Avengers: Endgame gets a new trailer and poster! The battle with Thanos concludes on April 26th!
Latest MCU film begins with the tale of Vers (Brie Larson), an elite warrior for the Kree Starforce who are fighting an invasion by shape-shifting beings known as Skrulls. Vers is captured by the Skrulls and upon escaping her imprisonment, finds out they are looking for a woman named Wendy Lawson (Annette Bening), a scientist on planet D-53…Earth. Vers crash lands on Earth, where it’s the year 1995 and soon finds all is not what it seems and her strange dreams may be memories from her life there, as Air Force pilot Carol Danvers. With her team commander Yon-Rogg (Jude Law) out of reach and Skrull leader Talos (Ben Mendelsohn) in hot pursuit, can Vers/Carol find out who she really is and how she got her powers?
Superhero epic is directed by Anna Boden and Ryan Fleck from a script and story by they, Meg LeFauve, Geneva Robertson-Dworet and Nicole Perlman. Five people on a screenplay is rarely good news and too many cooks do spoil the soup here. The story is choppy and feels like exactly what it is, a script Frankenstein-ed together by five different writers. Add to that, it is one of the most flatly directed of the Marvel epics and you have a disappointing first adventure for Carol Danvers. The action is bland and routine, there is little suspense or excitement and the 90s nostalgia is overdone, with too many songs shoehorned into the soundtrack and far too many pop culture references for it’s own good. The film seems to stop dead sometimes to almost scream out “Hey, look…it’s the 90s”. It’s obtrusive. Even Captain Marvel’s spectacular powers are presented without any of the awe and wonder they need to give them impact. The only thing that elevates this by-the-numbers epic is the veteran cast.
Here is where Captain Marvel gets it’s only luster. Oscar winner Brie Larson is a great choice to play Danvers and her confident swagger and disarming smile really help the audience warm up to her and she’s very likable despite a mediocre maiden voyage. She also is solid in the action scenes and we wish that action were more worthy of it’s leading lady’s charm and spinning back-kicks. She has a great chemistry with her Kong: Skull Island co-star Samuel L. Jackson, who returns as a younger, and somewhat less hardened Nick Fury. Jackson is jackson and he seems to be having a good time as Larson’s second banana. Ben Mendelsohn is good as Talos and the Skrull has a disarming sarcasm to his delivery and a few secrets of his own. Bening, Jude Law and Agent Coulson himself, Clark Gregg, all do well despite underwritten parts. We even get a few brief moments from Lee Pace returning as Guardians of the Galaxy’s Ronan The Accuser, along with his henchmen Korath, again played by Djimon Hounsou…and let’s not forget “Goose” the cat.
Overall, this is one of Marvel’s lesser efforts and sometimes feels thrown together just to introduce the Captain before she returns to kick Thanos ass in Avengers: Endgame. It’s bland and very routine and it’s only a stellar effort by the film’s cast that elevates it above an outright failure. You know a movie is in trouble when it’s mid-credits and post-credits scenes are better than the movie that precedes them. At least the film opens with a wonderful goodbye to Stan Lee, where images from all his Marvel cameos replace the usual heroes in the Marvel logo sequence. A very touching moment and one wishes the rest of the movie had as much heart.
Loving wife and mother RIley North (Jennifer Garner) watches in horror when she sees her husband (Jeff Hephner) and daughter (Cailey Fleming) gunned down by members of a drug cartel on her daughter’s birthday. After a failed attempt to bring the thugs to justice, Riley disappears. Five years later, members of the cartel start dying and it seems Riley North has transformed into an avenging angel and revenge is exactly what she is back for!
Comic book based flick finds intrepid reporter Eddie Brock (Tom Hardy) investigating the Life Foundation and it’s CEO Carlton Drake (Riz Ahmed), who unbeknownst to Eddie has just retrieved some symbiotic organisms from space. Eddie gets infected by one of those organisms when sneaking into the foundation headquarters and now he and the alien creature become one as the anti-hero Venom! Can they stop Drake, who has acquired his own sinister symbiote and plans to help them invade the Earth?
