BARE BONES: SEPARATION (2021)

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Separation

SEPARATION (2021)

Jeff and Maggie Vahn (Rupert Friend and Mamie Gummer) are two comic book creators who are separated and in the middle of a messy divorce, that includes a custody battle for their daughter Jenny (Violet McGraw). Jeff is out of work and when Maggie is killed in a hit and run, he has to find a job fast to keep Jenny from her rich, custody seeking grandfather (Brian Cox). Just as things start to turn around for Jeff, it begins to seem like a dark entity might be stalking he and his daughter…a spirit that might be his angry, dead, ex-wife.

Film is by-the-numbers directed by William Brent Bell (WerThe Boy), from a script by Nick Amadeus and Josh Braun, and is far more run-of-the-mill family drama than supernatural horror. Bell does create a few spooky moments and has a nice visual eye, but the spooky scenes are very few and far between, till the climax, as we watch Jeff try to turn into an adult to prove he is capable of taking care of Jenny. Aside from a few effective but briefly seen specters, and a few nightmare scenes, there is nothing really all that scary here. When spooky stuff does happen, it is very cliché, such as jittery moving phantoms whose bones click and creak with each articulation and a child blamed for a ghost’s destructive hi-jinx. The end reveal is also no real surprise either and gives the feeling of being an afterthought. The cast are OK, with only little Violet McGraw and veteran Brian Cox really showing some screen presence, and Cam star Madeline Brewer appearing as the babysitter with feelings for Jeff, Samantha. Overall, the potential Bell showed in his first few flicks seems to have settled into a sadly familiar routine with his recent studio films, which, including this one, are kind of forgettable.

-MonsterZero NJ

2 and 1-2 star rating

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10 PERFORMANCES THAT PROVE WOMEN RULED HORROR IN 2018!

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10 PERFORMANCES THAT PROVE WOMEN RULED HORROR IN 2018!

Horror was one of the first genres to provide strong roles for women. From Gloria Holden as Dracula’s Daughter to Jamie Lee Curtis as quintessential final girl Laurie Strode, women have always played a very important part. 2018 was no different, as there were a number of strong performances from the ladies in a variety of leading roles. Thusly, here are ten equally awesome performances by women in horror that proved that the ladies ruled the genre in 2018!…

(Just click on the highlighted titles to go to our reviews of these films for a more detailed description of the performances listed!)

#1 BRITTANY ALLEN as Jules in What Keeps You Alive

#2 HANNAH EMILY ANDERSON as Jackie in What Keeps You Alive

#3 NICOLE MUÑOZ as Leah in Pyewacket

#4 LAURIE HOLDEN as Mrs. Reyes in Pyewacket

#5 SCOUT TAYLOR-COMPTON as Alice in Feral

#6 TONI COLLETTE as Annie in Hereditary

#7 JAMIE LEE CURTIS as Laurie Strode in Halloween 2018

#8 TILDA SWINTON as Madame Blanc, Helena Markos and Dr. Josef Klemperer in SUSPIRIA 2018

#9 KATE SIEGEL as Theo Crain in The Haunting of Hill House

#10 DANA CHRISTINA as Allison in Extremity

HONORABLE MENTION

MADELINE BREWER as Lola/Alice in Cam

Hit the link HERE for a similar listing from 2014. Another banner year for female performances! While you’re there, find out which of these amazing ladies here also made that list in 2014!

-MonsterZero NJ

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HORROR YOU MIGHT HAVE MISSED: CAM (2018)

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CAM (2018)

(Clicking the highlighted links brings you to corresponding reviews and articles here at The Movie Madhouse!)

Cam is an interesting and sometimes unsettling thriller about pretty Alice (Madeline Brewer), who unbeknownst to her mother, works as a web cam model known as “Lola”. Alice is struggling to get her sexy/playful online show up in the ratings, and is just happy to break the top fifty. One morning she awakens to find that her account has been stolen and her web show is now being run by a woman who looks like her exact duplicate. Not only is having her identity and livelihood stolen away from her driving her crazy, but this new “Lola” is rising in the ratings faster than Alice ever could. Now the desperate young woman goes on a hunt to find out who…or what…has taken over her cyberspace.

Effectively directed by Daniel Goldhaber, from a script and story by he, Isa Mazzei and Isabelle Link-Levy, this is a movie that delves into a few cyber subjects while telling it’s tale of a woman whose alter-ego is stolen away from her. Aside from identity theft, it covers the world of sexy web shows and chat rooms, internet celebrities, the lengths folks go to become famous on the web, cyber relationships, as well as, cyber stalking turning into real stalking as one of “Lola’s” online followers “Tinker” finds her in real life. The film has a slightly playful nature at first, than gets a bit creepy as we watch Alice’s online world and identity taken away. She goes on a quest to find this impostor, but along the way we learn a lot about this online alternate reality and how it becomes the only reality for some. We also see the damage caused when the impostor’s antics out Alice to the real world and the negative impact it has on her and her family. It all leads to a cyber showdown with Alice trying to turn the tables on Lola V2, which is tense and unsettling. It’s an off-beat and clever little movie that can be quite disturbing at times and in more ways than one. Are we heading towards a fantasy world that exists totally online? Cam might give some cyber food for thought on that, as it’s conclusion is no surprise and that’s on purpose. It’s making a point and making us think. There may be some unanswered questions, too, by the time it’s over, but in this case, the cause is not the focus but the effect. Besides, if you pay attention to what some of the characters are saying and a few things that occur, you can probably fill in the blanks on your own.

As for the cast, this is Madeline Brewer’s show and she gives a lively and strong performance as Alice, her alter-ego Lola and the impostor Lola. She’s a perky and slightly eccentric young woman as Alice, playful and sexy as Lola and gives Lola V2 something a bit off as the impostor escalates the sexy hi-jinx, yet, we feel there is something not quite right about her. Very good work by an actress that has to carry pretty much the whole movie on her shoulders. In support there is Love Witch’s Samantha Robinson as an online rival, Patch Darragh, who is suitably creepy as Tinker and Michael Dempsy as another of Lola’s followers who…surprise!…also turns out to be a creep.

Cam isn’t the first time cyberspace and impostors have been the subject of a horror or thriller. Just recently, we saw sexual chatrooms and cam shows in Girlhouse, mysterious doppelgangers in Imitation Girl and +1, cyber stalking in Open Windows and other cyber horrors in the Unfriended movies. Still Cam has it’s own style and a strong leading lady to stand out from the pack in how it presents it’s tale and themes. It’s a fun thriller and a bit disturbing in it’s portrayal of a world that exists on the internet and how so very important it has become to some.

-MonsterZero NJ

3 very solid laptops.


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