REVIEW: SPIDER-MAN: FAR FROM HOME (2019)

MZNJ_New_review

now playing



bars

SPIDER-MAN: FAR FROM HOME (2019)

Spider-Man: Far From Home opens with a lot going on in the life of Peter Parker (Tom Holland). He’s adjusting to life after returning from “The Blip”…the five year period during which those Thanos vanquished were gone. He’s trying to cope with the death of mentor Tony Stark. He’s dealing with an apparent relationship between Happy Hogan (John Favreau) and Aunt May (Marisa Tomei) and his own feelings for MJ (Zendaya). Even his class trip to Europe gets complicated as he’s approached by Nick Fury (Samuel L. Jackson) to battle creatures from another dimension with help from Quentin Beck, aka Mysterio (Jake Gyllenhaal), a man said to be from an alternate dimension Earth. Can Peter save the planet, his friends and win the heart of MJ?…and can he trust Mysterio?

Sequel is a lot of fun and a bit bittersweet, as it deals with the effects of Tony Stark’s death on Peter and the world and it’s the first MCU flick without a cameo from the late, great Stan Lee. It’s directed with enthusiasm and a fast pace by a returning Jon Watts from a script by Chris McKenna and Erik Sommers. It’s a bit refreshing…and slightly off-putting…getting Peter Parker out of NYC for a while, but it keeps things fresh as Peter tries to deal with Stark’s hopes the he would pick up the mantle, if anything should ever happened to Tony…and it obviously has. There are a lot of lighter moments, too, as Peter has to juggle his secret mission for Fury, keep his identity a secret, battle otherworldly creatures and still try to win MJ away from handsome jock Brad (Remy Hii). The script keeps the various story elements mixed nicely, all the while delivering some spectacular action scenes in various European locals, much like a 007 film. The movie establishes a nice bond between Peter and Quentin which makes the betrayal all the more effective, even though we know it’s coming, as Mysterio is one of Spidy’s classic villains. It all comes together in a nice, action-packed climax in London and then a shocking mid-credits sequence back in NYC that has a familiar face turning Peter and Spider-Man’s life upside down. The next Spider-Man flick should be interesting indeed!

The cast are all good. Tom Holland is a great Peter Parker and he handles the various emotions very well. He’s a superhero still growing into his suit and now has to handle the pressure of Stark choosing him as his successor. He also has to balance his duty to battling evil and satisfy his own heart with the girl he’s falling for. As MJ, Zendaya is smart, sarcastically funny, sweet at heart and has a girl next door beauty that makes her completely crush worthy and a fitting addition to Peter’s small circle. The actress creates a very quirky, independent, yet endearing character. Jackson and Favreau can play their characters in their sleep at this point and thankfully they don’t. Jake Gyllenhaal is a welcome addition to the MCU as Quentin Beck, aka Mysterio. Initially he delivers a man with very noble and heroic intentions, a man you can believe Peter would bond with. Once his nefarious plan is unveiled, Gyllenhaal goes delightfully over-the-top for some solid villainy. A good choice for one of Spider-Man’s major bad guys. The supporting cast, such as Jacob Batalon as the lovable Ned, Tony Revolori as Flash, Martin Starr as Mr. Harrington and Marisa Tomei as Aunt May, all create entertaining supporting characters in their given moments.

After the dramatic intensity of Avengers: Endgame, Far From Home delivers a lighter break, but with enough emotional depth to make sense with what it follows and as the supposed last film in MCU Phase 3. It has Peter Parker adjusting to missing five years, handling the death of his mentor and the possibility of filling his shoes to a degree. As with all the Spider-Man films, he also has to balance being a hero and yet still be a teenage boy. There are some really fun moments, a lot of spectacular action, it balances multiple characters well and delivers a solid villain in Mysterio. There are a few scenes that could have been a bit shorter, but overall is a lot of fun and feels far more like it’s own film than Homecoming. Stay through the credits for a shocking mid credits scene and a fun end credits scene.

-MonsterZero NJ

3 and 1/2 (out of 4) webs!


 

bars

Advertisements

REVIEW: AVENGERS: ENDGAME (2019)

MZNJ_New_review

now playing

bars

AVENGERS: ENDGAME (2019)

“Whatever it takes” ―The Avengers

Fourth Avengers flick finds the surviving heroes still devastated by the mass genocide caused by Thanos and the Infinity Stones. Five years later, hope is reignited as the reappearance of one of their number thought dead, gives The Avengers one last chance to possibly set things right.

