Flick has Earth once again invaded by an aggressive alien army. This movie focuses on the city of Los Angeles, in particular the efforts of Staff Sergeant Michael Nantz (Aaron Eckart) and his platoon of Marines, to hold off the invaders and rescue as many civilians as they can.
Sure Chris Bertolini’s script has all of the combat/invasion flick clichés accounted for, but Director Jonathan Liebesman (The Texas Chainsaw Massacre: The Beginning, Wrath of the Titans), takes them and turns them into a first rate, kick-ass action flick, that also has the dramatic impact to back up all the explosions and FX. Those FX are top notch, too, along with a strong cast led by Aaron Eckart and Michelle Rodriguez. Eckart proves his diversity again, by playing an everyman action hero with a performance filled with heart, soul and plenty of two fisted heroics when called for. The supporting cast, including Michael Peña, is also equally up to the challenge and this flick is a first rate example of how talent in front of and behind the camera, can turn a cliché ridden script into an intense thrill-ride. This flick blows the shallow and dated Independence Day right out of the water! Highly recommended!
The idea of taking the popular 70s show Fantasy Island and turning it into more of a Twilight Zone/horror flick is actually a good idea. Too bad they couldn’t make a good movie out of it. As with the show, a group of people are brought to a tropical island to live out their fantasies. In this darker version, the fantasies don’t quite work out as they expect and dangerously so.
Flick is flatly directed by Jeff Wadlow from a weak script by by Chris Roach and Jillian Jacobs, that seems like it was made up as it went along. Things get more and more ludicrous as the film progresses. It takes an amusing premise and rolls it out as unimaginatively as you can think of. There is no suspense, no tension and no innovation with turning a classic TV show concept into something much darker. It’s four segments playing out at the same time and none of them very interesting. The supernatural mumbo-jumbo as to how and why this is all happening is silly, as the revelation that everyone’s fates are somehow connected is no surprise. The big end reveal as to why these particular five are all here, is laughable…though points for the audacity in giving it a somewhat upbeat ending after all that goes on. The movie is also about ten to fifteen minutes too long and by the last act you just want it to be over. Flick also wastes a good cast, including Michael Peña as Roarke, Maggie Q, Michael Rooker, Lucy Hale and Portia Doubleday. This might be one of the only times one can say the versatile Peña is miscast. That, sadly, is the film’s biggest accomplishment. Blumhouse, lately, has been churning out cookie cutter thrillers like this. They make these flicks so cheaply, that even a misguided mess like Fantasy Island makes them money…so why should they try harder?
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Lackluster sequel took five writers…including star Rudd…to write the script and still produces a somewhat disappointing flick. Follow-up finds Scott Lang/Ant-Man (Paul Rudd) under house arrest after his stint in Germany with the civil warring Avengers. Hope van Dyne (Evangeline Lilly) and Dr. Hank Pym (Michael Douglas), who are pissed at him for the blow-back from Germany, sneak him out to help them in an effort to rescue Pym’s wife Janet (Michelle Pfeiffer) from the quantum realm. In their way is a quantum phasing villain named Ghost (Hannah John-Kamen) who wants Pym’s equipment for her own purposes. If that’s not enough, slimy black market technology dealer Sonny Burch (Walton Goggins) wants Pym’s equipment for HIS own greedy ventures.
Peyton Reed returns to direct and can’t get a whole lot out of this writer heavy, but content weak screenplay. Biggest problem is that aside from Pym’s noble goal of rescuing his long lost wife, one never gets the feeling that there is all that much at stake here. There’s never a sense of urgency to the proceedings and it just seems like a game of who’s got the miniaturized lab as it goes from one set of hands to another. Ghost is a decent villain, but all she wants is to stop phasing in and out of dimensions and so she’s more of a nuisance than an actually threat. When the only other villain is the comical Burch, we have a film without a real menace to liven up the convoluted proceedings. Films like this need a strong villain to click. Sure after the intensity of Avengers: Infinity War we needed something lighter and more fun, but thin and light are two different things and this film simply could have used more weight and been a bit livelier in the fun department. This seems very by-the-numbers and could have gotten a lot more out of the dynamic between Rudd’s Ant-Man and Lilly’s Wasp. The actors work well together, but the material here is weak. On the bright side there are some fun action sequences, like a romp through the streets of San Francisco and Luis (Michael Peña), Kurt (David Dastmalchian) and Dave (Tip Harris) are back to provide laughs as Scott’s former gang turned legit security advisors. This superhero sandwich may be light on meat, but is still edible and at least never boring.
