charge, Dr. Cheng, Toby Jones as one of the lead scientists who is opposed to Lee’s plan to terminate the experiment and Paul Giamatti as a psychologist sent in to evaluate Morgan psychologically. All do good work in their parts.

So, this flick is far from original and definitely heads in a direction that we fully expect. It overcomes some of it’s predictability with being solidly directed by Luke Scott and the cast are all good in their parts, stereotypical of this kind of flick, though they may be. There is some tension and suspense despite the familiarity and the last act has some legitimately startling moments, though leads to a conclusion we can see coming. Worth a look and not bad for an evening’s entertainment on the couch, even if we have seen it all before.

-MonsterZero NJ

3 syringes.

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