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Lackluster sequel took five writers…including star Rudd…to write the script and still produces a somewhat disappointing flick. Follow-up finds Scott Lang/Ant-Man (Paul Rudd) under house arrest after his stint in Germany with the civil warring Avengers. Hope van Dyne (Evangeline Lilly) and Dr. Hank Pym (Michael Douglas), who are pissed at him for the blow-back from Germany, sneak him out to help them in an effort to rescue Pym’s wife Janet (Michelle Pfeiffer) from the quantum realm. In their way is a quantum phasing villain named Ghost (Hannah John-Kamen) who wants Pym’s equipment for her own purposes. If that’s not enough, slimy black market technology dealer Sonny Burch (Walton Goggins) wants Pym’s equipment for HIS own greedy ventures.
Peyton Reed returns to direct and can’t get a whole lot out of this writer heavy, but content weak screenplay. Biggest problem is that aside from Pym’s noble goal of rescuing his long lost wife, one never gets the feeling that there is all that much at stake here. There’s never a sense of urgency to the proceedings and it just seems like a game of who’s got the miniaturized lab as it goes from one set of hands to another. Ghost is a decent villain, but all she wants is to stop phasing in and out of dimensions and so she’s more of a nuisance than an actually threat. When the only other villain is the comical Burch, we have a film without a real menace to liven up the convoluted proceedings. Films like this need a strong villain to click. Sure after the intensity of Avengers: Infinity War we needed something lighter and more fun, but thin and light are two different things and this film simply could have used more weight and been a bit livelier in the fun department. This seems very by-the-numbers and could have gotten a lot more out of the dynamic between Rudd’s Ant-Man and Lilly’s Wasp. The actors work well together, but the material here is weak. On the bright side there are some fun action sequences, like a romp through the streets of San Francisco and Luis (Michael Peña), Kurt (David Dastmalchian) and Dave (Tip Harris) are back to provide laughs as Scott’s former gang turned legit security advisors. This superhero sandwich may be light on meat, but is still edible and at least never boring.
Except for Goggins, Hannah John Kamen, Pfeiffer and Larry Fishburn, as a former friend of Hank Pym, the cast are all returning from the first Ant-Man flick. Rudd is charming and fun as Lang/Ant-Man though we wish he and the other four writers gave him some far more clever punchlines. Evangeline Lilly fairs a bit better showing some real superhero potential as the smart-ass, kick-ass Hope/Wasp. She and Rudd have a nice chemistry, even if they play out the cliché “they broke up between films and now are rediscovering their attraction” scenario. Douglas is a veteran and again is charming as the grumpy Pym. Pfeiffer doesn’t have a lot of screen time, but makes an impression and is a welcome addition to the gang. Hannah John-Kamen is solid as Ghost and a bit sympathetic, though she isn’t portrayed as a real threat. Fishburn is fine as a former friend and associate of Pym who may…or may not…want to help Hank retrieve Janet. Goggins is OK as the more comical than diabolical Burch. Like his Tomb Raider villain, he could have been more intimidating, but isn’t. As our bumbling trio, Peña, Dastmalchian and Harris are fun, though their presence in this story seems a little forced. Judy Greer, Bobby Cannavale and Abby Ryder Fortson also return as Lang’s “family”. A solid cast, but let down a bit by a sub-par script.
In conclusion, there was a lot of potential here with a good cast, but a weak screenplay keeps this more in the realm of mediocre than Marvel-ous. The story doesn’t present a scenario that evokes urgency or suspense and the one-liners are less imaginative and fun this time. The direction seems by-the-numbers and the creative spark of the first flick isn’t quite there. The actors help elevate this a bit with an energetic and fun Wasp from Evangeline Lilly and some amusing moments from Rudd and his trio of side-kicks. There is more than one villain, though none of them are truly villainous, so, at least there are some fun action/fight scenes to keep us somewhat entertained. Never boring, but never especially exciting either. Stay through the credits for two additional scenes that answer questions as to when this entry takes place in the scheme of Avengers: Infinity War.
Rated 2 and 1/2 ants.