Except for Goggins, Hannah John Kamen, Pfeiffer and Larry Fishburn, as a former friend of Hank Pym, the cast are all returning from the first Ant-Man flick. Rudd is charming and fun as Lang/Ant-Man though we wish he and the other four writers gave him some far more clever punchlines. Evangeline Lilly fairs a bit better showing some real superhero potential as the smart-ass, kick-ass Hope/Wasp. She and Rudd have a nice chemistry, even if they play out the cliché “they broke up between films and now are rediscovering their attraction” scenario. Douglas is a veteran and again is charming as the grumpy Pym. Pfeiffer doesn’t have a lot of screen time, but makes an impression and is a welcome addition to the gang. Hannah John-Kamen is solid as Ghost and a bit sympathetic, though she isn’t portrayed as a real threat. Fishburn is fine as a former friend and associate of Pym who may…or may not…want to help Hank retrieve Janet. Goggins is OK as the more comical than diabolical Burch. Like his Tomb Raider villain, he could have been more intimidating, but isn’t. As our bumbling trio, Peña, Dastmalchian and Harris are fun, though their presence in this story seems a little forced. Judy Greer, Bobby Cannavale and Abby Ryder Fortson also return as Lang’s “family”. A solid cast, but let down a bit by a sub-par script.
In conclusion, there was a lot of potential here with a good cast, but a weak screenplay keeps this more in the realm of mediocre than Marvel-ous. The story doesn’t present a scenario that evokes urgency or suspense and the one-liners are less imaginative and fun this time. The direction seems by-the-numbers and the creative spark of the first flick isn’t quite there. The actors help elevate this a bit with an energetic and fun Wasp from Evangeline Lilly and some amusing moments from Rudd and his trio of side-kicks. There is more than one villain, though none of them are truly villainous, so, at least there are some fun action/fight scenes to keep us somewhat entertained. Never boring, but never especially exciting either. Stay through the credits for two additional scenes that answer questions as to when this entry takes place in the scheme of Avengers: Infinity War.
The Martian is a fun and suspenseful sci-fi adventure directed by Ridley Scott from Drew (The Cabin In The Woods) Goddard’s screenplay, based on Andy Weir’s book. It tells the story of astronaut Mark Watney who, while on a manned mission to Mars, is left behind after being lost in a storm and thought dead. Now Watney must find some way to let NASA know he’s alive and then survive till help comes…which would be long after his food supply runs out.
This is a very well crafted and really entertaining survival story of one man’s determination to overcome the impossible…living on a lifeless planet. There are some fun and clever ways Watney uses his knowledge as a botanist and astronaut to grow food, elongate the use of crucial equipment and communicate with Earth. Damon is great as the ever chipper Watney, who refuses to give up even when his food supply is damaged. Meanwhile on Earth it’s a race against time to try to figure out a rescue before Watney’s time runs out. If the film has any flaw is that as a crowd pleaser, we do feel manipulated when things go right…and wrong…at exactly a crucial time to elicit an emotional response or suspense…though it works more often than not. That and even at 141 minutes, it seems like certain things are rushed to keep the film at a reasonable length. The film does jump ahead a lot.
Overall, this is a very enjoyable flick with a totally engaging hero played by Matt Damon. It’s fast moving and cleverly written with just the right amount of sentiment. Damon is supported by great cast including Jessica Chastain, Sean Bean, Jeff Daniels, Kate Mara, Chiwetel Ejiofor, Kristen Wiig, Ant-Man’s Michael Peña and The Winter Soldier’s Sebastian Stan. Recommended!
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Yet another exorcism horror that tells the story of Angela Holmes (Paranormal Activity: The Ghost Dimension‘s Olivia Taylor Dudley) one of the demonic cases being investigated by the Vatican. Angela was doing a blog article on the biblical story of the Antichrist and soon started to exhibit disturbing behavior. Convinced there is something demonic involved, a local priest, Father Lozano (Michael Peña) contacts his superiors at the Vatican to join the fight against what might possibly be the Antichrist itself.