Joe and Anthony Russo, again armed with a script written by Christopher Markus and Stephen McFeely, give this ten year journey the best ending possible. It’s an emotionally draining roller coaster ride as The Avengers enact a desperate plan that will lead them to a final showdown with the Mad Titan…and we’re along with them, every step of the way. It’s the type of movie best enjoyed going in knowing as little as possible, so this will be brief. There are loads of surprises, epic battles, some wonderful cameos and a plot that cleverly wraps up the story and also manages to pay tribute to what came before. There are some truly great moments here and heartbreaking ones, too. The audience in attendance laughed hysterically, cheered thunderously and some even wept openly. It wraps up the last ten years wonderfully, while opening some doors to the future. Simply a great flick and an enormously entertaining 181 minutes.

The cast is once again, too large to discuss each individually, but all deserve kudos. Our mainstays from the series all perform these now familiar characters with the expected gusto. A great ensemble cast that has endeared us over the last decade and have grown into their roles so well. Josh Brolin again impresses as Thanos, the Mad Titan. The clever script gives us a bit of a different Thanos, one possibly more dangerous than he was in Infinity War. There are too many great character cameos to mention, which is fine, as they will not be spoiled here anyway. A spectacular cast.

There are a few flaws, but for all the spectacle and emotion you get in it’s three hour running time, they are too small to bother discussing. A clever script and story gives us everything we could hope for from epic battles, heartbreaking actions, nail-biting suspense and some truly hilarious moments, all mixed very well. It rarely slows down and only stumbles slightly here and there, but otherwise is an epic finale to a great series of movies. While there is no post credits scene, stay during the entire credits anyway for a wonderful sendoff to our beloved heroes.

…and, on a personal note, I can’t remember the last time I laughed, cheered and even teared up so much in one movie…and I’ve been watching movies for over five decades-MZNJ

-MonsterZero NJ

Rated 4 (out of 4) infinity gauntlets.

 

bars

REVIEW: CAPTAIN MARVEL (2019)

MZNJ_New_review

now playing

bars

CAPTAIN MARVEL (2019)

 

Latest MCU film begins with the tale of Vers (Brie Larson), an elite warrior for the Kree Starforce who are fighting an invasion by shape-shifting beings known as Skrulls. Vers is captured by the Skrulls and upon escaping her imprisonment, finds out they are looking for a woman named Wendy Lawson (Annette Bening), a scientist on planet D-53…Earth. Vers crash lands on Earth, where it’s the year 1995 and soon finds all is not what it seems and her strange dreams may be memories from her life there, as Air Force pilot Carol Danvers. With her team commander Yon-Rogg (Jude Law) out of reach and Skrull leader Talos (Ben Mendelsohn) in hot pursuit, can Vers/Carol find out who she really is and how she got her powers?

Superhero epic is directed by Anna Boden and Ryan Fleck from a script and story by they, Meg LeFauve, Geneva Robertson-Dworet and Nicole Perlman. Five people on a screenplay is rarely good news and too many cooks do spoil the soup here. The story is choppy and feels like exactly what it is, a script Frankenstein-ed together by five different writers. Add to that, it is one of the most flatly directed of the Marvel epics and you have a disappointing first adventure for Carol Danvers. The action is bland and routine, there is little suspense or excitement and the 90s nostalgia is overdone, with too many songs shoehorned into the soundtrack and far too many pop culture references for it’s own good. The film seems to stop dead sometimes to almost scream out “Hey, look…it’s the 90s”. It’s obtrusive. Even Captain Marvel’s spectacular powers are presented without any of the awe and wonder they need to give them impact. The only thing that elevates this by-the-numbers epic is the veteran cast.

Here is where Captain Marvel gets it’s only luster. Oscar winner Brie Larson is a great choice to play Danvers and her confident swagger and disarming smile really help the audience warm up to her and she’s very likable despite a mediocre maiden voyage. She also is solid in the action scenes and we wish that action were more worthy of it’s leading lady’s charm and spinning back-kicks. She has a great chemistry with her Kong: Skull Island co-star Samuel L. Jackson, who returns as a younger, and somewhat less hardened Nick Fury. Jackson is jackson and he seems to be having a good time as Larson’s second banana. Ben Mendelsohn is good as Talos and the Skrull has a disarming sarcasm to his delivery and a few secrets of his own. Bening, Jude Law and Agent Coulson himself, Clark Gregg, all do well despite underwritten parts. We even get a few brief moments from Lee Pace returning as Guardians of the Galaxy’s Ronan The Accuser, along with his henchmen Korath, again played by Djimon Hounsou…and let’s not forget “Goose” the cat.

Overall, this is one of Marvel’s lesser efforts and sometimes feels thrown together just to introduce the Captain before she returns to kick Thanos ass in Avengers: Endgame. It’s bland and very routine and it’s only a stellar effort by the film’s cast that elevates it above an outright failure. You know a movie is in trouble when it’s mid-credits and post-credits scenes are better than the movie that precedes them. At least the film opens with a wonderful goodbye to Stan Lee, where images from all his Marvel cameos replace the usual heroes in the Marvel logo sequence. A very touching moment and one wishes the rest of the movie had as much heart.