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Sequel finds our wise-cracking, anti-hero suffering a devastating personal loss and turning suicidal. With his powers of regeneration, that doesn’t work out so well and so Colossus (Stefan Kapičić) tries to help by recruiting him to the X-Men. That doesn’t work out so well either and Wade a.k.a. Deadpool (Ryan Reynolds) finds himself sent to the Ice Box, a prison designed for mutants, along with a powerful, troubled boy named Russell (Julian Dennison). When a cyborg from the future named Cable (Josh Brolin) comes to kill Russell, Deadpool sees saving the boy as a way to prove he is capable of doing the right thing…but is he?
Deadpool 2 is this time directed by David Leitch (John Wick, Atomic Blonde) from a script by returning writers Paul Wernick, and Rhett Reese, along with star Ryan Reynolds. It doesn’t quite have the edge or energy of the first film, but is still good, naughty, bloody fun. The film is filled with the now traditional pop culture references and shots taken at other Marvel and DC properties, including The Merc with the Mouth telling Brolin’s Cable to “Pump the hate breaks Thanos“ at one point. The flick is a bit larger scaled with the action, no better example than an especially fun sequence with Deadpool and his team of misfits, including ‘lucky’ mercenary Domino (Zazie Beets), trying to stop Cable’s assault on an armored convoy. It’s bigger than anything seen in this series so far and gives Reynold’s co-stars a piece of the action, too. The flick has the usual humor-laced graphic violence and there are plenty of raunchy jokes with just enough wit behind them to make them work. A sequence with Wade regenerating his lost legs is especially hilarious. In fact while the flick seems to take itself a bit too seriously at times, in the first half, the second half comes alive with what we came for…including some hysterical post credit scenes. Like the first film, not everything works, but does succeed more often than not. The new characters of Cable and Domino are welcome to the Deadpool universe and we get returning familiar faces like Colossus, Negasonic Teenage Warhead (Brianna Hildebrand), Weasel (T.J. Miller) and Wade’s ever-loving girlfriend, Vanessa (Morena Baccarin). It’s a fun time and while the hi-jinx aren’t exactly new, they are still fairly fresh here thanks to the creative team and the actors getting the tone of the material perfectly.
Ryan Reynolds is born to play this part and he does so like a boss. He delivers his lines with the same deadpan confidence as he did last time, while unafraid to equally poke fun at himself. Josh Brolin’s Cable may not quite be up to his Thanos from Avengers: Infinity War, but his second Marvel character this summer is still a solid villain that avoids being two dimensional, all the while having a deadpan sense of humor of his own. Zazie Beetz is a sexy delight as Domino. A mercenary who claims her superpower is luck and she’s an ass-kicker and can be quite funny herself. Julian Dennison is good as Russell. At first we feel sorry for his picked-on and abused mutant, but also start to see the power and rage which will become a problem in Cable’s future. Morena Baccarin is back as sexy, sassy Vanessa and we wish she had a bigger part. Colossus is again fun as voiced by Stefan Kapičić, still amusingly portraying the metal encased X-Man as a big metal boy scout. T.J. Miller is still fun as Wade’s buddy Weasel. Brianna Hildebrand is back as N.T.W. and with a new look and a mutant girlfriend, Yukio (Shioli Kutsuna). Leslie Uggams is also back as Wade’s roommate Blind Al and Karan Soni returns as faithful cab driver and assassin wannabe Dopinder. There are also some great cameos that won’t be spoiled here.
In conclusion, it may not quite have the edge that the first film had, but it is still raunchy, bloody, sarcastic fun. There are some welcome new characters to add to the returning familiar faces and some bigger action set-pieces to throw those characters into. Reynolds is perfect again as the “Merc with the Mouth” and there are some fun post credits scenes to stick around for. Not exactly an equal, but an entertaining sequel that, in a way, is it’s own thing! As usual there is a soundtrack of cool songs included in the mayhem.
3 unicorns…like last time.