On the positive side, director Mark Neveldine (The Crank flicks) does give this horror some atmosphere from Christopher Borrelli and Chris Morgan’s story and script, but the film is so cliché and gets so overblown by it’s last act, that he accomplishes little with it. We get every exorcism scenario in the book from dive bombing black birds, to the demonic voices speaking in another language, to contorting limbs from our victim. The film delivers nothing new nor uses the familiar tropes in a fresh or interesting way, so the film fails to get our attention. When it is revealed in the last act that Angela is the embodiment of the Antichrist itself, it just feels overblown and silly. The exorcism attempt by Lozano and Vatican Cardinal Bruun (Peter Andersson) is tired and by the numbers and our open ending implying apocalyptic doom just makes us roll our eyes instead of hide them behind our fingers. It’s all been done before and quite a lot recently, so it is just routine and un-involving. The film lacks any of the energy of Neveldine’s Crank movies and it could have used some to wake us and the tired story up.
The cast is actually pretty good. Leading lady Olivia Taylor Dudley tries hard to look and act possessed and evil and if she were in a better film with better dialog we might have appreciated her efforts more. Peña is likable and solid as Father Lozano, but it is a cliché role as is Andersson’s Cardinal Bruun. Dijmon Hounsou appears briefly as a very concerned high level Vatican official and is also solid in a small role. Dougray Scott is a bit overbearing as Angela’s military dad, but that basically is the character. Rounding out is John Patrick Amedori as Angela’s boyfriend and Kathleen Robertson as Angela’s psychiatrist, while she is locked up for her increasingly violent behavior. Both their roles are fairly stereotypical.
Not much to recommend here. The film is of a subject that has become very routine in horror recently and done in a way that doesn’t freshen it up or make it interesting. It’s nothing we haven’t seen before and tells a story oft told and told better. It has a good cast and a little atmosphere, but it’s not enough to recommend one sit through it.
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Not being a fan of the character or being at all familiar with him, I had low expectations for what sounded like a silly superhero movie but, was pleasantly surprised by Ant-Man for a number of reasons, though it’s not perfect.
The story finds thief with a heart of gold, Scott Lang (Paul Rudd) getting out of prison only to be convinced to take on another heist when his Baskin Robbins job doesn’t work out. Instead of the assumed money and jewels, he finds a strange suit in the safe he robs. Scott soon discovers two things, one…the suit is capable of shrinking him to an insect level size (while retaining his human strength) and two…the suit belongs to a Dr. Hank Pym (Michael Douglas) who has set Scott up because, he needs his help. Hank Pym is a former super hero named Ant-Man. He has kept his suit and the formula that works it, secret for decades. His arch rival/former protégée Darren Cross (Corey Stoll) is close to unveiling a suit of his own and he has far less noble plans for it. Hank and his daughter Hope (Evangeline Lilly) want Scott to don the Ant-Man suit and use his skills to break into Pym Technologies’ high security research facility to steal Cross’ Yellow Jacket suit and destroy all the research that created it.
As directed by Peyton Reed, from a script by four writers, including former director Edgar Wright, this is a fun movie and also, one with a far smaller scale than the last few Marvel epics. Sure, the fate of the world is still hanging in the balance, to a degree, but, the film concentrates on a more intimate heist scenario and focuses primarily on the preparations for it by it’s three main characters. This gives the film an almost separate feel from the other Marvel universe films, if not for the mentions and cameos by some other characters. It also gives it more time to focus on the main characters more and makes it a bit more accessible to a degree. Rudd makes a surprisingly good, reluctant hero and there is also a lot more humor than the last few flicks and, for the most part, it is not broad or intrusive. There is plenty of action and the film really moves when that action occurs and it is executed with the usual top notch special FX. If anything holds the film back a little is that the different tone takes a bit of getting used to and the film does take a little while to really get going. The pace is a bit more moderate than we are used to in the MCU and even with appearances and mentions, it never truly clicks as one of the Marvel universe movies. Rudd’s Lang doesn’t quite seem like he’d fit in with the rest of the heroes, despite his entertaining tussle with one of the Avengers…but, that might add some needed diversity. The villain is, again, a stereotypical greedy corporate douche and is on par with Thor: The Dark World’s Malekith. He’s serviceable but, never really impresses. Also, Lang’s partners in crime (Michael Peña, Tip Harris, David Dastmalchian) are a source for a lot of the humor in the film and while it works most of the time, sometimes the schtick gets a little much, especially when they get involved in the main story. Finally, while it worked, there is a very cliché sub-plot with down-on-his luck Lang being divorced and not allowed to see his little girl, Cassie (Abby Ryder) and his ex-wife (Judy Greer) now married to a jerk cop (Bobby Cannavale) who has it out for Lang. All the tropes of such a tired sub-plot are played out as expected…though well enough to still be effective.