-MonsterZero NJ

Rated 2 and 1/2 (out of 4) Marvels.

 

 

 

 

bars

AVENGERS: ENDGAME GETS A TEASER TRAILER!

MZNJ_NEW_news

48056301_2067723923285603_1712580860244393984_n.jpg

**************************************************

The fourth Avengers flick gets an official title…Avengers: Endgame…and a teaser trailer! The original release date for the film was May 3rd, now the poster says April 26th. The sooner the better!…as the team plans to take on Thanos one last time!

**************************************************

source: Youtube

bars

CAPTAIN MARVEL GETS A NEW TRAILER!

MZNJ_NEW_news

**************************************************

The Adventures of Carol Danvers aka Captain Marvel (Brie Larson) are headed our way on March 8, 2019 and a second trailer has landed! Captain Marvel is directed by Anna Boden and Ryan Fleck and co-stars Samuel L.Jackson and Ben Mendelsohn !

**************************************************

source: Youtube

bars

BARE BONES: PEPPERMINT (2018)

MZNJ_bareBones_Marquee

now playing

Humerus-Bone1

PEPPERMINT (2018)

Loving wife and mother RIley North (Jennifer Garner) watches in horror when she sees her husband (Jeff Hephner) and daughter (Cailey Fleming) gunned down by members of a drug cartel on her daughter’s birthday. After a failed attempt to bring the thugs to justice, Riley disappears. Five years later, members of the cartel start dying and it seems Riley North has transformed into an avenging angel and revenge is exactly what she is back for!

Film is directed very by-the-numbers by Pierre Morel from an extremely lazy script by Chad St. John. Lazy because the most important aspects of the story, such as Riley’s transformation from mom to vigilante and even the killing of the three men actually responsible for her husband and daughter’s deaths, occur off-screen. We jump five years after the ineffective trial to RIley’s war on the cartel in midstream. All we get is some FBI babble about her spending time in Europe and Asia and being a cage fighter to a gun store theft with Riley taking some very specific weaponry. Riley is now wiping out cartel members like a widowed Rambo and becoming a folk hero on the mean streets in the process. Where did she acquire her arms training? Her knowledge of guns and ammo? She’s outmaneuvering and mowing down men who have spent their entire lives with guns and in gangs. When we last saw Riley she was a banker. What really happened to her in those five years aside from what little we are told? That’s what’s important to give the story some needed substance, but St. John’s script gives us scraps and more clichés than Riley delivers bullets. Even an 80s style training montage would have supplied more information. At least Garner is very effective as Riley and it’s too bad her soulful anti-heroine isn’t in a much better movie that the actress’ work deserves.

-MonsterZero NJ

Humerus-Bone1 

bars

BARE BONES: VENOM (2018)

MZNJ_bareBones_Marquee

now playing

Humerus-Bone1

VENOM (2018)

Comic book based flick finds intrepid reporter Eddie Brock (Tom Hardy) investigating the Life Foundation and it’s CEO Carlton Drake (Riz Ahmed), who unbeknownst to Eddie has just retrieved some symbiotic organisms from space. Eddie gets infected by one of those organisms when sneaking into the foundation headquarters and now he and the alien creature become one as the anti-hero Venom! Can they stop Drake, who has acquired his own sinister symbiote and plans to help them invade the Earth?

Film is directed well enough by Ruben Fleischer (Zombieland), but from a mess of a script by Jeff Pinker, Scott Rosenberg and Kelly Marcel. What story there is, is all over the place and the tone of the film goes back and forth from serious Sci-fi thriller to absurd comedy, sometimes in the same scene. Hardy can be a hoot at times, though, with an eccentric performance and the relationship between he and Venom can be amusing. There are a few decent action sequences, but the human villains are boring and Venom and his adversary Riot are obvious cheesy CGI creations and have no real weight or presence. Overall it’s a silly film, with sub-standard SPFX and is possibly the worst Marvel flick since the equally messy and tonally challenged Iron Man 3. You’d think with the success of the R-rated Deadpool, they’d have gone for something a lot edgier considering the subject matter.
A schizophrenic and forgettable first solo venture for the Spider-Man villain turned anti-hero, though box office returns will probably earn it the sequel the mid-credits scene sets up. Also stars Michelle Williams as Brock’s long suffering girlfriend Anne and a cameo from Woody Harrelson as a familiar face from the Venom comics.

-MonsterZero NJ

Humerus-Bone1 

bars

CAPTAIN MARVEL GETS A TEASER TRAILER!