“In time, you will know what it’s like to lose. To feel so desperately that you’re right, yet to fail all the same. Dread it. Run from it. Destiny still arrives.” ―Thanos
Third Avengers film finds the “Mad Titan” Thanos (Josh Brolin) deciding to restore balance to the universe by killing half of it’s population. To do this he must track down six powerful infinity stones to be placed in a gauntlet, that once completed, will give him the means to do so. To stop him, The Avengers must put aside their differences and The Guardians of the Galaxy must learn to play nice with The Avengers. Not as simple as it sounds as Thanos and his four children…The Black Order…will destroy anything in their path to get the stones…two of which are already on Earth.
Spectacularly entertaining film is directed with a wonderful mix of intensity, action and humor by Joe and Anthony Russo, who gave us the best Marvel film…until now…Captain America: The Winter Soldier. It’s written by Christopher Markus and Stephen McFeely who get a whole lot of story going without the film ever feeling like it’s too busy or a mess. Our heroes are split up on various quests. Thor (Chris Hemsworth) to forge a new weapon, Stark (Robert Downey Jr.), Spider-Man (Tom Holland) and Dr. Strange (Benedict Cumberbatch) to keep Thanos from getting the Time Stone and Cap (Chris Evans), Widow (Scarlett Johansson) and Black Panther (Chadwick Boseman) are trying to keep the Mind Stone in Vision’s (Paul Bettany) head out of Thanos’ mitt as well. The action scenes are far more spectacular than we have yet seen in the MCU and in this film series we’ve seen a lot. What can you say about a film that gives you Thanos vs Hulk in the first five minutes and that’s just for starters. What makes this film work so well, though, is not only some wonderful camaraderie between the many characters, but some very emotionally powerful moments, too. The Russos give this film an emotional depth that this series has rarely experienced and Joss Whedon’s first two Avengers movies rarely touched on. There are some side-split-tingly funny dialogue exchanges, too, between characters…such as Banner’s “There’s a Spider-Man AND an Ant-Man?”…and some heart skipping moments, that won’t be spoiled here. The writers pick some great character team ups, like Strange and Stark and Thor and Rocket with some great cameos that also won’t be spoiled here. None of this would work, however, with a weak villain and thankfully Thanos is one of the best MCU villains so far. He is given depth, a purpose…although, a diabolical one…and a powerful presence. It all combines for a villain who lives up to his threat factor big time and puts our heroes in more danger than they have ever been in…a danger they all face valiantly.
The cast is too large to discuss each individually. Our mainstays from the series all perform well with some stand-outs. Hemsworth is a highlight with Ragnarok’s changes to the God of Thunder carrying over here. While initially critical of Cumberbatch as Strange, he has grown into the role very well and the Russos use him wisely. Holland is turning into a great Spider-Man and the script, under the Russo Brother’s guidance, fix the awkward relationship between Peter and Tony that didn’t gel so well in Spiderman: Homecoming. Almost everyone is given their moments, there is some great dialogue for them and the whole cast are given some really intense scenes, unlike they have been afforded before, to shine in. The real force here is Josh Brolin as the Mad Titan. He does voice and motion capture for Thanos and really gives him a powerful presence and an intensity, few MCU villains have mustered in the film series’ decade history. You believe he is a threat and yet, they give him some emotional moments of his own, which give him a depth which only adds to his effectiveness. He makes this epic work. If there is any issue with characters, it’s that Thanos’ CGI children…Proxima Midnight, Corvus Glaive, Ebony Maw and Cull Obsidian mostly come across as generic monsters, save for the creepy Ebony Maw…but Thanos gets most of the screen time.
There is very little to gripe about here. At 160 minutes, one or two scenes run on a bit long and a few characters, like Black Widow and Falcon get shortchanged in the whole of things. However we do get a comic book movie of epic proportions that brings spectacular action, nerve-wracking intensity, dramatic weight and some outright hilarious dialogue moments, all mixed to perfection by the Russo Brothers. Sure there is more to the story and the end leaves us wanting that more, but next summer the fourth installment arrives and it is going to have to be something else to surpass this, one of the MCU’s absolute best installments so far. Spectacular entertainment!
…and don’t forget to stay during the entire credits for a post credits scene that will knock your socks off.
Rated 4 infinity gauntlets.