We do have a good cast here, too. I am a huge fan of Douglas so, it was great to see him onscreen again with an important role and like Robert Redford in Winter Soldier, it adds a little extra dignity to the proceedings. He’s a veteran actor and very good in the part. Rudd gets to do something interesting with his usual smarmy, smart-ass persona and he makes for a different edition to the Marvel universe. He’s more down to earth than most characters and he was charming, fun and even a bit sympathetic as the dad who wants to do right by his little girl. Lilly is sexy and feisty, which seems to be the requirement to be a Marvel female character but, she does it well and there is indication we may see more of her. She and Rudd and Douglas all work very well together, too. As said, Stoll makes an adequate villain and gives it his all, but, he’s just not that impressive. It’s a problem a lot of these Marvel flicks have had, some mediocre villains for our heroes to face. The likable Michael Peña steals a few scenes as Luis but, his schtick does get a bit overplayed, at points, as does Harris and Dastmalchian. Rounding out, Greer is fine as Lang’s ex-wife, Ryder is adorable as his daughter and Cannavale is a stereotypical jerk-at-first, who comes to like Scott once getting to know him…again very cliché.
Overall, I did like Ant-Man and had a good time. It’s not as strong as the best of the Marvel flicks though, far much better than the borderline mess that was Iron Man 3. It’s a smaller scaled and more moderately paced film which works for and against it, but, does have a good cast. Rudd’s Ant-Man is a bit different than his soon-to-be fellow Avengers and that’s a good thing and he made a solid hero. I recommend it for a good time. It’s refreshingly lighter than Age Of Ultron and Winter Soldier and while it has flaws, it’s still engaging and fun. Remember to stay for the whole show, as there is both a mid-credits scene and an end credits scene…that one is especially interesting.
Birdman is a quirky and refreshingly off-beat comedy/drama from director Alejandro G. Iñárritu and appropriately stars Michael Keaton as Riggan Thompson, an actor trying to reignite his fading star. Riggan was once world famous for starring in the lead of the popular superhero franchise, Birdman. Now he’s entering his 60s and trying to validate himself and add some relevance back to his life by writing, directing and starring in a Broadway play. Obviously, what can go wrong, will go wrong and there are an eccentric group of characters…including his imaginary, costumed alter-ego…in the mix to add to Riggan’s troubles. Iñárritu has a very original style that fits the story so well. It’s filled with lengthy tracking shots following our characters from scene to scene and some delightfully surreal moments as well. The cast are all top notch, with Keaton giving one of his best performances and it definitely is his show. He is supported by the likes of Zach Galifianakis, Edward Norton, Naomi Watts and Andrea Riseborough who are all excellent in their roles, too. But, in my humble opinion, it is Emma Stone who steals every scene she’s in with her best work to date as Riggan’s fresh out of rehab daughter. She is simply a powerhouse in some scenes and holds her own…and more…with the seasoned veterans. A flick worthy of it’s praise. The only negative I had was that the jazz drum score got on my nerves after awhile. Otherwise, a great little movie.
If you are a fan of WWII flicks and all the familiar trappings, then you’ll probably enjoy this. I found it to be kinda dull and any dramatic weight or intensity of the action is brought down by an overload of clichés. The story, written and directed by David Ayer, finds Staff Sergeant Don Collier (Brad Pitt) leading his tank crew deep into Germany in 1945 to clean up the last of the German military resistance…and not having an easy time of it. Ayer throws every cliché in the book from situations to stereotypical war movie characters and adds some Private Ryan style violence, but the effect is still that we’ve seen it all before, since the very first WWII movie was made. The film is well-directed and action well-staged, but it’s just too familiar to be interesting and takes very few risks to liven things up. If you like this kind of film, go for it. Otherwise it’s nothing you haven’t seen in countless other likewise movies. The solid cast also stars Shia LaBeouf, Michael Peña, Walking Dead’s Jon Bernthal and Logan Lerman as the stereotypical green newbie.