MZNJ_NEW_news

42111145_1953840894673907_6913066204433219584_n.jpg

**************************************************

The Adventures of Carol Danvers aka Captain Marvel (Brie Larson) are headed our way on March 8, 2019 and we finally get a first trailer! Looks like it could be another hit for Marvel! Film is directed by Anna Boden and Ryan Fleck!

**************************************************

source: Youtube

bars

REVIEW: ANT-MAN AND THE WASP (2018)

MZNJ_New_review

now playing

bars

ANT-MAN AND THE WASP (2018)

(Remember, clicking the highlighted links brings you to other reviews and articles here at The Movie Madhouse!)

Lackluster sequel took five writers…including star Rudd…to write the script and still produces a somewhat disappointing flick. Follow-up finds Scott Lang/Ant-Man (Paul Rudd) under house arrest after his stint in Germany with the civil warring Avengers. Hope van Dyne (Evangeline Lilly) and Dr. Hank Pym (Michael Douglas), who are pissed at him for the blow-back from Germany, sneak him out to help them in an effort to rescue Pym’s wife Janet (Michelle Pfeiffer) from the quantum realm. In their way is a quantum phasing villain named Ghost (Hannah John-Kamen) who wants Pym’s equipment for her own purposes. If that’s not enough, slimy black market technology dealer Sonny Burch (Walton Goggins) wants Pym’s equipment for HIS own greedy ventures.

Peyton Reed returns to direct and can’t get a whole lot out of this writer heavy, but content weak screenplay. Biggest problem is that aside from Pym’s noble goal of rescuing his long lost wife, one never gets the feeling that there is all that much at stake here. There’s never a sense of urgency to the proceedings and it just seems like a game of who’s got the miniaturized lab as it goes from one set of hands to another. Ghost is a decent villain, but all she wants is to stop phasing in and out of dimensions and so she’s more of a nuisance than an actually threat. When the only other villain is the comical Burch, we have a film without a real menace to liven up the convoluted proceedings. Films like this need a strong villain to click. Sure after the intensity of Avengers: Infinity War we needed something lighter and more fun, but thin and light are two different things and this film simply could have used more weight and been a bit livelier in the fun department. This seems very by-the-numbers and could have gotten a lot more out of the dynamic between Rudd’s Ant-Man and Lilly’s Wasp. The actors work well together, but the material here is weak. On the bright side there are some fun action sequences, like a romp through the streets of San Francisco and Luis (Michael Peña), Kurt (David Dastmalchian) and Dave (Tip Harris) are back to provide laughs as Scott’s former gang turned legit security advisors. This superhero sandwich may be light on meat, but is still edible and at least never boring.

Except for Goggins, Hannah John Kamen, Pfeiffer and Larry Fishburn, as a former friend of Hank Pym, the cast are all returning from the first Ant-Man flick. Rudd is charming and fun as Lang/Ant-Man though we wish he and the other four writers gave him some far more clever punchlines. Evangeline Lilly fairs a bit better showing some real superhero potential as the smart-ass, kick-ass Hope/Wasp. She and Rudd have a nice chemistry, even if they play out the cliché “they broke up between films and now are rediscovering their attraction” scenario. Douglas is a veteran and again is charming as the grumpy Pym. Pfeiffer doesn’t have a lot of screen time, but makes an impression and is a welcome addition to the gang. Hannah John-Kamen is solid as Ghost and a bit sympathetic, though she isn’t portrayed as a real threat. Fishburn is fine as a former friend and associate of Pym who may…or may not…want to help Hank retrieve Janet. Goggins is OK as the more comical than diabolical Burch. Like his Tomb Raider villain, he could have been more intimidating, but isn’t. As our bumbling trio, Peña, Dastmalchian and Harris are fun, though their presence in this story seems a little forced. Judy Greer, Bobby Cannavale and Abby Ryder Fortson also return as Lang’s “family”. A solid cast, but let down a bit by a sub-par script.

In conclusion, there was a lot of potential here with a good cast, but a weak screenplay keeps this more in the realm of mediocre than Marvel-ous. The story doesn’t present a scenario that evokes urgency or suspense and the one-liners are less imaginative and fun this time. The direction seems by-the-numbers and the creative spark of the first flick isn’t quite there. The actors help elevate this a bit with an energetic and fun Wasp from Evangeline Lilly and some amusing moments from Rudd and his trio of side-kicks. There is more than one villain, though none of them are truly villainous, so, at least there are some fun action/fight scenes to keep us somewhat entertained. Never boring, but never especially exciting either. Stay through the credits for two additional scenes that answer questions as to when this entry takes place in the scheme of Avengers: Infinity War.

-MonsterZero NJ

  Rated 2 and 1/2 ants.

 

 

 

 

bars